The Palace of the

Walls that Scream

by Mick
A 5E Module
for 4-6 characters
of levels 3-4 Table of Contents
The Palace of the Walls that Scream 2
What has happened so far 3
Antefatto 3
Recent history 4
The Delizie Estensi 4
Arrival in Ferrara 5
The Imperial Domain of the House of Este (Map) 6
The Premonitions of Floramonda  5
The City 5
Rumors 5
Scenario: The Palace 5
The Palace of Diamonds 7
Map: The Diamond Halls of Ferrara 10
Pregenerated Characters 11
Non Player Characters 13
Written by: Mick Giulio D’Este
ofthornsandiron@gmail.com Bradamante
www.ofironandthorns.com Cosmè Tura
www.facebook.com/ofironandthorns Lodovico Ariosto
Niccolò III D’Este 14
About this Module The House of Este 15
Appendix A: Inspirations and events of Italian history 15
This Module has been inspired by the Appendix B: Paladin Protectors of the House of Este:  15
larcenous life of the infamous House of Appendix C: The Four Humors and Humoral Magic 15
Este marquis Niccolò III. It perpetuates Appendix D: The Luciferian Infraworld  15
this setting’s goal of raising awareness The Silver Eagles (new monster) 16
of the fascinating local regional history Mirrorwraiths (new monster) 16
in Italy. The scenario is generic and OpenGL 1.0a 17
adaptable to any setting, not just that
of Of Iron & Thorns, which will be
released in the future months. In any
case, if necessary, I will lend support on
the adaptation of the module even after
the collection is finished.
The OIAT setting uses names of existing
characters, organizations and places taken
from different historical periods of late
medieval and Renaissance Italy, readers
are invited to research online how
much is real and how much is fantasy,
an appendix of some notes has been
included. They could have quite a few
surprises, the most incredible facts might
not be invented at all.

Released under OGL license v1.0a.

