Professional Documents
Culture Documents
The Palgrave
Handbook of Digital
Russia Studies
Editors
Daria Gritsenko Mariëlle Wijermars
University of Helsinki Maastricht University
Helsinki, Finland Maastricht, The Netherlands
Mikhail Kopotev
Higher School of Economics
(HSE University)
Saint Petersburg, Russia
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Preface
This Handbook emerged out of the Digital Russia Studies (DRS) initiative,1
launched by Daria Gritsenko and Mariëlle Wijermars at the University of
Helsinki’s Aleksanteri Institute and Helsinki Center for Digital Humanities
(HELDIG) in January 2018. The aim of the DRS initiative was to unite schol-
ars of the humanities and the social and computer sciences working at the
intersection of “digital” and “social” in the Russian context. By providing a
regular meeting place and networking opportunities, we sought to establish
open discussion and knowledge sharing among those who study the various
aspects of digitalization processes in Russia and those studying Russia with the
use of (innovative) digital methods. The many positive responses to our inter-
disciplinary approach and the exciting research that is currently conducted in
this area of study inspired us to join forces with Mikhail Kopotev to compile
this Handbook.
The editors would like to thank Lucy Batrouney and Mala Sanghera-Warren,
our commissioning editors at Palgrave Macmillan, for their enthusiasm for the
project as well as the anonymous reviewers for their critical eye. We thank the
Faculty of Arts of the University of Helsinki for making it possible to publish
the Handbook in Open Access. We are particularly grateful to Aleksandr
Klimov, our research assistant, who was of great help in preparing the manu-
script for publication.
The interdisciplinarity of the Handbook has affected our choice concerning
the transliteration of Russian. While it is customary for scholars working in the
humanities and social sciences to apply the Library of Congress system of trans-
literation, for scholars in linguistics and computer science a different system,
ISO 9, is more appropriate. For consistency, we have chosen to follow the
v
vi PREFACE
Library of Congress system for references (authors’ names) and ISO 9 for all
other Russian terms and names throughout the book. Where appropriate, cus-
tomary English spellings are maintained for familiar terms, places, and per-
sonal names.
Note
1. https://blogs.helsinki.fi/digital-russia-studies/.
Contents
vii
viii Contents
Index605
Notes on Contributors
xi
xii NOTES ON CONTRIBUTORS
linguistic and other textual corpora, and the implementation of quantitative meth-
ods in the studies of language, literature, and culture.
Boris Dobrov is the head of the Laboratory in Research Computing Center
of Lomonosov Moscow State University in Moscow, Russia. He leads the
development of software tools for processing and analyzing large text col-
lections, including RuThes-like large linguistic ontologies, ALOT
(Automated Linguistic Text Processing) tools, and NearIdx corporate
information-analytical system.
Frank Fischer is Associate Professor for Digital Humanities at the Higher
School of Economics (HSE University), Saint Petersburg, Russia, and director
of DARIAH-EU, the pan- European digital infrastructure for the arts and
humanities. He studied computer science, German literature, and Spanish phi-
lology in Leipzig and London and is an Ancien Pensionnaire de l’École
Normale Supérieure in Paris. He holds a PhD from the University of Jena for
a study of revenge in Enlightenment drama.
Elizaveta Gaufman is Assistant Professor of Russian Discourse and Politics at
the University of Groningen, the Netherlands. She is the author of Security
Threats and Public Perception: Digital Russia and the Ukraine Crisis (Palgrave
Macmillan, 2017). Her other publications include peer-reviewed articles on
nationalism, sexuality, and social networks, as well as regular blog posts at The
Duck of Minerva.
Alexey Golubev is Assistant Professor of Russian History and Digital
Humanities at the University of Houston. He holds a PhD degree in history
from the University of British Columbia (2016). Before starting his current
position, he was Banting Postdoctoral Fellow at the University of Toronto.
Sergei Goussev is an independent scholar whose research focuses on compu-
tational propaganda, social media analytics, and political sociology of digital
social networks. He holds a master’s degree in financial economics from
Carleton University, Canada.
Daria Gritsenko is an assistant professor at the University of Helsinki,
Finland, affiliated with the Aleksanteri Institute and the Helsinki Center for
Digital Humanities (HELDIG). She is a co-founder of Digital Russia Studies,
an interdisciplinary network of scholars working at the intersection of “digital”
and “social” in Russia and beyond.
Alexander Gurkov is a postdoctoral researcher at the University of Helsinki,
Faculty of Law. He researches international cooperative law, alternative dispute
resolution, and blockchain economy. Before working in academia, Gurkov
practiced law as an attorney in St. Petersburg.
