You are on page 1of 36

Social Psychology Myers 10th Edition Test Bank

Social Psychology Myers 10th Edition


Test Bank
Visit to download the full and correct content document:
https://testbankmall.com/download/social-psychology-myers-10th-edition-test-bank/

Visit TestBankMall.com to get complete for all chapters


9. Myers suggests that he can make a confident guess about your attitude toward the 2003 U.S. war with
Iraq if he knows your educational level and what media you watch and read. This is an example of
A. how intellectual pursuits alter our political views.
B. the power of the situation.
C. the power of intuition.
D. a self-fulfilling prophecy.
10. When explaining topics such as dating and mating, evolutionary psychologists consider how natural
selection might
A. predispose our attitudes.
B. change our attitudes.
C. account for similarities in our attitudes.
D. reinforce our attitudes.
11. Those who consider under-the-skin (i.e., biological) and between the skins (i.e., social) influences on
topics such as love and hate are referred to as
A. social biologists.
B. social neuroscientists.
C. social sociologists.
D. social anthropologists.
12. Myers points out that our social behavior is shaped by
A. our intelligence and learning.
B. our personal preferences.
C. how we were nurtured by our parents.
D. other people, our attitudes and personality, and our biology.
13. What is NOT true about how values affect social psychology?
A. Values influence the topics that are researched.
B. The values that people hold influence them entering the field of study.
C. Social psychology research shows us what to value.
D. Social psychologists are very interested in studying values.
14. Social representations are
A. value commitments within a culture.
B. intuitive ideas that prove to be true.
C. socially shared beliefs, including our assumptions and cultural ideologies.
D. stereotypes that are rooted in racism rather than in reality.
15. According to the text, values enter the work of social psychology when researchers
A. collect data for their studies.
B. present the results of their studies.
C. summarize their studies.
D. choose the topics of their studies.
16. Hastorf and Cantril (1954) found that Princeton students identified twice as many Dartmouth violations
as Dartmouth students did when each watched the game. This emphasizes
A. humans' tendency to prejudge reality based on expectations.
B. humans' inability to be objective when watching sports.
C. football players' brutality.
D. that humans are objective when watching sports.
17. The enduring behaviors, ideas, attitudes, and traditions shared by a large group of people and transmitted
from one generation to the next is referred to as
A. nationality.
B. race.
C. social representations.
D. culture.
18. Socially shared beliefs are widely held ideas and values, which include our assumptions and cultural
ideologies. This is a definition of
A. nationality.
B. race.
C. social representations.
D. culture.
19. Myers discusses how Maslow's description of "self-actualized" people was based on a sample he
personally selected. Had he selected other people to describe, his ensuing list of self-actualization
characterizations may have been different. This is an example of how values can influence
A. data.
B. results.
C. concepts.
D. methodology.
20. You ask your academic advisor what to major in, as you can't seem to decide. She suggests psychology;
however, it is important to remember that this answer likely reflects her
A. training.
B. education.
C. belief that you would make a good psychologist.
D. values.
21. Whether we label a woman as "ambitious" or "aggressive" is a reflection of our
A. gender.
B. values.
C. culture.
D. age.
22. Your decision to call someone a "terrorist" rather than a "freedom fighter" depends on your view of the
cause. This is an example of how values can influence not only social psychology, but also
A. emotions.
B. actions.
C. intuitions.
D. everyday language.
23. Another name for the "I-knew-it-all-along phenomenon" is the
A. retrospective bias.
B. information bias.
C. prediction bias.
D. hindsight bias.
24. When asked who you think will win the next presidential election, you reply that you do not know.
However, after the election results are reported, you claim that it was obvious all along. This is an
example of the
A. retrospective bias.
B. information bias.
C. prediction bias.
D. hindsight bias.
25. The difficult 2008 world financial crisis due to lack of regulations and safeguards seems obvious now.
This is an example of
A. information bias.
B. hindsight bias.
C. prediction bias.
D. retrospective bias.
26. Theories help social psychologists their observations and their hypotheses.
A. test; organize
B. organize; test
C. objectify; refute
D. refute; objectify
27. A theory
A. is an agreed-upon statement.
B. summarizes and explains facts.
C. cannot be tested.
D. is less than fact.
28. A is an integrated set of principles that can explain and predict observed events.
A. theory
B. hypothesis
C. fact
D. correlation
29. The difference between facts and theories is that
A. facts explain theories.
B. theories explain facts.
C. facts are ideas.
D. theories are statements.
30. A testable proposition that describes a relationship which may exist between events is a
A. statement.
B. bias.
C. correlation.
D. hypothesis.
31. Which one of the following is one of the purposes of a hypothesis according to the text?
A. Hypotheses allow us to test a theory.
B. Hypotheses provide explanations for research results.
C. Hypotheses prove theories.
D. Hypotheses communicate the results of research studies.