2023 ANNO LACRIMARUM

2
what has happened so far

Antefatto

Niccolò III, the young and imminent

heir of the esteemed House of Este, is
a figure shrouded in ruthlessness and
unbridled lust, poised to inherit the
grandeur of the ducal crown. In the wake
of the harrowing Night of the Shrieks
last winter, the Este lineage reaffirmed
their unwavering loyalty to the Emperor,
standing as a formidable bastion at the
southern frontier of the Church State,
in the brooding heart of Romagna (see
OT01 for more information on House
Malatesta).
The rumor of the ducal house’s decadence
has been pervasive, but under Niccolò
III, matters have spiraled into realms of
the uncontrollable and sinister. The young
scion, driven by voracious desire, has
left his mark on countless young women
from the Ferrara countryside, ensnaring
them in an ever-tightening vortex of
lasciviousness. Several years ago, Niccolò
orchestrated the installation of mirrors
throughout the Palazzo Dei Diamanti,
an architectural jewel in Ferrara and part
of the so-called Este Delights. These
mirrors, far beyond mere ornaments of
vanity, became instruments for Niccolò’s
clandestine surveillance, revealing the
intimate secrets of guests and aiding his
surreptitious movements through the
palaces.
It is widely acknowledged that skilled
artists in the figurative arts possess the
uncanny ability to weave magical effects
into their creations, drawing upon the
essences of their patrons. Esteemed
nobles of the Empire, as well as bishops
and high-ranking church officials, engage
these artists to commission works of
profound beauty and mystical power.
Sculptors infuse their marble creations
with human humors, giving birth to
silent, living statues, the incorruptible
guardians of secrets. Renowned poets
and musicians craft verses and melodies
that sway the hearts and minds of their
courtly audiences. Among these artists are
3
painters in the service of the Este court,
endowed with the extraordinary ability
to enable the Este family to traverse
through the tapestries and paintings
adorning their magnificent Delights. One
such artist, Cosmè Tura (see NPCs),
dwells within the palace, not as a guest
but as a captive, his talents and very
being subjugated by the demonic forces
summoned by the insatiable Niccolò.
Utilizing these enchanted mirrors and
tapestries, Niccolò moves with ghostly
stealth throughout the Delights. His
trysts are not limited to mere mortal
liaisons; he delves into encounters with
entities so aberrant and eldritch, their
very names dare not be inscribed upon
these pages. The depths of Niccolò’s
depravity are unparalleled, cementing
him as a paragon of hedonistic and
satanic vigor. His private quarters are
a ghastly gallery – adorned with jewels
and macabre artworks fashioned from
the remains of those vanquished in battle
and seduced by passion, interspersed
with instruments of torture and esoteric
tomes that whisper of infernal delights.
Recent History
During the Night of the Shrieks,
another young scion of the Este, Giulio,
discovered his brother Ippolito lying
with his fiancée. From the ensuing
confrontation, Ippolito (LE cleric 11), a
powerful cardinal, wounded his brother
and isolated him with the help of a relic
in a realm between time and space, a
temporal stasis sphere residing in the same
dimensional interstices as the network of
conduits connecting the tapestries of the
Delights. The unexpected outcome of that
chaotic night is that Giulio, having Este
blood himself, can manifest through the
tapestries. When the family summoned
all the nobles of the Duchy for the
arrival of the imperial delegation, Giulio
appeared a few days ago to Cosmè Tura,
commissioning him in a dream to create
a new tapestry. To grant Cosmè part of
his humors for this new work linked to
the Palazzo dei Diamanti, Giulio allowed
the artist to remove one of his eyes.
The vitreous humor was used along
with blood to paint a tapestry in Giulio’s
tower, from which the injured noble can
see anywhere through the palace mirrors.
Eager for revenge against his family, and
his father Ercole who always favored his
cardinal son Ippolito, Giulio observed
everything that happened in the courts activities, it’s the hunting ground for
throughout the winter, preparing for Niccolo’s twisted fantasies.
the arrival of the Imperial Delegation. - Schifanoia Palace: This palace is famed
Whispering for days in the head of for its remarkable frescoes, particularly
the court steward Cristoforo di Messi the series depicting the months of the
Sbugo, Giulio developed with him elegant year, imbued with astrological symbols
and complex recipes, yet imbued with and allegories. Here Ippolito dragged
the satanic ether of the infernal. The his brother using the magic circles as a
dimensional interstice in which Giulio conduit for the Near Beyond.
is trapped is anything but deserted. - Sassuolo Castle: Another summer
Dozens of tormented souls, victims retreat, renowned for its luxurious
of the Este, particularly Niccolò, have interiors and intricately designed gardens,
entered Satan’s court and overwhelmed this Castle is in the nearby province of
Giulio in his revenge to become an agent Modena, and current residence of the
of corruption himself. blind paladin Fiordispina (also a Saint).
At the time of the adventure Niccolò is
not yet at the court of Ferrara, having
preferred to launch a surprise attack on
the Monastery of Fanano in the soiuthern
mountains. He is residing the Sassuolo
Castle, see below.
Chaos begins when tainted food is served
during the evening celebration for the
arrival of the imperial delegation. Caught
up in the intoxication of substances,
the courtiers are overwhelmed by the
essence of the palace, releasing themselves
into lustful and perverse practices until
they reach every corner of the castle,
including Niccolo’s rooms. Saturated
with gore and lust, the tapestries
begin to pour demonic creatures of
blood into the corridors of the palace.
The Delizie Estensi
The ‘Este Delights’ are a series
of residences and castles, majestic
constructions of the noble House of Este.
These magnificent edifices were designed
as countryside retreats or havens for
leisure and entertainment for the
family members. Renowned for their
extraordinary architecture and splendid
gardens, each Este Delight had a unique
purpose, whether for hunting, agriculture,
or pleasure, mirroring the wealth and
prestige of the lineage. Among the most
celebrated of these Delights are:
- Belriguardo Castle: Esteemed as a true
summer residence, it often hosted lavish
events and opulent receptions, this is
where most of Niccolò’s parties are held.
- Mensa Villa: Acclaimed for its
breathtaking gardens and refined artistry,
the orchards of this villa contain exotic
varieties from every part of the world,
including toxic and psychotrope essences.
- San Martino Castle: A sanctuary for
hunting and various outdoor leisure
4
 Arrival in Ferrara
Beginning of the ecumenical calendar, Spring
of year 1.
T he God’s Truce has just ended, and armies
are on the move. Imperial delegations, deeply
involved with the Este family, have arrived
to test their allegiance to the Empire. T he
Pax Dei and the Treuga Dei have come to
a close, with emissaries and nobles flocking to
the palace. Street artists, including playwrights
and acrobats disguised from Modena, add to
the bustling atmosphere. T he palace overflows
with art, commissioned by Ercole d’Este,
showcasing the grandeur and cultural richness
of the era.
The premonitions of
Floramonda
Floramonda has clairvoyant powers; her family
has a past connected with the stars. T his
ability of Floramonda made her an excellent
fighter on Mediterranean ships. Many of
the Malvasias have powers connected to the
stars, such as her powerful uncle Cornelius
Malvasia (see OT00). Floramonda can
be an N PC in the adventure if not played
as a PG. Before the adventure, she sees
bloodwraiths coming out of the Castle tapestries
and catches a glimpse of a one-eyed man,
Giulio.
The City
When the characters arrive in Ferrara,
they will find the city awash with rumors
and superstitions, with preachers at street
corners, mercenary companies hired for
the protection of the wealthy, and a
brutal and repressive state enforced by
the Este and the Imperials.
In this atmosphere, the characters can
seek information in inns, market squares,
and other places such as the shops of
dentists and barbers, who are particularly
busy treating the victims of the dreadful
night.
The imperial troops are especially
frightened; they do not speak the local
dialects but the priests can communicate
in Latin. They wear Gothic armors and
wear the yellow and gold colors of the
Empire.
Este troops dress in white and blue robes,
speak the local dialect, and tend to be less
suspicious than the Imperials. Living at
court, some of them know hearsay about
the d’Este family.
5
Rumors
- The massacre was due to the House
Torelli, now living in Guastalla, as
revenge against the Este. House Torelli
was a powerful house of giants (same size
as ogres) in Ferrara that was driven out
of the city when the Este were called in
to support the House of Adelardi. After
the expulsion, the Este gradually absorbed
the House of Adelardi by establishing
their own government. This rumor is
false, but the premise is true.
- One of Niccolo’s many daughters has come
to collect her father’s inheritance (false).
- Extreme orgiastic tales paint Niccolò’s
rooms as a true nightmare (true)
- Artists were summoned by the Lord
of the House of Este, the Duke, a
great patron of the arts, to make the
palace even more sumptuous. Many of
the inner factions of the lineage wanted
to request moody enchantments on
the artworks, the artists will never say
which ones (at the GM’s discretion)
- Cosmè Tura in the winter months had
a remarkable change of style, creating
eerie and grotesque works (true)
- The Torelli are trying to get back into
the Emperor’s good graces by financing
and sending soldiers and knights to
Fossalta, between Modena and Bologna,
where a great battle is about to take place
in the coming months. (true)
- Giulio d’Este has been missing from
the court since his fight with his brother
Ippolito (true)
The Palace
In front of the palace wave the black and
gold banners of the empire, and the silver
and blue banners of the Este. Silver-
feathered eagles (new monster) patrol the
castle along the moats, while the beautiful
paladin Bradamante stands motionless day
and night in front of the gateway, her
armor and sacred silver sword in her fist.
Bradamante’s husband, Ruggiero, is
currently in the Holy Land, fighting
for the Crusade against Agolant and
the infidels. She has been categorically
The Imperial Domain of the House of Este

“Bloodwarp Tunnels” connect the delights through their humoral tapestries.