NOTES ON CONTRIBUTORS xiii
Fig. 17.1 Frequency of adjective decade constructions for each decade 307
Fig. 17.2 Distribution of rannie (early) and pozdnie (late) in decade
constructions308
Fig. 17.3 Frequencies of lihie devânostye (wild nineties) compared to all
adjectives attested in the construction (2001–2013, the
Newspaper subcorpus) 309
Fig. 17.4 The relative frequency (%) of modernizaciâ (modernization)
occurring in texts from Russian national newspapers (Source:
Integrum, Dec. 31, 2000—Dec. 31, 2012) 311
Fig. 17.5 The usage of modernizaciâ Rossii (modernization of Russia) in
comparison to importozamesê nie (import substitution) (Source:
Integrum, Russian National Media, 2013–2015) 313
Fig. 18.1 Representation of the current international sanctions situation in
the thesaurus form 329
Fig. 21.1 Prozhito. User interface 376
Fig. 21.2 Prozhito. Author page 377
Fig. 21.3 Prozhito. The page Pomos ̂’ (Help), where volunteers can learn how
they can contribute to the project 378
Fig. 21.4 Prozhito. A suggested page of a diary 379
Fig. 24.1 The ten topics covered in newspaper articles that discussed Yves
Montand’s 1956 tour of the Soviet Union 435
Fig. 24.2 The top eight topics in the Polish Życie Gospodarcze newspaper,
1950–1980436
Fig. 25.1 “Modernization” topic prevalence dynamic 456
Fig. 25.2 Projection of keywords on a two-dimensional space 459
Fig. 26.1 Neural network layers. (a) feed forward layer, (b) convolutional
building layer, (c) recurrent layer, (d) transformer layer 469
Fig. 26.2 Word2vec configurations. (a) continuous bag of words, (b)
skip-gram471
Fig. 27.1 A network in the MGPU producing large-scale plagiarism
(A. Abalkina, Dissernet.org). The full interactive graph is available
at: https://www.dissernet.org/publications/mpgu_graf.htm 491
xix
xx List of Figures
Fig. 27.2 The overall distribution of small-scale plagiarism across disciplines 495
Fig. 29.1 The seven bridges of Königsberg. Wikimedia Commons, https://
commons.wikimedia.org/wiki/File:7_bridges.svg, licence: CC
BY-SA 3.0 518
Fig. 29.2 Extracted social networks of 20 Russian plays. Excerpt (left-upper
corner) from a larger poster displaying 144 plays in chronological
order (1747–1940s). Version in full resolution: https://doi.
org/10.6084/m9.figshare.12058179521
Fig. 29.3 Network graph for Ostrovsky’s Groza522
Fig. 29.4 Network sizes of 144 Russian plays in chronological order, x-axis:
(normalized) year of publication, y-axis: number of speaking
entities per play. Arrow indicates Pushkin’s “Boris Godunov.”
Russian Drama Corpus (https://dracor.org/rus) 526
Fig. 29.5 Network visualization of A. Pushkin’s Boris Godunov. Russian
Drama Corpus (https://dracor.org/rus) 527
Fig. 29.6 Network visualization of L. Tolstoy’s War and Peace530
Fig. 29.7 Network visualization of L. Tolstoy’s War and Peace, book 1 (first
part of the first volume) 531
Fig. 29.8 Network visualization of L. Tolstoy’s War and Peace, book 10
(second part of the third volume) 531
Fig. 29.9 Network visualization of L. Tolstoy’s War and Peace, epilogue 532
Fig. 29.10 Network densities of separate books (parts) of War and Peace532
Fig. 30.1 The structure of political communities on Twitter by event 543
Fig. 30.2 Clique size frequency distribution by community—Crimea sample 545
Fig. 30.3 Clique size frequency distribution by community—
Medvedev sample 545
Fig. 30.4 Influence of leaders’ content, distribution across quantiles 549
Fig. 30.5 Pro-government community reaction to Medvedev’s comment to
pensioners in Crimea 555
Fig. 30.6 Opposition community reaction of disbelief to Belykh’s guilt 556
Fig. 30.7 First and second quantile breakdown of account types by political
communities561
Fig. 30.8 Change in influence of leaders’ accounts when centrality
compliments the impact of their distributed content 561
Fig. 30.9 Tweet patterns for the two main communities, tweets per hour by
event562
List of Tables
xxi
xxii List of Tables
D. Gritsenko
University of Helsinki, Helsinki, Finland
e-mail: daria.gritsenko@helsinki.fi
M. Kopotev
Higher School of Economics (HSE University), Saint Petersburg, Russia
e-mail: mkopotev@hse.ru
M. Wijermars (*)
Maastricht University, Maastricht, The Netherlands
e-mail: m.wijermars@maastrichtuniversity.nl
opportunities offered by combining different types of data that have not previ-
ously been used together, or to explore patterns in large datasets that are dif-
ficult to grasp with a “manual” approach.
