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Matching - Articulations

Draw a line connecting the m-ticulation or symbol with its definition.

Articulations Definition

sh01i and accented


'
'
• very accented, separated

breath mark

tremolo

> ___,,_____,,__�__,,,___ accented and held to full value

• play note shorter than written

'play full value but detached

accented

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Matching - Dynamic Marl<ings I
Draw a line connecting the dynamic marking or symbol with its definition.

Dyna1nic Marking Definition


crescendo soft

p very very loud

PPP loud then immediately soft

very loud

ff. medium soft

fp getting louder

very soft

pp ' loud, strong

fff very very soft

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Matching - Dynamic Markings II
Draw a line connecting the dynamic marking or symbol with its definition.

Dynainic Marking Definition


diminuendo as loud as possible

ff. quick increase in loudnesss

cresc. as soft as possible

very loud

very very soft

ff.ff strong sudden accent

sfz very very loud

increasing loudness

'
'very soft

fp decrease in loudness

increase loudness little by little

loud then immediately soft

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Matching - Dynamic Mark_ings III
Draw a line connecting the dynamic marking or symbol with its definition.

Dynamic Marking Definition


sotto voce loud then immediately soft

sfp , • decreasing loudness

fz becoming smaller in sound

dim. suddenly loud

sffz

soft, subtle

n accented, loud

morendo gradually softer

fp dampening and slowing

smorzando very accented

subitof very accented, separated

marcato accented then soft

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Matching - Expressions I
Draw a line connecting the expression with its definition.

Expression Definition
legato always

marcato two parts playing in unison

tutti lightly

espressivo,'

dolce accented, separated

leggiero smoothly

a2 heavily
'
'
'
simile ' less quickly

sempre sweetly, softly

subito smgmg

in the same way


'
'' .
cantabile · expressive

pesante suddenly

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Matching - Expressions II
Draw a line connecting the expression with its definition.

Expression Definition
confuoco majestically

solo

soli always staccato

sorrowfully, painfully

prominent part played by one player

, -agitated, unsettled
,,

maestoso

piu mosso with fire

unpredictable, changeable

agitato , ' compressing, quickening of tempo

caprzccwso prominent part played by section

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Matching - Notes and Rests I
Draw a line connecting the note or rest with its definition.

Symbol Definition

t eighth note

whole note

0 half rest

,
, quaiier note

quarter rest

sixteenth rest

whole rest

half note

sixteenth note

eighth rest

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Matching - Notes and Rests II
Draw a line connecting the note or rest with its definition.

Symbol Definition

= 1-1/2 eighth notes

= 4 quarter notes

0 = 3 quarter rests

, = 1 1/2 quarter notes

--- quarter rest

= 1 1/2 sixteenth notes

= 2 half rests

= 3/4 whole note

sixteenth note

eighth rest

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Matching - Repeat Markings
Draw a line connecting the repeat marking or symbol with its definition.

Repeat Marking Definition

second ending

D.C. al Fine
'
12. backward repeat

t>=
repeat back to the beginning, end at the fine

forward repeat
D.C.

Fine

11 da capo - repeat back to the beginning

-$- Coda ___________ ending section of music, literally "the tail"

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Matching - Staves and Clefs
Draw a line connecting the clef or symbol with its definition.

Symbol Definition

9: C clef

# final barline

I staff lines

treble clef

11

double barline

11g sharp

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Matching - String Techniques
Draw a line connecting the string technique or symbol with its definition.

String Technique Definition

>, \
play note shorter than full value
\

• \
down bow
'
\

harmonic
C)

breath mark

0 tremolo

\
snap pizzicato
\
\

V
\

up bow

\
\ left hand pizzicato
\
\

accented

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Matching - Te1npo Mark:ings
Draw a line connecting the tempo marking or symbol with its definition.

Tempo Marking Definition


Adagio fast

walking tempo

·eturn to original tempo

Andante gradually slower

a silent break in the music

II very fast

slow, at ease

Presto slow

', medium tempo

gradually faster

ritardando slow and broad

accelerando to hold a note

fast, lively

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Matching I
Draw a line connecting the musical term or symbol with its definition.

Definition

treble clef r,Tr


quarter rest

crescendo

tie
quarter note
eighth rest
mf
flat
decrescendo j

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Matching II
Draw a line connecting the musical term or symbol with its definition.