6
prevented by Niccolò from ever entering
the palace, for reasons that can be guessed.
Not only members of the imperial
delegation were lost in the night,
but also nobles and commoners.
Award px for each person recovered
who is in “salvageable” condition.
Pull on the table to see the condition of
the survivor
Survivor condition table
1) healthy
2) healthy, but in shock
3) apparently healthy but possessed by
an infraworld demon
4) severely injured, with glass, burning
embers, boiling liquids, or the claws
of a mirrorwraith, shattered psyche,
unrecoverable
5) severely wounded but spiritually
intact
6-10) slightly wounded, but will have
perpetual nightmares
1) Hall, remains of the
imperial delegation
Upon entering the castle, the PGs will
encounter the remains of the imperial
delegation and Duchy nobles who have
been trapped in the palace, wandering
the corridors in an unconscious
state. The deformed footprints
of the Mirrorwraiths will give the
PGs confirmation that something
otherworldly is afoot.
2) Orchards and gardens
As you pass through the archway, the
Garden of the Palazzo dei Diamanti greets
you with an almost surreal calm. T he sun
hangs high in the sky, yet the garden exudes
an uncanny stillness. T he meticulously cut
diamond-patterned walls of the palazzo cast
precise geometric shadows, lending the scene
an unnatural, almost staged quality.
T he silence is absolute, as if sound itself fears
to tread in this place. T he garden is an eerie
The Palace of Diamonds
The Palace of the Diamonds is the newest and most luxurious palace of the lineage. A precise map of the palace will not be
released because the characters will have to feel as if they are lost in a recursive, nightmarish non-Euclidean maze. Generally
speaking, the palace internally consists long, pointed-vaulted corridors decorated with frescoes and inlaid moldings.
When the GM sees fit, insert one of the events described above.
A schematic outline of the building and a map of the building that actually exists can be found on page 10.
tableau of perfectly manicured trees, their the bodies have been partially devoured
branches frozen in time. in the softer parts, like the intestines.
It’s clear to the characters that a
The mirrorwraiths have chaed two collective madness seems to have struck
young paesant girls that were bought by the guests. The food consumed at the
Niccolò from a local farm to the south banquet varied, and it appears that some
close to the border with Ravenna. When substance added to the various sauces,
the chaos erupted in the palace, the girls which sizzle when hit with holy water,
managed to escape here in the well. The was responsible for the contamination.
mirrorwraiths cannot reach the gilrls at Those who did not inflict injuries upon
the bottom. themselves instead tried to attack other
Mirrorwraiths (1-2): hp 45 each, use guests or the servants themselves. Only
statistics as wight. two servants had eaten the nobles’ food
and are now found among the tables,
3) The lemon grove writhing in madness. If forced to vomit,
blessed by a priest, and allowed to rest,
they can recount what happened. Severe
Hidden within overgrown foliage and
obscured by mist, a mirrorwraith retreats damage to the yellow bile is permanent
after this effect.
here, blending with the shadows cast by
exotic, twisted plants coming from far
corners of the world. Its presence is only 3) Kitchen, remains of the
betrayed by a subtle distortion in the banquet and Messisbugo
reflection of the glass panes.
Mirrorwraiths (1): hp 45 In this scenario the PGs meet the court
steward, Cristoforo di Messisbugo.
4) The Banquet Hall Cristoforo was corrupted by Giulio’s
influence, who appeared in his dreams
Dozens of bodies are strewn across the suggesting that particular herbs and
floor in this grand hall. mushrooms be mixed into the banquet.
Many of them still have their eyes wide Christopher is still in the kitchen, intent
open, many have disrobed, and others on assembling a huge tray of meats,
have inflicted various degrees of injury vegetables, and fruit gelatines intermixed
upon their bodies, often with knives and with flaps of human skin, bones, and
fragments of glass or ceramics. Some of other remains of mirrorwraith victims.
7
Cristoforo is insane and can only answer
to the characters if somehow awakened
from his catatonic state. He will still not
realize the horror of what is happening
in the kitchens.
All Cristoforo knows is he met this
person with one eye in his sleep, and all
his dreams were so real.

The banquet served to the delegation

contains the following dishes
Starters
Citrus Herb Salad: A delightful mixture
of various herbs and citron, elegantly
presented with intricate designs of arms
and letters.
Botargo Salad: Exquisite preparation
of dried and salted fish roe, served in
beautifully crafted dishes.
Delicacies
Salami and Ox Tongues: An array of
fine salami accompanied by seasoned ox
tongues.
Miglioramenti: A traditional dish known
as “miglioramenti” prepared with morello Specialties to determine where they might hide.
cherries. Stuffed Caproni alla Lombarda in Broth: To make the encounters more complex,
Cold Roasted Capons: Delectably cold, A Lombard-style specialty featuring consider that the mirrorwraiths can use
roasted capons, artfully dismembered and stuffed caproni, served in a savory broth all the mirrors in the castle as dimension
served. with chicken and veal dairy products. doors.
Main Course In order to track mirrorwraiths or to
Trout in Comacchiese Broth: Fresh trout
Varolli in Cassonade: A sumptuous dish sense their presence in advance, the use
prepared in a traditional Comacchiese-
of varolli, prepared in a rich cassonade of smell can be useful. The creatures
style broth, served in fine dishes.
sauce, served in slices. emerge from the mirrors covered in a
Quails, Thrushes, Turtledoves, Pigeons light coating of a gelatinous substance
in Vinegar: A selection of birds, 4) Mirrorwraiths: satanic that smells like alcohol and vaguely like
including quails, thrushes, turtledoves, creatures from the Near old citrus and orange blossoms. The
and pigeons, marinated in vinegar and Beyond infrawordly liquid evaporates almost
presented on silver plates, some with instantly but releases a distinctive odor.
laurel leaves. This encounter may occur several times
Seafood Delights in the course of reconstructing the
Reine in Black Broth with Sliced Almonds: occurrence of the nocturnal slaughter. 5) Niccolò’s quarters
A luxurious preparation of reine fish in a Niccolò had strategically placed a series
savory black broth, garnished with finely of mirrors in the guest rooms of the This is a completely God-forsaken place.
sliced almonds. castle to secretly observe their intimacies. We leave the details of the Marquis’
Small Sfogliatelle Pastries with Pigmuoli A series of narrow tunnels parallel to the practices to the GM’s imagination. What
and Cibibo: Petite and crispy sfogliatelle rooms provided the future duke with a needs to be known is that everywhere
pastries, filled with pigmuoli and cibibo. quick escape from prying eyes, one of there are tools and games to satisfy his
Soup: the reasons why the degeneration of his fantasies. In one of the rooms the body
French Cream Soup with Sugar and lust was not noticed by the majority of lying prone on the floor of an imperial
Cinnamon: A rich and creamy French the courtiers, except for the maids tasked official occupies a good part of a large
soup, sweetened with sugar and spiced with cleaning his rooms, who were too oriental rug. The robust gentleman
with cinnamon. frightened to speak of it. After the night staggered to Niccolò’s rooms hallucinating
Exquisite Offerings: had passed, the souls and their torment in the toxic food he had ingested, and
Partridges and Yellow Sausage Tomafelle: the walls of the castle broke through the was shocked by the records and human
Delicate partridges accompanied by mirror dimension, bringing forth these remains found in the room. Seized by
yellow sausage tomafelle. nightmarish creatures (description at the an illness, he leaned against one of the
Fresh Roasted Miglioramenti with end of the module). The mirrorwraiths mirrors, dragging out a mirrorwraith
Sugar and Cinnamon: Freshly roasted leave blood marks and long bony imprints that devoured its intestines before hiding
miglioramenti, a local specialty, sweetened on the floor and walls, but the chaos of in the palace’s recesses. The two girls
with sugar and cinnamon. the castle is such that it is very difficult found in the garden escaped from here,
8
managing to get out of the cage in which
they were confined using the butter
knife the official had brought with him.

