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MARK BRACHER
triad seemed to provide the basis for such an explanation. Discourse (including
literature and criticism) not only serves and expresses power, it also embodies
and produces it, by constructing and regulating knowledge, a central element of
subjectivity and thus a key determinant of behavior.
New Historicist criticism enthusiastically embraced these ideas. Drawing on
Foucault's re-conceptualization of power as a network of capillary forces with
multiple types and points of generation, transmission, and resistance—includ
ing discourse, along with other techniques, technologies, apparatuses, practices,
and disciplines—rather than as a monolithic force emanating from a single
source such as the state, New Historicism offered a significant advance in our
understanding of literature's relation to power.'More specifically, in focusing on
the ways literary texts engage with "the processes by which social subjects are
formed, re-formed, and enabled to perform" and in "foregroundting] the differ
ential subject positions from which readers read, and into which they are maneu
vered during the process of reading" (Montrose 1989,16 and 26), New Historicist
criticism appeared to possess the means by which literary study might promote
the new forms of subjectivity that would lead to significant social change.
Here too, however, practice failed to achieve the goal. New Historicist criti
cism operated on the assumption that "construing literature as an unstable and
agonistic field of verbal and social practices" would "bring to our students and
to ourselves a sense of our own historicity, an apprehension of our positionings
within ideology" (Montrose 1989, 30). It thus "demonstrates} the limited but
nevertheless tangible possibility of contesting the regime of power and knowl
edge that at once sustains us and constrains us" (31). The problem here is that
even if criticism does successfully "démonstratif} the ... possibility of contesting
the regime of power and knowledge," we are still left a good distance from social
change. For simply being aware of the historicity—the arbitrariness, contingency,
and socially constructed nature—of our social positionings and our subjective
dispositions does not in and of itself lead to the sorts of changes in emotions and
behaviors toward other people that result in social change.
This is the impasse not only of New Historicist criticism specifically but also
of Foucauldian theory and practice generally: while it can produce intricate and
massive archaeological excavations, which can in turn facilitate the construc
tion of genealogies that reveal the arbitrary and constructed nature of regimes
of truth and knowledge that had appeared natural, universal, and/or immutable,
such exposure does not by itself even change these regimes, much less alter
behavior. And Foucauldian theory is finally incapable of providing a strategy for
doing so.4 The reason lies not only in Foucault's aversion to making normative
judgments,5 which any agenda of social change necessarily presupposes, but also,
and more crucially, in the fact that his theory fails to provide an adequate media
tion of the psychological and the social. More specifically, Foucauldian theory,
like Marxist theory and psychoanalysis, cannot explain how reading and ana
lyzing literary texts and other discourses can produce the sorts of alterations
of knowledge and belief that will lead to the kinds of behavioral changes that
result in social change. And in the case of Foucauldian (and Marxist) theory, this
inability is based on a more fundamental deficiency: the absence of an account
of the operations of the human mind. For although Foucault emphasizes the role
of discourse, knowledge, and other implements of power in producing the soul
(psyche), he says little about the nature of this psyche or how it variously pro
duces, maintains, transmits, is produced by, and sometimes alters specific forms
and elements of discourse, knowledge, and power. As J. M. Balkin has pointed
out, "Foucault does not seem to have any theory of internal mental processes or
cognitive structure He simply takes for granted that mechanisms of socializa
tion and cognition supply whatever is necessary for disciplines of power/knowl
edge to have their requisite effects" (Balkin 1998, 267). This is a fatal deficiency,6
for as Balkin rightly contends:
disciplines and practices cannot have these effects unless they are understood and
internalized by individuals with a cognitive apparatus. Social construction on the
order that Foucault proposes requires elaborate mechanisms of understanding
that must perform a great deal of work in shaping and constituting the individual's
identity and thought. Foucault's account lacks any description or concern with
these internal cognitive processes [that account for] how each individual processes
information.7 (Balkin 1998, 267)
Thus literary criticism after Foucault still lacks a viable, coherent strategy for
facilitating social change, because it still lacks an understanding of how dis
course—including literature and literary criticism—can (re)form subjectivity in
socially consequential ways.
Cognitive science can offer valuable resources in this regard. Research has clari
fied four crucial features of social cognition—the processes through which we
perceive, understand, and judge other people—that can provide the foundation
for a more effective practice of social criticism. This research indicates, first,
that the ultimate source of distorted, harmful assessments of the Other is not
stereotypes per se, but certain faulty "knowledge" or beliefs about "human
nature," or persons in general, that are often embedded in stereotypes and that
also operate independently of stereotypes (see Levy 1999; Henry et al. 2004).
Second, this research has emphasized that our knowledge of people, including
this faulty knowledge, exists not just in propositional form but also in multiple
other forms that are often more powerful determinants of behavior than propo
sitional knowledge is. Third, cognitive science has revealed that knowledge is not
simply a static, continuously existing entity stored in some warehouse of memory;
instead, like memory itself, knowledge is produced or assembled for the nonce by
information-processing routines (themselves the result of countless neural net
works distributed throughout the brain) that are activated whenever we assess
other people's behavior or nature. And fourth, these information-processing
routines, along with the multiple other types and forms of knowledge that both
govern them and are (reproduced by them, cannot usually be altered by the
operations of critique—that is, by evidence, argument, or the possession of cor
rect propositional knowledge. Rather, they must be altered through retraining,
ideally in conjunction with the development of metacognition. Consider each of
t-hp<5f» nnints in t-nrn.
Four key faulty assumptions about persons have been identified that lead people
to support harmful and unjust social policies, institutions, and structures:8
1. Autonomy: an individual's character is the primary cause of his or her behav
iors and life outcomes; circumstances play no significant role in determining one's
behaviors or destiny.
One reason such flawed and harmful judgments about individual responsib
are difficult to prevent is because the faulty assumption of autonomy is encod
in numerous different types and forms knowledge. Knowledge exists in t
basic types, corresponding to three fundamental categories of memory:
1. Specific instances, or exemplars, which are a function of episodic mem
systems,9
1. Autonomy episode-. Jurgis works hard on the railroad in Poland, earns good
money, and through his own efforts and conscientiousness manages to outwit
those who attempt to prey upon him and return to Lithuania still in possession
of his earnings.
