Professional Documents
Culture Documents
Curriculum Vitae
hyperionsun@icloud.com
www.noebadillo.com
Biography
I am an artist and philosopher. I have been a professional artist since the mid 1990s. As a philosopher, I am
fascinated by light, within the history of art, architecture, and design. I studied drawing, painting, and
architectural modeling in the studio of the Argentinian artist, Osvaldo Romberg. I am an experienced
draftsman, and have worked in the field of architectural renovation. My work has been included in a number
of museum exhibitions, permanent collections, and exhibited at galleries internationally. I am currently
represented by Maggio Art Consultancy, London.
Degrees
2021 PhD, Design, Environment and the Arts, Arizona State University, Tempe, Arizona
Major: History and Theory of Renaissance Art and Architecture, Minor: History of Asian Art
Dissertation: “Geometry of the Sun: Guarino Guarini and the Church of San Lorenzo”
Advisor: K. Paul Zygas; Committee: Nancy Serwint, John Shannon Hendrix
2009 BFA, Studio Art, minor Art History, The University of Arizona, Tucson, Arizona
Magna Cum Laude, Da Vinci Award for Honors in Two Fields of Study
Studio art thesis: “Classical Forms and the Structures of Language”
Advisor: Cerese Vaden
Art history thesis: “Language Beyond Metaphor: The Structural Symbolism of Borromini’s Sant’Ivo alla
Sapienza”
Advisor: Julie-Anne Plax
Education
2004–2006 Apprenticeship in classical painting, theoretical art, Studio of Osvaldo Romberg,
Philadelphia, Pennsylvania and New York City
Current Position
2023-2024 Marble Quarrier and Stone Cutter, Giorgios Kapiris & Family, Marmairo Marble, Naxos,
Greece
Academic Positions
2022–2023 Research Fellow, The Institute of Philosophy and Technology, Athens, Greece
Talk series lecture: “Intelligent Architecture: Architecture and the Externalized Metaphysical
Composition in Guarino Guarini’s Placita philosophica”
2017 Instructor of Record, Clemente Course in the Humanities, The National Endowment for the
Humanities and Bard College, Phoenix, Arizona
Course taught: Art history program for female veterans with PTSD
Academic Publications
2023 “Sub umbra illius quem desideraverum: the Precedence of Shadow in the Work of Giordano
Bruno’s De umbris idearum,” in Platonism and its Heritage: Selected Papers from the 19th Annual
Conference of the International Society for Neoplatonic Studies, ed. John F. Finamore, Ioanna
Patsioti, and Giannis Stamatellos (Lydney, England: The Prometheus Trust), 203–217.
2014 “Robert Grosseteste and the Phenomenological Nature of Geometry and Light” in Bishop Robert
Grosseteste and Lincoln Cathedral: Tracing Relationships between Medieval Concepts of Order
and Built Form, ed. John Hendrix, Nicholas Temple and Christian Frost (Surrey: Ashgate), 119–
134.
2014 “Architectonic Studies in Language and Geometry,” Architecture and Culture 2, 2: 167–174.
2012 “Language beyond Metaphor: The Structural Symbolism of Borromini’s Sant’Ivo alla Sapienza” in
The Cultural Role of Architecture: Contemporary and Historical Perspectives, ed. Paul Emmons,
John Hendrix, Jane Lomholt (London: Routledge Press), 39–46.
2012 “Correlativus Geometricum Lucis: The Relation between Geometry and Optical Theory in the
Design of Muqarnas Domes,” Zaytoon, 12: 3–15.
2014 “Grosseteste’s Cosmogony and Lemaître’s Proposal of the Big Bang,” Robert Grosseteste and the
Pursuit of Religious and Scientific Learning in the Middle-Ages, Bishop Grosseteste University,
Lincoln, England
2014 “A Polymorphic Deconstruction of the Bishop’s Eye According to the Optical Theory of Robert
Grosseteste,” Art: Science, Technology, and Experimentation in Art History and Practice, Council of
Graduate Art Historians, Tempe, Arizona
2012 “On the Phenomenological Nature of Geometry and Light,” Symposium on Architecture as
Cosmology: Lincoln Cathedral and Bishop Robert Grosseteste.