6) Castle mirrors

There are literally hundreds of mirrors in

the palace, some of them tilted curiously,
connected by mechanical systems or
hidden behind drapes. In recent days,
these mirrors have become portals to
the underworld, which Giulio now uses
to observe what is happening in the
palace. It might be possible for high-level
characters to follow the mirrorwraiths
into this semi-plane, but for the purposes
of the adventure, it would be a pointless
endeavor, also because our senses would
be insufficient to process the perception
of the reality found there. The mirrors
are fragile and can be shattered with a
simple blunt blow, trapping the creatures
in the plane they are currently in.
Standing in front of one of these mirrors
for a few moments might reveal that
something strange is happening beyond
the reflective surface, with elusive details
of past events and reflections in the
mirror, like a sort of buffer memory
that has not yet completely emptied its
content.

7) Ippolito’s Quarters

Ippolito has used a word of recall to

immediately teleport to the Ferrara
Cathedral, where he is undergoing
immense agony due to a curse cast
by Giulio. His eyes are festering and
suppurating, showing only images of
perdition. This is Giulio’s ultimate
revenge on his hated brother. When
the player characters emerge from the
palace, the absence of Ippolito, a cardinal
of the Church, will be noticed, and it
will take weeks before the news of his
curse spreads.

8) The Gilded Music

Chamber
A mirrorwraith lurks in the music room,
striking the harpsichord and several
instruments in the half-light, creating a
dissonant melody.
9) The Bathhouse
Another creature is concealed in a misty,
mirror-lined bathhouse, its surface
clouded with steam, making its presence
almost indistinguishable from the shifting
vapors.
10) The Attic
Hundreds of dusty relics and cobwebbed
furniture fill the room, a mirrorwraith
might conceal itself behind antique
mirrors, their surfaces clouded with age,
making it nearly invisible.

9
11) The Wine Cellar
Behind a hidden panel in the wine cellar,
a small, mirror-lined chamber serves as a
perfect hiding spot for the mirrorwraith,
where it blends with the reflections of
dusty wine bottles.
12) Giulio’s Quarters
Evidence of Giulio’s transactions with
Cosmè Tura can be unearthed in this
room. There are records of funds
dispensed to the painter, along with
traces of toxic and cursed substances
used to bring the artist under his control
initially, and others far more lethal,
evidently part of some dark ritual, linked
to the madness that overtook those who
attended the banquet.
The garden’s maidens vividly recall the
gaunt man covered in blood, moving
through Giulio’s chambers in the last
days, a room atop a high tower. Cosmè
had a room in the guest wing and would
return barefoot to his quarters wrapped
in a large white sheet, which he then had
the maids wash.
This particular room houses a large
mirror with a tub of fresh water in front
of it and a vast, enigmatic tapestry that
connects the room to the underworld.
Here, the characters will confront Giulio,
a grand visage reflected in the mirror. A
10
gate from Palazzo Diamanti to the Este
Castle is located in this chamber.
The fight against Giulio is long and
exhausting as the creatures will protect
the tapestry and will continue to our out
of the mirrors. However, ripping the
tapestry apart or burning it is enough to
make the whole delirium stop.
The adventure is not over with the
defeat of Giulio however, Bradamante
will pretend to know what happened
inside, and Niccolò III will quickly
return to court, the girls in the garden
might need protection, and to top it off,
the Emperor will be extremely displeased
about what happened and the characters
might be easy scapegoat for the deranged
House.
Pregenerated Characters
Additional details on the PCs can be found on the website ofironandthorns.com