Given the intricate combination of the universal and the particular in how
Russia is influenced by the digital as well as gives shape to digitalization trends,
and the specificities involved in the availability and use of digital sources and
methods, we argue that an area studies approach is both timely and productive.
Area studies, as we know them today, developed in American and Western
European universities in the second half of the twentieth century, when depart-
ments studying non-Western cultures welcomed sociology, economics, and
political science specialists to, together with language and literature scholars,
explore the contemporary social life of the regions they studied (Colonomos
2016, 65). The value of area studies, essentially a Cold War project striving to
provide a general framework to describe and explain what was going on in dif-
ferent parts of the non-Western world, be it the Soviet Block, the Middle East,
Africa, Latin America, or China (Rafael 1994), was increasingly questioned
after “the end of history” (Fukuyama 1989). The forces of globalization, the
third wave of democratization, and the worldwide triumph of the market econ-
omy were expected to diminish the value and necessity of studying an area,
with its emphasis on contexts; disciplinary knowledge was thought to be cen-
tral and contextualized “place knowledge” secondary. This volume asserts that
area studies, as a geographically and geopolitically motivated interdisciplinary
research domain, is of particular value to and can provide a general framework
for describing the variety of responses to digitalization and explaining the
mechanisms that assist or obstruct the domestication of global trends. In this
respect, we can build upon earlier efforts in this direction, such as the volume
Digital Russia: The Language, Culture and Politics of New Media
Communication (2014) edited by Michael Gorham, Ingunn Lunde, and
Martin Paulsen and the journal Studies in Russian, Eurasian and Central
European New Media (digitalicons.org). Other area studies fields have similarly
turned their attention to digitalization. Consider, for example, the launch of
the Digital America journal in 2012 and publications such as The Other Digital
China by J. Wang (2019). All such emerging digital area studies initiatives, in
turn, draw upon and contribute to the by-now-established field of Internet
Studies, exemplified by, for example, The Oxford Handbook of Internet
Studies (2013).
The fact that digitalization started making major headline appearances
around the same time the post–Cold War end of history was declared is instruc-
tive for understanding how it came to be viewed (even though the process of
converting traditional forms of information storage and processing into the
binary code of computer storage can be traced back to the advent of comput-
ing after the Second World War). The ideals closely connected to the early
development of the Internet, such as freedom, decentralized control, the claim
of universality of technological development and so on, fitted well with the
overall narrative of global modernity (Dirlik 2003). Yet, during the past decade
we have witnessed backlashes on all “global fronts”—including democratic
4 D. GRITSENKO ET AL.
borders. For one, many political and economic digital actors of significance are
located outside Russia, for example online media outlet Meduza that operates
from Latvia and Yandex N.V. that is registered in the Netherlands. Russian
services also operate in languages other than Russian and are not merely hosted
on the Russian .ru domain, but also on international domains (such as .com or
.edu) and the still functional Soviet .su domain. Russian Studies for the digital
era therefore deals with opaque, negotiable, and constantly moving borders—
material and virtual—that cannot be set once and for all, but rather require
careful consideration depending on the case-study, level of analysis, or specific
research application.
Aiming to present a multidisciplinary and multifaceted perspective on the
issues outlined above, the objective of this Handbook is twofold, as reflected in
its two-part structure. The first part of the book, Studying Digital Russia, pro-
vides a critical and conceptual update on how Russian society, politics, econ-
omy, and culture are reconfigured in the context of digitalization, datafication,
and the—by now—widespread use of algorithmic systems. Reviewing the state
of the art in scholarship on a broad range of policy sectors and issues, the chap-
ters investigate the transformative power of the digital and the particularities of
how these transformations manifest themselves in the context of Russia. The
chapters also reflect on societal responses to these ongoing transformation
processes.