32. The analogy used in the text to describe what happens when old theories are discarded employs a
discussion of how
A. old cars are kept as antiques.
B. old cars are replaced by newer and better models.
C. new cars are often not built as well as older models.
D. new cars are frequently more fuel efficient than older models.
33. Research done in natural, real-life settings outside the laboratory is referred to as
A. correlational research.
B. experimental research.
C. laboratory research.
D. field research.
34. Asking students to come to a laboratory at 3 p.m. in order to participate in a study on university students'
usage of cellular phones is an example of what type of research?
A. correlational research
B. experimental research
C. laboratory research
D. field research
35. Standing in the campus courtyard with a clipboard to record your observations of university students'
usage of cellular phones is an example of what type of research?
A. correlational research
B. experimental research
C. laboratory research
D. field research
36. The study of naturally occurring relationships among variables is referred to as
A. correlational research.
B. experimental research.
C. laboratory research.
D. field research.
37. In order to determine whether or not changing one variable (such as education) will produce changes in
another (such as income), one needs to conduct research.
A. survey
B. correlational
C. experimental
D. statistical
38. Studies that seek clues to cause-effect relationships by manipulating one or more factors while controlling
others describes what type of research?
A. correlational research
B. experimental research
C. laboratory research
D. field research
39. A psychiatrist tells you that she is interested in determining if the condition of individuals who are
clinically depressed improves with either 20 or 40 milligrams of Prozac. She decides to administer 20
milligrams to a random half of her clients, and 40 milligrams to the other half. She finds that after six
months, the clients who took 40 milligrams of Prozac are significantly less depressed than those clients
who took 20 milligrams of Prozac. Which type of study did the psychiatrist conduct?
A. correlational research
B. experimental research
C. controlled research
D. hypothetical research
40. You've noticed that as the temperature drops outside, you see more students wearing sweaters and heavy
coats. Your observation is most similar to
A. correlational research.
B. experimental research.
C. controlled research.
D. hypothetical research.
41. Variable X is correlated with Variable Y. Which of the following could explain this correlation?
A. X causes Y.
B. Y causes X.
C. A third variable causes or influences both X and Y.
D. All of these are possible explanations.
42. You are interested in finding out the effect that crowding has on people's moods. You conduct a study in
a psychology research lab using two types of participants - participants who have to wait in a crowded
waiting room before completing a measure of their mood, and participants who wait in an empty room
before completing the same measure. Which type of research did you conduct?
A. correlational research
B. experimental research
C. laboratory research
D. both experimental and laboratory research
Another random document with
no related content on Scribd:
*** END OF THE PROJECT GUTENBERG EBOOK THE NAVY
ETERNAL ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part of
this license, apply to copying and distributing Project Gutenberg™
electronic works to protect the PROJECT GUTENBERG™ concept
and trademark. Project Gutenberg is a registered trademark, and
may not be used if you charge for an eBook, except by following the
terms of the trademark license, including paying royalties for use of
the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund from
the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law in
the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms of
this agreement by keeping this work in the same format with its
attached full Project Gutenberg™ License when you share it without
charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears, or
with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning of
this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in paragraph
1.F.3, the Project Gutenberg Literary Archive Foundation, the owner
of the Project Gutenberg™ trademark, and any other party
distributing a Project Gutenberg™ electronic work under this
agreement, disclaim all liability to you for damages, costs and
expenses, including legal fees. YOU AGREE THAT YOU HAVE NO
REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE
FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving it,
you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or entity
that provided you with the defective work may elect to provide a
replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and distribution
of Project Gutenberg™ electronic works, harmless from all liability,
costs and expenses, including legal fees, that arise directly or
indirectly from any of the following which you do or cause to occur:
(a) distribution of this or any Project Gutenberg™ work, (b)
alteration, modification, or additions or deletions to any Project
Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of


Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many small
donations ($1 to $5,000) are particularly important to maintaining tax
exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project


Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed


editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.
back
back
back
back
back
back
back
back
back
back
back
back
back
back
back

You might also like