3D Drawings

Simple 3D projects for beginners

(optical illusions)

Marie Begin

Copyright©2018 Marie Begin

All Rights Reserved
Copyright © 2018 by Marie Begin

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in
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Table of Contents
Introduction
Materials for drawing
How to Start Drawing 3D Pictures
Techniques and Terminology of 3D drawing
3D Drawings
Final Notes
Conclusion
Disclaimer

While all attempts have been made to verify the information provided in this book, the
author does assume any responsibility for errors, omissions, or contrary interpretations of
the subject matter contained within. The information provided in this book is for educational
and entertainment purposes only. The reader is responsible for his or her own actions and the
author does not accept any responsibilities for any liabilities or damages, real or perceived,
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Introduction

Welcome to the beginners guide book to 3D Drawings! If you have found

your way to this book then it because you have the desire to learn all that
you can about how to start drawing your own 3D images. These images are
3D in the nature of the way they are drawn and in the way that the image
presents itself. You could regard these as optical illusions as well since
that is in essence what they are. As well as that though these are images
that you yourself can draw and craft and create to make something truly
interesting and unique. These are things that you can make your own and
utilize to really showcase your artistic talent and skill. It is drawings like
these that while they will look incredibly daunting to start they will be
much easier in practice to learn than you would imagine.

In fact so much easier that by the end of this guidebook you won't just be a
beginner you will be at least a little seasoned in the art form and ready to
take on bigger challenges or even in fact create your own from scratch
should you have the drive and desire too. Within these pages you will be
taken on a learning adventure starting with this very introduction, and then
be swept through the materials that you will need to be most effective at
the work in this book. Then you will learn how exactly to start on a project
of this size and scope, where to begin something that is in and of itself so
complicated to gaze at. Finally before you start the actual work itself we
will go through some of the techniques and terminology that you will be
expected to use and to know as you work your way through this book in its
entirety. These will not be terribly difficult sections and they won't
demand that much of you, however once you are finished them. It will be
time to get into the actual work of the images themselves and to draw
them step by step.

Each image will in fact come accompanied with step by step guides to
ensure that you are guaranteed to succeed on each assignment and take
away the appropriate amount of knowledge that you desire to acquire from
every single lesson. Once you work your way through those then you will
find yourself enjoying a quick review before we say our farewells and
leave you to your journey. All of that sound like a lot? I understand how it
could feel that way. However don’t worry too much because I will be right
here to guide you and watch over you every step of the way. This will be a
fun experience and you’ll learn lots. With that all out of the way, let’s start
making our way through these sections!
Materials for drawing

For projects like this you want to make sure that you are well equipped
with the materials and gear you need to make sure that you are able to
complete the project completely and professionally. This is an important
piece to remember and probably one of the most important things in this
book to take seriously. For instance if you are under prepared then it will
affect the quality of your work which will affect people’s reception of
your work. You want people to look at your work and think that you are a
capable and hard working and well prepared artist who takes the work
seriously. All of that starts with making sure you have the correct
materials. This project requires only a few tools but each tool is incredibly
important to keep in your arsenal. Let’s start with the list of materials that
you need and make sure you are well equipped to continue and work your
way through the instructional pages in this book. If you don't have any of
the items listed here then make sure you acquire them before you proceed
past this section.

Paper - The most obvious thing on the list is the paper, however you
would be surprised what people forget. You want to use basic white paper
and make sure that you have enough for whatever project you are doing.
For instance it is never a bad idea to have extra sheets of paper nearby
for practice and or exercises. For this book you will want lots of paper on
hand.
Pencil - Perhaps another fairly obvious item are on the list but the most
important object on it. Without the pencil you wouldn't be able to create
the images themselves. You don’t need any sort of fancy pencil but you
would want to make sure that you have a couple extras on hand and that
they are all sharpened and ready for use.

Pencil Sharpener - This item is crucial to make sure that if you break the
lead of your pencil or if your pencil gets too dull that you can correct it
quickly and properly. Some people use items like knives or scissors to
sharpen but this can prove much less effective than just using a regular
old pencil sharpener.

Eraser - You will inevitably make mistakes doing this work and the only
way to be able to correct the mistakes that you make is to have an eraser
on hand to be able to alter what you did and improve upon it. It is
imperative to being able to do good artwork is to recognize your
mistakes but then to fix them without hesitation.
Ruler - A lot of the images we will be working on in this set will be
fairly complicated. They will require certain line work that can only be
done with a straight and firm edge. As well it doesn't hurt to have a
utensil that helps provide you with excellent accuracy. It is something
that shouldn't be overlooked or under appreciated.

That about sums up the materials that you will need to be able to pursue
the ventures in these pages. It is up to you to maintain your materials and
make sure that you always have them available. As you get better and
improve there will be opportunities to improve the equipment you have
such as getting drafting paper or finer pencils, a gum eraser and rulers
with di f f erent angles. Anything is possible however for this project you
have everything you need.
How to Start Drawing 3D Pictures

Before you go running in half cocked on an image that requires planning

and thought, its best to take a minute and exactly that. Plan and think.
Something that is constantly underrated as an approach. A lot of times
you’ll hear people say that you should just do something, just go for it and
don’t worry about it. That can be the case for a lot of things however
artwork like this is not the case. You want to pre plan almost every single
move you make. Especially the first few moves you make with the pencil
since that layout will be exactly what guide you further in that image and
any mistakes you make at the beginning will be there until the end unless
you plan ahead.