3. Autonomous individual: the successful Jurgis—e.g., Jurgis in the early days of his
labor in the meatpacking plant.
4. Body image of autonomy: the huge and powerful Jurgis standing out in the crowd
or effortlessly carrying a hind quarter of beef.
Each of these exemplars focuses our attention and interest on individuals' char
acter, behaviors, and life outcomes and excludes from our awareness any effects
on character, behavior, or destiny produced by circumstances over which indi
viduals have no control. Any exemplar of this sort can function (often outside
of our awareness) as a template for our perception of other people, causing us to
ignore important information about their circumstances and/or to (inaccurately)
interpolate, infer, or suppose key information about their character that is not
given, and hence to have unjustified emotions about them that may in turn lead
to unjust actions toward them.
Prototypes-. When a critical mass of such exemplars encountered through
direct or indirect experience (including literature, film, television, and hearsay)
are encoded in episodic memory, they form autonomy prototypes such as the fol
lowing, which then come to function as the default knowledge structures guiding
information processing about other people:
2. Life scripts such as the rags-to-riches life story and, conversely, the vice-to-down
fall story.
_j. Prototypical individuals such as the self-made man and the hero who overcomes all
opposition and, conversely, the lazy, self-indulgent ne'er-do-well.
4. Prototypical images such as confident, can-do—as well as, conversely, listless, pas
sive, hopeless—voices, gazes, postures, and movements.
7. Action scripts (in the form of social practices and policies) of neglect, discipline,
and punishment of the unfortunate (e.g., refusing unemployment benefits) and
further rewards for the fortunate (e.g., reducing their taxes even further).
overlooked. When people with the autonomy schema do notice such situational
factors, or are forced to notice them, they often discount their significance and
focus their attention on character traits instead. Thus when people see a person
whose homelessness was caused by bankruptcy due to extreme medical expenses,
they may still blame her for this fate, criticizing her for not having better insur
ance or for becoming ill in the first place.
Because they expect behavior and destiny to be determined by character
traits, in the absence of evidence that such traits played a central role, individuals
operating with the autonomy schema will often search for such traits—but not
for situational determinants. In other cases, people will simply infer or suppose
the existence of character determinants, either because their search for evidence
proved unproductive or because they are so confident in their general assumption
of autonomy that they don't feel that specific evidence is necessary. They will
not, however, make similar inferences or suppositions concerning the situational
determinants of behavior or destiny. Thus when there is no clear evidence that
a welfare recipient is lazy or self-indulgent, many people will simply infer that
she is on the basis of highly ambiguous data, such as the fact that she walks very
slowly or spends a lot of time sleeping. And when there is no evidence even of the
most ambiguous sort to support the inference that a behavior or life outcome
is the result of character rather than situation, the autonomy schema will often
fill the gap in information with the supposition that such character traits exist.
Thus in the absence of any evidence that a homeless person has squandered his
resources on alcohol or drugs, many people will nonetheless believe that he has.
Often people reach or bolster their conclusion by recalling other examples in
which character supposedly determined behavior or life outcome. When they
search their memories, they fail to recall any examples of behavior or destiny
being determined by situational factors. They retrieve exemplars of presumably
lazy, dissolute, or self-indulgent homeless persons, but no exemplars who were
rendered homeless by forces beyond their control. Since the autonomy schema
blocks awareness of situational factors, however, there is often no experience of
such factors to remember. And on those relatively rare occasions when an indi
vidual does notice situational factors, the autonomy schema is likely either to
prevent them from being encoded in memory or cause them to be encoded as special
cases that do not disconfirm the principle of autonomy and that are therefore not
retrieved from memory in future instances where the memory would be relevant.
In influencing each of these steps of information processing, the various
forms of autonomist 'knowledge'—exemplars, prototypes, and processing rou
tines—lead people to continually conclude that the marginalized and stigma
tized individuals and groups they encounter are themselves responsible for their
inferior stations in life and thus deserve no assistance, and that people who have
attained success deserve full credit for their good fortune and thus should not
be subjected to any redistribution of their wealth. This conclusion, in turn, leads
to social policies that stigmatize, neglect, and/or punish the unfortunate and
maintain poverty and inequality (see Fineman 2004, Ryan 1971, and Lewis 1993).
Until social criticism can recognize and alter the multiple faulty types of knowl
edge constituting the cognitive schémas that continually produce false conclu
sions about others, it will remain less than optimally effective in its efforts to
promote social change. How to correct these faulty cognitive structures and pro
cesses is thus the fourth and ultimate piece of understanding that social criticism
must take into account.'7 Social criticism can accomplish this task by adopting
and adapting schema-changing principles developed by cognitive therapy, which
has successfully addressed a problem very similar to social criticism's problem
of disabling harmful prejudices, stereotypes, ideologies, and power/knowledge
formations. The clinical problem facing therapists is that certain psychological
maladies, such as depression and phobia, are highly resistant to traditional forms
of therapy, which rely primarily on insight, clarification, and/or confrontation—
therapeutic practices that closely resemble traditional forms of social criticism.
These traditional therapeutic techniques can help afflicted people realize that,
for example, their deep despair about their lives, or their fear of public spaces,
is unfounded and irrational. Despite such realization, however, the patients' per
ceptions, feelings, and behaviors often remain unchanged, just as people who are
convinced that certain prejudices or ideological beliefs are invalid often continue
to perceive, feel, and respond to others in a prejudiced manner. Cognitive thera
pists have gradually realized that to overcome these faulty and harmful percep
tions, feelings, and behaviors, people need to change not just their conscious,
propositional beliefs but the cognitive schémas that continually reproduced
the faulty perceptions, feelings, and behaviors. The result, known in one of its
more prominent forms as schema therapy, is composed of processes that can be
adapted by social and cultural critics to alter or replace faulty and harmful col
lective schémas, including the schémas of autonomy, essentialism, homogeneity,
and atomism.'8
The central process through which a faulty cognitive schema is replaced is
the repeated enactment, in varying contexts, of more adequate versions of the
multiple forms and types of knowledge that constitute the schema. The first step
is to develop people's metacognition by helping them understand and repeatedly
apprehend the faulty and harmful nature of the current schema and how it oper
ates in its various forms of knowledge (exemplars, prototypes, and information
processing routines). The second step, which can be pursued simultaneously with
the first, is to help individuals develop a more adequate replacement schema.