Session II with Dalibor Vesely and Simon Mitton, Lincoln Cathedral Centre, England
Funded by: The Paul Mellon Foundation and the University of Lincoln
2012 “Correlativus Geometricum Lucis: The Relation Between Geometry and Optical Theory in the
Design of Muqarnas Domes,” Twelfth Annual Southwest Graduate Conference in Middle Eastern
and North African Studies, The University of Arizona, Tucson, Arizona
2012 “Substance and Essence as a Form of Revelation in the Reredos of San Xavier del Bac,” Panel
Discussion: The History of San Xavier Mission, The University of Arizona Museum of Art, Tucson,
Arizona
2011 “Forming a Theology of Light: Muqarnas Domes and the Influence of Geometry and Optical
Theory,” Saint Albert the Great Science and Theology Forum, Saint Thomas More Catholic
Newman Center, Tucson, Arizona
2011 “Evidence of a Heliocentric Cosmology within Guarino Guarini’s Chapel of the Holy Shroud,” The
Role and Practice of Artists in Society, California State University, Los Angeles, California
2010 “Ocularium Lucis: Guarino Guarini and the Cosmology of Light” and “Language Beyond
Metaphor: The Structural Symbolism of Borromini’s Sant’Ivo alla Sapienza,” Saint Albert the Great
Science and Theology Forum, Saint Thomas More Catholic Newman Center, Tucson, Arizona
2010 “Language Beyond Metaphor: The Structural Symbolism of Borromini's Sant'Ivo alla Sapienza,”
and “Henri Le Secq: Strasbourg and Amiens Cathedral,” Conference on The Cultural Role of
Architecture, The University of Lincoln, England
Invited Lectures
2021 “Guarino Guarini: Architect, Mathematician, Astronomer,” Norfolk Architecture Talks, Norwich
University of the Arts, Norwich, England, invited by Prof. Raymond Quek
Invited Panels
2023 Panel of research fellows and experts, “Artificial Intelligence, Language, and Cognition,” lecture
given by Noam Chomsky, Institute of Philosophy and Technology, Athens, Greece
Professional Membership
The Society of Architectural Historians of Great Britain
Architectural Humanities Research Association
European Architectural History Network
International Robert Grosseteste Society
Curatorial Positions
2023 Founder and Curator, Hyperion Gallery, Athens, Greece
2006/2011 Curatorial Fellowships, Tucson Museum of Art, supervised by Chief Curator & Curator of
Contemporary Art, Julie Sasse, Tucson, Arizona
2009–2023 (currently) History and Theory of Architecture, Self Employed, Athens, Greece
I have an understanding of architectural design and theory during the period of the Italian Renaissance to
the Baroque period, from the fifteenth to the seventeenth century, as well as other periods, including
twentieth-century modernism. I have studied how to analyze and interpret architectural drawings,
stereometric diagrams, and architectural treatises.
2021–2022 Architectural Renovation, Walter Moreno Construction & Renovation, Tucson, Arizona
I worked under the auspices of Walter Moreno in building, design, and renovation on a number of homes
in southern Arizona.
Tech Experience
Adobe Photoshop
Adobe Illustrator
Microsoft Office
Website Design
Volunteer Service
2021 Philanthropy, Donation of a photograph by Henry Troup, Tucson Museum of Art
2011–2012 Board Member, National Advisory Council, University of Arizona Museum of Art
2010 Painter and Renovator, Saint Augustine’s Cathedral, Tucson, Arizona
2009 President, University of Arizona Art History Club, Tucson, Arizona
2007 Philanthropy, Donation of Navajo War Ceremonial Prints, Tucson Museum of Art
2004 Volunteer Mural Instructor, Mural Arts Program, Philadelphia, Pennsylvania
Languages
English (verbal, fluent; writing and reading, fluent)
Latin (passed graduate-level exam, 2011)
Italian (passed graduate-level exam, 2011)
Spanish (verbal, conversational; writing and reading, moderate to advanced)
Greek (verbal, basic; reading, basic; writing, basic)