For example take a look at this image here on the right. How do you get to
that final image if you don’t know how to start? If someone showed you
this image would you know exactly where to start it? If so then that’s
good, but I guarantee you it took you a few minutes of thinking and
planning to decide on the correct route of the image before you start. It
isn't incredibly simple but it also doesn't need to be very difficult. Though
it is good to have a healthy understanding of the work that you will be
doing. Some of it will be easier than others and some of them will be huge
projects that seem difficult. The ones in these pages don't get too out of
hand but they all require appropriate planning in order to get to where you
want them to go.

This right here is exactly how the image above started out. It looks
nothing like the final image but you can see how it makes sense. You
might even be able to assume what the next step would be in this image
and find your own way through that. That is called planning and that is
exactly what we will be looking at in these pages as well. It is something
that is crucial and important to the development of these projects and
any you may want to do in the future on your own.

That is the most effective and best explanation of how to start that I can
come up with. It is concise and covers the reality of what it’s like to
embark on a creative adventure. You need to have the materials as we've
discussed, and then you need to know where and how to start the work that
you're going to be doing. These are cornerstones to the work you are
doing. Now that you have this start of basic knowledge building, it’s time
to take you in a slightly more advanced direction. The next section will be
dealing with some more serious topics and should help build up your
skills rather quickly.
Techniques and Terminology of 3D drawing

The next thing for us to dive into and take a look at is the techniques that
you will be facing in these pages and also that you should learn and have
in your tool box of skills. It is important to know more than just the very
basics that you can do with a pencil. A lot of these skills will be things
you will be actively using on each lesson in these pages but also it’s
helpful to expand your horizon of abilities in such a way that prepares
you for any future artwork you might pursue. After that we will then take
a trip down into some special terminology that you will most likely see
used in the steps as I guide you through the drawings and images that you
will be working on. The terminology won't be too hefty or difficult to
understand however it is still important to know and have in mind when
you are approaching the work so that you don’t find yourself having to
look up things online or on other books that I can easily explain to you
here. With that all being said, it is time to start with the techniques!
Follow along below and if you feel inclined you can grab a scrap of paper
and try them out as you go!
Techniques

Line Work - The simplest technique is that you will utilize the most. This
is just using the pencil to create lines which will serve as outlines or bases
to build the image of. It is like the bare bones or the foundation of the
drawing. In terms of technique, as you advance you will be able to use
line work in more complicated ways to be able to accomplish more
interesting drawings.

Shading - This is something that you will be using a lot in this specific
book. Shading is one of the best ways to assist in creating 3D images or
optical illusions. It’s a great way to add depth and intrigue to your images
as well. It serves as a method to create depth which will enhance any
drawing you create not just the ones that you craft in these pages.

Blending - Blending is a lot like shading except is a much lighter form

of it. For instance if you shade a small portion of an image and want to
shade the other part of it but only need a thin layer, you can blend the
shading you've already done into the white space in order to create a thin
layering of shade. You can use your fingers or a gentle eraser touch as
well.

Texture - This is a technique that is tied almost directly in with shading.

However it is such an important aspect of it that it deserves its own
section. Texture is something you’ll want to pay attention to in any
drawing you do because it really affects the depth and realism of the
image you’re drawing. Cross hatch is a form of texture which consists of
horizontal lines that cross over vertical lines. This is used in shading to
create a fabric like texture. There is Stippling which is little pencil dots
and then hatching which is just lines in a singular direction. Always pay
attention to your texture.

These techniques are the basic needs you will have in the assignments in
these pages. With these you will be able to create the images to the
specifications in the step by step guides. Also you will now have the tools
that you will need to be able to create many other drawings on your own,
not just those of a 3D basis and origin. That seems like a pretty fair trade.
Now that you have finished this portion of this section, head on and learn
the special terminology.
Terminology

3D/Three Dimensional - The images that we will be working on are in

fact three dimensional. What this means is that they look as though they
are real and existing of the page that they are in fact drawn on. This effect
is commonly known as an optical illusion and you sometimes see them
drawn on sidewalks with chalk. This is the same idea and is also
something that we are intentionally trying to create. The interesting thing
about drawing images in 3D is that it creates an effect that makes the
image look like it is not in fact a flat piece of paper. You want to create
that effect.

Foundation - This word means exactly what you would think but let me
explain the way it applies to the work you will be doing. When you start
the outline for your drawings what you are doing is building a foundation
for the rest of the images layers. This is the foundation, or the blueprint
and the guiding lines. These are all things you may read in these pages.
Photo Realistic - This is how it sounds, you want your images to look
like they exist in the real world which is to say that they are photo
realistic. It isn't the easiest thing to achieve but with hard work it can be
done.

Lining - Basing of the line work it can have a host or variety of different
specific definitions. For instance if you want an edgier drawing you will
want harder lining which is done by being firmer with the pencil. It’s
something that is easily altered as well. You can use much softer lining
in order to achieve a more delicate look for a drawing as well.

Tone - When you are creating the image you're also creating something
called tone. Which has to do with the perception of your image? If you
create a very dark and well shaded and edgy drawing the tone could be
perceived as dark or perhaps moody. On the other hand if you do the
opposite then the tone would be much lighter.
Perception - A very ironic term when it comes to 3D drawings because
the entire purpose of the image is to mess with people’s perception.
Which is why its best to mention the term in here and say that you want
to draw people’s perception with your drawing and that means keeping
your perception of it in line with the desire of the image itself?