This involves: (a) identifying important types of information that are excluded
by the faulty schema; (b) encountering and committing to memory robust exem
plars that incorporate this crucial information and then using these exemplars to
process information about other people; and (c) developing and practicing new
information-processing routines that apprehend the information excluded by the
autonomy schema and use it to form judgments of other people. This practice
is enabled by the development of metacognition, the ongoing attention to and
awareness of the cognitive and emotional processes of one's own mind, which
includes recognizing when the old, faulty schema is operating and then inter
rupting and overriding its operation and activating instead the elements and
information-processing routines of the new schema. Repetition of these pro
cesses, which strongly resembles the process of working through in psychoanaly
sis (see Vaughan 1997), must occur until the old schema is no longer cued and the
new schema is activated automatically instead. The more experiences one has of
eschewing the exemplars, prototypes, and processing routines of the old, faulty
schema and activating instead the elements of the new, more adequate schema,
the more powerful and automatic the new, more adequate schema becomes (see
Padesky 1994, 277; Horowitz 1998, 65-69; and Wells 2000,128).
Such repetition is essential because while a single experience may be suffi
cient to correct faulty propositional knowledge, the non-propositional forms of
knowledge cannot be changed by a single intervention. This is because unlike
propositional knowledge, which is encoded in a "fast-binding" memory system,
non-propositional forms of knowledge and their information-processing mecha
nisms are based in "slow learning" memory systems that can only be changed
incrementally, through multiple repetitions (Smith and DeCoster 2000, 127).
More specifically, countering the effects of misleading exemplars requires that
multiple alternative exemplars be encoded in episodic memory, which requires
multiple encounters with multiple alternative exemplars. Similarly, reducing the
effects of distorting prototypes requires the encoding in episodic memory of a
critical mass of alternative exemplars sufficient to produce the construction of
an alternative prototype in semantic memory. And correcting faulty informa
tion-processing routines requires the same sort of practice and repetition that
is required to correct a faulty backhand swing or keyboard fingering technique.
For each form of non-propositional knowledge, The Jungle provides readers with
multiple exemplars embodying situational knowledge; that is, recognition of the
fact that circumstances over which one has no control can always override char
acter in determining behavior, and can also override behavior in determining
life outcomes. To the extent that any of these exemplars are encoded in read
ers' memories, they can help to correct the faulty information processing of the
autonomy schema as explained above. And if and when the number and intensity
of exemplars for any form of knowledge reach critical mass, they will form a new,
situational prototype for that form of knowledge.
Episode Scripts: One of the primary means by which The Jungle undermines
the harmful and deficient autonomy schema is by correcting the faulty charac
ter—>behavior—> success/failure episode script (one's character determines one's
behavior, and one's behavior determines whether one succeeds or fails) that is
at the heart of the autonomy schema. This episode script is deeply flawed—and
profoundly unjust—because it leads one to focus, in episodes of success or failure,
on behavior and character and ignore the powerful role that circumstances play
in determining a person's success or failure and thus to blame people for failures
or bad behaviors, as well as to credit people for successes and good behaviors
that were determined more by circumstances than by character. This flawed and
unjust episode script thus needs to be corrected by incorporating into it the role
of circumstances:
^^IRCUMSTANQES^
Character—»Behavior—»Success/Failure
Novels constitute one of the best ways to correct this script, because correc
tion requires repeatedly taking cognizance of the powerful role of circumstances
in episodes of success and failure. The flawed and unjust episode script of the
autonomy schema has been developed by repeated encounters—in direct experi
ence, fictions, hearsay, and so on—with episodes in which instances of success
and failure were attributed primarily to a person's (supposed) behaviors, which
were themselves attributed primarily to character traits, while circumstances
that may have constrained or overridden behavior and character were out of the
picture. Successfully correcting this faulty script requires a similar process of
multiple cognitions of episodes in which the situational determinants of behavior
and outcome are foregrounded rather than elided.
The Jungle promotes the development of this more adequate situational epi
sode script by repeatedly representing the power of circumstances in two types
of episodes: (i) episodes in which circumstances determine behavior in spite of
reduced, or their factories close (69,112, 87). And when their jobs do survive, the
workers themselves are worn down by their work and tossed aside like worn-out
parts (121). Processing multiple episodes such as these, in which the best efforts of
the ablest individuals are thwarted by insurmountable obstacles, and failure and
suffering are the result of circumstances, not weak character or lack of effort, pro
motes the development in readers of a more adequate alternative to the autonomy
schema's effort—>success script for deciding on the causes of success and failure.
The same is true of circumstances 'character >behavior episodes, in which bad
behavior is shown to be a product more of circumstances than of character. Jurgis
begins to drink, for example, not because of weak character (or even because of
the dreadful condition of his life), but because drinking is required where he eats
and cashes his paycheck (Sinclair 2003, 80-81). Similarly, he beats young Stan
islovas not because he is a wicked man but because the boy must be forced to go
to work despite his fear of the cold (after suffering severe, agonizing frostbite),
or the family will starve. And when Jurgis beats Ona's boss Connor, it is also the
circumstances that are the primary cause of his action: Connor has raped Jur
gis's wife Ona, which has understandably enraged Jurgis (147-148). After encod
ing multiple such circumstances 'character-^-behavior episodes in their episodic
memory, readers who have been attentive are more able and more inclined to
apprehend the circumstantial determinants of an individual's behavior and not
automatically attribute it to the person's character.
Life Scripts: The autonomy bias is also embodied in the narrative template
(see Wertsch 2008), or life script, in which multiple episodes of perseverance in
the face of obstacles produces the desired life outcome. This life script of the
autonomy schema is embodied in the rags-to-riches life story of the self-made
man, survival stories of the frontiersman, the homesteader, and the explorer, and
biographies of professional athletes and entertainers recounting their struggles
and triumphs—all of them life stories of one form of success or another. Like
their shorter counterparts, the episode scripts, such narratives appear to embody
evidentiary confirmation of the autonomy assumption that effort and virtue
lead to success, and they must be countered with stories showing individuals
approaching life with the best of intentions and equipped with the best of abili
ties being defeated and even destroyed by forces over which they have no control.
