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The director has built up tension and made the audience have to imagine the size of the shark until
now. The camera jumps in on Brody’s panicked face and chaos erupts as the parents run into the
water. There is silence apart from the gentle splashing of water. The true power of the shark is
revealed as it pulled the whole jetty out and demolished it and nearly killed one of the men. A long
shot is used to show the girl entering a serene and calm beach with only the sound of the bell from
the buoy. Spielberg uses his reaction to make the audience feel unsettled. The without warning you
see Chrissy get pulled under water by the shark. First her head jerks forward twice and she begins to
scream and yell in pure agony and pain. As the girls swim in the sea, the camera shows her captured
with an extreme. We are given a false sense of security by the attack before which makes the impact
of the attack much more. As the boy and girl run drunkenly, the camera pans in a long shotfromleft
to. Finally, the attack happens, we see the boy being attacked from wide angle shot. The shot then
cuts to Chrissy swimming in the water. When the little boy asks his mum if he can stay in the water
and his mum says ten more minutes so the boy scuttles off, the audience have an idea that something
is going on. The camera switches between the top and bottom of the water creating suspense and that
the creature is getting closer. The sound of a mouth organ being played at the beach party symbolises
and also suggests to the audience something repulsive is going to happen as it clashes with the
blissful sensation of teenagers together around the complacent fire. The scary music starts abruptly,
the audience instantaneously realise it is the shark’s point of view staring at the girl as it approached
her rapidly. Her mangled remains are found washed up on the shore. The camera is also splashed with
water, which blurs the picture. Rather than filling the modestly budgeted film with gratuitous effects,
the director relies on other tools to build tension and atmosphere. Unfortunately this behaviour
attracts sharks such as jaws. When the audience see the affection and warmth the mother gives to
Alex, they feel sympathy for the mother at the end when Alex is killed because the audience knew
how much the mother loved him. Steven Spielberg set “Jaws” during the two or three advancing
days prior to 4 th July, America’s Independence Day as that is the time a location like Amity Island
would be at its busiest, due to its strongest industry being tourism. Sound effect’s then start and the
audience hears splashing and the attacked women’s screams. The sound of splashing and the
women’s screams really scare the audience because they surprise the audience after the total silence.
That scene was scary and surprising and made audience to jump out of their seat. This is later
exploited when the shark suddenly appears with no musical introduction. The location, Amity Island,
where the movie is set is not real. Then they all sing “Show Me the Way to Go Home” noisily. The
music builds up tension and creates suspense for the audience by starting quiet and then getting
louder; it gives the audience a fear of danger. The red signifies blood, and the yellow signifies
happiness.
This is very eerie as it indicates the end of the attack, and the mysterious aquamarine ocean is once
again placid and at ease after the untamed and savage attack by a shark. Our customer service team
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Steve English's Shop 4.02 364 reviews Not the right resource. Spielberg has not showed the shark’s
full form yet on purpose to terrify the audience even more so they don’t know how big an extent of
damage the shark can do. The shot then straight cuts back to the shot of Chrissy. The red signifies
blood, and the yellow signifies happiness. After the long pan shot the scene does a 'straight cut' to
Chrissy on her own. The first to attacks are close together because you wouldn’t expect that much
action to happen at the beginning. The pattern of death in this scene is the same to the other scenes,
which is that the shark only attacks the isolated. This resource hasn't been reviewed yet To ensure
quality for our reviews, only customers who have downloaded this resource can review it Report this
resource to let us know if it violates our terms and conditions. The barrels that are attached to shark
are yellow and you can see the yellow cabin lights. (The shot of the boat shows no land around them,
again emphasising that they are isolated.) You can also tell that the shark is near when you hear the
whale dying. The realistic encounters which Steven Spielberg exhibits in Jaws, would have been rare
for a film in the 1970’s. Lots of people are wearing yellow and the people who walk by on the wipe
shots are wearing increasingly more yellow clothes. The boat also starts to rock more and the lights
start to swing, which speeds up the pace of the film, adding to the suspense. However, it is actually a
man wearing a black swimming cap. The director has built up tension and made the audience have to
imagine the size of the shark until now. We then have a straight shot of Chrissy in the water and the
Jaws theme tune starts to play again. Spielberg also does not want to spoil the film, he accomplishes
this by cutting each clip in the correct place so that the audience does not know how each clip
finishes but gets enough of an taster to be tempted into watching “JAWS”. This increase in change in
camera shot replicates the quickening heart beat of a person, creating further anxiety and tension.
