You are on page 1of 28

Test Bank for Nuclear Medicine and PET CT 8th Edition by Waterstram Rich

Test Bank for Nuclear Medicine and


PET CT 8th Edition by Waterstram Rich
Visit to download the full and correct content document: https://testbankmall.com/dow
nload/test-bank-for-nuclear-medicine-and-pet-ct-8th-edition-by-waterstram-rich/

Visit TestBankMall.com to get complete for all chapters


6. A source of 131
IÍ t 1 = 8.05 d ˙ is delivered to the nuclear medicine department calibrated for 100 mCi at 8:00 AM on Monday. If this
ÎÍ 2 ˚˙
radioactivity is injected into a patient at noon on Tuesday, what radioactivity will the patient receive?
a. 80 mCi
b. 85 mCi
c. 90 mCi
d. 95 mCi
ANS: C
Solving the differential equation yields the radioactive decay law: A = A 0e–λt where A = activity at time t, A0 = activity at starting
time, λ = decay constant, t = time since starting time. The decay constant λ is the fraction of atoms that decay per (small) time
interval, and has units of 1 over time (e.g., 1/hr) or inverse time (hr–1). The typical radioactive decay calculation required in nuclear
medicine specifies three of the four variables (A, A0, λ, t) in the decay equation, requiring that the fourth unknown variable be
solved for.

REF: p. 10

7. A patient was injected with 131I on Monday at 10:00 AM. On Tuesday at 10:00 AM, the thyroid probe was placed over the thyroid
and produced 100,000 counts. On Thursday at 10:00 AM, the probe showed 25,000 counts. What is the effective half-life in this
patient’s thyroid?
a. 12 hours
b. 24 hours
c. 48 hours
d. 72 hours
ANS: B
Typically the patient’s organ excretes the radiopharmaceutical with some biologic half-life t B while the radioactivity also decays
physically with a physical half-life that is denoted as tP. The counts observed by the gamma camera follow an exponential decay
1 = 1 1 or, in a format that is much easier for calculation purposes,
law based on the effective half-life tE, where: tp + t
tE B

t p × tB
tE = Ê . The effective half-life is always less than or equal to the smaller of t P or tB.
Á t p + t B ˆ˜
Ë ¯

REF: p. 15

8. A 99Mo-99mTc generator is eluted Monday at 7:00 AM, producing 1.8 Ci of 99mTc


in the eluate vial, in 20 ml saline. What volume of
eluate should be withdrawn from the eluate vial into a syringe in order to inject a patient with 20 mCi of 99mTc at 3:00 PM? (Given
the half-life of 99mTc is 6.02 hours.)
a. 0.56 ml
b. 0.66 ml
c. 0.76 ml
d. 0.86 ml
ANS: A
The radioactive decay law can be algebraically rearranged (dividing both sides of the decay equation by A 0) as:
ÈÍÍ ˘˙˙
-0.639 Í t t 1 ˙˙
ÍÍÎ 2 ˚˙
A A0 = e . After solving for the half-life, the concentration (radioactivity per volume) in the eluate vial is then

determined and the volume needed to be withdrawn into the syringe can be calculated from the equation activity = concentration ×
volume: A = C × V.

REF: p. 10

9. If the HVL for some radionuclide in lead is 0.30 mm, what thickness of lead shielding is necessary to reduce the radiation exposure
from 8 mR/hr to 1 mR/hr?
a. 0.30 mm
b. 0.45 mm
c. 0.60 mm
d. 0.90 mm
ANS: D
It is common to follow the method used in radioactive decay and define a half-value layer (HVL) as that thickness of material that
absorbs 50% of the photons. The HVL is the analog of t/2in radioactive decay. One HVL transmits 50% of the photons. The
equation of photon attenuation then can be expressed as: I = I0e–μx = I0e–0.693 × (x/HVL) and a relationship exists between μ and HVL,
given by μ = 0.693/HVL. Remember the units of x and HVL must be the same, and remember that this equation calculates the
transmitted intensity.

