Professional Documents
Culture Documents
VIDEO AUDIO
7. (0.16-0.17) Wide shot from inside the car from the Instrumental
driver’s perspective looking ahead. No camera Time lapse/very fast motion
movement.
Daniella Johnston, Adam Cunliffe, Ryan Baxter
VIDEO AUDIO
12. (0.22) Wide shot of the band walking down a street Instrumental
together, giving the impression they do everything
together. Walking towards the camera, which is
backwards tracking.
13. (0.22) Medium wide shot from inside the car from the Instrumental
driver’s perspective looking ahead whilst driving. No Time lapse/very fast motion
camera movement.
14. (0.23) Close up of one of the members of the band Instrumental
drinking from a bottle of water in between songs
backstage. No camera movement.
15. (0.23) Wide shot of the band performing on the stage. Instrumental
Camera is positioned at the side of the stage to catch
the band at a different angle but there is no camera
movement.
17. (0.24) Aerial shot of inside the club looking down on the Instrumental
ground floor with everybody dancing, including the girls
that were shown earlier on in the video. Camera zooms
into the crowd during this.
18. (0.24) Extreme close up of girls dancing, only middle Instrumental
part of them shown and no faces revealed. No camera
movement.
Daniella Johnston, Adam Cunliffe, Ryan Baxter
VIDEO AUDIO
20. (0.25) Wide long shot of a road like the one shown in Instrumental
the image. No camera movement. Time lapse/very fast motion
21. (0.26) Medium shot of one of the band members lying Instrumental
down on the floor backstage, looking exhausted. No
camera movement.
22. (0.27-0.29) Another wide establishing shot of the city to Instrumental
show there is lots going on in the city. Camera tilts and
tracks.
23. (0.30 – 0.47) Two shots together showing buildings lit Cross fade
up and Manchester’s busy nightlife against an extreme I've been roaming around, I was looking down at all I see
close up of the lead singer of the band sat in his Painted faces fill the places I can't reach You know that I could
apartment beginning to sing to the camera. No camera use somebody
movement.
24. (0.48) Close up of the girl. No camera movement. Instrumental
25. (0.49-0.50) Long shot of the lead singer sitting alone in Instrumental
the apartment. Forward tracking camera towards him
slowly.
26. (0.51-0.56) Back to the extreme close up of him singing You know that I could use somebody
to the camera. No camera movement.
27. (0.57-0.58) Previous shot against the one of inside the Cross fade
car from the driver’s perspective with everything sped Time lapse/very fast motion
up.
28. (0.59) Medium shot of someone putting their arm Instrumental
around the girls back. Her face still isn’t shown in any
shots. No camera movement.
29. (1.00-1.03) Close up of the lead singer singing. There is Someone like you and all you know and how you speak
no camera movement.
30. (1.04) Extreme close up of the members of the band Instrumental
smoking. No camera movement.
31. (1.04) Medium high angle shot of the lead singer lying Instrumental
down on couch in dark apartment. Camera tracks to the
side.
32. (1.05) Extreme close up of another member of the band Instrumental
drinking from a bottle of beer. No camera movement.
33. (1.06) Close up high angle of the fourth and final Instrumental
member of the band looking upwards towards the
camera just lying down. No camera movement.
34. (1.07-1.09) Back to the previous shots of the lead singer Countless lovers under cover
sitting alone in apartment, but this time the camera
tracks backwards from a close up of the vocalist into a
medium shot.
Daniella Johnston, Adam Cunliffe, Ryan Baxter
VIDEO AUDIO
40. (1.18) Close up of the girl in the crowd smiling, laughing, Instrumental
dancing etc. No camera movement.
41. (1.18) Low angle long shot of the sky to show the moon Instrumental
highlighting it is late. Camera tracks forward.
42. (1.19) Close up of one of the band members opening his Instrumental
eyes after being closed lying down in the apartment. No
camera movement.
43. (1.19) Wide long shot of the band all in the apartment Instrumental
together (like before). No camera movement.
44. (1.20-1.24) Extreme close up of the lead singer singing You know that I could use somebody
into the camera, making eye contact this time.
45. (1.25) Medium shot of a crowd waiting for the band to Instrumental
come on stage. No camera movement.