Focus - This term has very little to do with the actually page or the image
or any of the tools yet it has everything to do with you. I mention it
because when working with an image that has a very technical intention
and use, you need to make sure that your focus is in line with the work you
are doing and that you pay attention to what is required of you and what
you are doing. It would be devastating to finish a piece but see a mistake
that you overlooked in the early stages of the drawing because you weren't
focussed.
That does it with special terminology for now, any further words
mentioned that need explanation will be handled in the section they are
mentioned, however these seven terms cover the bast majority of anything
that may come up. They are also excellent to keep in mind because they
can apply to anything that you are doing whether it is drawing 3D images
or not.

That also concludes this section, which was the last before you start
getting to work on the images themselves. How exciting! Now you will be
working your way through 15 different and interesting images that will
start out as basic drawings and be turned into 3D sketches that will be
interesting and remarkable to look at. These drawings will take some time
and the steps will be important to follow, so take another look over the
material we have already covered and then when you are feeling ready, its
time to get to work!
3D Drawings

Now we are here, this is the section that you will find all of the
assignments for you to complete with the skills and useful lessons you
learned in the last sections you just worked through. There are 15 images
in total for you to work through and each one has step by step guides that
should help you complete each image in a proficient way that will result
in professional and interesting looking Three Dimensional images. Each
one will be different in difficulty but they are all very possible to
complete and very fun to work on. Just remember to take your time and
not rush yourself, as well as to return to any of the previous pages if you
need any help at all with either the techniques or the terminology. It is
never a bad thing to get a refresher, always seek out help if you need it.
Picture 1 - Love

This one starts out with creating the foundation of the image. The
foundation itself is simply the block letters that create the word LOVE.
You can see that there are multiple lines used in order to create the type of
box letters that you want for this type of drawing. As well you can see that
each letter is proportional to the other.

This next step you see that we start creating that third dimension for the
image that we will enhance later. This is a fairly simple process of using
lines to pull back the border of the lettering. Follow the example here and
create that deeper layer or depth. For now it still looks like block letters.

Which is where this next step comes into play? Here you can see that the
shading of the underneath of the letters really helps with adding depth. As
well the interior of the letter O and E have shading in there as well. This
further perpetuates the extra dimension to the image itself.
These next two steps see some vast improvements in the image. The first
one we have the beginning of the shading underneath the block letters. Its
soft but its very noticeable. Its also nice to note here that the letters
themselves have had some blending done on the lighter areas of shading as
well as the darker portions have had some nice shading added on.

Then in the second step we finish shading the underneath with a nice dark
layer, and then go ahead and add some more dark layers to the rest of the
shading. This creates a nice and dense/thick shadow that really gives it
character. You’ll notice that there is something called a cutting line there
as well. That is for when you draw this on paper, and then want to take the
3D effect to another level. You can see that as it is it looks very three
dimensional, however with just a small addition of a cut, you wind up with
something very interesting.
Picture 2 - Chasm

This next one is rather interesting and you might remember from an
earlier page in the book where I used its end game as an example for
planning it out. Well now you get to follow through on those plans and
actually reach the end result. Start out with the line work in the first step,
using soft but jagged edge work here as well.

In the step after that you'll want to start adding in those character lines on
the far side of it as well as the planks that cross the chasm itself. Here is
where the image itself gets interesting.
Add in some nice shading work into the chasm, and really make sure the
detail is top notch. We want it to look like a bottomless pit and feel like
theres real depth there. It is also important to note that there is some real
detail in the shading and real texture. This is where hatching would come
in handy as a form of texturizing for the shading that you want to be doing
here.

Here we have a very well shaded in chasm. The detail here is extraordinary
and looks very interesting. The picture itself looks like it had some ink
added on top of the pencil to really make it pop. That is always something
you can do but it isn't completely necessary to do. However, you can
always also utilize charcoal as something in the future if you wish to get
proficient in shading. The intent with this image however is just to create a
very interesting and depth filled image. That is something we have here.
You will also notice the outline for the pencil, and the shadow marker on
the bottom left of the chasm. This is something that we will do a bit in this
book, as a way of enhancing the three dimensional imagery. You'll see it in
play in the next image.
As you can see here the image is complete and with the addition of the
pencil and the pencils shadow in the chasm it really adds another layer
into the drawing itself. It creates a sort of perspective that is incredibly
visual and intriguing. The best part of this is the fact that it’s so simple to
add in the pencil. If you remove it the image still looks interesting, but
by incorporating another object as an element you can really get
something cool going on that is out of the box and adds in that extra
dimension. It’s like the cutting line from the last image, it adds in
something to it that wasn’t in there originally. That is the point of what
we are doing in these assignments. Excellent work on your first two three
dimensional images, you are probably starting to get the hang of things,
but don’t worry there is plenty more work to get done. Now you should
move on to the next one!
Picture 3 - Box Steps

This one has an incredibly simple foundation to start on. It is probably the
easiest foundation that you will come across as it is boiled down to
literally just four lines. A simple square is. Yet sometimes that is all that’s
required for an intriguing image, is a simple starting foundation. Those are
the ones that are the most interesting at times too. It is always a good
practice to not judge the context or difficulty of the image by how the
foundation starts. This one however is a simpler project, so get that
foundation drawn and then get ready to move on to the next step.