Definition

expressive
pp
,\
fast, cheerful
fermata I
,\ I. .; . .
Adagio \ 1
DC
I i
' I
'\_

forte
espresszvo
I i
: I
I ,
D.S.
sforzando
I Allegro
slow, at ease /

alking tern
less quick! ff
forte piano
meno mosso
piano,,
'i
sharp /,
coda sig11/
da capo1
fortissimo
dalsegno
sfz Andante
medium tempo

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Matching III
Draw a line connecting the musical term or symbol with its definition.

Definition
segno

@II: increasing tempo PPP


\ tenuto

Vivace \ s�cond ending fJ :II


I
/slowing tempo I
, I 1.
tremolo
@ :11
2.
fJ 1, fast, lively ritardando
half rest

dolce whole rest ::;,..


/
;oackward repeat
�: fortississimo
sweetly

.fff slow

--- . . . .
Lento
piamss1ss11no

accelerando fine sign

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Matching IV
Draw a line connecting the musical term or symbol with its definition.

Definition
marcato accent
/ a due maestoso

suddenly soft

IIB
E,Major
II
I
I
a2 (a Major
/ a mmor,
�: �11
very fast subito p

B, Major
tutti with motion

cesura Molto Allegro

majesically
cresc. poco a poco t DMajor
d minor

dim. entire section plays


slowly increase in volume
C clef Allegretto

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MatchingV
Draw a line connecting the musical term or symbol with its definition.

Definition
with fire
Prestissimo A Major
Db Major
fminor ' confiwco
equals 3 quarter notes
3/4 of a half rest
half note
return to original tempo
quickly increase volume
cmmor marcato

E Major a tempo
marked·
as fast as possible
/•

\ compressing, quickening
\
"- in the same way stringendo
"/8 of a quarter note

Largo B Major

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Dynamics - Soft to Loud
Organize the dynamic markings along the line in order from softest to loudest.

f pppp

mp ff pp mf

jJff PPP p

mf

?f
Jff

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Note Values - Long to Short
Organize the note values along the line in order from longest to shortest.

).
J
J.
0

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Rest Values - Long to Short
Organize the rest values along the line in order from longest to shortest.

......-.

---
---·

--
-----

-
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Tempos - Slow to Fast
Organize the tempo markings along the line in order from slowest to fastest.

Adagio Allegro Moderato

,�"
Adagietto Vivace Andante
fras--ts.simo \
Prestissimo Largo Presto

Allegretto Lento ?02.s±o

Vivac.e,,
Af(Rt5ro
Allggrdfo
Moderato

Andan1e.

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Dynamic Comparison
Draw a crescendo---=== or decrescendo:=:::::=,- to indicate the relationship between the dynamic markings.

1. p f 8. f =-==========--- mf

2. f========= p 9. ffff =======-fff

3. p-======= mp 10. pp -======== p

4. ff �=====--mf 11. �=====-PP

5. mp======= p 12. ppp·-_fff

6. pppp� pp 13. mf _�========- mp

7. 14. ppp..=====::=,.· pppp


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Matching - Musical Modifiers
Combine one word or suffix from the first list with a musical term from the second list to create a term that
matches the given definition.

In some cases you will need to drop the last letter from the ending of the first word.

Molto Assai Allegro Forte


Meno Mezzo Piano Adagio
Con Piu Andante Masso
- lSSllllO - etto Mato Presto
Staccato

A slow tempo faster than Adagio but slower than Andante: Adagietto (Adagio + etto)

With Motion: Con ll7ofo

A tempo slower than Allegro, but faster than moderato: 11/J�aflo


Less quickly: (1/e,110 /2los.So
As fast as possible: &5f/55:/mO

Faster than walking tempo: 1/nclan-t C0/1. mo-f!o (pick three words)

Medium Soft: /7(.ezzo

Quite fast: A/! ro


Rj
More Motion: Y/u •l77ns5o

Very short:

Medium loud: /lkz 71) JJ;o.,n D

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Musical Terms - Percy Grainger
Some composers avoid the use of standard Italian music terminology in their compositions; preferring, for
example, to use a word like "Fast" instead of "Allegro". Percy Grainger was known for making up his own
colorful musical terminology. Fourteen of the markings used below are actual phrases that Percy Grainger
used in his compositions, the remainder are made up. Circle the phrases that Grainger actually used.

In time, but Somewhat Wayward


Thoughtlessly

Mawkishly
(Somewhat) Cringingly Slow off Lots

Hopefully
With Intonation
A Little Springingly

Accompanyingly A Bit Persnickety


More Tonefully
With Latitude
Krafty
Haplessly Louden Hugely

(Somewhat) Clingingly
Metaphorically (3
As Clatteringly as Possibl
Meekly
With Askance
Well to the Fore

Louden Lots, Bit by Bit


Ruthlessly

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