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I hope you are starting to see a pattern in White’s play.

His queenside minor pieces have reached the


kingside and are ready to take part in a concerted attack on the black king.
Whilst objectively speaking Black might be OK, it’s not much fun for him to watch his opponent
lining up all his pieces against his king, with only some queenside play as compensation.

13... c8 14. h3

Question: What is the purpose of this move?

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Answer: After 14. g5 d4 Black has nothing to fear. For example, if 15. h5? h6 16. g4 hxg5
17.hxg5 White might hope to strike a decisive blow with ideas of f6+ or e4, g2 and h1. But this
is all a mirage as 17...g6! kills off the attack.
The general idea behind 14. h3 is to put pressure on e6 and introduce the motif of g5 and xe6 to
destroy Black’s centre. Here there is also a more concrete reason for the bishop move: for example, if
Black continues pushing queenside pawns with 14...a4 then 15. g5 suddenly has more potency as
15... d4 16.c3 f5? 17. xf5 exf5 18.e6! fxe6 19. xe6 wins the exchange.
Brandenburg therefore decides on a different defensive plan against White’s attacking idea. First of
all he puts his king on h8 to avoid any g5, xe6 and xe6 idea coming with check. It is also good to
rule out any sacrifice of a knight on f6 being with check.

14... h8 15. g5

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