Here we are adding more boxes into the already existing box. The trick
here is that you need to look at it in that sort of way. You have the initial
outer foundation which is the box shape, and then you add three more into
the bigger one. The trick here is you are also then connecting the two outer
ones and the two inner ones but you aren't connecting them in the very
middle. That is an important detail that could be overlooked if you weren't
perfectly focused. So far the simplicity of this image is very much
outweighing its complexities; however that doesn't mean it won't make an
incredibly interesting 3D image. The next step is the perfect example of
that being the truth about it. Continue on to the next step.
Here we have the last step. In this step we take it upon ourselves to shade
in the steps. The steps we are shading in are also blended in the middles so
you can see that the shading is darkest in the corners but then it lightens
out in the middles. You don't explicitly need to blend you can just alter the
gradient (Level of shading) as you go. As well you should keep in mind
the pressure you're applying as you go. Next you will see that there is
another pencil outline and shadow marker in this image. This is important
to take note of and make sure that you comply perfectly. Put in the shadow
outline as you see it and make sure you have a pencil that is the
appropriate size for the outline, which is another key thing to mention. If
you are going to do a technique like this you want to make sure you can
pull it off.
Here we have the very last step as well as the finished product. The
biggest additions to the drawing in this specific image fall into the
category of shading. You will see some light shading that’s been done on
the steps that aren't in the dark. It is very light and can be seen only
mostly near the corners. That is a nice little detail which helps add to the
depth. As well you can see that the pencil shadow has been filled in nice
and densely to create a very cool texture. The way it lines up with the
pencil is also very cool and creates a very interesting look. This is a great
one to show o f f because the shadow makes it really look like the pencil
is leaning on sets of stairs. Images like this, that really play o f f of being
an optical illusion are incredibly fun to create and there are many more
just like it in these pages. Take what you learned from drawing this one
and when you feel you are ready you should head onto the next image!
Picture 4 – Pillar

This one starts out with another fairly simple looking foundation but is
actually going to be an incredibly interesting creation once completed.
Start out by drawing the lines as instructed on the right hand side here. The
angles in this one are incredibly important and I feel like it should be
mentioned that you will want to draw this one not in the direct edge of
your paper but to make sure you have some room for the image that you
are constructing. You don’t want to limit yourself in the start and find out
you needed more room later on the image when it’s become to late to
change anything about it.

Here you will see that there have only been a few new additions to the
drawing at hand, but you'll also notice that they are all very similar to the
first few lines that you drew for this project. There is a line in the middle
of the square that is now in the middle of the main box shape that you
drew first. As well the shadow lines are drawn angled out from the bottom
of the point that you drew at the beginning as well. This image will use
distance in a very cool and intriguing way that will be incredibly cool to
see when it is a finished product. This is the point just before things get
incredibly interesting. Keep your focus and move forward into the final
two steps before you get to see the excellent results.

The first step in this section here starts out with some very nice and yet
simple shading. You can see that the interior of the very top of the pillar
shape is shaded in nicely. It is solid shading with some nice light tones and
dark tones mixed in. There is a lot at play in that shading mix and it really
across nicely. Just like the shading done along the one side of the pillar
itself. This is done just as well and provides very interesting look to the
image. Adding layers and depth in a great way. Very excellent work is on
the shading here.
Now for this step we get to finalize the shading work that was done in the
last step, as well as add in some simple cutting steps. Shade in the falling
shadow that extends from the tip of the base of the pillar. You can see that
it’s shaded in such a way as to create very interesting distant shadow
although it falls after the cutting line which means you won't see it in the
final product but it does look very interesting. Once you are happy with
the layering of your shading, get those cutting lines ready and then
actually cut them. The next image is the finished product.
Here you can see the very cool looking finished product. The pillar looks
incredibly realistic and three dimensional. You almost can’t really believe
that its all just one sheet of paper with pencil markings on it can you? It
has a very neat depth effect that makes you think that the top of the pillar
is huge and the bottom of the paper is just far away and small. This is one
of the most interesting optical illusions that you can create with such few
lines and just some simple shading work. Pieces like this are some of the
most popular ones to learn just for the simplicity of it. These ones are
always so much fun, so lets move on to the next one now, the fifth in the
collection.
Picture 5 – Heart

This one is a little easier than the last few that we just worked our way
through. This one here is a quicker one to do but is still very interesting
and a cool and beautiful one that you can make for someone you care
about ton valentines day or just for fun because you were thinking of them.
That is something people always love receiving is art work because you
were thinking of them. It never fails. Start out with the basic heart shape
foundation. You can see that the line work on this one is a little thicker
with firmer edges, make sure that you follow that example for the first
heart shape then when you move on to the second you do the same there as
well. You want to make two heart shapes here with the small one in the
middle.

The next step is where things start to get very interesting with this image.
You want to shade in around the heart but you also want to shade it in such
a way that creates a chasm like instance. The middle directly under the
smaller heart needs to be lighter and pillar like in order to create the
perception that it’s actually a pillar like the last image. Them the shading
on the rounder areas of the heart is little lighter except for the falling
shadow of the pillar itself. Additionally we have another pencil outline and
shadow marker to deal with. Once you are done shading the interior of the
heart, then make sure you get that pencil shadow dealt with.

Here you have the finished product as described to you based on the
instructions for the image. You can see that the pencil shadow really works
out with the pencil over it. You really can look at it and feel as though the
pencil is resting on the middle heart like pillar and that it’s actually got a
chasm in there.