honor. She is stern and uncompromising, Mace. Melee Weapon Attack: +3 to hit,
but is fair and just in her dealings. reach 5 ft., one target. Hit: (1d6 + 1)
Because of her rough ways she is often bludgeoning damage.
ill-tolerated by those who encounter her. Healing Word. A creature of Teobaldo’s
Due to her aristocratic background, she choice that can hear him within 30 feet
is accustomed to a certain standard of regains 1d4 + 3 hit points.
living and can be somewhat haughty at Equipment: Chain mail, mace, shield, holy
times. She is sanguine. symbol, 5 sticks of incense, vestments,
Tactics common clothes, belt pouch containing 10
Floramonda is a capable fighter, a skilled GP, Herbalism Kit.
tactician and is able to quickly assess a Features and Traits
situation and come up with a plan of Channel Divinity: Turn Undead. As
attack. She is mostly a first line fighter, an action, Teobaldo presents his holy
she likes camp life. symbol and speaks a prayer censuring the
Floramonda Malvasia History undead. Each undead that can see or hear
Medium humanoid (human), lawful good Floramonda has been trained in the art him within 30 feet of him must make a
Armor Class: 16 (splint mail, shield) of combat since she was a child, a career Wisdom saving throw. If the creature
Hit Points 35 (4d10 + 8) she wanted for herself, a born warrior. fails its saving throw, it is turned for 1
Speed: 30 ft. She was recently on a mission to Cyprus minute or until it takes damage.
| Str | Dex | Con | Int | Wis | Cha | to fight against the corsairs. Her house Healing Hands. As an action, Teobaldo
| 14(+2) | 12(+1) | 14(+2) | 10(+0) | 15(+2) | 8(-1) | became popular in Bononia, where they can touch a creature and cause it to regain
Skills: Athletics +4, Insight +4, were selling wines. a number of hit points equal to his level.
Intimidation +1, Perception +4 Personality. Teobaldo is a phlegmatic
Senses: passive Perception 14 man in the Galenic sense, calm and
Languages: Common unemotional. He has a deep knowledge
Sanctity tier: 1 of herbalism and medicine, and is always
Actions prepared with a variety of herbs and
Longsword. Melee Weapon Attack: +4 cataplasms to treat various ailments. He
to hit, reach 5 ft., one target. Hit: (1d8 is not one to rush into action, preferring
+ 2) slashing damage. to carefully consider his options before
Javelin. Melee or Ranged Weapon Attack: acting. He is dedicated to his faith and to
+4 to hit, reach 5 ft. or range 30/120 helping others, but can sometimes be seen
ft., one target. Hit: (1d6 + 2) piercing as distant or aloof due to his reserved
damage. nature.
Equipment: Splint mail, shield, longsword, Tactics
2 javelins, backpack, bedroll, mess kit, Teobaldo is a competent healer and
tinderbox, 10 torches, 10 days of rations, Father Teobaldo of Bononia support character, using his spells and
waterskin, 5 GP. Medium humanoid (human), lawful herbalism skills to keep his allies alive
Features and Traits neutral and healthy. He prefers to stay at range,
House Malvasia Heriloom. A gift of the Armor Class: 14 (chain mail) using his mace and spells to damage
blood of his household, Floramonda can Hit Points: 18 (3d8 + 3) enemies from a safe distance. He will use
predict ambushes by watching the sky Speed: 30 ft. his Channel Divinity to turn undead if
at night. Every starry night she can get | Str | Dex | Con | Int | Wis | Cha | he encounters them.
insight from the constellations and will | 8(-1) | 14(+2) | 12(+1) | 10(+0) | 16(+3) | 13(+1) History
gain a new chance on any roll that can Skills: Medicine +5, Religion +2, Herbalism Father Theobald is a deeply committed
benefit from foresight. Kit +5 and knowledgeable cleric of the Benedictine
Personality Senses: passive Perception 13 Order, specializing in demonology and
Floramonda was a dignified and esteemed Languages: Common, Celestial angelology. He is compassionate and
warrior during his career in the southern Sanctity tier: 0 wise, offering guidance and healing while
lands, with a strong sense of duty and Actions staunchly opposing heresy and darkness.
11
His extensive experience in the Church
has given him a profound understanding
of the forces of holiness and damnation
within the Empire. He is adept at
interpreting Enochian texts, making
him a valuable ally in battles against
supernatural entities. Ostracized from his
monastery for aiding Corio, a converted
Celt, he joined Floramonda Malvasia’s
company, contributing his scholarly and
spiritual expertise to their efforts against
supernatural threats. Floramonda, advised
by the premonitory powers of her house,
welcomed Father Theobald and Corio,
a decision she has not regretted so far.
Corio
Medium humanoid (celt), chaotic neutral survivors. Subsequently, Theobald saved ability to activate paintings of Barnaba
Armor Class: 14 (hide armor)
Hit Points: 35 (6d8 + 6)
Speed: 40 ft., climb 30 ft.
| Str | Dex | Con | Int | Wis | Cha |
| 16(+3) | 14(+2) | 12(+1) | 8(-1) | 12(+1) | 8(-1) Corio, being unbaptzed and vulnerabile to to understand the world around him.
Skills: Athletics +5, Nature +3, Perception possession, became demonically possessed He is a skilled medic, astrologer, and
+3, Survival +3
Senses: passive Perception 13
Languages: Common, Sylvan
Challenge: 3 (700 XP)
Actions
Greataxe. Melee Weapon Attack: +5 to Bologna to serve God’s will.
hit, reach 5 ft., one target. Hit: (1d12 +
3) slashing damage.
Javelin. Melee or Ranged Weapon
Attack: +5 to hit, reach 5 ft. or range
30/120 ft., one target. Hit: (1d6 + 3)
piercing damage.
Equipment Hide armor, greataxe, 2
javelins, backpack, bedroll, mess kit,
tinderbox, 10 torches, 10 days of rations,
waterskin, 5 GP.
Features and Traits
Rage. As a bonus action, the barbarian
can enter a rage, gaining advantage on
Strength checks and saving throws,
dealing extra damage with melee weapons,
and gaining resistance to bludgeoning,
piercing, and slashing damage. The rage
lasts for 1 minute and ends early if the Erasmus of Brixíllum
barbarian is knocked unconscious or if
their turn ends and they haven’t attacked Medium humanoid (human), neutral
a hostile creature or taken damage since good
their last turn. Armor Class: 10
Feral Instinct. The barbarian has Hit Points: 22 (3d8+3)
advantage on initiative rolls. Speed: 30 ft.
Personality | Str | Dex | Con | Int | Wis | Cha |
Corio is a melancholic and introverted | 10(+0) | 10(+0) | 12(+1) | 16(+3) | 14(+2) |
individual, with a primal and feral nature. 10(+0)|
He is fiercely independent and self- Skills: Medicine +4, Arcana +5, History
sufficient, relying on his instincts and +5, Calligraphy Kit +5
his connection to the natural world to Senses: passive Perception 12
survive. He is not particularly social, but Languages: Common, Celestial, Elvish
can be fiercely protective of his allies and Challenge: 2 (450 XP)
Actions
his territory. Due to his simian traits, he
can be seen as primitive and devolved by Dagger. Melee or Ranged Weapon
other races. He is a cannibal. Attack: +2 to hit, reach 5 ft. or range
Tactics 20/60 ft., one target. Hit: (1d4) piercing
Corio possesses a primal instinct and as damage.
such can sometimes be unpredictable even Equipment: Dagger, calligraphy kit,
in battle. common clothes, belt pouch containing 10
History GP.
Corio’s life changed when the Papal Features and Traits
forces strengthened their military in Polymath. Erasmo is a scholar of many
the Bologna hills. Father Theobald, fields, with knowledge in a wide variety
then a young initiate, was among those of subjects. Erasmo has knowledge of
deployed. Corio, serving as a lookout astrology and can interpret astrological
during a Celtic attack, prevented a charts and omens.
massacre by not disclosing the location of Painting Activation. Erasmo has the
him by requesting him as a laborer for in Fanano.
the diocese. Corio, having survived the Personality
plague, worked as a monatto hiding in the Erasmo is a curious and inquisitive man,