REF: p. 16

Copyright © 2017, Elsevier Inc. All Rights Reserved. 2


10. The linear attenuation coefficient in lead for gamma rays (140 keV) is 23 cm–1. What percentage of these gamma rays will be
99mTc

absorbed by a lead apron that contains 0.60 mm of lead?


a. 75%
b. 50%
c. 25%
d. 12.5%
ANS: A
The intensity of the transmitted radiation is given by:
I = I0e–μx
where μ is the linear attenuation coefficient, or the fraction of the beam absorbed in some (very small) thickness x. The linear
attenuation coefficient μ is the analog of the decay constant λ in radioactive decay. The linear attenuation coefficient μ depends on
the type of absorbing material and the energy of the photons.

REF: p. 15

11. A new gamma camera/computer system that uses a new method of calculating cardiac ejection fraction (EF) is installed in a nuclear
medicine department. The department decides to calculate EF for the next 25 patients on both the old gamma camera and the new
gamma camera before discontinuing the use of the old camera. In the future, if it is desirable to convert the new EF value to that
which would have been obtained on the old gamma camera (e.g., to assess if the patient’s EF had changed), the mathematical
analysis to be used is called a(n)
a. independent t-test.
b. linear regression.
c. standard error.
d. chi-square.
ANS: B
The least squares method, or linear regression, calculates the best-fit values for y-intercept (a) and slope (b) in the best-fit straight
line: y = a + bx. The line of identity is often drawn on regression graphs when the same parameter, here the ejection fraction, is
being plotted on both the x and y axes. The line of identity facilitates an evaluation of whether the two methods (the x and y axes)
are predicting the same result for ejection fraction. If the two methods produce the same value for ejection fraction, then the
regression line should be the same as the line of identity.

REF: p. 20

12. What is the standard deviation of 40,000 counts?


a. 4000 counts
b. 2000 counts
c. 400 counts
d. 200 counts
ANS: D
Counting statistics, meaning the number of counts expected from a sample, follow the Poisson distribution. In the Poisson
distribution, the standard deviation (σC) for any number of counts (C) is fixed at the square root of C:
σc = C
This fixed definition of standard deviation does not exist in Gaussian distributions; essentially only counting statistics are Poisson.

REF: p. 24

13. What is the coefficient of variation of 40,000 counts?


a. 2%
b. 1%
c. 0.5%
d. 0.25%
ANS: C
The standard deviation can be expressed as a percentage of the mean value, which is frequently called the percent standard
deviation, or coefficient of variation (CV):
ÊÁ σ ˆ˜
Á ˜
CV = × 100
Á ˜

Ëx ¯
In this problem, the counts would be substituted for the mean in the equation.

REF: p. 25

Copyright © 2017, Elsevier Inc. All Rights Reserved. 3


14. How many counts should be acquired into each pixel of a nuclear medicine flood image if it is desired to be 95% confident that the
true count in each pixel is within 1% of the measured counts in each pixel?
a. 100,000 counts
b. 40,000 counts
c. 10,000 counts
d. 4000 counts
ANS: B
Counting statistics, besides being Poisson, are also described by a Gaussian distribution as long as the number of counts is greater
than about 30. Hence, given some number of counts C, the standard deviation is automatically known. It is also known that 68% of
repeat measures of the sample fall within C ± C and 95% of repeat measures of the sample fall within C ± 2 C and so on (95%
confidence = C ± 2σc = C ± 2 C ).
Sometimes this type of problem is expressed by saying that a certain number of counts are needed to be 95% confident that the true
count is within 2% of the measured value. The presence of two different percentage values can seem confusing. The 95%
confidence interval on 10,000 counts is ±200 counts, and this figure of 200 counts represents 2% of 10,000 counts. The general
formula expressing the number of counts needed to be “nσ” sure that the true answer is within some percent (p) of the measured
counts is given by:
ÈÍ ˘˙ 2
Í ˙˙
Í
Í ˙

n ˙˙
C = ÍÍ Ê
ÍÍ ÁÁ P ˆ˜˜ ˙˙
ÍÎ ËÁ 100% ˜¯ ˙˙˙˚

In this formula, n is replaced with a 1 for 68% confidence, a 2 for 95% confidence, and a 3 for 99% confidence.

