Professional Documents
Culture Documents
TROMBONE
CATALOG
Hans-Hermann Nienaber
1
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Because every player has distinct physical characteristics and % O%(:BM7H$0:HN78
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designed as highly flexible component systems, with the widest as an option for handslides, leadpipes, tuning slides, %
array of options available today. Each factor can be carefully % and goosenecks. It can contribute to clarity of articulation
selected to balance the others, resulting in an instrument that and solidity offeel, and is a popular choice for lightweight
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Please take all of the suggestions in this catalog only as starting
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or one of our dealers for recommendations. % 90*%#$-)2-&2%'"2*,%45$6#30%#,/2*%0-#%)/3H*,%#/,A*&%$7(*#<%%
U*%1/,,%(*%0-++.%$"%-##/#$%."7%$"%+7$%$"@*$0*&%$0*%+*&8*3$%% )/3H*,%3&""H%-)2%)/3H*,%"A*&#,**A*#%-$%$0*%$"+%"8%*-30%,*@B%%
combination for your needs and playing style. % Other options include: lightweight (LW) slides, for a lighter%
V*'*'(*&W%M"&%$0*%'7#/3/-)#BBBBB<%1/$0%$0*%'7#/3/-)#X 8**,%-)2%'"&*%(&/,,/-)$%#"7)2%-)2%&*#+")#*B%%
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available options, please visit our website: www.lätzsch.com.
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The leadpipe is the first point of contact with the player after
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Lätzsch uses five different alloys of metal on trombones, % (the smallest point in the taper of the pipe) have significant %
which can be combined in different ways for a wide variety % effects on playing charcteristics of the instrument. %
of characteristics. Please note that not all alloys are available %
")%-,,%3"'+")*)$#B% We offer standard 3 options:%
$ 6$J7HH>F$'8355%% % =J%% _'-,,*#$%A*)$7&/%2/-'*$*&W%3"'+-3$%#"7)2%% % %
% FYZ[%N"++*&<%\Z[%]/)*J%/#%$0*%0-&2*#$%"8%$0*%(&-##%-,,".#B%% with very clear articulation. %
% ^$%$*)2#%$"1-&2%3,*-&<%+7&*%#"7)2%1/$0%#$&")@%87)2-'*)$-,<%% % `J%% !*2/7'%A*)$7&/%2/-'*$*&W%'"&*%"+*)%#"7)2B%
% H**+/)@%-%A*&.%3")#/#$*)$%$")*%3","&%-)2%"A*&$")*%#$&73$7&*%%
% \J% 4-&@*#$%A*)$7&/%2/-'*$*&W%,-&@*<%(&"-2%#"7)2B
% $0&"7@0"7$%$0*%&-)@*%"8%2.)-'/3#B%
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% 6$"7G$'8355%% ^)%(*$1**)%#/6*#%-&*%-A-/,-(,*<%-#%1*,,%-#%,")@%-)2%#0"&$%%
% (90% Copper, 10% Zine) is the softest brass alloy. % A*&#/")#%"8%*-30%'"2*,%-)2%,*-2+/+*#%/)%@",2%(&-##%-)2%%
% C#*2%+&/'-&/,.%")%(*,^#<%/$%*'+0-#/6*#%3"'+,*R%"A*&$")*#<%% nickel. Silver Sterling leadpipes, which offer a remarkable %
% -)2%@/A*#%'-).%+,-.*&#%-%2*#/&-(,.%1-&'<%&/30%#"7)2%-)2%% density of sound, are available at additional cost.%
a wide range of tone colors at different dynamics. %
$ 6$->HG$'8355% '7HH5
% (85% Copper, 15% Zine) is more diffuse than yellow brass 45$6#30%$&"'(")*#%-&*%8-'"7#%8"&%$0*/&%87,,)*##%"8%#"7)2%%
but more articulate and centered than red brass. % and projection. This is archived by the use of a one-piece %
% N-&*87,,.%#*,*3$*2%3"'+")*)$#%/)%@",2%(&-##%3-)%-22%2*+$0%% construction, allowing for unrestricted vibration of the bell.