The second part of the Handbook, Digital Sources and Methods, combines
two subsections that aim to answer practical and methodological questions in
dealing with Russian data. Digital Sources describes the main resources that are
available to investigate the multifaced Digital Russia sketched above: textual,
visual, and numeric. In addition, the vulnerabilities, uncertainties, legal and
ethical controversies involved in working with Russian digital materials are
addressed. The second subsection, Digital Methods, showcases examples of
cutting-edge digital methods applied in different fields of research. The chap-
ters provide a concise overview of the manifold opportunities for studying soci-
ety, politics, and culture in novel ways. The chapters also address the particular
methodological issues that researchers will encounter when working with
Russian data, such as working with Russian social media platforms and process-
ing sources written in Cyrillic rather than Latin script. The chapters in this
section demonstrate how the area studies tradition of invoking context as an
essential element of scientific explanation can leverage some of the criticism
that is being directed to the use of digital methodologies and big data in
humanities and social sciences research. In the remainder of this introduction,
we provide an overview of the topics, questions, and methods covered by the
contributions in this Handbook and briefly sketch the emergence of digital
technologies and networks in the region.
6 D. GRITSENKO ET AL.
The RuNet is specific with regard to the topic of literature: the myth of ‘literature-
centrism’ of Russian culture (almost dead, as it seems) has been resurrected on
the RuNet’s literary sites, which have no analogues in the other (national) seg-
ments of the Internet. (Konradova et al. 2006)
The first Runet websites, for example lib.ru, while technologically and
economically amateurish, were oriented toward the free distribution of infor-
mation and deeply rooted into the domestic cultural context. Many of these
features are still preserved in Runet today (see Chaps. 15 and 9), even though
it has become technologically advanced and market oriented, as the chapter
by O. Gurova and Morozova on digital consumption shows. Runet preserves
some of the spirit of freedom, although the legality of some of these activities
can be questioned (see Chaps. 7, 8 and Chap. 6). Digital technologies have
1 DIGITAL RUSSIA STUDIES: AN INTRODUCTION 7
Just like other leading nations, Russia has drafted a national strategy for develop-
ing AI technologies. It was designed by the Government along with domestic
hi-tech companies. (http://en.kremlin.ru/events/president/news/60707, offi-
cial translation)
and G. Gurova). Billions of rubles from the federal budget have been invested
into infrastructure, making available many e-services, as well as an abundance
of administrative, legislative, archival, textual, geospatial data (explored in Part
II of this volume). As the chapters in this Handbook discuss in more detail, the
success of these federal programs is ambivalent. It is however undeniable that
the massive amount of data that is produced by various agencies as a result is
now available to experts and citizen scientists alike, enabling them to conduct
in-depth big data analyses, among others to reveal breakdowns in governance
(as is argued by Parkhimovich and Gritsenko, and Kopotev, Rostovstev, and
Sokolov in their respective chapters).
The ostensibly clear-cut image of Russia’s Internet status changing from free
to not free over the course of the past two decades, as is evidenced by annual
rankings of Internet freedom, therefore fails to tell the full story and its inher-
ent paradoxes. Manifold examples demonstrate how the Internet continues to
be instrumental for facilitating civic resistance, as Lonkila et al. recount in their
analysis. From this perspective, today’s digital dissidents can be seen as acting
in the vein of the Soviet intelligentsia, even though the two groups represent
different generations and values.
References
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Babaeva, Svetlana. 2015. Interv’û s Antonom Nosikom [Interview with Anton Nosik].
Accessed December 10, 2019. https://www.gazeta.ru/social/2017/07/09/
10779572.shtml.
Colonomos, Ariel. 2016. Selling the Future: The Perils of Predicting Global Politics.
London: Hurst.
Dirlik, Arif. 2003. Global Modernity? Modernity in an Age of Global Capitalism.
European Journal of Social Theory 6 (3): 275–292.
Dutton, W.H., ed. 2013. The Oxford Handbook of Internet Studies. Oxford: Oxford
University Press.
Fukuyama, Francis. 1989. The End of History? The National Interest 16: 3–18.
Gerovitch, Slava. 2002. From Newspeak to Cyberspeak: A History of Soviet Cybernetics.
Cambridge, MA: MIT Press.
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Penetration in Russia]. Accessed December 16, 2019. https://www.gfk.com/ru/
insaity/press-release/issledovanie-gfk-proniknovenie-interneta-v-rossii.
Gibson-Graham, Julie. 2004. Area Studies After Post-structuralism. Environment and
Planning A 36 (3): 405–419.
Gorham, Michael, Ingunn Lunde, and Martin Paulsen. 2014. Digital Russia: The
Language, Culture and Politics of New Media Communication. Abingdon and
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Accessed December 16, 2019. https://w3techs.com/technologies/history_over-
view/content_language.
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Public and Private Usages of the Russian Internet. Norderstedt: BOD Verlag.