Whenever you see him in the water he is away from the other children. It is important that the shot
changes more rapidly because it helps to build up tension and pace in the scene. It starts with the
young boy asking his mother if he can go back into the sea. By: Cleo Coogan Essay On the opening
scene in Black Swan. The other memorable scene in the movie is the climax when the trio Quint,
Brody and Hooper are shown struggling helplessly against the big shark. The shark attacks and
because it is daylight we can see the boy spurting out, this makes the attack look much worse. It also
furthers the feeling of fear within the audience. In this scene the editing picks up a notch, which
starts to create panic. The film is about a great white shark, which terrorizes the resort town of Amity.
When the little boy asks his mum if he can stay in the water and his mum says ten more minutes so
the boy scuttles off, the audience have an idea that something is going on. A sunburnt man
approaches Brody and begins talking to him blocking Brody’s view of the sea. However, eventually
the things go out of hand, leading to many killings and mayhem, until the man-eating shark is killed
by the police chief Brody.
This resource hasn't been reviewed yet To ensure quality for our reviews, only customers who have
downloaded this resource can review it Report this resource to let us know if it violates our terms
and conditions. That attack was made to make the audience scared because the shark will attack
when ever it wants and in public, these two attacks were made to make the audience even more
scared of the shark. They run across the screen and we are only able to see from the waist down. He
also wants the audience still to be aware of the shark. The POV shot carries on to show the leg of a
boy (Alex) sticking out of his float from underwater. The sun starts to rise and we see the first
presence of yellow in the film. This makes us uneasy because there is a lot of splashing which means
if the shark was to be there it would be camouflaged and also the splashing attracts sharks. The main
protagonist struggles to undertake the task of ending the torment of a Great White Shark feeding on
the locals. “Jaws” was filmed in 1975 on the coast of the very elegant Amity Island. This film is
about a killer shark that terrorised people on the Beach of Amity Island on the most popular day of
the year, which causes mayhem in the city and between tourists on their summer holiday on the
beach. The true power of the shark is revealed as it pulled the whole jetty out and demolished it and
nearly killed one of the men. For instance: in the first attack, after Chrissie got pulled under the
water, there was silence. When the shark leaves all is quiet again as before like nothing has
happened. It makes the audience feel safe as there are lots of people and it is a happy place. From
this work, it is clear about its partner companies, services provided by the focal firm, management of
outsourcing relationships. A close up shot of his face reveals just how much he is agitated with his
eyes firmly fixed on the sea. However, there are two occasions in which no music is played as a
signal. Yellow is used in all scenes, but is strongest in the first 2 scenes. Review 5 Select overall
rating (no rating) Your rating is required to reflect your happiness. The mouth organ is calming and
there is no hint of danger, it also creates an upbeat as no one suspects anything is going to happen.
Jaws is calm and steady building to a climax, which combined with the music, is very much
reminiscent of Hitchcock. A view from under the water is then given from the shark’s point of view
showing legs. Stephen Spielberg makes the viewer feel on edge and his audience is now constantly
looking for the shark. The shot portrays the vision of the shark under water as it swims around
looking for his next victim as the music relating to it starts to build up. These patches of weak control
detract from some otherwise very good writing and lower the overall grade that can be awarded. The
camera cuts to the shark’s perspective, a low angle shot and the menacing music starts to play. Alex’s
isolation frightens the audience because they anticipate something bad is destined to happen to him.
It is up to Martin Brody to protect the beach goers by finding the shark and killing it. Join our team
of reviewers and help other students learn. By now the audience knows that she has been eaten by
the shark. The book reflects on how dangerous sharks are and is more evidence on how frightening
sharks are.
This makes us uneasy because there is a lot of splashing which means if the shark was to be there it
would be camouflaged and also the splashing attracts sharks. This too is a red herring because it’s
not the shark that has got her. When the shark began to consume Alex, an extreme close up shot is
used to show Brodie’s terrified reaction to it which makes the audience empathize with him and
therefore feel as terrified as he does. The shark moves closer and the music gets faster and louder.
The images were in chronological order, beginning with picture of sharks, then attacking sharks, next
the victims and results of the shark attacks. He also revealed the size of the shark through its bite
mark. For instant when the man in the black hat is swimming the audience think that something is
going to happen but we are wrong. The audience do not see the shark and this creates a sense of fear
and the audience begin questioning themselves. Based on the first chapter of the novel JAWS by
Peter Benchley. Jaws- analyse the way in which the director builds suspense in the film Jaw. The
camera switches between the top and bottom of the water creating suspense and that the creature is
getting closer. The scene continues on to show a girl and a boy running off towards the shore. A
point of view shot is taken when Brody identifies a black object swimming towards people. The
second example is when Hooper is lowered into the sea in an iron so-called shark proof cage t fire a
poisoned dart at jaws. Stephen Spielberg makes the viewer feel on edge and his audience is now
constantly looking for the shark. Therefore, the audience doesn’t know how dreadful the shark looks.