REF: p. 25

15. A patient’s thyroid is counted with the thyroid probe and produces 8000 counts. Then the patient is removed and background is
found to be 2000 counts. The (net counts) ± (standard deviation in the net counts) in this patient is
a. 10,000 ± 100 counts.
b. 10,000 ± 77 counts.
c. 6000 ± 77 counts.
d. 6000 ± 100 counts.
ANS: D
Background counts are a problem in most measurements of counts from a radioactive sample. Background arises from natural
terrestrial and cosmic sources of radioactivity or from other nearby sources of radioactive material. The sample is usually counted
in the presence of some background radiation, yielding a gross count for sample plus background, denoted by the letter C. The
sample is then removed from the counter, and the background B is counted. The net, or true counts, which represents the sample
only, is denoted by N and given by:
N=C–B
The standard deviation of the net counts is given by:
σ N = (C+B)

This is an example of the rules for combinations of errors, which states that for addition or subtraction, errors add in quadrature
within the square root:
σN = σ c +σ
2 2
B

Additionally, since
σC = C and σ B = B
we obtain

σN = (C+B)

REF: p. 26

16. The gamma camera seems to be producing erratic results. A 57Co flood source is counted 10 times, producing the following count
values: 1000, 975, 1032, 1096, 982, 997, 1012, 1090, 994, 977. What is the chi-square value for these counts?
a. 19.3
b. 18.3
c. 17.3
d. 16.3
ANS: C
Too little or too much variation in repeat measurements indicates equipment may not be functioning properly. The chi-square test
is used to determine an acceptable range of variability in the repeat measurements. The mean C of the 10 measurements is
determined (C = ΣC/n), and chi-square is calculated as:
ÈÍ
Í ÊÍ 2
˙˙
ÍÍÎ Ë C-C ˜ ˙˙˚
x2 = .
C

REF: p. 26

Copyright © 2017, Elsevier Inc. All Rights Reserved. 4


17. Which expression describes the operation of the gamma camera in question 16?
a. Operating properly
b. Showing too much variation
c. Showing too little variation
d. Not enough information to answer the question
ANS: B
The definition of acceptable chi-square is given by looking up the probability (P) of this chi-square value for the n repeated
measures in a table. Too little variation is shown by a chi-square smaller than the P = 0.9 value; an amount of variation exactly as
expected from the statistical nature of the decay process would yield P = 0.50; and an unacceptably large chi-square would yield a
P value greater than 0.10. So, P = 0.90–0.10 range is acceptable.

REF: p. 26

18. One group of 20 patients is given a drug that is thought to have an effect on kidney function, and another group of 20 patients is
given a placebo (i.e., sugar pill, which is known not to have an effect on kidney function). The nuclear medicine gamma camera is
used to calculate the glomerular filtration rate (GFR) in these two groups of patients. What would be the proper statistical test to
use to test the hypothesis that no difference in GFR exists between these two groups of patients?
a. Chi-square test
b. Paired t-test
c. Independent t-test
d. Linear regression analysis
ANS: C
The t-test is used to test for differences between mean values. The two forms of the t-test are for independent samples and paired
samples. For independent t-tests, two independent groups of data are used. The two groups are completely independent. No
relationship or correlation exists between the two groups, typically because the groups represent different patients. Th e two groups
have mean and standard deviations denoted by x1 , SD1, x 2 , and SD2.
t = Á x 1 − x2 ˜ /
Ë ¯
ÏÔ Ê ˆ ÔÔ̧ 1 2
Ô 1 1 1 1
Ô
Ô Í ÊÁ n 1-1 ˆ˜ × SD 2 + ÊÁ n 2-1 × SD ˙ × Á n × n
˜Ô