Peters, Benjamin. 2016. How Not to Network a Nation: The Uneasy History of the Soviet
Internet. Cambridge, MA: MIT Press.
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Disciplines, ed. D. Szanton. Berkley: University of California Press.
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Communications Estimated the Volume of the Runet Economy]. Accessed January 11,
2020. https://tass.ru/ekonomika/7016909.
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world-factbook/index.html.
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Web. Cambridge: Harvard University Press.
12 D. GRITSENKO ET AL.
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PART I
Mariëlle Wijermars
2.1 Introduction
Digitalization has affected politics in manifold ways, which result from the
broad variety of technologies the term comprises. The Internet and, more
recently, social media have, for instance, transformed political campaigning.
The publication of public policy documents on government websites has cre-
ated new expectations for political transparency. And, the introduction of vot-
ing computers and other e-voting solutions has made it possible to fundamentally
rethink the voting process (e.g. online voting) while raising novel security con-
cerns. In its strictest sense, digital politics can be defined as “how politicians
employ the Internet to reach, court, and mobilize citizens and about how citi-
zens rely on the web to inform themselves and engage with others politically”
(Vaccari 2013, 4). Yet, as is pointed out by Stephen Coleman and Deen
Freelon, “[t]o speak of digital politics is not simply to tell a story about how
political routines are replicated online,” rather it is about the (unforeseen)
transformations of political practices that result from digitalization:
One feature of all technologies is that they are constitutive: they do not simply
support predetermined courses of action, but open up new spaces of action, often
contrary to the original intentions of inventors and sponsors. (Coleman and
Freelon 2015, 1)
M. Wijermars (*)
Maastricht University, Maastricht, The Netherlands
e-mail: m.wijermars@maastrichtuniversity.nl
the single ruling party remains in control while a wide range of conversations
about the country’s problems nonetheless occurs on websites and social-
networking services. The government follows this online chatter, and sometimes
people are able to use the Internet to call attention to social problems or injus-
tices and even manage to have an impact on government policies. As a result, the
2 THE DIGITALIZATION OF RUSSIAN POLITICS AND POLITICAL PARTICIPATION 17
average person with Internet or mobile access has a much greater sense of free-
dom—and may feel that he has the ability to speak and be heard—in ways that
were not possible under classic authoritarianism. At the same time, in the net-
worked authoritarian state, there is no guarantee of individual rights and free-
doms. (MacKinnon 2011, 33)
the early 2000s (see also Chaps. 3 and 5). The Federal Program “Èlektronnaâ
Rossiâ (2002–2010)” (Electronic Russia)
While some government bodies were early adopters, from 2003 onwards all
federal agencies were required to make a broad range of information accessible
online, such as regulations and legislation, and information on the activities of
their officials (Peterson 2005, 58).
With modernization and innovation as the buzzwords to define his “lib-
eral” presidency, Dmitry Medvedev (2008–2012) launched a federal program
aiming towards turning Russia into an “Information Society” (2011–2020)
(Toepfl 2012, for more, see also Chap. 25) and a Minister of Open Government
was appointed in 2012. In 2018, the ministerial position was discontinued,
signaling the topic had lost priority with the authorities. The push towards
open government has resulted in a significant increase in the availability of
open government data. For example, information concerning government
tenders can be accessed on the Goszakupki (Government procurement) por-
tal, zakupki.gov.ru, while various open data sources are collected on the open
data portal data.gov.ru. Through the creation of dedicated online platforms,
the transparency of the legislative process has been enhanced; for example, the
video recording of the Russian State Duma can be viewed on the platform
video.duma.gov.ru and draft laws are made available for public discussion on
the platform regulation.gov.ru (for more, see also Chap. 5). Yet, many issues
remain, including a tendency to reintroduce restrictions on publicly available
information. For example, in response to investigations by Alexei Navalny’s
FBK (Fond bor’by s korrupciej, Anti-Corruption Foundation), examples of
which will be discussed below, the FSB (Federal’naâ služba bezopasnosti,
Federal Security Service) proposed a law in 2015 that would severely restrict
access to information about property ownership contained in Rosreestr
(Federal Register). While the law was not passed, the Supreme Court deter-
mined in 2017 that Rosreestr is permitted to limit third-party access to owner-
ship data, invoking the protection of personal data, thus setting a precedent
(Kornia 2017).
2 THE DIGITALIZATION OF RUSSIAN POLITICS AND POLITICAL PARTICIPATION 19
needs—aimed to remedy the previous lack of connection with citizens and fol-
lowing the more general trend of increased personalization of politics. The fact
that Instagram is predominantly image-based—Medvedev is known to have an
interest in photography—and allows one to post, edit and comment quickly
through the application on one’s smartphone may also have been factors.