When you watch the film up to the first attack it feels like you are inside the shark swimming
through the weeds. This makes the audience feel it is so strong that nothing can hold it off. Those
were probably the first signal words given by Steven Spielberg as he directed the film JAWS. The
rope wedges the man’s legs between it and the edge of a boat, the man screams in pain but the
camera quickly flashes away. As a piece of cinematic history, the importance of Jaws cannot be
overstated. Suddenly the shark attacks the boat and makes a whole where water starts coming in,
however none of the men heard the attack and kept on singing. While examining Chrissy, Hooper
looked frightened, panicked and very worried as he feared for everyone’s safety. After this he chews
the bar of trying to eat Hooper. The ringing sound can be associated with death or a funeral, this.
Using the wide angle shot of the shows us how big the sea is and how vulnerable people are in it.
This legendary film is amongst the most enduring action suspense films of all time. Right at the end
of the scene, his mother is shouting out his name and there is a close up of the ripped inflatable li-lo.
There is however a substantial problem, these innocent families have not got a clue that a vicious
Great White Shark is in the ocean constantly waiting for its next defenceless victim to feast
vigorously upon.
In the following essay I will explain how Steven Speilberg achieves this aim. The viewer is unable to
see clearly as this is a night attack, because of the timing no one is around to help. A close up shot is
used to show Brodie’s agitation as he watches this. The shot then cuts to Chrissy swimming in the
water. Jaws was directed by the ace director Steven Spielberg, and was based on a novel of the same
name written by Peter Benchley. It is up to Martin Brody to protect the beach goers by finding the
shark and killing it. This increases the sense of anxiety and mystery because they do not know what
it happening in the water whilst the camera is focused on Brody. Yellow is used in all scenes, but is
strongest in the first 2 scenes. In the film lots of people try and stop these attacks such as Brody but
do not succeed until later on in the film. An ideal example his camera techniques is the scene of the
second shark attack. As the boy and girl run drunkenly, the camera pans in a long shotfromleft to. It
is very skilful and creative how we do not see the shark until the 3 rd attack but we do see the sharks
p.o.v the audience are picturing jaws in there minds, which makes the film more scary for them. The
scene starts off with a 'pan shot' of the whole of the group on the beach. The man’s plan does not
work and the shark destroys the jetty. Quint starts to sing his song, which he only sings when
something is dying (shown earlier on in the film.) It is here that you know that the shark will attack.
The scene starts with it being very slow paced action with Quint talking about the Indianapolis
sinking. During the shark attack the camera is at water level. At the start of the film a group of
teenagers are having a party on the beach. At sea, Brody was given the tasks of laying a chum line
and ladling fish guts over the stern to tempt the shark. The setting is very sunny and cheerful with the
hustle and bustle of the people on the beach. The camera pulls back to show a wide shot of the sea,
and you can hear the noise of the sea in the background. This is because it sets what the plot of the
movie is about. Jump cuts represent Brody desperately searching the water, but as there are so many
people in the water he is unable to watch them all at once. There is however a substantial problem,
these innocent families have not got a clue that a vicious Great White Shark is in the ocean
constantly waiting for its next defenceless victim to feast vigorously upon. The scene opens on a lot
of young people around a bonfirewho are engaging. Brody’s wife shouts at her son to get out of his
new boat when she see’s an image of a shark eating a boat. Then they all sing “Show Me the Way to
Go Home” noisily. There is however a substantial problem, these innocent families have not got a
clue that a vicious Great White Shark is in the ocean constantly waiting for its next defenceless
victim to feast vigorously upon. My view The scariest moment in the film is the last section where
Quaint and Robert where sharing stories while Brody was listening. The differences included the way
the shark attacked; Alex’s attack was a surprise whereas the 4 th of July attack was more prepared
with the use of boats, guns and helicopters.
Much of the action is shot fromthe shark’s perspectivein a widelong shot. An ideal example his
camera techniques is the scene of the second shark attack. This increase in change in camera shot
replicates the quickening heart beat of a person, creating further anxiety and tension. It also shows
that he is paranoid of things happening as people splashing in the water worry him. Behind her we
can see what seems to be a shark fin coming towards her. The pace of the editing speeds up through
out this scene, as the shark becomes closer to attacking. They were the ground breaking camera
techniques for the 70’s. When the shark began to consume Alex, an extreme close up shot is used to
show Brodie’s terrified reaction to it which makes the audience empathize with him and therefore
feel as terrified as he does. Diegetic sound helps, as it makes the film sound more realistic and it
creates a less obvious tension. Big brain 4 years ago report 5 Very accessible resources - everything
you need there and more importantly, teaches the question in exactly the same way I would do it.