46. (1.25) Wide long shot of the stage with lights flashing Instrumental
onto it. No camera movement.
47. (1.26) Medium shot of people’s hands being waved Instrumental
about cheering from in the crowd. No camera
movement.
48. (1.26) Medium low angle shot of drummer on stage Someone like
playing as you can clearly hear him on this part of the Black and white
song. Cameras tilts upwards towards him.
49. (1.27) Extreme close up of vocalist singing. No camera you
movement.
Daniella Johnston, Adam Cunliffe, Ryan Baxter
VIDEO AUDIO
51. (1.29) Low angle medium shot of one the guitarists Instrumental
singing into the microphone. Camera tilts upwards Black and white
showing more of him in the shot.
52. (1.30-1.31) Low angle wide shot of the entire band Instrumental
playing together on the stage. Camera tracks from left Black and white
to right.
54. (1.33) Medium shot of the band putting their guitars Instrumental
round them and preparing on stage. No camera Black and white
movement.
55. (1.34) Wide long shot of the band playing on stage. Instrumental
Camera is at the side of it and tracking forwards Black and white
towards them.
59. (1.37) Long shot with the entire band hugging Instrumental
backstage. No camera movement. Black and white
61. (1.39-1.41) Wide long shot of the entire band playing Instrumental
together on stage again. Black and white
Daniella Johnston, Adam Cunliffe, Ryan Baxter
VIDEO AUDIO
63. (1.44-1.46) Long wide shot of the band all with their Instrumental
arms around each other on stage with the camera Black and white
circling them.
65. (1.57 – 2.00) Off in the night while you live it up I'm off to sleep
Close up of lead singer singing into microphone on
stage. No camera movement.
68. (2.08) Close up of the phone on the table. No camera I hope it's gonna make you notice
movement.
69. (2.09-2.14) Girl at the bar in the club gets a message on Instrumental
her phone. She takes some of her drink and then gets it She reads a text message on her phone so we presume it is
out of her bag and reads it. Camera zooms and tracks off him. The audience doesn’t find out what it says.
towards her as she does this.
Daniella Johnston, Adam Cunliffe, Ryan Baxter
VIDEO AUDIO
71. (2.23-2.37) Someone like me, someone like me,Someone like me,
Several shots of the band playing on stage together.
Camera tracks across the stage showing all of them in
the frame. It also zooms out to get them all in a shot
together. During part of the lyrics there is a close up of
the vocalist singing into microphone.
72. (2.38 – 2.39) Close up of the lead singer sat in his somebody
apartment again and a close up of the girl in the clubs Cross fade
face after she has just read the message. These are Close ups imply they are both thinking of each other. The
overlapped so we can see them both in one shot.
cross fade highlights their contrasting lifestyles.
74. (2.47-2.49) Close up of the girls body and arm in the Instrumental
club, puts her drink down on the side and leaves. The girl decides to leave the club. However the audience
Camera remains looking at the drink but we can see her does not find out where she goes.
walking away at the side of the frame. No camera
movement.
76. (2.51-3.04) Montage of all previous shots e.g. showing Fast paced editing/montage
them on stage, backstage, on the road, the time lapse in I'm ready now, I'm ready now I'm ready now, I'm ready now
the car, people dancing in the club etc. I'm ready now, I'm ready now I'm ready now
Daniella Johnston, Adam Cunliffe, Ryan Baxter
VIDEO AUDIO
78. (3.17-3.27) Close up of the vocalist singing to the Someone like you, somebody
camera. No camera movement. Someone like you, somebody
79. (3.28 – 3.29) Shots from inside the car and cars passing Time lapse/fast motion
on the road. Instrumental
80. (3.30-3.33) Wide and medium shots of the band playing Someone like you, somebody
on stage together again. Camera zooms, tilts and tracks.
81. (3.34) Low angle close up of a girls feet walking away Instrumental
from the camera into a long shot. No camera Doesn’t show the girls face to create confusion. The
movement. audience is not sure whether it is the girl from the club or
where she is going.
85. (3.48-3.51) Shot reverse shot of a close up of each of At the end of the video we realize she has gone to meet him
their faces. Once he has opened the door it shows him at his hotel, this relates to the title of the song as he could
and then shows her facial expression in response. No ‘Use Somebody’ and that somebody is her.
camera movement.