You’ll notice that there’s some light white blending in there on some
points which is purely for aesthetic and doesn't need to be a primary
concern. Everything else you worked on is amazing and the image looks
very professional. This was the fifth image which also means that you are
officially a third of the way through these lessons. The next one is the
sixth and the fun doesn't stop, keep your focus and get to work.
Picture 6 - Big ‘M’

Let’s start out with the foundation on this guy here. It’s another pretty
simple box letter to start out but you can see that it’s a giant letter M or if
you flipped it around it would be a W. Either way, get that ruler out and
make that foundation strong and straight.

Then when you're ready to move on the next step we get to start creating
the third dimensional element to the image, here we actually make it so
that the letter is indented into the paper. You can see at the top of the
letter it’s indented and shaded in lightly. Then on the two points below
that we have some lines going inward as well.

The next step is about getting the rest of those indents all mapped out with
some line work. You can see that the two point’s areas get shaded in as
well so you have a nice light shading there but you have the line work
done for the opposite side as well so you have that layer of extra depth
starting to come into play.

In the next step you can see that the interior of the letter is officially
shaded in with a thin layer, and then the last wall area that wasn't shaded
in yet is done on the right side there. Now remember the effect of shading
that you did for the box steps earlier? You will want to do that again here
to make sure it has that texture to it that shows some of the light bouncing
from the interior of the letter itself. That is a whole other topic of its own,
but if you follow the lead of the example in the steps you will be happy
with the result. As well you’ll see something new here called the box place
and then you'll see a shadow outline. Make sure to draw that outline and
keep that box place in mind. You'll see what they do in the next image.
Here you can see the finished product and exactly what those last two
additions in the last step contributed to the image itself. It is much like
the pencil and pencil shadow that you usually do but this time it’s with a
slightly different object. A box instead is. The effect here is the same idea
though with the way the shading is done it looks like the box itself is
actually standing inside the indent of the letter which creates such a cool
looking effect that we haven't actually explored yet. This is new ground
for us but also a very cool achievement for you in terms of the completed
projects you've worked on so far. You are reaching the halfway point now
in this book and are advancing so quickly. The next one has a lot of nice
detail to work on and is also incredibly unique from what we’ve done yet
so when you’re done with this one gets on to the next!
Picture 7 – Shelter

This one starts out with a nice four lined box shape just hanging out on its
own there.

Remember what I have said about the ones that start simple and then
move on to the next step and add in the two walls. This one is sure to be
full of interesting details and design so doesn’t let the initial simplicity
change your expectation of what is to come.

The final step here is to draw an entrance to the raised box like design
creating a shelter. This is a cool addition to because you can see that we
add a line inward making it three dimensional.
The first step in this next set of two is a very important one because it’s
where we start adding all of the most interesting details before we really
get into it in the next step. The shading here is incredibly important
especially on the entrance of the shelter. Make sure to shade in the very
middle interior of it to add that layer of realism. It really makes the
entrance pop in a way that is so photo realistic it’s incredible. As well you
will see there is some stone work detailing around the entrance itself. The
shading of the shelter exterior is fairly basic but very important.

In the next step you can see some major additions to the image. There is a
lot of wear and tear added to the corners and front of the shelter that make
it look incredibly aged and battered by the elements. This is a rather cool
inclusion and gives it some real character. As well you will note the pencil
place and the shadow marker again. Get that outline drawn and have your
pencil at the ready for the finished product. One final thing to note is
about the additional work here. You can add whatever you like to any
image as well, for these lessons it’s easier to do exactly as is described and
presented to you but you can always utilize your own imagination for
images to enhance or improve them if you have an idea.

Once again we are faced with the finished piece and I have to say this one
is something like a masterpiece when you look at it. The detail on it and
the shading is so amazing. It looks like it’s literally standing right there,
so interesting and curious. You want to know whats inside it as well and
go inside if you could. The way the pencil shadow and pencil really add
that extra layer of realism too it also. It is a fine example of a 3D drawing
and an optical illusion with the level of detail that goes into it to create
such an excellent representation. This is one of the favourites in this book
based on its incredible detail. This also marks the halfway point in the
book, there are 8 more drawings to go so keep focused and keep having
fun as you work your way through the rest of them!
Picture 8 - Small House

Here we have the eight drawing in this collection and also one of
intricate detail. You can see that the foundation lines for this one are
very in depth and already quite far along. It isn't too difficult to get
caught up since the drawing itself is actually fairly soft looking and not
too strongly defined by line work. Draw the roof and the house outline,
then the windows.

In the second step we add in the door and the walkway as well as some
nice exterior detail to the trim around the outside of the house. The third
step here adds even more detail to the effects of the house. You have the
actual slats of the roof outlined, and then some nice brickwork along the
trim of the roof itself. Then the windows you can't miss with their thick
framework. This is all very well defined and bold line work for the
outline detail.
In the first step on the left here we start shading in the house fully, making
sure to get its falling shadow as well as the right side wall. The shadow is
most dense near the back corner of the house and is also thicker
underneath the trim of the roof which makes sense with where shadows are
focused. In the next step we really get into the shading. There is a nice
layer of shading done across the entire house to really set the tone of the
image. As well as the roof which has some nice layering and texture added
to it to really make it pop in regards to its detail. Then you have the
windows which are shaded in such a way that leaves them glossy looking.
The best way to do this is through blending or smudging a small amount of
shading done on them.
The last step to make sure that you get done in this step is the cutting line
which takes place just behind the roof of the house. It’s a short one but you
already know that it will make a big impact.