Yet, the decision to switch to Instagram also created vulnerabilities. Indeed,
it was Medvedev’s Instagram that provided opposition leader Alexei Navalny’s
Anti-Corruption Foundation with crucial visual evidence to tie together vari-
ous publicly available sources of information indicating the prime minister’s
involvement in large-scale corruption (including hacked emails leaked by
Russian hacker collective Šaltaj Boltaj [Humpty Dumpty], Global Positioning
System [GPS] tracking of naval movements and various official registries). The
results of the investigation were published in a video entitled “On vam ne
Dimon” (“He is not Dimon to you”) shared through FBK’s YouTube channel
and website. While this was not the first video FBK published that exposes cor-
rupt practices by Russian state officials—indeed, there are many—the Dimon
video gained particular traction online (by December 2019: 32.8 million
views). More importantly, it served as the occasion for mass anti-corruption
protests on March 26, 2017, that mobilized thousands of protesters across
Russia1; the largest demonstrations to take place since the protest movement of
2011–2012. FBK’s investigations demonstrate how open source data—some
of which became available as part of the implementation of open government
ideas—can be effectively used to scrutinize and challenge government practices.
On the sub-federal level, Ramzan Kadyrov, the head of the Republic of
Chechnya, is one of the Russian political actors who has most successfully used
social media to increase his popularity, both in Chechnya and (far) beyond. His
Instagram account, with posts that blended “discussion of politics with photos
of himself hugging cats, posing in a knight’s outfit, working out in a gym, and
throwing snowballs with friends” (Rodina and Dligach 2019, 95) collected
some three million followers, before the platform decided to shut down his
account. Kadyrov’s posts merged public, political and private spheres to the
extent that “all of the personal topics contain elements of political framing, and
most of the public/political topics include terminology that refers to personal
topics such as friendship and family” (Rodina and Dligach 2019, 106).
Kadyrov’s success exemplifies how social media “can be used to normalize des-
potism, giving a modern-day dictator ‘a human face’” (Rodina and Dligach
2019, 96). The increasing use of social media in political communication is
visibly changing the communication strategies used by the Russian Ministry of
Foreign Affairs as well, whose official Twitter account incorporates vernacular
language and actively partakes in online debates (Zvereva 2020). The Ministry’s
spokesperson, Maria Zakharova, in particular, has adopted a style of communi-
cation that blends formal and informal statements, expressed through multiple
(and at times parallel) accounts on, for example, Facebook and Twitter.
Digitalization has also changed the rules of the game when it comes to
political contestation by citizens. The rise of the Russian “blogosphere” and,
2 THE DIGITALIZATION OF RUSSIAN POLITICS AND POLITICAL PARTICIPATION 21
2.5 Voting
The digitalization of various aspects of the voting process was made possible by
the adoption of the law “O gosudarstvennoj avtomatizirovannoj sisteme
Rossijskoj Federacii ‘Vybory’” (On the State Automated System of the Russian
Federation [called] ‘Elections’, no. 20-FZ, 20 January 2003). “Electronic
urns,” that is, ballot boxes equipped with a special lid that scans the ballot
paper when it is entered, counts the votes that have been cast and prints out the
results, were first introduced in 2004 (kompleks obrabotki izbiratel’nyh bûl-
letenej, referred to in Russian by the abbreviation KOIB). The systems were
introduced with the stated aim to prevent miscalculations and speed up the
voting process, while also preventing ballot box stuffing since only one paper
can be passed through the scanner at a time. E-voting machines (kompleks dlâ
èlektronnogo golosovaniâ, or KEG) were introduced on a small scale during the
2007 elections, after having been successfully tested in 2006 in an election in
Veliky Novgorod. By 2018, most Russian federal districts used KOIB and/or
KEG systems, albeit on greatly diverging scales; in total 11.1% of votes were
counted automatically (RIA 2018).
Russia only recently trialed remote electronic voting, and on a modest scale:
during the 2019 Moscow City Duma elections the voters of three electoral
districts were given the option to vote online. The experiment did not run
flawlessly. Already during the preparatory phase, the security of the system was
questioned; moreover, the fact that it was run by the city of Moscow and vot-
ers’ identity and right to vote were verified by the Moscow Mayor’s portal,
rather than the Multifunctional Centers for Governmental and Municipal
Services normally endowed with this task, was criticized (Vasil’chuk 2019). In
May 2019, the Communist Party filed a case with the Supreme Court in an
attempt to prohibit the use of online voting in the Moscow elections, citing
concerns about the violation of voting secrecy and the risk of manipulation and
coercion of voters (Garmonenko 2019); the Supreme Court found the experi-
ment not to be in violation of the Constitution. On the day of voting, September
8, 2019, the online voting system experienced multiple interruptions, which
caused the service to be offline for periods of up to one hour (Kommersant 2019).