The Jungle provides multiple life stories of this sort, in varying degrees of detail.
Instead of the rags-to-riches story that Jurgis and his extended family expect to
enact, most of them enact a rags-to-rags or rags-to-death story, or even worse.
Jurgis's wife Ona goes from rags to rape to death in an agonizing childbirth; his
father Antanas from rags to a toxic job and thence to death; his two-year-old son
Antanas from rags to drowning in a ditch; the fifteen-year-old Stanislovas from
rags to being eaten alive by rats; and the stout, fiery Marija from rags to prostitu
tion and addiction. By getting readers to encode multiple stories of this sort in
their episodic memory, The Jungle provides them with multiple rags-to-rags-or
death exemplars, which can both guide their future information-processing and
also contribute to the formation of a rags-to-rags or rags-to-death life script to
counter the myopic autonomy life script as the prototype for framing and evalu
ating people's lives.
Prototypical Individuals-. Prototypical individuals who embody the autonomy
assumption include figures such as the frontiersman, the homesteader, the hunter,
the fisherman, the explorer, the independent farmer, the businessman, the entre
preneur, the self-made man, and the autodidact, as well as negative prototypes
such as the drug addict, the drunkard, the welfare cheat, the criminal, the loner,
and the sociopath. Such prototypes, which are often products of autonomy epi
sode scripts and life scripts, and which function as a similar quasi-empirical vali
dation of the autonomy assumption, must be replaced by prototypical individuals
embodying the determining force of fortune, including the child born with a
silver spoon in her mouth and the destitute victim of bad luck, violence, or indif
ference. Children are particularly powerful exemplars of situationism, since they
are clearly seldom responsible for their life circumstances. In The Jungle such
exemplars include children scavenging for food in the garbage dump (Sinclair
2003, 30-31); the anonymous little boy whose ears freeze on his way to work and
then break off when a man tries to warm them by rubbing them (79); Elzbieta's
young sons Vilimas and Nikalojus, who have to sell newspapers by day and sleep
in doorways at night to help support the family (118); her two crippled sons, Juo
zapas, who lost a leg when he was run over, and the three-year-old Kristoforas,
who lives a wretched life crawling about with a congenitally dislocated hip and
then dies a horrible death after eating contaminated food (123); and her oldest
son Stanislovas, who is put to work on the production line as a cog in the giant
machine and thus has his fate determined:
and so was decided the place in the universe of little Stanislovas, and his destiny till
the end of his days. Hour after hour, day after day, year after year, it was fated that
he should stand upon a certain square foot of floor from seven in the morning until
noon, and again from half-past twelve till half-past five, making never a motion and
thinking never a thought, save for the setting of lard-cans. (Sinclair 2003, 71)
The novel is replete with such exemplars, and their presence in readers' memories,
as well as the prototypes they help to form or reinforce, can function to focus
readers' attention on the power of circumstances over human behavior and destiny
when they evaluate the behaviors and destinies of real people outside the novel.20
Prototypical Images: The autonomy bias is also powerfully supported by proto
typical images of the human body, including postures, facial expressions, gazes,
movements, and vocal intonations that express self-sufficiency, domination, tri
umph, complacency, contentment, smugness, and so on. These images embody
the same sort of persuasive force as prototypical individuals (of which they are
often components) and must be countered with postures, facial expressions,
gazes, movements, and vocal intonations that express defeat, exhaustion, and
helplessness and thus reveal the triumph of circumstances over effort and charac
ter. At the beginning of The Jungle Jurgis is the prototypical image of autonomy:
he is a powerful, exuberant, striking figure who towers above the other workers
clamoring for a job and has no difficulty in attracting the attention of the hiring
boss (Sinclair 2003, 6, 32). By the end of the novel, however, this image has been
transformed into that of a gaunt, haggard specter who lacks the strength neces
sary to complete a single day's work. Similar exemplary images abound of bodies
that have been worn down, worn out, wounded, emaciated, or literally crushed
by their circumstances of life and work, and these images, when encoded in epi
sodic memory and/or consolidated into prototypical images, constitute powerful
prompts to look for and recognize such circumstances behind the failures we
encounter in real people outside the text.
Concepts: Characterizing people with labels such as autonomous, self-reliant,
persévérant, courageous, steadfast, and successful performatively establishes the
power of the autonomy schema through supposition, eliciting implicit agreement
that the category of autonomy is a valid and important category for perceiving
and judging people's behavior and character. The same is true of negative labels
such as dependent, needy, parasitic, lazy, self-indulgent, and cowardly, which not
only administer social censure but also reinforce the assumption that autonomy
is a virtue, that it is a crucial category of appraisal, that its meaning is transpar
ent, and that its attribution is unproblematic. This hegemony of the autonomy
concept must be countered with concepts recognizing the determinative force of
situational factors, such as luck, chance, mischance, fortune, misfortune, and vic
timization. The Jungle works to dislodge the concept of autonomy—present, for
example, in Jurgis's initial categorization of men who fail to get work as "unfit"
and "broken-down tramps and good-for-nothings" (Sinclair 2003, 58, 23)—with
labels that deemphasize the role of character and underscore instead the role of
circumstances in determining behavior and life outcomes. For example, deso
late workers, instead of being categorized as failures or losers, or "broken-down
tramps and good-for-nothings," are conceptualized as "victims" of the system
(171,299). And the packers, categorized as "captains of industry" in the autonomy
schema, are reconceptualized as "pirates of industry," "foul monsters of sensual
ity and cruelty" (317), "ravenous vultures," "tyrants," "oppressors" (171), "exploit
ers" (296), and "parasites" (320), while "capitalist production" is similarly recast as
destruction, waste (320), and corruption (325), and success is categorized as pride,
luxury, and tyranny (316). By arming readers with such alternative conceptualiza
tions that embody tacit recognition of the role of circumstances in both success
and failure, the novel increases the likelihood that they will escape the myopia of
the autonomy schema when assessing real people outside the novel.
