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The success of Louis Vuitton's Business Model in the Japanese Luxury Market
Louis Vuitton's (LV) success in the Japanese luxury market may be attributed to LV's
business strategy, which appeals to the country's penchant for extravagant displays of wealth. By
its likely impact that customers would fit in with an elite club as if they were members of the
French aristocracy if they bought LV brand products, the company demonstrated that it
understood the wants and demands of the Japanese culture. LV's domestic competitive advantage
lies in the quality of its products and the efficiency with which its management practices are
carried out. Additionally, the company has succeeded in markets worldwide thanks to its strictly
implemented controlled network allocation and high-quality offerings. As part of the quality
control process, the weighted bags were lifted and dropped repeatedly, and the zipper was
opened and closed 5,000 times to ensure smooth operation. In addition, the product's durability
Opportunities and challenges exist in any business. Over half of all Louis Vuitton goods
made worldwide reached Japan, accounting for 55 percent of the company's 2004 revenues. Even
when the rest of the world was feeling the effects of the crisis of 2008-2009, the Japanese luxury
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market was strong and expanding. They helped LV attract affluent, middle-aged women. Other
growth areas for the firm include a children's line, an e-commerce platform, and a ready-to-wear
line.
Although Louis Vuitton has found great success with its limited edition line of handbag
designs, the brand must remember that behind every achievement stands a set of difficulties.
Louis Vuitton's competitors' attempts to undermine its limited-edition success piqued the interest
of the masses in ripping off its luxury brand, opening the floodgates. Among its marketing
strategies, this led to customer doubts. While Japanese customers account for at least 20% of
total sales for the top 10 transnational luxury brands, and as there are more than 600 locales in
Japan selling luxury items, the corporation must compete with its pricing while maintaining the
quality of its products. How would they pull it off, given that knockoffs of high-end items are all
the rage these days, reducing Japan's economic importance? Louis Vuitton would be wise to
adapt to customer needs and market fluctuations without jeopardizing their reputation for quality.
The high quality and lavishness of Japanese clothing are well-known worldwide. This
market is notoriously tricky due to the abundance of established competitors. In addition to Louis
Vuitton, other LVMH-owned luxury brands, including Bulgari, Chanel, Coach, Gucci, Salvatore
Ferragamo, Tiffany & Co., and others, have strong demand in Japan. 54 Louis Vuitton boutiques
can be found across the country of Japan. Despite its supposedly communist society, Japan is
often considered to have the world's highest per-person expenditure on luxury goods. This was
due to the widespread belief among Japanese women that material wealth is a prerequisite to
beauty.
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Entry of Louis Vuitton in the Japanese Market and Strategies Adopted to Strengthen its
Presence
To enter the Japanese market, Louis Vuitton first relied on department shops to sell a
single item from its collection rather than teaming up with a local distributor. It was the first
international luxury brand to launch shop-in-shops in Japan when a vendor set up shop inside the
physical location of another business. To create a French sense of luxury in Japanese partners,
the company provided them with a shop design inspired by its flagship locations in Paris. This
would allow the company to control the sales staff, inventory, pricing, etc. In addition to their
use of a luxury distribution strategy, they have also implemented strategies like expanding
beyond the borders of Japan, releasing a limited edition line of products, recreating new LV
handbags with smiling blossom designs, and coming up with a monogram line inspired by the
cherry blossom fruit and flat monogram called Cherry Blossom. The celebrity endorsement
tactic, as was Marc Jacobs' 2003 collaboration with Japanese artist Takashi Murakami, was used.