CS 1103-01 - AY2024-T3 Learning Journal Unit 2

Student Name: John Paul Balmaceda Student Number: C2047957

The development of Christian art and architecture was significantly influenced by the

art and architecture of classical Rome, particularly during the early centuries of

Christianity. Several aspects illustrate this influence:

Iconography and Symbolism: Christian art borrowed heavily from Roman art in terms of

iconography and symbolism. For example, the use of Christian symbols such as the fish,

lamb, and peacock can be traced back to Roman artistic traditions, where animals and

symbols held specific meanings. Additionally, the adaptation of Roman architectural

elements like columns, arches, and domes into Christian structures further

demonstrates this influence.

Basilicas: The design of Christian basilicas, particularly during the early period of

Christian architecture, drew inspiration from Roman basilicas. Early Christian basilicas

were repurposed Roman civic buildings, which were adapted to accommodate Christian

worship. These structures featured a longitudinal layout, a central nave, side aisles, and

an apse, reminiscent of Roman architectural designs.

Mosaics and Frescoes: The use of mosaics and frescoes in Christian art was inherited

from Roman artistic traditions. Early Christian churches adorned their interiors with

elaborate mosaics and frescoes depicting scenes from the Bible, mirroring the Roman

use of these techniques to decorate public and private spaces.

Despite these influences, Christian art and architecture also exhibited unique

characteristics:

Christian Themes: While borrowing techniques and stylistic elements from Roman art,

Christian art primarily focused on depicting religious themes and narratives. Biblical

stories, scenes from the life of Jesus, and representations of saints became central

motifs in Christian art, distinguishing it from the secular subject matter prevalent in

Roman art.

Symbolism of Space: Christian architecture imbued spaces with symbolic meanings that

were distinct from Roman architectural practices. For instance, the layout and design of

Christian basilicas were often laden with symbolic significance, such as the axial

alignment of the nave towards the apse representing the journey towards salvation.

Emphasis on Spiritual Significance: Unlike Roman architecture, which often prioritized

grandeur and secular power, Christian architecture aimed to evoke a sense of reverence

and spirituality. The design and decoration of Christian churches were intended to

create an atmosphere conducive to worship and contemplation, emphasizing the

transcendental nature of Christian faith.