In the three districts where it was introduced, online voting appears to have
worked in favor of pro-regime candidates who received a higher percentage of
the online votes as compared to the paper votes, while the opposite was the
case for opposition candidates (Uspenskiy 2019). In one of the districts that
participated in the trial, the independent candidate would have won on the
basis of paper votes only, yet lost the election by a mere 84 votes with the
2 THE DIGITALIZATION OF RUSSIAN POLITICS AND POLITICAL PARTICIPATION 25
addition of votes cast online (Vasil’chuk 2019). The explanation for the fact
that pro-regime candidates fared comparatively well among those voters who
voted online has yet to be determined. One thinkable scenario is that the intro-
duction of online voting, and thereby the removal of the controlled conditions
of the polling station that aim to ensure voter secrecy and freedom of choice,
makes, for example, civil servants even more vulnerable to coercion. While it
commonly understood state employees are placed under pressure to vote (to
increase voter turnout) and support a given candidate, online voting creates
the opportunity for superiors to directly supervise how their employees vote
(e.g. by having them vote at the workplace). Whether and to what extent this
is indeed the case, and to what extent other factors may be able to explain this
difference, requires further investigation. Moreover, to be able to draw defini-
tive conclusions on how the introduction of online voting may affect political
outcomes, the empirical base needs to be extended as further trials with online
voting are conducted.
Apart from the automation of voting and the gradual introduction of voting
machines, the conditions under which Russians vote has changed through the
placement of webcams. In response to (proven) accusations of electoral fraud
committed during the December 2011 parliamentary elections, that gave cause
to a series of mass protests, the government installed webcams at nearly all poll-
ing stations for the 2012 presidential elections to allow for real-time monitor-
ing via a special website (webvybory2012.ru). In total, 91,000 of the 95,000
polling stations had a total of 180,000 cameras installed; of these, 80,000 were
streamed online and with sound (Asmolov 2014). Webcams had been in use
earlier, but only on a small scale. According to Gregory Asmolov, the actual
impact of this massive infrastructural investment on increasing the transparency
and, in particular, the accountability of the voting process was limited by the
lack of an integrated mechanism for reporting fraudulent behavior, the impos-
sibility of recording live-streamed footage (requiring one to file an official
request to gain access to centrally stored footage from the webcams) and the
ill-defined legal status of the recordings. As a result, no “criminal conviction of
electoral fraud or revision of election results” were made on the basis of the
videos (Asmolov 2014). Moreover, for volunteer monitors, the sheer number
of available live streams made it difficult to monitor effectively. Beyond polling
stations, webcams had earlier been used on smaller scale to monitor the prog-
ress on national projects in 2007, and in 2010 to monitor the reconstruction
process following the wildfires. According to Asmolov, however, these initia-
tives symbolized rather than truly increased government transparency and
accountability, as was their supposed aim (Asmolov 2014).
The 2012 presidential elections also saw the first use of a specially developed
app for election observers called Web-nablûdatel’ (web-observer) (Ermoshina
2016). The app, developed with the involvement of NGO (non-governmental
organization) Golos (Voice), provided observers with guidance on how to con-
duct their activities, as well as giving them the ability to report any violations.
The app was connected to a website hosting a collaborative map and statistics,
Another random document with
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La flotta, classis, composta di triremi e di liburniche e di altre navi, o
imbarcazioni minori, a ruote od a semplici remi, era così fra questi
due punti principalmente distribuita.
Ora a comandante di quella parte di flotta romana ch’era di stazione
a Miseno, si trovava essere a que’ giorni Cajo Plinio Secondo, detto
Plinio il Vecchio.
Chi egli fosse giova conoscere, siccome il più importante
personaggio che figuri nella storia ricordato nel gravissimo evento
che sto per narrare, mercè le famose epistole lasciate dal nipote e
indirizzate a Tacito, il rinomato storico, e compirò questo debito sotto
la maggior brevità.