Prototypical Emotions-. Emotions play a particularly important and complex
role in information-processing. First, they are often the product of information
processing, with a particular judgment or constellation of judgments producing
a particular emotion (see Lazarus and Lazarus 1996). Thus the judgment that
people's distress is their own fault will result in emotions of indifference, disdain,
contempt, or even anger, while the judgment that their distress is the result of
factors over which they had no control will produce feelings of sympathy, and
possibly anger at a responsible third party (see Weiner 1995 and Bracher 2006).
But in addition to being the effect of certain (possibly faulty) judgments of respon
sibility, these same emotions can also be the cause of (potentially faulty) judg
ments of responsibility. This is because we often experience emotions—espe
cially negative emotions such as anxiety and anger—without being aware of their
true causes. We may be angry, for example, because a negligent driver almost
crashed into us on our way to work earlier in the day, but we believe our anger
is the result of what we take to be a hostile gaze of a stranger who just passed us
in the hall. In this case, our anger (due, in fact, to the negligence of the reckless
driver) causes us to misinterpret a certain piece of information (a neutral gaze)
because we need to find a cause for our anger so that we may have a target for
our aggression. We misattribute our anger to an innocent person's neutral gaze
because "people tend to experience their affective feelings as reactions to what
ever happens to be in focus at the time" (Clore and Ortony 2000, 27; cited in
Hogan 2009,175). As Patrick Hogan explains, "once we feel angry, we are likely to
look for a target for our angry aggression ..., [which leads us to} a sort of willful
[albeit unconscious} misattribution" (Hogan 2009, 178). The operation of such
a process, Hogan observes, means that people's personal frustration and anger
can lead them to identify a false cause for their anger, which they then proceed
to attack—as in the false blaming of Saddam Hussein for the 9/11 attacks (178),
or the false blaming of poor and homeless people for their own distress. People
operating with the autonomy schema, which encodes emotions of disdain, con
tempt, and anger in close association with failure, are thus motivated by these
emotions to (mis)attribute responsibility to any party that is labeled a failure—an
attribution that then serves as an appraisal that validates and/or reproduces the
original negative emotion.
Literature can counter this process by using various techniques of emotional
contagion to evoke prosocial emotions such as compassion in association with
the suffering and distress of others. The Jungle operates to replace emotions such
as indifference, disdain, and contempt for victims of bad fortune and confidence,
pride, and self-satisfaction in response to one's own good fortune, which embody,
activate, and reinforce the autonomy schema, with emotions that embody rec
ognition of the powerful role of circumstances in determining both one's own
and others' behavior and destiny; such emotions include sympathy, fear, sadness,
anguish, and anger at fate and injustice, emotions that prompt readers to seek
and find situational causes for characters' distress. For example, in the novel's
opening scene of the wedding celebration, Sinclair evokes compassion and out
rage in his readers by variously describing multiple characters' pain and fear;
by narrating the expressions, postures, or actions of characters which express
these emotions; by having the narrator articulate commiseration, compassion,
and affection for these characters; and by describing the bleak and dire circum
stances and accidents that have produced their misery and desperation. Each of
these techniques works via readers' mirror neurons (see Iacoboni 2009) to pro
duce emotional contagion, and so evoke the emotions of fear, anguish, despair,
sympathy, and/or outrage in readers. The repeated experiencing of such emotions
associates them with their respective objects (workers and other poor people;
capitalists), such that future perceptions and thoughts of such figures may be pro
cessed through these respective emotions. Each of these emotions primes readers
with the idea of external, circumstantial causes of distress rather than internal,
dispositional causes, making them more likely to seek and find external, circum
stantial causes concerning the particular character or characters to which the
novel directs their attention. With enough repetition, this emotional response,
and the ensuing appraisal, can become the default, or prototypical emotion gov
erning the assessment of all people in distress.
Action Scripts: The Jungle promotes the further association of these emotions
with specific forms of helping and aggression, by linking them with particular
actions on the part of Jurgis and other characters, and this process promotes
the development in readers of action scripts that counter those of the autonomy
schema. When one is operating with the autonomy schema, the solution to every
problem is for the individual to 'work harder.' Characters impose this action script
on others and they embrace it for themselves. Jurgis lives by this script for the
first part of the novel. Whenever he encounters difficulties, he considers only one
remedy: working harder (Sinclair 2003,20,22,70). It never occurs to him that the
solution to his difficulties is only to be found in changing the circumstances of his
existence. Pursuing such change is the dominant action script of the situational
schema, however. And in The Jungle, the fundamental circumstance that needs to
be changed is the system of laissez-faire capitalism. The novel thus directs read
ers' sympathy for victimized workers and their anger at the capitalist victimizers
toward the capitalist system itself, rather than at the individual victimizers, who,
as the novel emphasizes on several occasions, are themselves ultimately pawns
in the same game as the workers. Thus the general action script promoted by
The Jungle is to build a society that provides for everyone through education and
organization (300, 318), rather that meting out further harm to the unfortunate,
and additional power and wealth to the already fortunate. In addition to alter
ing readers' knowledge and emotions concerning success and failure and about
winners and losers within the capitalist system, the novel thus also facilitates the
development of a link in readers' minds that connects anger at the oppressive
system and sympathy for its victims to educational and organizational activity
designed to change the system. Thus it strengthens the inclination toward such
action on the part of readers when they put the novel down."
SCHEMA CRITICISM
The first step—alerting people to the harm caused by a faulty schema and
explaining the information-processing flaws that lead to this harm—involves
three basic activities, which, in the case of the autonomy schema, include: (a)
highlighting instances (whether in narrative texts or in public policies, institu
tions, or social structures) in which people are blamed, either explicitly or implic
itly (i.e., through the use of autonomist concepts, images, narrated events, life
stories, or emotions), for their behaviors or life conditions; then (b) pointing out
the information concerning situational constraints that is being ignored in this
blaming; and finally (c) emphasizing the harm and injustice that result from this
omission and the blaming that follows.These three activities help people develop
metacognition concerning their own faulty and unjust information-processing,
and this metacognitive awareness help motivate and guide them to correct it.
