DESIGNER CONTRACTOR
Raymond Loewy Royal Dutch Shell ple
REFERENCE
The 1971 logo was designed by Raymond Loewy; his shell symbol is still in
use today. The logotype changed in 1995, and the colour scheme now used
a brighter red and a warmer yellow, but the shape stayed the same. Even
Without the brand name, it is one of the best-recognized jogos in the world.UPS LOGO BY PAUL RAND
The stroke of the
logo comes from
the Golden Ratio.
It is not arbitrary.
Top half of “s”
;— is smaller than
bottom helf.
The bottom right
curve of the “s”
extends beyond
measure B,
I
Golden Ratio and Spiral
repeat throughout logoGIRL SCOUTS LOGO
BY SAUL BASS
A
A
The 3 lines of A
repeat throughout
the logo for hair —+ ay
and facial features.
The circles
that make up
the hair touch
the diagonal
grid lines.
The black area is larger than
the white areas because white
optically expands. The black
was made physically larger to
make them appear equal.The thickness of the negative space
between two verticals and the letters’
are in the golden ratio.
The underscore is optically
aligned with the “B”.
The logotype is centered
by the lowercase letters.
=i ercine!-
The right negative space is
bigger than the left one due
to optical adjustments.The distances A and B
are in the golden ratio.
The thickness of the line is
consistent with the letters’.The bottom half of the
logo lines up inside of
acircle.
The logo represents
multiple hugs shaped
as a shield.
The diagonals are at
a 45-degree angle.
The icon’s diagonals are
thicker than the negative
space in between due to
optical adjustments.The distances A and B The icon represents an R
are in the golden ratio. &i shaped as arunner.
The diagonals are at
a 75-degree angle to
imply movement.MIT MEDIA LAB LOGO
BY PENTAGRAM
Logomark lines up
with edge of “m"
Logomark lines up.
with edge of "b"
Leading is not equal,
mits eee
ime di: ae / balancedSaatchi & Saatchi
REFERENCE
‘The Vodafone logo was designed in 1997 by famous global advertising firm
Saatchi & Saatchi. The speechmark in the emblem symbolizes conversation
and voice communication. It wonderfully executes an iconic telecom brand
that portrays its desired message through a graphically elegant medium. The
old Vodafone logotype was very simple and crude, featuring a strike-through
over the company’s name. The red color in the Vodafone logo represents
talking, sound and passion.George Opperman
REFERENCE
Designed by George Opperman in 1972. It is widely referred to as "Fuji" for it’s resemblance
to the Japanese mountain. In 1983, Opperman stated that the logo was a reference to Pong.
However, George Faraco, Ataris then creative director claimed this was fabricated and the
Jago has no actual meaning. However, in my anatomy, | have found the logo to fit perfectly
between two golden ratio squares as provided in my diagram,DESIGNER CONTRACTOR
Unknown Dominos.
REFERENCE
‘The very first Dominos logo, which was created in the 1960's, was created for two reasons.
Firstit sought to attract more customers due to the bright and cheerful colors of the logo.
‘The ted, white and blue colors were meant to be highly noticeable so as to appeal to the
fargest amount of people possible. The three dots on the logo symbolize the three original
Dominos locations that were open at the time. The current Dominos logo was created in
‘eaily 2072. This logo kept the famous dominos icon, but removed the word pizza from
the sloganDESIGNER CONTRACTOR
Collins Dropbox
REFERENCE
B=005xA E=017xA H=0.25xA K=037xA
C2015xA F=0.20xA = 1=0.27xA LL O0.50KA
D=016xA G=022xA J=032xA M=0.85xADESIGNER CONTRACTOR
Irina Blok Android
REFERENCE
Irina Blok, who was part of the launch campaign, designed the green robot.
Initially, the logo was intended to be for developers only but consumers
loved it and so it became the official logo. The idea was to create the open
source logo (very much like open source Android platform), that was,
Teleased to the developer community without regular brand guidelines.
~ Irina BlokCONTRACTOR
DESIGNER
Peter Moore
1045 12.0
6.85
5.80
2415
135
REFERENCE
For the easier designs, measurement points
will be added,DESIGNER CONTRACTOR
Unknown Microsoft
REFERENCE
For the easier designs, measurement points
will be added.DESIGNER CONTRACTOR
Marva Warnock Adobe
Ot 3.70 6.25 6.40
Se | | Seer |
0 2.80 590 7.15 10.
REFERENCE
The Adobe logo was designed by Marva Warnock, a graphic designer
and wife of one of the company's founders, John Warnock. The current
Adobe Systems logo features the alphabet “A” portrayed in white on
ared background.DESIGNER CONTRACTOR
Franz Reimspiess Volkswagen
REFERENCE
It's pretty Obvious what the Volkwagen logo is (2 V over a Win a blue
background, surrounded by a circle). The logo was the recult of an office
competition to see come up with a logo.
