This piece was created by Yolonda Skelton, a Gitxsan Nation textiles artist and fashion designer, in commemoration of the 215 children found in an unmarked grave at a Kamloops residential school. It features 215 individually cut felt moccasin shapes spread throughout an orange fabric to represent each child. Skelton created it as a way to give voice to the children who had previously been silenced. The work has toured internationally to raise awareness of the tragedies of residential schools and truth and reconciliation efforts in Canada.
This piece was created by Yolonda Skelton, a Gitxsan Nation textiles artist and fashion designer, in commemoration of the 215 children found in an unmarked grave at a Kamloops residential school. It features 215 individually cut felt moccasin shapes spread throughout an orange fabric to represent each child. Skelton created it as a way to give voice to the children who had previously been silenced. The work has toured internationally to raise awareness of the tragedies of residential schools and truth and reconciliation efforts in Canada.
This piece was created by Yolonda Skelton, a Gitxsan Nation textiles artist and fashion designer, in commemoration of the 215 children found in an unmarked grave at a Kamloops residential school. It features 215 individually cut felt moccasin shapes spread throughout an orange fabric to represent each child. Skelton created it as a way to give voice to the children who had previously been silenced. The work has toured internationally to raise awareness of the tragedies of residential schools and truth and reconciliation efforts in Canada.
and fashion designer from the Gitxsan Nation and the House of Hax-be- gwoo-txw of the Fireweed Clan. She created this piece after she found out about the 215 missing children in Kamloops had been found. It was made in commemoration for each one of the missing childern and featers 215 hand cut out felts of moccasins spread trew out the design. She says it was a divinely gilded project as she already had the piece of orange and then decided on a size for the moccasins and then exactly 215 fit. She says it was created to give a voice to each and every child that was previously silenced. She used to teach a BC first peoples class and it was her passion project that was the example for the class. This specific piece of Yolondas work has made it around the world including shows in the vatican and italy in efforts to raise awareness to the tragedies of the residencial schools and truth and reconciliation. She choose Moccasins because she wanted to try and put us in the shoes if the kids that were taken from there home, some as young as 5, and having to leave everything cultural behind, like there moccasins. I talked to Yolonda for quite a while about the tramas that her and her family have endured over generations and she says that on of the biggest impacts we can make to try and help it to do exactly this, get out there be properly educated and then be an educator and spread knowledge on the subject.