Ô Ë Á ˜Ô
Í ˙˙˚
Ô ÍÎ Ë ¯ ¯ 2
Ë 1 2
¯Ô
Ì ˝
Ô n 1 + n 2 -2 Ô
Ô Ô
ÔÓ Ô˛

REF: p. 28

19. A nuclear medicine test produces a positive test result in only 80 of the 100 patients known to be ill. Similarly, the test produces a
negative test result in only 190 of the 200 patients known to be not ill. Which is correct?
a. Sensitivity = 80%, specificity = 95%, accuracy = 90%, prevalence = 33%
b. Sensitivity = 90%, specificity = 95%, accuracy = 90%, prevalence = 33%
c. Sensitivity = 90%, specificity = 80%, accuracy = 90%, prevalence = 33%
d. Sensitivity = 90%, specificity = 80%, accuracy = 70%, prevalence = 33%
ANS: A
The sensitivity, or true positive fraction (TPF), is the percentage or fraction of ill patients who have a positive test:
TP
Sensitivity = TPF =
(TP + FN)
The specificity, or true negative fraction (TNF), is the percentage or fraction of well patients who have a negative test:
ÊÁ TN ˆ˜
Sensitivity = TNF = ÁÁ ˜˜
Ë (TN + FP) ¯

The prevalence is the fraction or percentage of ill persons in the study population:
(TP + FN)
Prevalence = TPF =
(TP + FN+ TN + FP)

REF: p. 31

20. One radiologist is known to be a lax reader compared with another radiologist who is known to be a strict reader. In comparing
these radiologists, how would one expect their sensitivity and specificity to compare?
a. The lax reader would have lower sensitivity and higher specificity.
b. The lax reader would have higher sensitivity and lower specificity.
c. The readers would be expected to have the same sensitivity and specificity.
d. Not enough information is given to answer the question.
ANS: B
The sensitivity, or true positive fraction (TPF), is the percentage or fraction of ill patients who have a positive test:
TP
Sensitivity = TPF =
(TP + FN)
The specificity, or true negative fraction (TNF), is the percentage or fraction of well patients who have a negative test:
ÊÁ TN ˆ˜
Sensitivity = TNF = ÁÁ ˜˜
Ë (TN + FP) ¯

For an example, data that show a sensitivity of 78%, less than the specificity of 95%, mean that this test does a better job at
correctly diagnosing well people than it does at correctly diagnosing ill people. High sensitivity = correctly finding i ll people; high
specificity = correctly finding well people.

REF: p. 31
Copyright © 2017, Elsevier Inc. All Rights Reserved. 5
Another random document with
no related content on Scribd:
Rakastuneet menivät sivuhuoneeseen, saadakseen olla kahden
kesken. Katri tuli puhumaan kihlauksesta ja häävalmistuksista. Minä
sanoin, että se oli liian varhaista, ja käskin hänen mennä suohon.
Hän ei kuitenkaan mennyt pitemmälle kuin keittiöön.

Mutta nyt alkoi seinän takaa kuulua naurua ja tukahtunutta


läiskinää. Raotin hiljaa ovea ja huomasin, että nuoret olivat ottaneet
itselleen vapauksia, jotka kuuluivat rakkauden myöhempään
kehityskauteen. Yllätin heidät äkkiä, otin ankaran muodon ja sanoin:

"Vai niin, te varastatte täällä suudelmia etukäteen!"

Rakastuneet karahtivat tulipunaisiksi ja katselivat hämillään toinen


lattiaan, toinen kattoon. Mutta minä jatkoin:

"Minä olin tuntenut nykyisen vaimoni viisi vuotta, eikä päähänikään


pälkähtänyt suudella häntä ennen kuin olimme julkikihloissa."