This metacognition is furthered by the second basic step of schema criticism,
in which the critic works to help people understand how the particular exem
plars, prototypes, and information-processing routines of the autonomy schema
variously exclude, distort, and/or interpolate information in harmful ways, so
that they will be more able to spot these processes wherever they operate and
take appropriate counteraction. Thus when schema critics encounterpropositional
articulations of the autonomy schema—including slogans such as "You can be
whatever you want to be," "We live in a free country," and "Anyone can grow
up and become president"—they point out how these beliefs obscure significant
enabling and/or constraining conditions that are beyond individuals' control.
Schema critics respond similarly to concepts embodying the autonomy schema,
including the notion of autonomy itself, as well as concepts such as self-made
man, independent, loser, and failure. In response to episodes and life stories that
present success as the result of ability and hard work alone, or failure as the result
of personal inadequacy, schema critics indicate how various instances of luck or
chance, in the form of obstacles or opportunities deriving from forces beyond the
individual's control, played a major role in determining the outcome of the indi
vidual's efforts. And confronted with exemplary or prototypical individuals who
have triumphed over adversity, the schema critic explains the role that fortunate
circumstances played in their success and points out, and provides examples of,
the fact that for every champion athlete, movie star, and rock star, and every
successful entrepreneur or professional, there are many individuals who are just
as energetic, dedicated, talented, and/or hardworking who have failed to achieve
such success because they were not fortunate enough to encounter the necessary
enabling circumstances or avoid disabling ones.
In addition to pointing out flaws in information-processing and thus fostering
a metacognitive awareness that motivates correcting the faulty cognition, the
repeated bringing to light of the crucial information that is being systematically
excluded by the faulty exemplars and prototypes also promotes the emergence
of new, more adequate exemplars and prototypes as the default for perceiving,
judging, and responding to other people, both interpersonally and through pub
lic policy. This process culminates in the critic's repeatedly providing multiple
with and own these feelings, and articulate the resultant helping impulse into
specific forms of social action leading to social change.
The cognitive retraining processes at the heart of this development of more
adequate cognitive schémas centers on two basic repetitions: repeated encoun
ters with and encoding of alternative exemplars, and repeated rehearsals of the
more adequate information-processing routines. The latter alters the procedural
memories constituting the various information-processing routines, thus directly
altering the way information is processed. The former alters the composition
of episodic memory, increasing the population, and hence the accessibility and
likely activation, of more adequate exemplars, which in turn enhances the likeli
hood of the formation of more adequate prototypes in semantic memory. When
activated, these more adequate exemplars and prototypes produce more socially
productive emotions and actions, and/or serve as more reliable templates for
information-processing.
SCHEMA PEDAGOGY
3. Keep a 'schema diary,' in which you record these reading and real-life experiences
of enacting (or failing to enact) the more adequate and just cognitive schémas.
CONCLUSION
3. Schema criticism recognizes that these forms of knowledge, and hence the cog
nitive schémas that they constitute, cannot be changed simply through logical
propositional discourse aiming at conveying the truth about others. Rather, such
change requires retraining people's faulty information-processing by re-forming
each form of knowledge that guides this processing.
justice, achieved through the more just social structures, institutions, and poli
cies that one comes to support when guided by more accurate and comprehensive
understanding of other people.
In sum, by fostering more adequate person-schemas as the default informa
tion-processing mechanisms governing people's social cognition, schema criti
cism improves people's perceptions and judgments of others. These improved
perceptions and judgments, in turn, reduce people's support for unjust and coun
terproductive social policies, characterized by neglect and punishment of the
unfortunate and further excessive rewards for the fortunate, and lead people
instead to support more just and effective policies, based on compassion and
solidarity, which follow directly from recognizing people's situatedness (as well
as their malleability, heterogeneity, and interconnectedness). In short, the more
adequate person-schemas constitute a psychological basis—and quite likely a pre
requisite—for the development of a more just world. And schema criticism, as a
critical practice that promotes the development of these more adequate schémas,
can make a significant contribution to that end.
NOTES
1 The complex and sophisticated methodology that Jameson set forth in The Political
Unconscious asserted the political efficacy of bringing to light textual traces of social con
flict—in this case, the progressively more extensive conflicts of (i) contemporaneous
political struggles, (2) the more hidden and enduring conflicts between social classes,
and (3) the deep, perpetual conflict among different modes of production—so "that a
Marxist cultural study can... play its part in political praxis, which remains, of course,
what Marxism is all about" (Jameson 1981,76,299). In the conclusion to Literary Theory,
Eagleton similarly argued that criticism could promote social change by revealing "how
{a text's] discourse is structured and organized, and... what kind of effects these forms
and devices produce in particular readers in actual situations" (Eagleton 1983, 205),
chief among which are "forms of consciousness and unconsciousness, which are closely
related to the maintenance or transformation of our existing systems of power" (210).
"Such an enquiry," Eagleton suggested, "might contribute in a modest way to our very
survival. For it is surely becoming apparent that without a more profound understand
ing of such symbolic processes, through which political power is deployed, reinforced,
resisted, [and] at times subverted, we shall be incapable of unlocking the most lethal
power-struggles now confronting us" (Eagleton 1984,124).
1 This realization is present in Lentricchia's search of Kenneth Burke's rhetoric for strate
gies through which readers could be persuaded and transformed, in Jameson's discus
sion of the Utopian element of literature as the means by which readers are moved to
accede to or resist the dominant order, and in Eagleton's claim that literature produces
forms of subjectivity that entail either acquiescence or rebellion.
