Professional Documents
Culture Documents
Course Contents:
I. Poetic Terms
This opening sonnet of the Sequence is an original text about the notion of originality in English
poetry. It is one of six sonnets in alexandrines, twelve-syllabled lines adapted from the standard
French meter, in the collection.
inventions fine: Inventio is the first of the three phases of composition—with dispositio, or structure,
and elocutio, or style—recognized In the Renaissance. These “fine” inventions, obviously, will
not do for Stella’s poet.
sunburned brain: an accepted Elizabethan figure for poetic imitation: the parched man who has
walked too long in the sun of the ancients. Astrophel’s study of courtly verse accounts for his
“sunburned brain.”
feet: metrical feet as well
“Fool . . . write”: that is, look in your heart and find Stella’s image there and write from that image,
that source and origin of true poetry.
“The Passionate Shepherd to His Love”
Christopher Marlowe
(1599-1600)
This song is an invitation to the pastoral realm where nature outdoes art; see Ralegh’s answer to
it, and Donne’s “The bait”
John Donne
“The Bait”
(1633)
right hand: Jonson’s boy, who died of the plague in 1603 at the age of seven, was likewise,
Benjamin (in Hebrew, “son of my right hand”)
just day: Day of Judgment
Rest . . . peace: the “requiescat in pace”
poetry: Jonson has in mind the Greek etymology of poesis, “making” or “creation”
Robert Herrick,
“To the Virgins, to Make Much of Time”
(1648)
Gather: go collect
ye: you
tarry: wait, delay, linger
George Hebert
“Easter Wings”
(1633)