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Mind-Mapping
Always start with central image.
Use only one keyword per line.
Use symbolic images as often as possibe.
Use different colours for different themes.
Use creative imagination and association.
It reduces a talk to salient facts and highlights relationships between those
facts.
1 Plan your reading. Check the contents section for chapters relevant to your
studies. You could also quickly scan the index and make a note of certain page
numbers. Concentrate on these. Don�t feel duty bound to read the book word for
word, cover to cover. Paying attention to unnecessary detail usually signals a fear
of missing something. The danger is that this preoccupation may result in your
missing the very thing you�re looking for � the central point. 2 Look out for the
central message, and when you think you�ve located it you have a starting point for
your Mind Map. Read on with an open, enquiring mind and try to bring the text alive
by using your creative imagination.
3 Try not to read passively. Think things through and question the logic behind
various statements. If you play an active role during reading, this will greatly
enhance your understanding and memory of a subject because you will be allowing
your mind to make connections and associations. For association is the mechanism by
which memory works.
Keep adding to your Mind Map, jotting down key words and ideas as you unravel more
supporting topics. Important data such as names, terms, dates and formulae can all
be accommodated, written on lines extending from branches. Make sure they can be
recognised at a glance. Branches may also be numbered, should you wish to show
order and priority.
In essay writing plan the main body first.That way you will be able to guarantee an
accurate introduction.
The imagination would come into play first,decoding the messages delivered by our
senses and turning the information into images.Only then could the intellect get to
work on the information.
I would say that about 95% of the time spent on training my momory is concentrated
on the this very aspect:visualization.
ASSOCIATION We define an object not by what it is but by what we associate it witj.
7 Visualization
1 Gun, bun 2 Shoe, loo 3 Tree, bee 4 Door, saw 5 Hive, dive 6 Sticks, bricks 7
Heaven, Kevin 8 Gate, date 9 Wine, sign 10 Pen, den
1 Candle, pole 2 Swan, snake 3 Handcuffs, lips 4 Sailboat, flag 5 Curtain hook,
seahorse 6 Elephant�s trunk, mallet
7 Boomerang, diving board 8 Egg timer, female model 9 Balloon and string, monocle
10 Hoop and stick, Laurel and Hardy
It's better to form one's memory loci in a deserted and solitary place.
SUMMARY � Before committing literary material to memory, get to know the text
thoroughly by: 1 taking an active role during reading 2 developing empathy with one
or more of the characters 3 studying the interaction between characters. � To help
identify the main plot and theme, imagine it all taking place in a familiar
geographical setting, and use people you know to act as the characters portrayed. �
Seek help from English literature guides, a dictionary of literary terms, critical
essays and group discussions. � Learn some of the background of the author and the
circumstances under which the text was written. � To memorise a section of a play,
a poem or a prose text, choose a
familiar walk or journey to lay down individual lines which will preserve the
natural order of the text. � Use your imagination to translate key words or themes
from a line into key mnemonic symbols. � Then anchor these symbolic images along
the various stages of your mental journey. � Use association and the link method to
understand and remember the meanings of certain words or phrases that have either
changed or are obsolete now. � You can reduce individual quotations into complex
images and store them all in a familiar building, such as your local library or
bookshop. � Above all, use the combination of association and location with your
inventive imagination to lift the text from its two-dimensional linear form, and
bring the words alive by animating the characters and making the scenery vivid.
A Allout
B bbs
C contra
D Delta
E Echo
F Foxtrot
G Golf
H Hotel
I India
J Juliet
K Kilo
L Lima
M Mike
N November
O Oscar
P Papa
Q Quebec
R Romeo
S Sierra
T Tango
U Uniform
V Victor
W Whisky
X X-ray
Y Yankee
Z Zulu
SPEAKING
-Eye contact
-Smoother delivery.
-Confidence
-Now where was I?