Here you see the final product as we usually do. Standing proud is and
massively detailed with incredible shading. The thing about this one is
the attention to the detail of the shading. Every aspect is shaded in a
specific way. This image showcases it nicely too because you can see that
everything has a slightly defined little addition of some shade to it to
make sure that it looks impeccable. The cut line creates a very cool third
dimensional element which is the purpose of all these images. This one
specifically thrives mostly on the little details that are added to the
actual image throughout from the windows to the roof to the trim around
the bottom of the house. This one was somewhat complicated but had a
very impressive finish to it!
Picture 9 – Rowboat

This next one is another really fun and really in depth intriguing image.
We start out with some soft outline work here on the left side. A simple
boat shape done softly and gently.

Then in the next step you can see that we add in a lot of detail. The outline
is added on to with some serious depth. There’s the interior of the boat that
we add a board to sit on and then the back of the boat as well. The front of
the boat that would sit in the water is also shaded in lightly here to start.
The lines are also sharpened up a little with some firmness added to them.

First step here is to incredibly ramp up the detail of the boat with as much
as possible. The board in the middle is heavily accented with some
shading underneath and on top of it. Also the bottom of the boat is shaded
in very nicely to show the woodwork that it was crafted out of. The very
front of the boat is shaded nicely and there is some subtle details added in
which really elevates the craftsmanship of the drawing itself. The ledges
around the boat are also well defined through shading underneath them at
which level of wood that sticks out even slightly.

In the final step we add an even higher level of detail. You have the
staining on the front of the boat as well as the nail holes in the inside of
the boat for the panelling. These are smaller details but they can add a
whole lot of quality and character to any image if the thought is just put in
to add them. That is also where focus comes into play because you want to
think of those things when you're in the moment and if you aren't focused
on what you're creating you won't be as likely to add something
interesting to what you're doing. The last step to note here is the cutting
line at the very back of the boat. This time it’s a very small amount of the
page we are cutting off, but it will still create a very interesting look.
Congratulations! It looks fantastic and is incredibly well detailed. You
could look at this and believe that someone saw a real boat and drew it
exactly as it appeared to them without ignoring even a single detail about
it. This is some master sketching and you should be proud of the work
done on this one. This is another one of the most intricate ones that we
have done so far and is a little simpler on the 3D side of things but is also
incredibly cool to look at and present as a finished product. You could do
so much with it too, if you changed the cut line to across the back of it, or
you could even add in some water to the drawing, perhaps a person sitting
in the boat. You see there are an infinite number of possibilities for these
drawings that extend far beyond just what you're seeing when you look at
them or what the instructions read. Keep that in mind as you move
forward through the next 6 images.
Picture 10 – Bird

This here is one of the easiest ones that we will be working on. It is also
the tenth image in this collection which is the end of the second third as
well. After this one you have five more images to work on. Start out by
drawing the bird as you see it in the first step. It is fairly simple to draw
but the feathers in there do require some detail on them to keep them
realistic looking. The feet too are points of intrigue to watch for.

Then in the second image we actually use light shading and then blending
to get that really soft look to the bird. Make sure to shade the top of the
legs just under the bird denser than the other areas as well.
Then in the third step you see that we make sure to add the falling shadow
of the bird which is what will effectively assist in the 3D representation.
Also theres the cutting line again as per usual in some of these drawings
so make sure you take that into account. There is also some more shading
done to the back of the bird here which is important to note. There’s a nice
layer all over the bird now of shading.
The final stage of this bird is actually a little more complicated then
others have been. To start there is a lot more shading that we need to get
done. The outer line along the left side of the bird needs to be heavily
defined with some thick lining and dense shading. As well the wings have
some nice blending in the middles but are mostly shaded in a very dense
tone of grey which is what is coating the majority of the bird all around.
The falling shadow of the bird is also added to in order to make it look
more like the full bird which is shaded in there. Ultimately this stage of
the bird is vastly further developed than the last one, It is easier to do this
level of shading before making the cut but you can do it afterwards as
well. This one was easier in the sense of the drawing; the shading on the
other hand was actually a lot vaster and in depth than the previous
drawings in these books collection has been. That was an intentional
mislead for the sake of being prepared for anything in a drawing, you
might alter something or see something you missed or decide to enhance
something or maybe just the lighting changes. Either way you need to be
prepared for anything. Take that knowledge forward with you as you take
on the last five drawings in this collection!
Picture 11 - Tree Alcove

The eleventh image is in this fifteen image series. We start out fairly small
on this one but don't be discouraged because this one has some tricks up
its sleeve. Make are you get the top of the alcove with the arch and the
point and also note that there is already shading to be done here on the left
side of the tip of the arch. It gives it a raised look as if it’s peeling off of
the page that it’s been drawn on. This is a cool effect that we will add more
too later. Draw the lines down the side and then the base of the alcove.
Underneath there is a dome like shape that you will do more work on in
the next step.

