Ne YMOYPFEIO NOAITIEMOY KPATIKH OPXHZTPA OEZZAAONIKHE AieuBuverig opxriotpag Mupa Mixanidng EoNor @e65upog KepxcZog (Zaképevo) Napaokeur 21 OxtwBpiou 2005 METAPO MOYZIKHE @EZZAAONIKHE:YMOYPFEIO NOAITIEMOY KPATIKH OPXHZTPA OEZZAAONIKHE KAMAITEXNIKH NEPIOAOZ, 2005-2006 AieuBuverig opxriotpag Mupa Mixanidng Zonior @e65upog KepxcZog (Zakdqwvo) Napaokeur 21 OxtwBpiou 2005 METAPO MOYZIKHE @EZZAAONIKHE: Napackeur 21 OxtwBpiou 2005 ‘OPA ENAPEHE: 21:00 TIAPOYZIAZH TOY CD ME THN ETAIPIA "NAXOS" ©. Avrwviou (1935 - ) "Concerto Piccolo yia Ghro oak opi KaL opxtOTPA (13) ‘A’ extédeon ané Tv KO.8. |. Cadenza a piacere - Allegro 1 Danza Iu, Epilogo: Cantilena M, @zo3wpaxng (1925 - ) «Kormxd Kovroeptivor via Gato oaESpwwo Kal apyrotpa (11') (evopxtiorpwon-Siaoxeut:F. ZaympoBakdnn) 'R Tayxoojaexréason 1 Vivo I. targo n. Alegro M. |. AdgEIddng (1960 - ) «buy Aravela» yia goripavo CoES@uWo Kal opxtiovpa (8) A’nrayxdoyia exréheon B. Tevidng (1936 - ) «Payudia tou Névrou» yia ddTO daképwvo Kat opytoTpa (12") ‘A’ extédcon and Ty KO.8. Ardea P. |. Tehaikovsky (1840-1893) Zupepuwia ap.6 oe or ekdacova, épyo 74 (40') (Marre) |. Adagio -Aflgro non troppo Il Alogro con grazia I Allogro moto vvace IV. Adagio lamentosoTevwfénee oto Hpdxkew Kpfme To 1968. FnovBage mivo ye Tov Anupn Tougeéy omy ABhua xa SeGuven opxotpas ue Toue Hans-Martin Rabenstein (Avatam™ Mouotkn Akarwia tou Bepodivou), Matidén KapUin xat Simon Fate (evBuv} Sdapuove Tou Bepohiou) “Fyer ovnmpdfer ue opxounKds ye TawWEpAHES opxToTPES (drug n FQ Opxtotpa Tov Bepoktvou, 1 Opxotpa me ‘Onepas THe AvaTOAMTE Pagavias, 1 ihapuovic} tou MaySeyBoupyou, 1) CdapuowKs tou Kou Bpavbeufodpyou, Suupumat Opyiowa me Boupryyng, Opxnowpa tHe Kéw ZAeotas, wag wat Ye ‘leq Tg ueydieg eXAnvNEs opxroTDed), éYel owyperdayer ae BieBvh geoTAA Kat ‘yevikdtepa €xet mpayyatononget ouvauhies of NOME ndhEK mE EupdTing, Meytn Roputna éye1 Ba0e1 omy npoBohh Tou EAARIKOU NOArMILOU KOI dinitena IG EAAIWUE UOUDIKE MLOUPyiOG KL TY vEWY EAR VOY KOAALTEXYOY aro eRuTepU, And tw 1999 éwo to 2004 Giatéheoe pdvgiog apyoUTIKdg oTV Onepa mo Avatohikig Zagwviag om Fepuavia, eve urpEE 0 puTic Kalo Npwtog MovarKos ‘ieuBuvere Me Opxtigwpac Eyxoo8uv New crn Koat Movoi 0K) too Zaiveynepyk ot Bepodivo, onou Kat diavédege [exp to 1998 KanynTs peneptopiou Onepac Kai Movoixri¢ Aupatiou, ouvepyatdpevoc pe nodudpi8ua onwSIKG atvOha, BG Kal HE aiveka Top KAY uoUHAY OpyavUN. “yer avariker Broxoypagic) napayuyi, Evi oto avyypapuS tou éoyo wraitepn avagond akifEt om cuyypagt efeidiKeuLENNg KAAAMTEXVIKRS Kat TEXVIKOOIKOVOHIKAS eléme via my Snioupyia Zupgunurye Opyrotpag omy EXkGGa. Eniane, etvat ULOHHOS NowurAe TOU TuwaTag Nowy Kal OuavoNHGY EnouBkv rou Tavemomiou te Arya An 10 2000 Aayave eEuigeunéc xprés ya napayuyés ‘Onepac amt ouvavdtes oF eupeiag eurdogopiac éykpra nepiabwd, omc to “Das Orchester” rat to "Opernwet ac nal o€ yeyite epmuepliec, dnwe 1 *SAchsische Zeitung’, n “Berner Morgenpost’ ‘Der Tagespieg!