When his mother tells him that he can swim for another 10 minutes dramatic irony is created as she
unknowingly is effectively sending him to his death. A couple of minutes after he gets in the water
the shark attack the boy leaving nothing behind except for blood and a shredded yellow lilo.
Secondly seeing the shark’s mouth when Brody was dropping the fish in the water as well as
watching the shark swimming past the boat and Brody shouting to Quaint “We need a bigger boat.”
All these factors build up the fear and tension until the shark get killed. Spielberg then uses a variety
of shots to show the beach and the calm sea with the robust woman floating in one of its parts.
Quickly the camera changes to an under water scene with the camera once again the shark. Also,
when a girl starts screaming and the audience thinks she is being attacked. The shark ate the pate and
pulled the chain that was attached to the jetty. At the beginning a medium shot (MS) is used to show
a robust woman walking into the sea from the beach. When Alex is permitted by his mother to go
back to sea for a further ten minutes, he goes to fetch a lilo. The camera is also splashed with water,
which blurs the picture. Suddenly the shark attacks the boat and makes a whole where water starts
coming in, however none of the men heard the attack and kept on singing. Sadly the shark rams the
cage so hard that its iron bars bends so much that he makes a hole in it. This also helps to show the
isolation in this film. This is effective because it makes the audience feel anxious, as they know
Chrissie is dead and no one heard the attack. Moreover, the director also builds fear through the
characters reactions. But in fact it is a red-herring because the fin happens to be a swimming old man
with his black hat at the surface. Spielberg purposely makes it look this way to lull the audience into
a false sense of safety so they would not expect a shark attack at any moment. The music is not
happy, jolly music its scary, deep, minor key, haunted music. At this point the audience becomes very
anxious and alert-expecting something dramatic to happen. In terms of showing the damage the
shark can d there are two worthy examples.
That scene was scary and surprising and made audience to jump out of their seat. The girl gets up
and runs off, signalling him to come with her, he runs after her. Steven Spielberg also wished to
include some of his own individual writing in a film. The camera then jump cuts to a tracking shot of
a teenager tossing a broad twig out to sea to his black dog. As the girls swim in the sea, the camera
shows her captured with an extreme. This is because we do not know what is at the bottom of the
sea. The ringing sound can be associated with death or a funeral, this is ironic and suggests someone
has died. The dog owners shirt and Alex’s lilo is yellow showing us that danger is about to prevail.
This is effective, as it looks like it is happening really fast, therefore the audience can really focus on
his emotional reaction and this makes the audience worried too. It starts with the young boy asking
his mother if he can go back into the sea. In this scene they are all very drunk while they tell the
stories of their body scars. The film was based on a true story of a series of shark attacks in New
Jersey. During the forthcoming days, hundreds of innocent tourists will be visiting the beach, with a
vast percentage of them intruding the shark’s current territory at some time or another. However, the
CDM regulations appear to have contributed in some way based on its requirements. Brody’s son got
a new boat for his birthday and he wanted to try it out, Brody told him to go to the pond where it
would be safe. This film is about a killer shark that terrorised people on the Beach of Amity Island on
the most popular day of the year, which causes mayhem in the city and between tourists on their
summer holiday on the beach. This is effective because when the shark attacks, it brings more tension
to the audience, as the citizens of the town cannot escape, as the sea only surrounds the island. It
makes the audience feel safe as there are lots of people and it is a happy place. Brody is certain there
is a shark out there and he is really paranoid as he doesn’t want anyone in the water. This is also
shown in the opening shot of this scene, where it is a back lighting of Broady, so that is shows his
silhouette. Through out the scene, people came up to him talking about their problems, but Brody
was clearly ignoring them and concentrating on the sea, establishing shots where used to show what
Brody was looking at and long shots to show what he is specifically looking at. An ideal example his
camera techniques is the scene of the second shark attack. An over the shoulder shot is then used to
show a teenager looking for his dog out on the water. This makes the audience feel scared for his son,
as the film focuses on Brody. Music or silence is used to scare the audience and build up tension, for
example silence is used after each attack how that a victim has died and to scare the audience.
Afterwards, there are many false alarms. For instance, when Brody thinks the shark’s fin is getting
closer towards the fat lady. The camera now switches from child to child in a scrambled camera
angle at a very low height making the viewer feel they are there. Jaws is set on the 4 th of July
because that was the day America came independent, big bank holiday. When you watch the film up
to the first attack it feels like you are inside the shark swimming through the weeds. Jaws is
connected to the music in the title sequence by the score beginning quiet and slow, then gradually
building up with tension which would present the audience with irritation subsequently they would
be thinking, “ What is the shark going to do next?”.