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By Lane Riosley
By LANE
By LANE RIOSLEY
RIOSLEY
SETTING
SETTING
Time:
Time: Now. Now.
Place:
Place: Anywhere.
Anywhere.
The The stage
stage is bare
is bare except
except for aforprops
a props trunk.
trunk. OtherOther
setssets
andand props
props are are
brought
brought in byin the
by the players.
players. The The players
players havehavemade made all the
all the props
props andand
theirtheir costumes
costumes fromfrom
found found objects.
objects. OnlyOnly
the the
fish fish is custom-built,
is custom-built, andand
theythey
are are
veryvery
proud proud
of it.of it.
There
There is ais central
a centralactingactingareaarea
the the troupe
troupe uses,uses,
andandwhen when
stagestage
directions
directions advise
advise “enter”
“enter” or “exit,”
or “exit,” it means
it means the the central
central area.area.
OnceOnce
the the
performers
performers ENTER,
ENTER, theytheyremainremain ONSTAGE
ONSTAGE at allattimes.
all times.
AUTHOR’S
AUTHOR’S NOTE NOTE
There
There is nois need
no need to write
to write a synopsis
a synopsis of the
of the famous
famous storystory of Pinocchio,
of Pinocchio,
but but a forward
a forward to this
to this version
version might might be helpful
be helpful to the
to the reader/player.
reader/player. The The
Pinocchio
Pinocchio story
story used usedhereinherein is from
is from the the original
original Collodi
Collodi taletale written
written in in
1883,
1883, a more
a more worldly
worldly taletale
thanthanlaterlater adaptations.
adaptations. In aspects,
In all all aspects,thisthis
playplay attempts
attempts to retain
to retain the the unique
unique spiritspirit
andand events
events of the
of the original,
original, andand
onlyonly deviates
deviates when when necessary
necessary to sustain
to sustain the the dramatic
dramatic structure
structure or toor to
condense
condense events
events for the
for the sakesake of time.
of time. Certain
Certain partsparts
of theof the
storystory
maymaybe be
surprising,
surprising, but but
the the lessons
lessons of theof the Collodi
Collodi story,
story, thoughthough written
written for the
for the
19th19th century,
century, are are
still still
truetrue
todaytoday
andand remain
remain valuable.
valuable.
In considering
In considering the the staging
staging of the
of the commedia
commedia style,style,
it isit helpful
is helpful
to to
remember
remember the the
most most
famousfamous twentieth-century
twentieth-century artists
artists of the
of the commedia,
commedia,
the the
Marx Marx Brothers.
Brothers.
ii ii
R I G HRTISG HMTUSSM
T UBSET PBUER C
PHUA
RSCEHDA SBEEDF OBREEF ORREEP R
ROED
PURC
O IDNUGC ITNHGI ST S
HCI SR ISPCTR I P T
1 1
2 2
4 4
R I G HRTISG HMTUSSM
T UBSET PBUER P
CUHR
ASCE
HDA SBEEDF O
BREE
F ORREEP R O
ED UO
PR CD
I NUGC ITNHGI ST H
SCI SR ISPCTR I P T
5 5
6 6
7 7
8 8
R I G HRTISG HMTUSSM
T UBSET PBUER C
PHUA
RSCEHDA SBEEDF OBREEF ORREEP R
ROE D
PURC
O IDNUGC ITNHGI ST S
HCI SR ISPCTR I P T
COSTUMING
COSTUMING
The troupe’s costumes are partly handmade and partly inherited from
The troupe’s costumes are partly
wealthier people who either tired of that handmade
fashion orand partlybetter
thought inherited
of it.from
The wealthier
commediapeople
diamondwhopattern
either tired
is, ofofcourse,
that fashion
alwaysorevident.
thought better of it.
The commedia diamond pattern is, of course, always evident.
LIGHTING
Spotlight with herringbone effect. LIGHTING
Spotlight with herringbone effect.
THE ORIGINAL PRODUCTION
The Commedia Pinocchio THE was ORIGINAL PRODUCTION
originally produced at EARLY STAGES of
The Commedia
STAGES Pinocchio
Repertory Theatre in was originally
Houston, produced
Texas at following
with the EARLY STAGES
cast of
and STAGES
productionRepertory
staff: Theatre in Houston, Texas with the following cast
and production
PUNCHIN: staff:
Pat Mitchell
COLUMBINE: StacyMitchell
PUNCHIN: Pat Turner/ Holly Kaplan
COLUMBINE:
ARLEQUIN: SuzanneStacy Turner/ Holly Kaplan
Langham
ARLEQUIN:
ROSETTA: DionneSuzanne
HemphillLangham
ROSETTA: Dionne
DIRECTOR: Donna Whitmore Hemphill
DIRECTOR:
STAGE MANAGER: Donna Whitmore
Curtis Dorsey
STAGE MANAGER:
LIGHTS: Jeff Ward Curtis Dorsey
LIGHTS: Jeff Ward
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