* x. Ané ov loo tou 2004 eivat o Kakinexvixde AuBuvag THe Kpaturis OpxioTpag Geaaahovinn. «0 Mipuy Marlins eneviier omy cowrepix Spayouxéryra rou épyou enskepyacerat we evaobnoia Eva éva Ta jouolKd yEpy, Orwoupyet Ue THY opxTeTA eyalewider anoropupdiaere Kau ayjpuviKd Yoayout, yuple va uToyapel G70 ‘yao auvaioGnya to.» Sachsische Zeitung 0 Oe65upo¢ Kepxelog Exet cUHMPGEel we cohioT ye ormuonéves opxfiwpes, dnwe n SapuOWR, Tou AovBiU, 1 SxAaQYMA. TOU Aavbwou rat apnoea THe AYag NexpaGMoNn, anoonsivtas BepydTata OAR. Tipe Bichaya ané to NBefo ABnuiy (ron M.Sapaveavu) xa oUvexe pe woeyaTa (om) Faidia an tov N. Ntegayié xa Tov Z. M, Nove, Exel BoaBeudet To 1991 xa 70 4992 ue 0 BoaBe'o «anatwivwou» Exel epunvedoet dho 10 Maows penepTépIn Tov onkopivN we oproTPES énw: ot Suuqwrués tou Bepodvou, me Nupenépyne Kar me Novag Bearpadiag (Fepuavia, Koatx Opxriorpa ABnvav, “Kpavi«h Opxtiipa Beooaioviene, youate, eiyouat 0 yiog uou Fouidiay (évag BeKaypidxpovos Kat rahaviovxos Gagoguviowas) va pope va 0 nae wa aur e6bupor Avrwviou (veréppaon: E. Voigimann) M, GEDADPAKHE (1925 - ) «KPHTIKO KONTZEPTINO» TIA AATO ZAZO@0NO KAI OPXHETPA (ENOPXHETPQEH: _ZAMIMPOBANAKHE) To siontwd Koveoepttvoe yc dito oakseivve xa opxtiowsa YooomiKe anqud ya Blohi Kat avo To 1954, Ei apepauévo otoV ayaTTEVO ‘0 tou cuvdeém, Mavo XartGaKt Epyo dho Gurxdmmta, Gnou 1 wa éynvevon Giabéxera Ty AAAN. H TT, euBW Ka EKepacTEA MOKA BiBOUY éva e&MIPETO YOMTPO CTO ahoypauéva épyo H exboyn via ongSguvo Kal opxtiotpa, je to véo tithe «Konmxd Kovtaegtivo», evar agepwuém oTov eddup0 KepKélo xa Tv evopytiowpwor-BraoKeu éxave o Fwng ZaurpofaAdn, 8. Kepwe{og Mi. 1, ANEZIAAHE (1960 - ) «OPYTIKH AITANEIA» TIA EOMPANO ZAZ0@0QNO KAI OPXHETPA H od Weon aun} Baoieral anoxherotixd Ge aNd SuatoviKO UKE (gp yIOS ‘p00. Méoa and TexviKés uiunone je Spdon kat Kivnon tou LekwoKoU UAIKOU oe nodamhec TaXUMITES TOUTEXPOVG, YEYEBUVIEIE - OUIpUVEEIG, wWoKpdtes K.TA., Napovord¢etal éva oUoT Wa Nou enigma 8a ynopoloe Va OvoUaOTE! 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EMV ApLOVUKT aVTWETHMION TOU WEAWOIKOU UAKOU anogeuyet TV euKohla TG axoAou@lag wy Kavovwy TG aKadnyatxr¢ utuoeupiaratns yous, aid Kava MY opKovta POR TOU TO HeAWOIKO UAIKd, Ctepeonole! Ta KaBEta cUVTRATA MOU $uloupyobvrat xa ra ypnayonoei am anfpeEn MIC evopOWNE. To épyo yoagmxe Ty dvoiEn Tou 1996 om pongh ya cakOgwvo Kat OpXTIOTA EyXOpdwv, Evid TO 1997 TOU SOBNKE N TEAK Tou Hopph yIa ‘ougopave xat opxfotpa. MapdiAnia, éyouv yer sneZepyacize Tou ‘épyou yia yixpdtepa ouvoha, éTO! Ware va pope! va MOeTaI Kat Ce -exSmAdoets wovorarig Suapariou. H nowt extéheon The «Paywidiag tov Mévrou» oT ope Yua opxtioTpa eyGpbv éywe ano ‘my Opxtatpa me Poysavicye PodIoquviag ovo Boukoupéon (ue yaéotpo Tov Alan Tang) Kat om cUoMVIRT] TE LOPE and