Professional Documents
Culture Documents
INDONESIAN
ARCHITECTURE
group - 5
01 INTRODUCTION
04 TYPES OF ARCHITECTURE
05 ARCHITECTURAL CHARACTERISTICS/ ELEMENTS
06 SUMMARY
was formerly known as the Dutch East Indies (or Netherlands East Indies)
derive from the Greek:
INDOS - “India,” and NESOS - “island.”
INDONESIA ISLANDS
The architecture of Indonesia is defined by its diversity of culture and geography. Similar
to many eastern countries that were invaded and colonized by westerners, the influences
in Indonesian architecture come from a variety of locations.
The Architecture of Indonesia reflects the diversity of cultural, historical and geographic
influences that have shaped Indonesia as a whole.
GREEN SCHOOL
BALI, INDONESIA
INDONESIA
CAPITAL : JAKARTA
Javanese – largest – and politically dominant – ethnic group
Motto: "Bhinneka Tunggal Ika" ("Unity in Diversity" literally, "many, yet one"),
articulates the diversity that shapes the country
GEOGRAPHICAL
INFLUENCES
ASIA S-E-A
SOUTHEAST ASIA
(SEA)
An archipelagic island country in
Southeast Asia, lying between the Indian
Ocean and the Pacific Ocean. It is in a
strategic location astride or along major
sea lanes from Indian Ocean to Pacific
Ocean.
TIMBER WOOD /
HARD WOOD RICE STRAW
SUGAR PALM
TREE COCONUT
FIBER
CLIMATIC
INFLUENCES
TEMPERATURE DEGREE
CLIMATE
Indonesia has tropical climate.
Generally, the weather is hot and humid.
Indonesian climate is divided into two distinct seasons:
dry and rainy seasons.
INFLUENCE TO ARCHITECTURE
BOROBUDUR TEMPLE
RELIGION
Religious architecture has been widespread in Indonesia, with the most significant
development in Java.
The first principle of Indonesia’s philosophical foundation, Pancasila, is “belief in the one
and only God”.
The Indonesian Constitution guarantees freedom of religion.
six official religions; Islam, Protestantism, Catholicism, Hinduism, Buddhism and
Confucianism.
Agnosticism or atheism, and blasphemy is illegal.
BOROBUDUR TEMPLE
INFLUENCE TO ARCHITECTURE
1 Architecture in Indonesia focuses on defining terms that relate to their religions
SEWU TEMPLE
“CANDI”
-- Religious structures / temple
TERMINOLOGY
a structure based on the Indian type of single-celled shrine, with a
pyramidal tower above it, and a portico.
ETYMOLOGY
Hindu perspective - derived from Candika, one of the
manifestations of the goddess Durga as the goddess of death.
In ancient Indonesia the Candi had mortuary functions as well as
connections with the afterlife.
CANDI PRAMBANAN
YOGYAKARTA,
INDONESIA
1.1. CANDI
PRAMBANAN
A 9th-century Hindu temple compound in the
Special Region of Yogyakarta, in southern Java,
Indonesia, dedicated to the Trimūrti, the
expression of God as the Creator, the Preserver and
the Destroyer.
YOGYAKARTA,
INDONESIA
CANDI
PRAMBANAN
the largest Hindu temple site in Indonesia and the
second-largest in Southeast Asia after Angkor Wat.
Prambanan Temple Compounds consist of:
1. Prambanan Temple (also called Loro Jonggrang),
2. Sewu Temple
3. Bubrah Temple
4. Lumbung Temple
CANDI
PRAMBANAN
ETYMOLOGY
Dieng is a name that comes from Old Javanese words:
di means "place" and hyang means "ancestors" or "gods", literally
"Dihyang" means "place of the ancestors" or "place where the gods
reside".
1.2. CANDI
DIENG
Dieng Plateau is home of eight small Hindu
temples that are among the oldest surviving
religious structures ever built in Java, and the
earliest Hindu temples in Indonesia.
DIENG PLATEAU
CANDI
DIENG
The earliest surviving Hindu temples in Java are at
the Dieng Plateau, thought to have originally
numbered as many as 400, only 8 remain today.
TEMPLES
The temples are clustered around three groups;
1. Arjuna cluster,
2. Dwarawati cluster
3. Gatotkaca clusters,
while Bima temple was constructed as a separate single
temple.
DIENG KULON VILLAGE, BATUR DISTRICT,
BANJARNEGARA REGENCY CENTRAL JAVA
1. ARJUNA CLUSTER
ARJUNA TEMPLE COMPLEX
4 TEMPLES:
1. Srikandi temple - south
2. Puntadewa temple - south
3. Sembadra temple - south
4. Semar temple - south
DIENG KULON VILLAGE, BATUR DISTRICT,
BANJARNEGARA REGENCY CENTRAL JAVA
ARJUNA TEMPLE
a relic of Hindu civilization in the Ancient Mataram Kingdom,
founded in the 8-9th century AD Geographically
was built for worship for Hindus in the ancient Mataram Sanjaya
dynasty.