We get right to the point here as we draw in the tree but not before shading
the back of the alcove wall. It’s darkest in the lower right corner and we
have some nice back and forth strokes adding texture to the shading that
been done here. Gives it a very nice flow to it. The base of the tree is
nicely detailed with some roots and grass action. You've also got that work
on the dome underneath the alcove that I mentioned coming in to play
here. It’s a slight start but it’s important.
The shading gets stepped up here for the back wall of the alcove as well as
the tree. There is also more detailing put into the branches themselves as
well, where they look more lifelike and photo realistic. You will note that
the shading on the back wall has a slight texture change to it on the left
hand side beside the tree. This is a nice effect where it sort of smoothes
out the effect based on the way that the tree itself would affect the
shading. This is important to keep in mind as you go into the next step.
Here we see some more layers of shading being put down. The dome
under the alcove is enhanced here to look very well shaded with some nice
firmness and texture to it. It has a reflective and rounded look, as if it’s
sticking up off the page in a curve. Very deceptive to the eyes, as well as
the back wall of the alcove where it truly looks rounded just like the top
areas with the arch. Here we also add nice and dense shading to the outer
areas of the alcove and to the bottom area of the tree by the roots. We
aren’t quite finished yet though, this is another special image where we go
the extra mile with detail.
Here we have the final image and it has some very nice aging and wearing
detailing done to the base of the alcove. This is a nice touch as it adds a
layer of realism but also a level of 3D to it because of the way that it
bridges several layers of the actual image. It makes it so you perceive that
the rounded outer edge of the alcove bends in such a way that the lines
aren't straight and it’s because it’s genuinely curved. This is another way
of saying that it’s an optical illusion. A really interesting one is with some
very cool features. This is one of the most simple in terms of assistance
being required since we aren't cutting the paper and we aren't relying on
any other objects to cast any shadows or not. This one is just genuinely
cool on its own.
Picture 12 - Box and Lid

Here we have another one that’s a little easier but just as cool of an end
result when it’s worked until completion. This one starts simply and is
honestly fairly simple to end. The concept is that it’s a box in the ground
with a lid that is sitting near it. Start out by drawing the 3D shape of the
lid on the left hand side, and then draw the box in the ground on the right
hand side. Not incredibly complicated so far.

Then in the next step we shut start shading in the box in the ground right
away. The bottom corner being the darkest with some nice and thick line
shading and then a nice back and forth texture on the darker of the two
walls. You can also throw a cross hatch on there if you think it will make
it look a little nicer.
The next logical step is yes you guessed it, shading in the box lid on the
ground next to it. This is also fairly simple, shading the edges on the outer
left side and then the surface on the top of the lid gets some light dustings
of shade. As well the interior of the box is shaded more but keep in mind
that the light source is in such a place that doesn't cast much shadow on
the right hand side. Notice then that you have the pencil place and then the
shadow marked on to the page as well. Which obviously leads us to the
finished product?
We have another very classic image that has some nice visuals to it and
not only is it playing with an indented object and distance but its playing
with perception in the way that it looks as though the pencil and the lid of
the box are potentially equally as thick or dense. It makes it appear as
though those two objects have similar weight to them and are as thick as
one another. It’s things like this that make it fun to create optical illusions
especially when you can create such interesting contrasts between the real
object and the image that you have created. Those are definitely some of
the most memorable ones that you will ever see. Now let’s get on to the
next drawing!
Picture 13 - Fish Tail

Up next is another little fun one. Though this one has some serious
shading work to it and some massive detail. It’s the kind of detail and
shading that make it worth the time though however. The kind that the fun
into it because you get so caught up in the work that you’re doing that by
the time your finished it you barely remember when you started it. To
begin lets get that outline of the fish tail and the ripples of the water just
around it. These are subtle at first but will come into great more detail
later on down the line. For now get some firm edges and line work on that
fish tail and then get ready to shade it in as you see in the second step.

Whats important here is making sure that you shade it in exactly as

represented in the step. Taking into account the curves of the flippers
themselves and the indent in the flipper as well as the bumps along the
tail. This is the area where you want to employ some light blending to
differentiate it from the other areas and so that you have that nice light and
white look for the areas where the light is bouncing off. You can also see
that the ripples in the water are being added to here and have some very
splashy effects drawn in. This you can do with exclusively shading and no
line work needed really. This is an area that requires delicate shading.

In the third and final step we finish off shading in the fins completely and
you have a much contrasted look to the tail. It has some very extremely
dark places and also some white places which creates a very pleasing and
professional looking image. You also have the water lines shaded in nicely
with firm detail that tapers outwardly into a softer touch of shading. We
also get the opportunity to shade in the falling shadow of the tail itself on
the water. In this image you can see that it falls just below the cutting line
that we are adding in here for the 3D effect that we want. Once you have
that shading finished, you can cut the line along it as demanded and then
check out the finished product of this piece!
What we are left with here is another awesome looking 3D image that we
drew with pencil and shading and enhanced by cutting one simple area.
The cutting is a really cool addition to it because as you can see if you
look back it looked 3D enough on the page but by cutting out the excess
paper you have what is very realistically 3D and far more interesting than
just the drawing itself. This is an edgy way of creating the optical illusions
that you are looking to create and represent. With that being said there are
two more in this collection and you've been doing so great so get ready to
approach them with energy and visor and accomplish the best result you
can hope for!
Picture 14 - Floating Panels

For the final two we are going to start out with one that has some slightly
more complicated shading work and a very interesting concept. This one
has a very cool finish to it and it starts out with a pretty simple layout. It
looks almost like a piano key layout. Draw those five panels as you see in
the first step with the extra layers that add that next dimension.