Tv Orchesta Sinfonica del Mediterraneo me¢ lonaviag (ue waéotpo ‘oy sosé Vicente) xavd my Sxdpxein ru XI Word Saxophone Congress a7 Bahéveia, om jreyahn aiBovoa José hurbi. H mpdm extéheon oT EAAdSa eye ano thy Koata Opxhotpa ABnVwY (le WaéoTpO Tov OGvonéa Arunpiddn ovo agKEpaua Moc Tov iio). FORT nivtoTE BE hes 0 anEogwviotac Beddwpac Kepxétor Me Biaitepm ouykimnan o auveem apipvel m «Payasia rou Névrou» oTov Novto We yaho ApyyiouarKd Kat Avpwno Odudoéa AnuNtpIddn, nou ‘wu éX€1 Xapiael T Xopa va TOV TWA pe TH piAia Kat THy aya Tou. Baoians Teviéng (ene§epyonia: 8 Kepréos) PIOTR ILJITCH TCHAIKOVSKY (1840-1893) ZYMOONIA AP.6 ZE 51 EAAZZONA, EPO 74 (MAGHTIKH) H earth Euygevia» ypdgmke m xpovtd tou Gavsrou tou Buwoupyod ‘ng, H npam extEAGoH THe (28 OxTUBpiou 1893) Boake Ywpic entTUxia, pig va ipoxaAéoe Koy GiaTepn Mpodoxn, Ayes HEPES HeETA, OTIS 6 Nosypiou 1893, o auvBeme néBave ans yoREpa, 0 Eapvikés Bavaros tou auvBEm, oXedoV ayeows werd my noWT ‘exTédean THe TEAGUTOIAG TOU GUNAvi, OUYETEAEOE aTO va OUWUATTEL 1D EpYO He TO THaYIKS TERog TOU STutOUpYON ME. 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AV éuevE YE TO XapTUNEVO MOKTO Hép0 80 efale évav avégeho oupavs. Ohuc, éva pnw, né¥BNO coyedsiv BevTepo Tura (ue én nepiepyo aAAG rat KANG UTO}OY:OHEVO woxpdm ota wWynava), ouwepitiet my awudogaipa Kat Ouyer my courepixhrixpia nou Booaviet to ouveErm Kat Gev TOU enttpénet Ty avégedn Yopd. ‘Yorepa and a Nady avéjie0 ota Gio aTOKEIG, enavepyerat To Yopodievo MpuTO uspog ORdKANpO. To SeiTeNO LOTBO Savayupiget rod ova BiohovTaéAa Kat Yotepa Ge dxée9pa nveUaTE. To Tito woo EavanpoBANst Kring BEA Kal, Yerd aN Eva ObVTOHO Bidloyo ye To oro Tov névou, teheviver y Sedtenn ximnon ysoa oe ia aqudogaica auyyevixn ue To Thos ME MowTHG KimonK, H apm ximnon, eva Scherzo, eivar yen Gof, opm, veawNs ahnnd ypiyoc. Me af.oGadpaam opxnorpuch tex) Kat apyiteKtovec baeorpia Buoue¥ei wa awdogaipA Vix KaX BprBOU, pia anoBEWoN opds. 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"ipdespoc Baoding Teng Avrinpdedpoc Kavoravrivog Kakairgig Mon ‘@cogdvng Kapayuipyos Fema tnera Eoratia MoupiiouFeoungia oo Ar Kopupaior A’ Reptationessnosios Suto Steps Xoo powng Kopupaior 5° Taha oe douows Tat nS ANéEavSpos EraupiBnc EudyyeAog Mrakraig: baad ‘Touyna Bootes Kaparbes§——_opupain Bt Tapes Trmenodtng Rapondions, opopai Tubpyos Meine eee Kevotantror Bopha, Ropu BY Magia tion Kavorortios Xawis rue fr Nata tonooiou ———_—Etepag Aryounadeng Képve agra Kopugaior A’ Kopugaio: A’ Nowkreioptovne Ketan "Tpaiavds Excubeptaons ‘Kopupeion 8° Basitnes Bpabélng 01 pny01 woven Ravrenie o6e6 ‘mg 0,6. evagepovta Tut iF ond aproismag Anufrong Aeonorénouhos, Tpounres “Epops K0.0.: Kopuecor Ext nounaci, Znpor lanaBénoukos _Avanipuig Egopou K.0.0.: Tonvonos Nerexas, aawne E6905 Le comoie — eetatewe Anutpog Kovpattves ——Thbpyox Nig lorooehBak 0.8. www.tsso.gr