% -)2%3"'+,*R/$.%$"%$0*%"A*&-,,%#"7)2%"8%$0*%/)#$&7'*)$B In addition to the shape of the bell flare (rate of taper),%
the type and thickness of the bell material also affect %
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$ F>Z[%N"++*&<%=Z[%]/)*J%^)%$0*%=>$0%3*)$7&.<%
% $0*%"&/@/)-,%I&7#+*%'*$-,%1-#%7#*2%-'")@%'-).%(&-##% We offer a tremendously wide variety of bells at Lätzsch. %
% -,,".#%8"&%$&7'+*$#%-)2%$&"'(")*#B%^$%/#%30-&-3$*&/6*2%(.% Their characteristics can vary so much from player to player %
% -%0/@0%3"++*&%3")$*)$B% that it’s difficult and almost impossible to describe them.
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Alto
Trombones
SL-710 Model ‘Kuhn’
Eb-Alto Trombone
- Bore 11,9 mm / 12,4 mm - .468” / .488”
- Bell 180 mm / 7,09”
- Gold Brass
- Clear laquer finish
Kenneth Thompkins
(USA)
Lätzsch Artist
Principal Trombone
Detroit Symphony Orchestra
SL-710 Alto Trombone
4
Tenor Trombones
American-style trombones
(F attachment)
SL-236(H) Bb/F Tenor Trombone
SL-236(C) Bb/F Tenor Trombone
SL-236(O) Bb/F Tenor Trombone
- Bore 13,4 mm /.527”
- Bell 210 mm / 8,27”
- 1 Lätzsch Full Flow® valve 14 mm / .551”
- Gold Brass
- Clear laquer finish
Dirk Ellerkamp
(Germany)
Lätzsch Artist
SL-242(C) Tenor Trombone
Principal Trombone
Dortmund Symphony Orchestra
German-style trombones
SL-100 Bb Tenor Trombone
- Bore 11,9 mm / 12,4 mm - .468’’ / .488”
- Bell 210 mm / 8,27”
- Gold Brass
- Clear laquer finish
6
Tenor Trombones
German-style trombones
(with F attachment)
SL-110 Bb/F Tenor Trombone
- Bore 11,9 mm / 12,4 mm - .468” / .488”
- Bell 210 mm / 8,27”
- 1 Lätzsch Full Flow® valve 13 mm / .512”
- Gold Brass
- Clear laquer finish
7
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- OPTIONAL Clear laquer finish%
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Ruth Ellendorff
(Germany)
CB-900 Cimbasso in F
Tuba/Cimbasso
Staatstheater Oldenburg
9
Cimbasso
THE MASTERPIECE
CB-900 Cimbasso in F
- Bore 16,5 mm / .650”
- Bell 270 mm / 10,63”
- 5 Lätzsch Full Flow® valves
16,5 mm / .649”
- Gold brass
- Clear laquer finish
OPTIONS
- 6th. Lätzsch Full Flow® valve
- Half tone trigger
- Trigger on the main tuning slide
10
Bass Trombones
American-style trombones
(A) (B)
11
Bass Trombones
German-style trombones
12
Contra-
bass
SL-600 Model ‘Cieslik’
F/Eb/Bb or F/D/Bb
Contrabass Trombone
- Bore 14,9 mm / .586”
- Bell 270 mm / 10,63”
- 2 Lätzsch Full Flow® valves
16,5 mm / .649”
- Long water valve
- Gold Brass
- Clear laquer finish
Daniel Clemmensen
(Denmark)
Lätzsch Artist
Bass Trombone
The Royal Life Guards
SL-580 Bass Trombone
SL-620 Contrabass Trombone
13
Harrie de Lange
(The Netherlands)
Lätzsch Artist
SL-820 Baroque Alto Trombone
Principal Trombone
Netherlands Philharmonic
Orchestra
Bar
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rom
SL-820 Eb Alto Baroque Trombone
- Bore 10,5 mm / 11 mm - .413” / .433”
- Baroque bell 100 mm / 3,94”
- Yellow Brass
bon
- incl. Lätzsch case
- OPTIONAL Classical bell 120 mm / 7,09”
es
- Bore 10,5 mm / 11 mm - .413” / .433”
- Baroque bell 110 mm / 4,33”
- Yellow Brass
- incl. Lätzsch case
- OPTIONAL Classical bell 130 mm / 7,09”
14
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Artist Models
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Lätzsch Cases
Lätzsch high quality cases / Lätzsch Logo
LC-100 Lätzsch Model ‘JAZZ Efe Erdem’
- Jazz Trombones
18
LÄTZSCH CUSTOM BRASS
Schmidtstrasse 24
28203, Bremen
Germany
Phone: +49 421 71966
Email: info@lätzsch.com
www.lätzsch.com