Gustav Holst

The Planets

Euphonium
I Mars, the Bringer of War
    
(Transposed)

      
    

 
Allegro 1
Bass Trb.

      

cresc.

     
 cresc.

       
27

             
           
  cresc.

         
36

 3        3        3       
 sempre cresc.

      
 
40
2

               


         
44

         
  
        
    


3 Bass. Trb.


49

                        
    

4 Solo
68

                    
 3 3 3 3

    

5 Solo
72

                       
 3 3

 

86

   
            

 
90

 cresc.
   
        
             
  
6 7

 
95
Vns.

 3        3        3      
    

110

      
      


   
114

  
                

120

                 
3 3


126

  
                 
3 3

 
128

  
           
3 3

  


  
8


132 Solo

                         
3 3



137

    
               

141

    
         
     
        
  
9


145
Vns.

  
  
 
10

              
 
159

     
  
           
    
164



2
          

 
12

    
172
11

        

3

 


     
181

II Venus, the Bringer of Peace TACET

III Mercury, the Winged Messenger TACET

IV Jupiter, the Bringer of Jollity



                  
       
186 Trp. 1, 2

      
            
    



cresc.

  
204
1

       3 


    
 
         

2 Rit.



212
Tr. 1 stacc.

          
     
cresc. 

    
   
    
274
4 5 Vns. 6



             
     


320
Piu mosso

                     

3 3 3 


334

         
    
3 3

  

340
7

                
3 

 
   
347
8

dim.

3
              
       
 
  
9


379

     
         


       
409

                         


  

11 Maestoso



10


419 Vns.


                      


 
 
447

     
 
    
  
 3

  
452

         


  
  
cresc.


457
12 accel.

    


 

490
13 accel.
a tempo 14 15

         
            
16

      
546
Trp. 3 3

             
3


        
552

        
   
3 3 3

   
557

       
            
 accel.


570
17 Lento maestoso

         

3 3 3  molto cresc.

    
Presto


580

 

4
 V Saturn, the Bringer of Old Age TACET
VI Uranus, the Magician
    
 
 
             

Allegro
595 4

  
             



    
1 Stacc.

   
603
Tr. 3

  

                         
 cresc. 


617 4 4 4

 pizz. 
 
      
    
2 Vns.


620

   
         
   Stacc.

  

 
 
 cresc.

  

659 Solo

            
         


 
3


664

           
 


 
cresc.

  
672

     
   


      
 cresc.

   
680

      
 
 
               
686

       
  
4


692

  
 
    
      
5

   
718 Bass Ob.

  

5
                           
  
     


732 Solo

      
  


       
     
738

 


      


              
     
6 Trp. 1, 2

       
753 Solo

 
     
          
      


 
783
rall.

       
   
         
       
cresc. 
788

              
          
     
792

      
  4         
    
  
         
796

   
             

    
 
       
800


                          
        
 
804


                
           
 
4
808

     
        
   
Allegro
814

  


     


   
831
9

 
cresc.

VII Neptune, the Mystic TACET

6