Professional Documents
Culture Documents
CCR Q 2
CCR Q 2
distribution
Our story is tailored for Arab youth aged fifteen and older,
combining general horror themes with specific preferences.
We draw from Arab cultural influences, reaching beyond
geographical limitations to resonate with horror folklore
enthusiasts worldwide while staying true to cultural authenticity.
AUDIENCE THEORIES 4
Uses and Gratifications Model Vs Reception Theory
Audience selection is driven by the need to assert personal identity
and seek distraction through media consumption, as revealed by
Blumler and Katz's model. On the other hand, Stuart Hall's theory
emphasizes the dynamic aspect of audience interpretation,
recognizing a range of responses triggered by narratives, from
submissive acceptance to outright antagonism.
5 DISTRIBUTION CHALLENGES
Managing intricate distribution channels in the digital era
presents unique challenges and strategic considerations.
Strategically utilizing platforms such as YouTube, Netflix,
and Prime Video is essential to reaching and engaging a
broad audience.
AUDIENCE INVOLVEMENT 6
Our project goes beyond simple entertainment, combining
visual and auditory elements to create an immersive
experience.
We invite audience to immerse themselves in a journey into
darkness, encouraging community involvement and
discourse.