shadows. After the Night of Screams, with a thirst for knowledge and a desire
but was later freed by Father Theobald. calligrapher, and takes great pride in his
Lady Floramonda’s return to Bologna work.
Tactics
marked another turn in his life, as she
Erasmo is not a combatant, and prefers
decided to include Corio and Theobald
to avoid conflict whenever possible. He
in her company, leading them to leave
will use his knowledge of medicine and
astrology to help his allies.
History
Erasmus, born into a prestigious family
known for academic achievements, spent
his early life in a Benedictine monastery in
Brixíllum, receiving a rigorous education
that fueled his passion for learning.
Excelling in various subjects, he attended
the University of Ferrara, where he stood
out academically and explored areas like
magic, alchemy, and arts. At 30, Erasmus
chose a life of adventure over a religious
career, joining a mercenary company.
Now aged 65, he battles numerous health
issues, relying on his knowledge of herbs,
pagan remedies, amulets, and alchemical
mixtures to manage his ailments.
12
Non-Player Characters
Giulio d’Este
CE Watcher of the Tapestries
Age: 27
Background: a bastard son of the house,
Giulio, whose instincts were perhaps
amplified by the palace’s lugubrious lust-
fueled air, often gave vent to irrepressible
desires that led him into escalating
conflicts with his half-brother Ippolito.
Perhaps under charm from the artist bard
Rainaldo Da Sassulo, he became morbidly
obsessed with a court lady in the service
of the household. Ippolito then tried to
assassinate Julius, who had taken refuge
in Brexillum, a small town in the Duchy.
Exploiting the magic of the tapestries,
Julius though half-breed reaches the palace
of the Diamonds where rendered insane
by the demons of Infraworld, he will
sacrifice his eye to uniquely bind the
canvases to himself.
Personality: Giulio is now shapeless,
incorporeal and has lost self-perception
in the sanguinous tapestries of Cosmè
Tura. He can appear as a naked human
covered in blood, one eye removed
from its socket. He is now condemned
to remain in his tower within the Este
Castle forever.
Statistics for the current state of Giulio
will not be given, he is not able to directy
influence reality besides whispering in the
ears of the visitors of the palace and
showing side reflections of things that
don’t exist in the mirrors. The GM
should feel free to use these abilities to
leverage the characters’ desire. Demons
of the Infraworld allow Julius to sense
the will and weakness of castle guests.
Characters with levels of sanctity are
responsive but not immune to these
suggestions. See spell suggestion, characters
with at least one level of sanctity enjoy
advantage on saving throws.
Giulio can also summon a mirrorwraith
in defense of the tapestry in his tower,
at the rate of one every 3 rounds.
Bradamante
LG Paladin Saint of the 3rd Era
Age: 500+
Background: Bradamante is a quasi-
goddess, she was originally responsible
for the foundation of the House of Este
under the blessing of the First Emperor
Charlemagne. An high-tier saint of
the Church, she is so distant and aloof
today, but at the same time so powerful,
that she is one of the main reasons the
Ducal City of Ferrara has never been
directly attacked, nor its authority never
put to question. She was present at the
beginning of the Fourth Era and the
crowning of the First Emperor. His
bethroted husband, Ruggiero, previously
an infidel, is nowadays taking part in the
Crusades in the Holy Lands. Bradamante
is one of the Three Paladin Protectors of
the House of Este. She commands and
can communicate with the Silver Eagles
(new monster). Her stat are not given
here but, if needed, consider her a 15th
level paladin with the powers of a deva.
Personality: Bradamante has seen it all.
She has fought along Roland and Charles
Martel against the infidels and the
satanic armies of Agolant the Undead
Sultan. Her silences are such that people
believe she is mute; in fact she can be
seen conversing, albeit rarely, only with
Lodovico Ariosto, the famous bard.
Bradamante will not enter the palace in
this scenario, as she has been subject to
a binding by Marquis Niccolo III, who
did not want the patroness to know of
her descent into the hell of perversion.
Bradamante is forced to protect the
household no matter what, but the release
of the two garden girls could lead to
very serious consequences when Niccolo
returns to the city. How to continue this
adventure thread is left in the hands of
the GM.
13
Cosmè Tura
CN polymath 10
Age: 38
Background: Cosmè is a telented artist
whose paintings has influenced everyone
else in the court of the Estes. His art
is textural and mournful, and since
residing in the palace it has taken on a
macabre and disturbing note, particularly
in recent months. Cosmè possesses the
fluids of all the members of the House
of Este, and he safeguards them together
with the court physician and sometimes
the dispensary Cristofo di Messisbugo.
Cosmè is the one who has the final say
on which humor to use in whatever
situation. He planned and united all the
Delights of the Duchy with the blood of
the household. Today a hostage of Giulio,
his mind has degenerated but he will
recover once Giulio’s tapestry is destroyed
Personality: Cosmè is a passionate but
rather stern man, dedicated to his art
and the knowledge of things materal
and not. Since he has been completely
dominated by Giulio, he has a glassy,
dumbfounded look on his face, and walks
around the halls of the palace naked
covered in blood, sometimes his own.
Lodovico Ariosto
N bard 13
Age: 40 (current body)
Background: Ludovico is a court bard
of the House of Este, at the service of
Ippolito, Giulio’s half-brother. He knows
most of the secrets of the family but
wisely remains distant from the power
struggle. He could not deny speaking to
Bradamante, and he acts as her eyes since
Niccolò prohibited her from entering the
halls. His situation is’nt easy at all but he
is really a talented poet, being protected
by Bradamante he is also a protected of
the Empire. No one in his right mind
dares to harm him. he was chosen by the
House several centuries ago as the eternal
chronicler, meaning he will not be allowed
to die even when his corrent body is
going to fail. Necromancers will keep his
body intact and his brain transferred to
a new form, to celebrate the greatness of
the house until the end of times.
Personality: surprisingly easygoing and
merry, Ludovico accepts the current
state of things with stoicism, enjoying
his privileges to make the most of his
life. He’s an unparalleled historian in the
court, but he mostly writes poetry.
 enhanced by his extraordinary abilities.
Niccolò III D’Este His rapid descent into eroticism and lust
Sovereign of Satanic Carnality, Preist of Lust, Scion of the House of Este caught the attention of the malign, who
saw in him, a vain person in a significant
position of power, a potential champion
in his fight against God and the Order
of Things. In Niccolò, Satan sees a key
ally in the upcoming battle for dominion
over creation, right in the heart of the
Empire.
With Satan whispering in his ear, Niccolò
is nigh-invincble, having conquered lands
and courts through military force and
a devious silver tongue. His greatest
accomplishment so far has been taking
the Duke Ercole out of the game slowly
but steadily convincing him to follow his
megalomaniac impulses of expanding the
Este territories inspired by the classical
literature of greek heroes and olympian
gods.
As an agent of Blasphemy, his sanctity
tier is reverse, he is a 7th-tier agent of
Satan on Earth. As such, he is not bond
by the Truce of God and has taken part
in several assassionations in the Empire
to consolidate his power now that the
winter season is over. His deformities
are not visible at a naked eye, but his
soul is utterly corrupted. He is immortal
and cann0t die of old age.