Jameson recognized that the mere exposure of literature as a hegemonic force is
inadequate to promote social change, and he thus worked vigorously to distinguish his
critical methodology "from those implacably polemic and demystifying procedures
traditionally associated with the Marxist practice of ideological analysis" (Jameson
1981, 281). He argued that in addition to démystification, literary criticism, if it is to
have a political impact, must also bring to light the Utopian elements of texts—that
is, the (often disguised and distorted) means by which literary texts appeal to read
ers' profound and universal need for collectivity and solidarity (284-299). "It is only
at this price," Jameson concluded The Political Unconscious, "—that of the simultaneous
recognition of the ideological and Utopian functions of the artistic text—that a Marx
ist cultural study can hope to play its part in political praxis, which remains, of course,
what Marxism is all about" (299). How exactly this dual bringing to light is to produce
its political effects, however, Jameson does spell out, though the implication is that the
revelation of the Utopian elements serves both a liberating and a motivating function:
liberating insofar as it exposes the seductive means by which texts (and dominant social
orders) recruit the consent of the oppressed (286-287) and motivating by providing a
concrete target, however distorted and as yet unrealized, of the true object of their
obscure but most profound yearnings: solidarity (287-291).
A similar though less elaborate acknowledgment was made by Lentricchia at the
end of Criticism and Social Change when he asserted (ventriloquizing Kenneth Burke)
that "the widening of consciousness" produced by ideological analysis is only "a neces
sary first step to a different kind of praxis" in which we "feel responsible to the larger
social project, the social whole" (Lentricchia 1983, 15:1) and "move inexorably toward
the dream of perfect social organization" (163). "As dialectical rhetorician," Lentricchia
stated (again ventriloquizing Burke), "the revolutionary writer must . . . create a new
social center aligned with the working class by its intellectuals—a critical mass gal
vanized into active 'sympathy for the oppressed and antipathy towards our oppressive
institutions' "(34).
In Eagleton the recognition that ideology critique is insufficient by itself to produce
social change can be found in his contention that "the role of the contemporary critic is
to resist [the dominance of the commodity] by re-connecting the symbolic to the politi
cal, engaging through both discourse and practice with the process by which repressed
needs, interests, and desires may assume the cultural forms which could weld them into
a collective political force" (Eagleton 1984,123).
3 Concerning the influence of Foucault on New Historicists, see Greenblatt 1989, Lentric
chia 1989, and Harpham 1991.
4 This wide gap between Foucauldian analyses and actual social change is evident in the
tentative and hedging language used to describe the significance of genealogical analy
ses. Realizing that they cannot legitimately claim to actually be undermining power,
New Historicists and other social and cultural genealogists are reduced to claiming
only that they are "contesting" it—or rather not even that they are actually contesting
power but merely that they are "demonstrating the limited.. .possibility of contesting" it
(Montrose 1989, 31; emphasis added). Similarly, Nikolas Rose, a leading practitioner
of genealogical analysis, describes his work in terms that position it at a considerable
distance from actual social change: "If the study that follows helps to enhance our
capacity to think about these issues {concerning how subjects are formed], it will have
been worthwhile" (Rose 1999, xxv). Enhancing our thinking about how subjects are
formed is itself a far cry from actually changing this formation, but Rose does not even
hope for this effect; he hopes only that his analyses will help to enhance "our capacity to
think about" them. In another book, Inventing Ourselves, Rose expresses his purpose in
similarly tentative terms: "My aim ... is to begin to question some of our contemporary
certainties about the kinds of people we take ourselves to be, to help develop ways in which
we migjot begin to think ourselves otherwise I... hope that, in rendering the historical
contingency of our contemporary relations to ourselves more visible, [my analyses] may
help open these up for interrogation and transformation" (Rose 1998,1-3).
s Indeed, the Foucauldian view of subjects as nodal points produced by discourse-knowl
edge-power networks might seem to preclude the very possibility of intervention for
social change and to imply that any attempt at intervention is naïve and futile. And
as J. M. Balkin states, "Foucault's conception of a subject completely constructed by
disciplinary practices raises the puzzling question of why one should even care about
what happens to individual human beings if their very individuality is the result of
social practice. If subjects are simply the intersection of various disciplinary practices,
... it is hard to see why we should care about them and their fates... . Perhaps even
more important, even the sympathy we feel for the victims of surveillance, torture, and
other disciplinary practices is simply due to the disciplinary practices of morality and
sympathy that are the product of our own cultural moment" (Balkin 1998,263-264).
6 Balkin finds the fact that it is "actively hostile to offering accounts of the internal pro
cesses of the human mind" to be "the most serious failing of the theory of discourse that
has come to replace the theory of ideology" (Balkin 1998,186).
7 Foucault emphasizes the way that knowledge exercises power by forming the psyches
of those individuals who are the object of knowledge, the known, and neglects the ways
knowledge subjugates the subjects of knowledge, the knowers. Thus the souls of prison
ers (the known) are produced by the disciplines enacting the power-knowledge of the
penal authorities (the knowers). But the prior subjugation of the knowers by this same
knowledge is left unexamined (see Foucault 1979,28-30). Schema theory, in contrast, as
we will see, allows us to understand the power that knowledge exercises first over the
knower and then subsequently over the known, by virtue of the perception, judgments,
emotions, and actions that cognitive schémas produce in the knower concerning the
known.
8 As far as I am aware, these four assumptions are not presented as a group anywhere
in the cognitive science literature, though each has individually received substantial
empirical support; rather, I have identified this group of assumptions as the critical
ones for social justice through analyzing protest novels in conjunction with my read
ing in social cognition research. In so doing, I am following the lead of prominent
theorists in the area of literature and cognitive science such as Patrick Colm Hogan
(2003) and Lisa Zunshine (2006), who have argued that the relation between literature
and cognitive science should not be just a matter of literature scholars and teachers
taking theories and findings from cognitive science and applying them to literary texts.
Rather, it should be a two-way street. Each should learn from the other: each discipline
should function as a source of hypotheses, a testing ground, and a set of challenges for
the other.
5 See Rubin 2006 for an account of how episodic memories are constructed from interac
tions among multiple basic systems.
10 Whether prototypes are enduring knowledge structures or simply epiphenomena
resulting from the simultaneous activation and 'averaging' of multiple exemplars on any
given occasion is a matter of some dispute that does not, however, bear significantly on
the account I give of how they operate or how they can be altered; see Moskowitz 2005,
165-166.
" Such influence can be seen, for example, when political analysts observe that a young
state legislator appears very Senatorial (prototype) or reminds them of a young John F.