Arjuna Temple has a square measuring 6×6 m.
This temple faces west.
ARJUNA TEMPLE 3 (three) parts:
1. (Bhurloka) the foot of the temple bhumi
SRIKANDI
TEMPLE
Srikandi’s outer wall features carvings, displaying
several Hindu Gods.
It features several cube stones on top of the temple.
Another feature is the stone staircase
The roof of the temple has been damaged so that
the original shape is no longer visible.
SRIKANDI
TEMPLE
The plan of the temple - 3.84 m x 3.84 m.
The uniqueness of this temple is the Trimurti
relief sculpture or the three main deities of
Hindus. Namely Lord Vishnu on the northern
temple wall, Lord Shiva on the east side of the
temple wall, and Brahmana on the South side.
PUNTADEWA
TEMPLE
features a “relung” or a place to store arcas, jutting
out the wall.
Its roof has the shape of a bar and features
majestic ornaments.
the size of the Puntadewa Temple is not too large,
but this temple looks taller.
DIENG KULON VILLAGE, BATUR DISTRICT,
BANJARNEGARA REGENCY CENTRAL JAVA
SEMBADRA
TEMPLE
located at the northern end of the fifth row of the temple
The roof top has been destroyed, so the original shape is
no longer visible.
On the four sides of the roof there are also small niches
like the place to put a statue.
the temple has a size of 4.75 x 5.50 m,
it features a hole to display an arca.
DIENG KULON VILLAGE, BATUR DISTRICT,
BANJARNEGARA REGENCY CENTRAL JAVA
SEMAR
TEMPLE
Back then, Semar Temple was used by Brahmana
caste or priests for performing numerous religious
ceremonies,
also a place to store tools and things that used
when they do any rituals.
functions as a ancillary temple, or an
accompanying temple
DIENG KULON VILLAGE, BATUR DISTRICT,
BANJARNEGARA REGENCY CENTRAL JAVA
SEMAR
TEMPLE
7 x 3.50 meters, with a door facing east
The roof top is gone, so the original shape is no
longer known.
in the left and right wall there is a small window
hole.
while on the back wall, the temple has 3 holes.
GATOTKACA
CLUSTER
2. GATOTKACA
CLUSTER
Gatotkaca group also consists of five temples; the
1. Gatotkaca temple
2. Setyaki temple
3. Nakula temple
4. Sadewa temple
5. Gareng temple
GATOTKACA
TEMPLE
It is estimated that this temple was built during the
reign of Queen Sima.
It is considered the second most popular temple in
Dieng after Arjuna
The size is moderate and it faces west.
GATOTKACA TEMPLE
RATU MAHARANI
SHIMA
QUEEN SHIMA - was the queen regnant of the 7th
century Kalingga kingdom on the northern coast of
Central Java circa 674 CE.
a very fair, just, and strong queen and her people
were extremely honest.
BANJARNEGARA REGENCY AREA,
CENTRAL JAVA PROVINCE.
3. DWARAWATI
CLUSTER
Dwarawati group consisted of four temples, namely:
1. Dwarawati temple.
2. Abiyasa temple
3. Pandu temple
4. Margasari temple.
currently, only Dwarawati that remain relatively
intact, the rest are in ruins.
The presence of Dwarawati Temple is not as well-
known as Arjuna or Gatotkaca.
location is a bit secluded
DWARAWATI TEMPLE
NORTH OF THE OTHER TEMPLES IN THE
DIENG HIGHLANDS
DWARAWATI
TEMPLE
rectangular plan with a length of 5 m, width 4m,
and height (currently) 6 meters.
The shape and parts generally have the same style
as the Gatotkaca temple.
facing towards the west
CENTRAL JAVA
CANDI
BIMA
Large and impressive.
highest temple found in the Dieng Plateau
height of about 8 meters, built on a square-shaped
foundation measuring 6 x 6 meters.
CENTRAL JAVA
CANDI
BIMA
The roof - displays numerous
sculpted Shiva heads looking
out from horseshoe arches.
back of the temple (west side)
- its central kala arch, with
garlands dropping from the
kala's mouth, is still intact.
CENTRAL JAVA
BUDDHIST
MONUMENT
world’s biggest Buddhist monument
123 x 123 meters.