Niccolò III, Fighter 10 Being an agent of Evil has some side Niccolò currently resides in his palace in
Medium humanoid (human), CE effects. Niccolo cannot set foot on sacred Sassuolo, close to Modena, where he is
Impiety tier: 7 ground, and his lust is such that he can directing his armies against rebel houses
blow up a very important deal if he is of Frignano, the region of Modena that
seized by desire. His appetite is such that rules the mountains. He is threading
Special Abilities
he could ignore any common sense and very carefully not to anger the House of
strategy to indulge his urges. He had Montecuccoli, rulers of Frignano, as their
House Powers: as a high-ranking noble
no qualms about killing his own son to champion Raimondo Montecuccoli (LN
of the House, Marquis Niccolò III has
possess his bride. human male fighter 20), is the general of
a permanent true sight that enables him
to see anything, invisible or otherwise, History and Personality the Empire and an invincible foe even he
discern lies, at any distance. He can Niccolò has not always been this way, is deadly scared to face.
understand a person’s intent and feelings but since his youth, he has stood out In combat, he wears an ornate, silver
and lie and twist words accordingly with an exceptional personality. A tactical plated paladin armor with a blue cloak.
without being detected as an agent of genius with sharp intuition, he began at
Satan. Niccolo uses these powers to an early age to use his family’s powers
sense the greatest terror in his victims, in unconventional ways. Niccolò has
conveying psychological and physical always had the courage to confront even
oppression and torture where it inflicts the Duke, Ercole, wisely concluding
the greatest consequences. Ending up in discussions before they escalated. Beyond
his hands is an experience few forget. being a strategic genius in battle and
Secular powers: Besides blood abilities, notoriously ruthless, his true mastery
the position of Niccolò as a titled noble lies in undermining the confidence of his
of the Ducal House at the service of enemies. Currently, Niccolò is engaged in
the Empire, he can give orders to the mountains of the Modenese Apennines
Bradamante and the paladin protectors to the south, where he is planning a
of the House. He also has access to a siege on a monastery for still mysterious
virtually limitless wealth. purposes. Niccolò has always harbored
Weaknesses
a great passion for eccentric eroticism,
14
 Appendix A: Inspirations and Appendix B: The Three
events of Italian history Paladin Protectors of the
House of Este:
The Palazzo dei Diamanti is indeed
a real building located in the heart of Bradamante, Marfisia and Fiordispina
Ferrara, Italy. Its name derives from are paladins and saints of the
the diamond-shaped marble blocks that Third Era, three patronesses of
decorate its exterior walls. These blocks Modena, Ferrara and Reggio Emilia.
are positioned to maximize the light Marfisia was the sister of Ruggiero,
reflected off the building, creating a formerly an infidel of the Blasphemy of
visually striking effect. the Sands converted to the One Faith. A
Cosmè Tura did contribute to the powerful woman, dark of complexion, she
decorations of the incredible Palazzo is an educated warrior of vast knowledge.
Schifanoia, another of the so-called Fiordispina is a tragic character, to
THE HOUSE OF ESTE
‘delizie estensi’ (Estense delights), which atone for the temptation of sodomy
Motto: Aquila non captat muscas
were pleasure palaces for the Este family. against Bradamante she met in battle,
Palazzo Schifanoia is renowned for its she voluntarily lost her sight as an
The House of Este is one of the oldest
allegorical frescoes. These frescoes present expiation. She is a gigantic woman
and most powerful families in Italy, related
a cycle of the months as an allegorical seven feet tall, ruthless in battle.
to popes and great rulers for centuries.
pageant, with each month presided over
Its dominion extends over the entire
by an Olympian god and associated Appendix C: The Four
western part of the Emilia-Romagna
zodiac constellations. Humors and Humoral Magic
region and includes the territories of
Regarding the story of Niccolò III d’Este’s More on humoral magic will be expanded
Ferrara, Modena, and Reggio Emilia.
alleged luxuriance, it is documented that in future publications. In the meantime
The lineage was founded by Ruggiero
in 1425, he executed both his wife, consider all characters to have a
and Bradamante, paladins in the service
Parisina, and his illegitimate son, Ugo, predominant trait associated to black bile,
of Charlemagne, during the transition to
on charges of adultery. Additionally, yellow bile, blood and phlegm. Damage
the Fourth Age. The heroes of that time
Niccolò decreed that all women within after battle can influence the status of
still protect the Duchy conferred by the
his domains found guilty of adultery these humors that in turn require specific
Emperor and the Pope on the lineage.
were to be put to death, though he forms of healing.
The borders of the Duchy are watched
had to rescind this order to avoid Humors are mentioned in this adventure
by the Silver Eagles and a powerful army
depopulating Ferrara. as indispensable components of the
of professional soldiers including war
The story of Giulio d’Este is somewhat magical art, where they are used and
wizards, automatons, and steel plated
different. After 53 years in prison, he mixed with marble dust, dyes, inks for
knights. Tension is arising against the
was freed by his grandnephew Alfonso writing songs, and so on.
border with Romagna to the East after
II d’Este at the age of 81. Giulio’s
the Night of Screams, but an even more
imprisonment was notable as he managed
insidious battle front might be aflame
to maintain his charm and an erect Appendix D: The Luciferian
soon on the north-western border with
posture despite his long incarceration, Infraworld
the Dragon Lords of Milan.
and he dressed in the fashion of 50 years The demonic infraworld generated
The most powerful gift of the house by pain and lust is one of the many
prior when he returned to the streets.
bestowed to its members is that of true
Ludovico Ariosto, the renowned dimensions of the un-created, emanations
sight, described in the character sheet of
poet, was indeed under the patronage from the unraveling of reality that occur
Niccolò III D’Este.
of Cardinal Ippolito d’Este. Despite through the seven deadly sins and
Currently, the most important members
his literary talent, Ariosto was poorly turning away from God. Satan resides
of the house apart from Niccolò, Ercole,
compensated by the cardinal for his at the bottom of Hell ruling over that
Ippolito and Giulio mentioned earlier are:
efforts. The only reward he received for which-is-not. In the context of the
- Borso, the inept son of Niccolò
his epic poem “Orlando Furioso,” which adventure, the infraworld is particularly
III, resides in Modena and holds
was dedicated to Ippolito, was a question fragile in Niccolò’s palace, damaged by
sway over the family in the province.
about the source of his stories. Ariosto the pain of its victims of war and love.
An obese boy terrified of events;
later expressed his frustration with the Niccolo’s ancestor, Alberto Azzo, still
- Alberto Azzo, an ancient steward of
cardinal, noting that if he received any resides in this limbo, haunting the palace
the Carolingian lineage, lives in stasis
pension, it was not for his poetry, which for generations. This is also where
in the palace’s Inframundus, seeking
the prelate despised, but for his role as Giulio hides, but he can use mirrors
a method to become corporeal again; and tapestries to communicate with the
a messenger.
- Lucrezia Borgia, related to the Este, material world. Finally, there are demons
lives at court and is the only one who has of the underworld that can use mirrors as
understood all about Niccolo’s schemes. well, the mirrorwraiths described below.