Kennedy (exemplar), or when we employ metacognition to explicitly formulate (often
with the help of teachers or coaches) revisions or alternatives to current procedures (e.g.,
a different fingering technique on a musical instrument or a different swing of a baseball
bat, golf club, or tennis racket). Conversely, information-processing routines themselves
function to produce particular types of exemplars—and hence prototypes as well—by
directing attention to certain features, ignoring or discounting other features, and so
on, which means that exemplars as well as prototypes are always "interpretations" or
constructs, rather than simple reflections, of the phenomena they purport to represent.
" The notion of cognitive schema is sometimes employed virtually synonymously with
'concept,' which in my usage is just one of multiple types of knowledge comprised by
cognitive schémas. Other writers, including Patrick Hogan, use 'schema' to refer to the
most abstract and general forms of knowledge, to be contrasted with both prototypes
(standard or typical cases of a category) and exempla (specific instances of a category). I
follow Taylor and Crocker, Moskowitz, Singer and Salovey, and others in using 'schema'
to refer to all forms of knowledge and information-processing routines concerning a
given category, such that abstract knowledge, prototypes, exemplars (or, in Hogan's
usage, 'exempla'), and information-processing routines are all components of schémas.
My account of cognitive schémas, prototypes, exemplars, and information-processing
is drawn from numerous sources, including Hogan 2001, 2003, and 2009; Taylor and
Crocker 1981; Moskowitz 2005; Schneider 2004; Huesmann 1998; Herbert Bless et al.
2004; Singer and Salovey 1991; and Anderson and Lindsay 1998.
13 When I say that cognitive schémas are 'functional constructs,' I mean that they, and the
multiple forms and types of knowledge they comprise, do not necessarily have a one-to
one correspondence to any anatomical structures of the brain. On the ontological status
of representations and their relation to other levels of analysis in cognitive science, see
Hogan 2003, 3off. and 2009, 27n4, and David et al. 2004.
14 As with the four assumptions discussed above (see note 8), the types of knowledge I
discuss here are not identified as a group by any cognitive scientists so far as I know.
Rather, I have compiled this list by integrating research in cognitive science and in liter
ary theory with my analyses of literary texts concerned with social justice. Concerning
the various specific types of knowledge, see, above all, the discussion of interactive
cognitive subsystem theory (ICS) in Teasdale and Barnard 1993 and the discussion of
associated systems theory (AST) in Carlston 1994. For literature's contribution to vari
ous types of non-propositional knowledge, see Gibson et al. 2007. On prototypical and
exemplary individuals, see Hogan 2004. For accounts of knowledge in narrative form,
see Hogan 2009, Wertsch 2008, Monk 1996, and White 2004. See Smith 1998, Smith
and DeCoster 2000, Huesmann 1998, and Bucci 1997.
15 On this relation between judgments, emotions, and actions, see Lazarus and Lazarus
1996 and Bracher 2006 and 2009.
16 For discussions of this 'dual processing,' see Brewer and Feinstein 1999 and Smith and
De Coster 2000.
17 Some readers may object to my claim that certain knowledge is faulty and that the
cognitive mechanisms and processes that produce it are flawed, arguing that the valid
ity of all knowledge is relative and subjective, and rejecting all claims to any sort of
objective, evidentiary basis for knowledge. My response is that these arguments are
untenable even by those who make them, as can be seen by the fact that the enunciation
of such objections enacts the very assumption that it is attacking: if all knowledge were
arbitrary and ungrounded in any reality beyond the mind that constructs it, then there
would be no grounds for critics' claims that their 'knowledge' concerning knowledge is
superior to mine. Furthermore, few epistemological relativists take the position that
the 'knowledge' held by racists, sexists, heterosexists, or colonialists concerning their
respective stigmatized Others is just as valid as the knowledge held by their critics
concerning these Others. Nor do such critics argue for the validity of the 'knowledge'
that the Holocaust never happened, that global warming is a matter of personal opin
ion, that AIDS and Katrina were God's punishment of homosexuality, and so on. For
a recent quick but largely serviceable critique of the facile dismissal of notions such
as truth and objectivity, see Fish 2008,120-134. In what follows, I base my claim that
some knowledge and cognitive schémas are faulty and inferior to others on empirical
evidence that these schémas cause people to (a) omit and distort critical information in
the construction of their knowledge of other people and thus (b) treat these others in
ways that are harmful and unfair.
18 The following account of schema change is drawn largely from Young et al. 2003, Beck
1999, Russell and van den Broek 1992, Horowitz 1998, Monk 1996, Singer and Salovey
1991, Wells 2000, Padesky 1994, Teasdale and Barnard 1993, and Sookman and Pinard
1999.
19 Critics have faulted the novel on multiple counts, including the unrealistically unrelent
ing bad fortune and abrupt conversion to socialism of its protagonist, Jurgis Rudkus, as
well as the tract-like, sermonizing elements of the concluding chapters. Yet such flaws
have not prevented "the amazing success Sinclair achieved seventy-five years ago tor]
the continued power the text has for readers today" (Elliott 2002, 95). For an analysis
of the novel's weaknesses, see Folsom 2002. For a more positive assessment of Sinclair's
narrative art in The Jungle see Mookerjee 1988. Although I side with the more posi
tive assessments of The Jungle, my argument in this article is not dependent upon this
judgment.
30 For an excellent account of how literary exemplars can affect our evaluation of real
people, see Hogan 2004.
21 For empirical documentation of how such emotions lead to increased prosocial action,
see Weiner 1995 and Batson et al. 2002.
" On realist novels' attention to situatedness, see Pollard-Gott 1993, 505-506, 516.
13 This includes not only the autonomy schema but also the other three general person
schemas (essentialism, homogeneity, and atomism) mentioned earlier. And it also
includes more specific scripts in which these person schémas are embedded, especially
scripts concerning gender and sexual identity and narrative prototypes such as those
identified by Hogan 2009.
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MARK BRACHER teaches English at Kent State University. His most recent books
are Radical Pedagogy: Identity, Generativity, and Social Transformation (2006), Social
Symptoms of Identity Needs: Why We Have Failed to Solve Our Social Problems, and
What to Do About It (2009), and Cognitive Politics: Protest Novels, Schema criticism,
and the Pursuit of Social Justice (forthcoming 2013).