"Sinä hävytön valehtelija!" torui Katri, joka huomaamattani oli


hiipinyt selkäni taakse.

Nyt oli minun vuoroni punehtua.

"No, jos joskus otin pikku muiskun, tein sen siksi, että sinun teki
niin kovin mielesi."

"Ohoo, isäseni! Vai teki minun mieleni! Tämä menee liian pitkälle!"
soimasi Katri ja antoi nuorille rohkaisevia silmäniskuja aivan kuin
olisi sanonut: muiskailkaa te vaan, ei siitä huulet kulu!

Huomasin enemmät estelyt turhiksi sen jälkeen kun olin näin


häpeällisellä tavalla tullut paljastetuksi, ja jätin nuoret rauhaan.
Jonkun viikon kuluttua vietettiin nuorten kihlajaisia. Setä Samuli
sai kutsun; hän olisikin muutoin loukkaantunut kauheasti.
Huomatessaan, että poika n:o 2 oli nähnyt päivänvalon, ei hänen
paheksumisellaan ollut mitään rajoja. Hän sanoi paljon muun hyvän
ohella:

"Niinhän se on kuin minä aina olen sanonut: minun


vaatimattomimpiakaan toivomuksiani ei oteta varteen. Ja kuitenkin
olen auttanut teitä yhdessä ja toisessa asiassa. Mutta
kiittämättömyys on maailman palkka!"

Emme voineet puolustaa itseämme. Ainoaksi lohdutukseksi


saatoimme huomauttaa sedälle, että parannus ei kenties vielä ollut
myöhäistä, mutta siihen hän ei tuntunut paljoa luottavan.

Tietysti piti Sirkan kihlajaisissaan laulaa. Sen hän tekikin ilolla, ja


minusta tuntui, ettei hän konsertissakaan ollut sellaisella hartaudella
laulanut.

Katri puuhasi kuin paras emäntä konsanaan. Kesken kaiken hän


kysyi:

"Mutta sanoppa, Sirkka, miten tavoitit niin äkkiä uuden sulhasesi?"

Tyttö nauroi.

"Jättäydyitkö sinä aikoinasi yhden varaan! Minä tunsin tämän


ennen kuin sen edellisen."

Minä huomautin, että nuoret tytöt valinnassaan usein erehtyvät:


jättävät hyvän ja ottavat huonomman. Sirkka sanoi:
"Valitettavasti minäkin annoin turhamielisyyden johtaa itseäni
harhaan.
Suostuin siihen, jolla oli sileämpi ulkokuori ja liukkaammat sanat.
Onneksi tuli onnettomuus ja paljasti miehen todellisen olemuksen."

Katria alkoi naurattaa.

"Missä se entinen varatuomari nyt on? Hänen isänsä piti olla


valtioneuvos ja ties mitä kaikkea."

"Hän oli yhtä paljon tuomari kuin hänen isänsä valtioneuvos.


Rappiolle joutunut ylioppilas, joka oli laiskotellut yliopistossa muka
lakitiedettä lukien."

Minulla oli puheenvuoro.

"Hän uhkasi vetää minut oikeuteen tulevan vaimonsa omaisuuden


hukkaamisesta. Tähän päivään mennessä ei haastetta ole kuulunut."

Lopuksi en malta olla mainitsematta, että setä osoitti kihlatuille


suurta huomaavaisuutta. Melkein tuntui siltä kuin hän olisi alkanut
kohdistaa toivomuksensa sinnepäin, koska Katri ja minä olimme
pettäneet hänen luottamuksensa. Saattoi pitää päätettynä asiana,
että hän Sirkan hääpäivänä olisi paikalla reumatismineen ja
shekkikirjoineen.