Built in the 9th century
the temple’s design in Gupta architecture reflects India's
influence on the region
The monument is a marvel of design, decorated with
2,672 relief panels and 504 Buddha statues.
it was built without using any kind of cement or mortar
BOROBUDUR TEMPLE
BOROBUDUR SECTION
CENTRAL JAVA
ZONE 1:
KAMADHATU
The phenomenal world, the world inhabited by common
people.
Borobudur’s hidden Kamadhatu level consists of 160
reliefs depicting scenes of Karmawibhangga Sutra, the
law of cause and effect.
CENTRAL JAVA
ZONE 2:
RAPUDHATU
The transitional sphere, humans are released from
worldly matters.
The four square levels of Rapadhatu contain galleries of
carved stone reliefs, as well as a chain of niches
containing statues of Buddha.
In total there are 328 Buddha on these balustrade levels
which also have a great deal of purely ornate reliefs.
CENTRAL JAVA
ZONE 3:
ARUPADHATU
The highest sphere, the abode of the gods.
The three circular terraces leading to a central dome or
stupa represent the rising above the world, and these
terraces are a great deal less ornate, the purity of form is
paramount.
CENTRAL JAVA
ZONE 3:
ARUPADHATU
The terraces contain circles of perforated stupas, an
inverted bell shape, containing sculptures of Buddha,
who face outward from the temple.
Around the circular platforms are 72 openwork stupas.
the central stupa is empty
CENTRAL JAVA
THE
RELIEFS
The total of 504 Buddha are in
meditative pose, and the 6 different
hand positions represented
throughout the temple, often
according to the direction the Buddha
faces.
72 stupa
MAIN STUPA
MAJAPAHIT
EMPIRE
It was established in 1293 and lasted until around
1500.
The use of bricks in Indonesia’s Classical Era
Mastered by the Majapahit builders, using a mortar
of vine sap and palm sugar
Little physical evidence of Majapahit remains
ETYMOLOGY
Majapahit derives from Javanese, meaning "bitter
maja".
GEDHE
Gapura KAUMAN
Wringin MOSQUE
Lawang Trowulan
KAUMAN GREAT
MOSQUE
Yogyakarta Sultanate in Java, Indonesia.
entry gate
entrance
ablution
entrance
U R R A H M A N G R A N D M O S Q
B A I T UE
The house provides the main focus for the family and its
community, and is the point of departure for many activities
of its residents
• timber construction
• post, beam and lintel structural system
• varied and elaborate with either wooden or bamboo walls
roof that are non-load bearing
• longhouses on stilts
• rather than nails, mortise and
tenon joints and wooden pegs are
• steep sloping roofs used
and heavy
ARCHITECTURE model.
Jabu is the Toba language word for rumah adat.
BATAK & TOBA The large steeply-pitched saddle back roof dominates the
structure. The roofs are traditionally thatched, and with no
internal roof trusses they provide a large internal space.
ARCHITECTURE Sharply projected triangular eaves and gables overlap all
around the substructure.
2.75
1.67 1.67
1.56
1.56
BUBUNGAN Its name Bubungan Tinggi refers to the steep roof (45 degrees)
with their steeply pitched roofs, is the large homes of
Banjarese royalty and aristocrats in South Kalimantan.
TINGGI
a collection of individual; largely open structures (including
TRADITIONAL separate structures for the kitchen, sleeping areas, bathing areas
and shrine) within a high-walled garden compound.
traditional vernacular house of Balinese people in Bali, Indonesia.
BALINESE HOMES The Balinese traditional house is the product of a blend of Hindu
and Buddhist beliefs, fused with Austronesian animism
BALINESE HOUSE The Balinese traditional house is built as a house compound, where
daily functions are separated not by rooms, but by individual
structures within an enclosing wall.
COMPOUND
1. Natah - central courtyard
2. Sanggah Kemulan - family shrine
3. Bale daja or manten - chamber that functions as a bed for the head of the family or for the girl who hasn't married.
4. Bale dangin or gede - traditional ceremony place. It usually has 12 poles with 2 chambers on the right and left side.
5. Bale dauh or tiang sanga - a room specifically designed for the boys or male bachelors living in the traditional house.
6. Bale delod or sekenam - a place to put banten during certain ceremonies as well as temporary funerals for family members who died.
7. Pawaregen / Paon - kitchen
8. Lumbung - harvest storage
9. Kandang Celeng - a pigsty
10. Lawang /Angkul-angkul - entrance to the house area
11. Aling-aling - part of the entrance, functions as a barrier
12. Sanggah pengijeng karang - guardian temple
1. Natah - central courtyard 2. Sanggah Kemulan - family shrine 3. Bale daja or manten - chamber that
functions as a bed for the head of the family
or for the girl who hasn't married.