Them own the second step you see that we are adding in the shadows
beneath the panels them selves. Each panel is at a slightly different
elevation and the light source is casting their shadings underneath. You
can tell that they are lifting up and that it’s the effect we will be going for
in this specific drawing.

The third step here in the set sees the shading started on the left panels
and their falling shadows as well. The shadows are darkened very nicely
with them being actually lighter closer to the bottom of the page. The
panels themselves are shaded as well along the edges that are visible with
the darkest sides being on the right side. You'll also notice that in the step
below the fourth step, we shade in the third falling shadow and start to get
a nice layer of shade in on the right side panels as well as the one in the
middle. You just don't have the last two falling shadows complete. What
you do have however is another box place marker in the image on the
middle panel. This is where we will place an object to add that extra level
of dimension to truly complete the 3D image that we are working on.

Make sure you have your shading where you want it to be before you
move onto the next and final step!
In this completed image we have shaded in the last two shadows on the
right side of the last two panels and placed our object on the middle panel.
These are simple little steps that truly polish off the image in a fantastic
way. Again, you don't need to use the exact same object that we are
showing you in these images you can experiment with other ones and also
experiment with di f f erent add ons. In fact an excellent method of
practice is to go back and redraw some of these but in a different way that
is unique to something that you have planned. Perhaps even try and change
the element that is three dimensional. Either way there is one more
drawing in the collection before we will be all done learning and
improving our skills for now. If you’re happy with the work that you've
done on this specific drawing then pack it up and get on to the final one!
Picture 15 – Fish

For our final image we have another fish like scenario here. As well we
are being treated to an image with plenty of shading and detail. As you
may be able to tell from the first step the lines we are going to be using
are very soft and so is the shading. Keep that in mind before you start
penciling the image from the first step. With that in mind start getting the
outline of the fish drawn softly. The fins and the tail as well as the head
and the eye. Don't forget the little pouty fish lips as well. Here we then
jump straight head first into some excellent details through shading. The
little head of the fish is the first piece to work on and then we work down
from there.

The first fin is left mostly light but the one on top is shaded in nicely and
gently. Then the body of the fish itself has a nice hatch texture that works
for its scales and then the tail is also textured like that with slightly darker
shading across of it.
The next step we have here is to get the bottom shadow of the fish shaded
in nicely. This one is darker and a little edgier than the other shading that
we've got. As well the underbelly of the fish is shaded a slight bit firmer
than the other areas of the fish. Once you've got those places shaded in
nicely you’ll notice that there is another cutting line to appreciate. Keep
that in mind and note where it is, do any touch ups you need and then lets
move on to the final step!
Here is the very last step and the final product. It looks incredibly
interesting and you can see that the fish is actually floating just above its
shadow and looks magnificent doing so. The line adds that layer of
dimension that we have spent this entire book striving to add, and the
shading itself gives the image that artistic expression that is so intriguing
and important to keep including when you’re working on any artwork.
Applaud yourself for your work on this image, and take a moment to enjoy
the work that you did on it.
That marks the very last image in this collection. You have successfully
worked through fifteen different and unique and original drawings that
were all based in the 3D elements or on optical illusions. The skills and
training that you have gained from these drawings is a wealth of
knowledge and theres a lot to remember. In fact, take a second to look
over the drawings you created and review the steps in the book and make
sure that you got from this section the knowledge that you desired, or just
for fun try another one while you’re still here. If you’re satisfied then lets
move on to the review section before we say goodbye completely.
Excellent work you budding artist of the third dimension!
Final Notes

Some of those drawings were easier than others and some were vastly
more complex than maybe they needed to be. That is the point though in
images like this and works like this is to find the most interesting version
of what you could be drawing and show that expression properly
represented by the work that you create. That is why perception is so
important when working on a piece because you want to have a vision for
how your audience will perceive the drawing itself. As well as that you
want to make sure that you have the focus and planning required to
complete the drawing that you want and in the way that you want. It’s
especially when you're dealing with 3d Drawings. These are not to be
taken lightly in a way of just scribbling out some lines and then making it
look real. There is an approach to take and it’s outlined very thoughtfully
and deeply in depth in these pages and you most likely experienced it
when you worked through the assignments. Remember to keep an eye on
your terminology from earlier and the techniques, employing them where
they are needed and where they will work best. As you work through more
of these you'll start to see the ways in which your form will grow
artistically and you'll start pre-planning the tone of the image or the
effects in which you’ll be trying to capture and explore. It will work out
that a lot of the steps you read from us will start to form them in your
mind as you approach specific concepts or ideas of drawings. That what
the artists discipline is all about. Which is an excellent thing to strive
towards? That concludes what I had to say in recap of the lessons in this
book. I suppose it is now time to finish this book and move on!
Conclusion

Well done! You made it through all of the thick lessons and learning and
fancy words and have found your way to the very end of the book. As you
will have learned, 3D Drawing isn’t the simplest form of artistic
expression through explanation but it can be one of the most entertaining
ways to express yourself artistically. It is also incredibly fun to show off
to your friends or family if they like that sort of thing. Keep working on
the lessons that you went through in this book or even create your own
lessons for yourself and whenever you need a guiding hand or something
re explained to you, and then dive back into this book. The knowledge in
here will never go out of style or expire. As you grow as an artist it will
become ever more important to hold on to the things that you learned that
helped you grow. With all of that being said and appreciated it is time for
you to continue your journey in sketching, drawing and whatever else
catches your fancy and go on to the next challenge!
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