Katri ja minä elimme Sirkan onnessa uudelleen ensi rakkautemme


ja kihlauksemme ihania kevätaikoja…
YHDEKSÄSTOISTA LUKU.

Madonna ja lapsi.

Taaskin oli pari onnellista vuotta vierinyt. Meillä oli sillävälin ollut
sanomalehdessä ilmoitus:

"SYNTYNYT.

Jumala lahjoitti meille terveen pojan.

Katri ja Kalle ———."

Se oli kolmas järjestyksessä. Voitte arvata, miten setä Samuli


irvisti, jos sattui tuon tiedonannon lukemaan, mikä on enemmän kuin
luultavaa, sillä hän tutki hyvin tarkkaan lehtien ilmoitusosaston.

Sirkkaa on jo vuoden sanottu tohtorinrouva Valtimoksi. Hän jatkaa


uutterasti lauluopintojaan ja esiintyy usein omissa konserteissa tai
avustajana monenlaisissa tilaisuuksissa. Tohtori Valtimo on etevä
amatööri, joka soittelee viulua ja säestää vaimoansa. Heidän
onnestaan ei puutu muuta kuin… Mutta kunhan aika tulee…
Viisastuneena katkerista kokemuksistani epäilin ryhtyä
toistamiseen vakinaisen kodin perustamiseen, mutta kun sain tietää
eräästä luotettavien henkilöiden muodostamasta asunto-
osakeyhtiöstä, liityin siihen kuitenkin osakkaaksi. Enkä ole
kauppaani katunut. Tohtori Valtimokin on yhtiömiehenä ja lähimpänä
naapurinamme. Me muodostamme yhteisen suuren perheen, joten
meillä on joka päivä tilaisuus kuulla Sirkan laulua ja hänellä leikkiä
lastemme kanssa, joita hän niin paljon rakastaa.

Teimme juuri muuttoa uuteen taloon. Saimme vielä kerran ahertaa


oman kodin rakentamispuuhissa; se oli rasittava tehtävä, mutta
samalla rakas ja toivoa herättävä. Huonekalut olivat jo järjestetyt, ja
Katri asetteli uutimia paikoilleen. Minä autoin häntä pitäen kiinni
tuolia, jolla hän seisoi. Ikkunastamme oli laaja, ihana näköala yli
meren rannattoman ulapan. Aurinko meni lännessä mailleen, ja illan
varjot alkoivat laskeutua yli meluavan kaupungin.

Tuntui kuin olisi joulu tai juhannus ovella.

Saatuaan työnsä valmiiksi hypähti Katri alas ja horjahtui


putoamaan syliini. Laskin hänet hellästi maahan.

Istuuduimme sohvalle ja katselimme ääneti toisiamme. Poveamme


paisutti onni niin syvä ja täyteläinen, että mitkään sanat eivät kykene
sitä ilmaisemaan. Vihdoinkin, vihdoinkin olivat murheen mustat pilvet
poistuneet ja riemun päivä paistoi täydeltä terältään.

"Minusta tuntuu kuin olisi onnemme tullut aivan odottamatta",


puhkesi
Katri vihdoin puhumaan.
"Odottamatta, niin, mutta ei aivan ansiotta. Olemmehan ostaneet
sen vuosien pettymyksillä ja raskailla kärsimyksillä."

Hämärtyvässä huoneessa näin kyyneleen päilyvän Katrin


silmänurkassa.

"Kun muistelen menneitä, raskaita aikoja, tuntuu minusta kuin


kaikki olisi pahaa unta tai kauhea painajainen."

"Samoin minustakin. Ja tuntuu lisäksi kuin ei meidän sopisi syyttää


ketään tai olla katkera kellekään. Kaikki on ollut meidän
hyväksemme. Sillä se, joka on kestänyt onnettomuuden, ymmärtää
oikein käyttää onneakin."