15
Mirrorwraith (New Monster)
Medium fiend, CE
Gaunt and grotesque, the creature that emerges from the mirror embodies the essence of a nightmare. Its elongated, sinewy
limbs contort and twist through joints that defy natural law, creating a horrifying, fluid motion. Blood and phlogiston ooze
from its form, pooling into chilling puddles of viscous mucus below. Though vaguely humanoid in shape, it is a grotesque
distortion of anything human: resembling a skeletal frame grotesquely enveloped in a macabre collage of teeth, fur, skin, and
tangible dread. This abomination, with its nightmarish anatomy, seems as if it were conjured from the deepest, darkest fears
of the human psyche.

Armor Class 15 (natural armor)

Hit Points 37 (5d8 + 15)
Speed 50 ft., climb 50 ft.
STR 15 (+2) DEX 14 (+2) CON 16 (+3) INT 10 (+0) WIS 13 (+1) CHA 15 (+2)
Skills Perception +3, Stealth +4
Damage Immunities necrotic; bludgeoning, piercing, and slashing from nonmagical
attacks not made with silvered weapons
Condition Immunities poisoned
Senses darkvision 60 ft., passive Perception 13
Languages all mortal languages
Challenge 3 (700 XP)

Sunlight Sensitivity. While in sunlight, it has disadvantage on attack rolls, as well as

on Wisdom (Perception) checks that rely on sight.
Actions
Life Drain. Melee Weapon Attack: +4 to hit, reach 5 ft., one creature. Hit: 5 (1d6
+ 2) necrotic damage. The target must succeed on a DC 13 Constitution saving
throw or its hit point maximum is reduced by an amount equal to the damage taken.
This reduction lasts until the target finishes a long rest. The target dies if this effect
reduces its hit point maximum to 0.

Silver Eagle of the House of Este (New Monster)

Large magical beast, LN
A majestic silver eagle, apparently composed of glittering liquid, orbits the spires of the Estense Castle.
Partially outsider, partially a construct, the silver eagles that protect house of Este since the time of the founding of the Second
Imperium.

Silver Eagle of the House of Este

Large celestial, lawful good
Armor Class 23 (natural armor)
Hit Points 26 (4d10 + 4)
Speed 10 ft., fly 80 ft.
STR 16 (+3) DEX 17 (+3) CON 13 (+1) INT 8 (-1) WIS 14 (+2) CHA 18 (+4)
Skills Perception +4
Damage Immunities bludgeoning, piercing, and slashing from nonmagical attacks
Senses passive Perception 14
Languages Enochian, Latin
Challenge 1 (200 XP)
Keen Sight. They has advantage on Wisdom (Perception) checks that rely on sight.
Also they can see invisible creatures.
Actions
Multiattack. two attacks: one with its beak and one with its talons.
Beak. Melee Weapon Attack: +5 to hit, reach 5 ft., one target. Hit: 6 (1d6 + 3)
piercing damage.
Talons. Melee Weapon Attack: +5 to hit, reach 5 ft., one target. Hit: 10 (2d6 + 3)
slashing damage

16
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System Reference Document Copyright 2000-2003, Wizards of the Coast, Inc.; Authors Jonathan Tweet, Monte Cook, Skip
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18