The winner of the competition (who won 50 Marks for his troubles) was an
‘engineer named Franz Reimepiess (the same man who perfected the engine
for the Beetle in the 1930's).DESIGNER CONTRACTOR
Vasava Studios. Adobe Systems
REFERENCE
Imagine a design studio. You'll most likely default to thinking of a
cocl, hip office filled with tons of creative individuals. Now take that
concept and turn it on its head. What do you end up with? The design
studio that re-imagined our Creative Cloud logo, Vasava Studios.DESIGNER CONTRACTOR
Steff Geissbuhler National Broadcasting Company
REFERENCE
The little slit in the purple feather is meant to represent the peacock’s beak
The bottom of the peacock evokes a lens shutter. T Incorporating the six
primary and secondary colors in the RYB color palette, this Peacock
redesigned by Steff Geissbuhler at Chermayeff & Geismar remains one
of the world's most recognized logos. The network maintains specific
guidelines for the logo, including proper colors for reproduction, using either
RGB, CMYK or Pantone colors.Rob Janoft Apple inc
REFERENCE
The Apple logo was designed by Rob Janoffin 1977. He designed it with a bite out of the
right hand side to clearly depict an apple and not some other fruit forms. The original multi-
coloured apple was from a specific colour palette and to indicate apple machines had
coloured screens. According to Steve Jobs, the company's name was inspired by his
visit to an apple farm while on a fruitarian diet.DESIGNER CONTRACTOR
Carolyn Davidson Nike
REFERENCE
Bill Bowerman and Phil Knight founded Nike on January 25, 1964, as Blue
Ribbon Sports (BRS). Upon changing its name to Nike, Inc. on May 30, 1971
the company adopted the Swoosh as its official logo the seme year. Carolyn
Davidson, a student at Portland State University during the time Knight
taught there, created the logo, attempting to convey motion in its design.DESIGNER CONTRACTOR
Unknown Under Armour
REFERENCE
The Under Armour logo was born from the Under Armour name, which was essentially
formed by accident. Back when the compeny was first starting, Kevin Plank mentioned the
Idea of calling it “Body Armor”. His brother, Bill, nisheard him and thought he sald “under
armor”, The name stuck, of course with the British spelling being used in order to get the
phone number Plank wanted. The logo was designed coon thereafter, combining the “U" in
“Under” with the “A” in “Armour” to form a very simplistic logo that is now recognizable
around the world.DESIGNER CONTRACTOR
Adi Dassler Adidas.
x=b/a
tan-1 of x
9°
REFERENCE
‘The trefoll wes the second Adidas logo. The theme of three stripes is still evident in the
look, both in the leave that shoot out from the logo, and the three stripes that cross it
‘diagonally. This logo was chosen because the company wented « logo that represented
the fact that their brand was a lot larger and more diverse that it used to be while still
keeping the classic Adidas lookGoogle's Favicon
REFERENCE
Google's favicon from May 31, 1999 to May 29, 2008, was a blue, uppercase "G" on white
background. It was accompanied by a border with a red, blue, and 2 creen side. On May
20, 2008, a new favicon was launched. It showed the lowercase "g’ from Google's 1999
ogo, colored in blue against a white background, and originally was intended to be a part
of a larger set of icons developed for better scalability on mobile devices. As of September
1, 2015, Google's favicon shows a capital letter "6", n the tailor-made font for the new
logo, with segments colored red, yellow, green, and blue.DESIGNER CONTRACTOR
Arnel Group. Pepsi
REFERENCE
Current Pepsi logo has patriotic palette of the 40s, minimalistic design
approach of the 60s and 70s as well as script-like curves from the logos
original look. The present Pepsi logo wae created in 2008, when the
company started revamping Its brand as part of its global re-branding
strateaies.DESIGNER CONTRACTOR
Jim Schindler Mcdonalds
‘.9908em / 8.0803 =
1.619
REFERENCE
tn 1962, designer Jim Schindler was hired to create a more “corporate” logo. He designed
the golden arches logo most recognizable today, but based it on the previous representation
‘of the arches that was on the Speedy sign. An early version of the golden arches logo was
‘evident In the sign in front of that first restaurant. Constructed from another yellow arch, the
top of the sign featured “Speedy” and the two yellow arches, with the roof line transecting
them.DESIGNER CONTRACTOR
Wieden + Kennedy Fédération Internationale de I'Automobile
REFERENCE
‘The new loge doesn't yet scream F1 but after one or two seasons of use it
definitely will, simply because that's what people will see when they are
watching a Formula 1 event. It breaks from any contemporary conventions
cf logo. I's not square to fitin social media avatars, it's not flattened, its.
not hipster, and its italicized as hell. The new logo might not become as
beloved as the old one but it has so much more commercial potentialDESIGNER CONTRACTOR
Douglas Bowman Twitter
REFERENCE
In 2012 Twitter once again updated fts logo. The very simple change merely deieted the
word twitter and in its place left a much larger Twitter Bird. The reason for this change
is probably quite simple. Twitter, in short, had become s0 famous that they didn't even.
‘need to use the Twitter name. People, just by seeing the bird, would instantly know what.
it symbolizedDESIGNER CONTRACTOR
Unknown Google
REFERENCE
The logo was redesigned to be more in line with the new material design
user interface for its respective version on Android version 5.0 Lollipop
in 2014. This logo was introduced on the iOS version in January 2015, and
it was introduced to the regular desktop version in October 2015.