Katri nyökkäsi ääneti ja ymmärtävästi ja sanoi hiljaa:

"Oletko antanut anteeksi niille, jotka ovat olleet syyllisiä


kärsimyksiimme?"

Minä nyökkäsin vuorostani.

"Sillekin, joka istuu…"

Sen nimen paljas muisto riitti täyttämään minut kauhulla. Vastasin:

"Se kurja hylkiö oli tietämättään Sallimuksen kädessä välikappale,


jonka avulla uusi onnemme luotiin."

Me istuimme kauan. Sydämeni oli niin täysi, että oli vaikea olla
puhumatta.

"Miten olisi minun käynyt, ellet sinä olisi ollut minua tukemassa,
Katri! Sinua minun tulee kiittää kaikesta."
Hän vastasi:

"Muistatko hetkeä, jolloin päätimme mennä naimisiin ja puhelimme


toimeentulostamme? Sinä arvelit, että alussa tulisimme paljaalla
rakkaudella toimeen."

"Ja sinä vakuutit, että rakkaus auttaa meitä vaikeuksissa. Nyt


huomaan, miten oikeassa sinä olit. Rakkaus se antoi meille voimaa
elämään silloin kun kaikki olivat meidät hyljänneet ja velkojat,
haastemiehet ja ulosottajat olivat ainoat, jotka meitä käynnillään
kunnioittivat."

Esikoisemme, joka jo käveli, vaikka mieluummin neljällä jalalla,


konttasi sisään ja alkoi kiskoa pöytäliinaa. "Katri kielsi, mutta
poikavekara ei ollut millänsäkään vaan raastoi kaikin voimin. Silloin
Katri torui:

"Jos ei Kullervo tottele, niin huijari tulee!"

Säikähtyneenä juoksi lapsi äitinsä luo, kätki päänsä helmaan ja


jokelsi;

"Tulekot huijati nyt?"

"Ei, jos Kullervo on kiltti, niin huijari ei tule."

"Miksi olet ruvennut peloittelemaan lasta huijarista puhumalla?


Näethän, miten se vapisee", sanoin minä.

Hän silitti hellästi lapsen päätä ja sanoi:

"Minusta on mieletöntä säikyttää lapsia möröillä ja pöröillä, joita ei


ole olemassa. Huijari sitävastoin on todellinen, ja on hyödyllistä jo
lapsena oppia tuntemaan, että se on kauhea olento, joka tekee
pahaa."

Sitte hän meni ja toi sylyksen puita ja latoi pesään. Olimme siksi
vanhanaikaisia, että pidimme runollista, räiskyvää takkavalkeata
kaikkia kehuttuja keskuslämmityslaitoksia parempana.

Pian leimusi pesässä iloinen tulennos. Aioin sytyttää lampun,


mutta Katri sanoi, että hämärässä istuminen oli rattoisaa, etenkin
kun me vietimme ensi iltaa kodissamme.

Nuorin lapsi heräsi. Hän otti pienokaisen syliinsä, siirsi tuolin takan
ääreen ja istui antaen loimottavan pystyvalkean lämmittää lasta.

Ilta oli pimennyt. Kadulla syttyi lyhty toisensa perästä. Meren pinta
välkehti iltaruskon sammuvassa hohteessa, ulapalla kynti laiva
aaltoja kymmenien tulien tuikkiessa.

Kun taas käännyin ja loin katseeni Katriin, joka istui lapsi sylissä
syrjittäin minuun, näin kuvan, joka monin verroin voitti edellisen.
Siinä oli jotakin niin tutunomaista, kodikasta, elettyä, että minä aivan
hätkähdin ja kysyin itseltäni, missä olin ennen nähnyt samanlaista.
Äkkiä, vaistomaisesti minulta pääsi huudahdus:

"Madonna!"

Katri katsoi minuun hymyillen:

"Joko sinä taas uneksit?"