4. Bale dangin or gede - traditional 5. Bale dauh or tiang sanga - a room 6. Bale delod or sekenam - a place to put
ceremony place. It usually has 12 poles specifically designed for the boys or male banten during certain ceremonies as well
with 2 chambers on the right and left side. bachelors living in the traditional house. as temporary funerals for family members
who died.
7. Pawaregen / Paon - kitchen 8. Lumbung / Jineng - harvest storage 9. Kandang Celeng - a pigsty
possibility that the origin of the name Sasak came from the
Dayak longhouse isn’t just the focal point of a village: it is the village.
TONGKONAN
The word 'tongkonan' is derived from the Toraja word tongkon (‘to sit’)
and literally means the place where family members meet.
traditional ancestral house,
rumah adat of the Torajan people
boat-shaped and oversized saddleback roof.
stand high on wooden piles, topped with a layered split bamboo
RUMAH ADAT ON Sumbanese traditional house ( "peaked / pointed house") - also known as
Uma, refers to the traditional vernacular house of the Sumba people
SUMBA built using natural materials such as wood, bamboo, and thatch.
The roof’s shape is inspired by the buffalo’s horns, which are considered
sacred animals in Sumba.
THREE LEVELS
RUMAH ADAT ON There is a lower level below the house for livestock, a middle
level on the ground floor for people and everyday activity, and a
top level in the high-pitched roof where the Marapu reside.
KERATON KASEPUHAN
YOGYAKARTA
(JOGJA) REGION
Kraton Ngayogyakarta Hadiningrat
(Palace of Sultan Hamengkubuwono).
SURAKARTA
(SOLO) REGION
CIREBON AREA
PAGARUYUNG
PALACE
Built in the traditional Minangkabau Rumah Gadang
architectural style, the palace served as a home, meeting
place, and ceremonial space.
It has three stories with 72 pillars
dramatic, curved roof with multi-tiered, up swept gables.
The original Pagaruyung palace was built entirely from
timber masonry,
the current building frame was built using modern
concrete structure.
UBUD, GIANYAR REGENCY OF
BALI, INDONESIA.
PURI SAREN
AGUNG
Ubud comes from the word “Ubad” (Balinese language),
which means medicine.
Built in the 19th century by the ruler Ida Tjokorda Putu
Kandel, the palace's front section, with its gardens and
carvings, is a visual delight.
UBUD PALACE
MINANGKABAU IN WEST
SUMATRA, INDONESIA
RUMAH
GADANG
(Minangkabau: "big house") or
rumah bagonjong (Minangkabau: "spired roof
house")
RUMAH
GADANG
(Minangkabau: "big house") or
rumah bagonjong (Minangkabau: "spired roof
house")
COLONIAL
ARCHITECTURE
• 16th and 17th centuries
Bogor Palace
an imitation of neoclassical Empire Style
which was popular in mid-19th-century
France.
NEW INDIES
STYLE late 19th century–20th century
Gedung Sate
was designed according to a neoclassical
design incorporating native Indonesian
elements
JAVA
Indo-European homes
End of 19th Century
Improvements to technology,
communications and transportation
Modernistic buildings
Gelora Bung
Karno Stadium
Istiqlal Mosque
National Monument
Central Jakarta, Indonesia
TAMAN MINI
INDONESIA
INDAH
CULTURALTHEME PARK
“TMII”
“Beautiful Indonesia Miniature Park’ “
located in East Jakarta, Indonesia
it is approximately 150 hectares
literally a miniature replica of Indonesia
Overall, 26 provinces are represented at
Taman Mini
also has amusement attractions, museums,
theaters and restaurants.
TAMAN MINI
INDONESIA
INDAH
BALAIRUNG
HOTEL
Daerah Khusus Ibukota
Jakarta 13140, Indonesia
CONTEMPORARY
ARCHITECTURE
in 1970s, 1980s and 1990s, growth of foreign investment and
economic;
large construction booms brought major changes to
Indonesian cities.
Many new buildings are clad with shiny glass surfaces to
reflect the tropical sun.
introduction of deconstructivism architecture.
In residential Architecture, producing a growing number of
fine houses based on indigenous idioms, sometimes blended
with colonial or modern themes.
INSTITUTE OF TECHNOLOGY,
BANDUNG, JAKARTA
(1920) by Henri Maclaine Pont
suspended roofs
2. Aula Simfonia
Main hall - An impressive and an imposed structure
of giant parabolic beams of laminated wood bound
with iron clamps.
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GROUP 5 MEMBERS:
01 02 03
BALAYO, MACMAC, ANGEL T. MADSAM, FAICKA T.
CATHERINE
04 05 06
Reyes, John S. Villamor, Maria Arimado, John Mark
Angela