"En, tämä on todellisuutta, ihanaa todellisuutta. Asetu niinkuin olit


äsken, niin olet ihan ilmetty… Kas niin! Nyt on arvoitus selvinnyt:
madonna olet sinä!"
Katri nauroi:

"Sädekehää vain vailla, — pyhyyden loistetta."

"Rakkauden ja uskollisuuden sädekehä ympäröi päätäsi. Pitäkööt


pyhimykset ja enkelit kruununsa, minun silmissäni sinulla on loisto,
jota ei mikään maallinen eikä taivaallinen kirkkaus himmennä."

Huone oli pimennyt. Vain hiilivalkean himmenevä hehku levitti


salamyhkäistä kimmellystään. Minä tunsin sillä hetkellä sielussani
jotain niin korkeata, suurta, pyhää, että tuntuisi loukkaukselta yrittää
pukea sitä sanoihin.

Nyt kuulin liikuntaa seinän takaa. Sirkka oli palannut kaupungiltapa


käveli huoneessa, hyräillen ihanalla äänellään. Sitte hän avasi
pianiinon. Muutaman valmistavan akordin jälkeen hän alkoi laulaa —
laulaa madonnalaulua. Kuulimme selvään:

"On ilta, päivä mailleen käy,


mut ystävääni ei vain näy.
Oi etkö helly itkustain!
Madonna, kuule huutoain!"

Ihmeellinen liikutus valtasi minut.

"Katri, kuulehan! Noin kauniisti hän ei ole ikänä madonnasta


laulanut."

Katri nyökkäsi hiljaa. Taas soi laulu:

"Oot puhdas yli kaikkien,


mut minä kurja syntinen.
Ah, jospa pyhyytes ma sain!
Madonna, kuule huutoain!"

Kuului muutama vihlova sointu, mikä kohta suli vienoon,


hyräilevään pianissimoon, jonka kaiku etääntyi, kuoli pois kuin
väsynyt laine rannan ruohikossa…

Hiilloskin oli riutunut. Sen viimeinen hohde kajasti Katrin kasvoille


ja siitä lapseen.

"Nyt tiedän varmaan, että madonna tuottaa onnea", sanoin minä.

Hän vastasi hymyillen:

"Ehkä on niin. Sen minä ainakin tiedän, että madonna on itse


onnellinen, sillä se rakastaa."

Ja hän puristi lasta rintoihinsa niinkuin Jumalan äiti kuvassa.

"Sinä olet oikeassa: madonna rakastaa, siksi se on onnellinen",


sanoin minä. "Rakkaus yksin tekee onnelliseksi!"
*** END OF THE PROJECT GUTENBERG EBOOK VEIKATEN
VIHILLE ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part of
this license, apply to copying and distributing Project Gutenberg™
electronic works to protect the PROJECT GUTENBERG™ concept
and trademark. Project Gutenberg is a registered trademark, and
may not be used if you charge for an eBook, except by following the
terms of the trademark license, including paying royalties for use of
the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund from
the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law in
the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms of
this agreement by keeping this work in the same format with its
attached full Project Gutenberg™ License when you share it without
charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears, or
with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning of
this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in paragraph
1.F.3, the Project Gutenberg Literary Archive Foundation, the owner
of the Project Gutenberg™ trademark, and any other party
distributing a Project Gutenberg™ electronic work under this
agreement, disclaim all liability to you for damages, costs and
expenses, including legal fees. YOU AGREE THAT YOU HAVE NO
REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE
FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving it,
you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or entity
that provided you with the defective work may elect to provide a
replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and distribution
of Project Gutenberg™ electronic works, harmless from all liability,
costs and expenses, including legal fees, that arise directly or
indirectly from any of the following which you do or cause to occur:
(a) distribution of this or any Project Gutenberg™ work, (b)
alteration, modification, or additions or deletions to any Project
Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of


Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many small
donations ($1 to $5,000) are particularly important to maintaining tax
exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project


Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed


editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.

You might also like