Cajo Plinio Secondo, a dispetto di chi lo volle di Verona [84], nacque
in Como — Novocomum — l’anno 23 dell’Era Volgare, regnando in
Roma Tiberio. Suo padre fu Celere e sua madre Marcella. Datosi
alle lettere, non fu ramo di scienza cui non si fosse applicato, e dalla
assidua lettura degli autori latini e greci, solendo sempre prenderne
note, come è manifesto da quanto ne scrisse il di lui nipote e figlio
adottivo — Plinio il Giovine — potè trarne il profitto migliore. Fu un
vero miracolo di studj, considerando come perduto tutto quel tempo
che dava alle altre occupazioni. Così potè lasciare assai e assai
opere, delle quali la migliore e che si può considerare come
l’enciclopedia dello scibile antico, ci è rimasta ed è quella che si
intitola Naturæ Historiarum, divisa in XXXVI libri.
Essa fu da lui ordinata con certo metodo. Cominciò col contemplare
il mondo in generale; gli astri, le costellazioni, le comete, gli elementi
e le meteore, tutti i fenomeni celesti e terrestri passano rapidamente
sotto la sua penna. Descrive quindi la terra, cioè l’Europa, l’Africa e
l’Asia, e contiene codesta parte notizie e particolari importanti sia per
la geografia che per la storia. Segue la storia dell’uomo, poi quella
degli animali terrestri, degli acquatici, degli uccelli, degli insetti e vie
via discorrendo. Vi tien dietro il regno vegetale e vi si tratta degli
alberi stranieri, della gomma, della resina, de’ frutti, de’ grani che
servono alla alimentazione dell’uomo e per conseguenza
dell’agricoltura, del vino e della coltivazione della vigna e del lino;
degli arbusti e del loro uso nella medicina; de’ fiori, delle api, del
miele e della cera; degli usi differenti delle piante per l’industria e per
i farmaci, delle erbe che crescono senza mestieri di coltura, di loro
virtù e proprietà per certe malattie; de’ rimedj tratti dagli animali e da’
pesci. Nove libri consacra alla materia medica e riesce più completo
di Dioscoride e di Galeno. Passa di poi a’ minerali e metalli, di cui è
per avventura il primo a trattare, nè dimentica in tale proposito le
acque medicinali e i sali. Si occupa da ultimo delle materie impiegate
dalle arti, de’ colori, delle terre, de’ marmi, delle pietre da fabbrica, e
di quelle preziose; necessariamente toccando della storia della
pittura, della scultura, dell’architettura, annestandovi digressioni
curiose sul lusso de’ Romani, sulla navigazione, il commercio ed
altre interessantissime cose.
Quantità di notizie, profondità di studj e di filosofia e amenità di
forma sono pregi incontestabili di siffatta opera colossale, della quale
il celebre Buffon fa un elogio; abbenchè Geoffroy Saint Hilaire l’abbia
severamente giudicata una mera compilazione [85].
Svetonio ricorda di Plinio la Storia delle Guerre Germaniche,
compresa in venti volumi [86]; altri altre opere che lo attestano
indefesso e sapiente scrittore, e ne fanno ascendere il numero de’
volumi sino a cent’ottanta, scritti in minutissimo carattere.
Lo che non tolse che servisse dapprima nella cavalleria, che
sostenesse di poi continue e cospicue magistrature, stato essendo
procuratore altresì della Spagna, che fosse augure e da ultimo
comandante, o, come direbbesi in oggi, ammiraglio della flotta
romana a Miseno.
È precisamente nel disimpegno di questa onorevolissima ed
importante carica che noi lo troveremo fra poco.
Spuntava l’alba dei primo giorno di novembre. — Una nebbia
trasparente, che non era delle solite d’autunno, distendevasi su tutto
il golfo e vi toglieva quell’ineffabile sorriso onde fu dal cielo
privilegiato: l’aria era straordinariamente greve e soffocante, nè
spirava da veruna parte alcun soffio di vento. Pur tuttavia,
scendendo alla marina, sarebbonsi vedute le onde disordinatamente
mosse, come in ora di tempesta. Chi andava colle idrie alle fontane
per provveder l’acqua, maravigliava di vederle gocciolare appena
appena; la poche acque de’ pozzi avevano convertito in acre il loro
gusto. Il Sarno medesimo, la cui ricchezza in allora di onde non è
bene argomentata dalla picciola sua vena d’oggidì, parevasi per
prodigio disseccato repentinamente. Miasmi sulfurei e di mofete [87]
si facevano sentire leggieri dapprima, poi rendevansi più forti e
dominavano, e la calma e affannosa atmosfera era certo in contrasto
coll’ora mattutina per consueto fresca e pura; nè di tuttociò
sapevansi indovinare le cagioni. Perocchè a quanti fosse venuto in
mente di rammentarsi il disastro del tremuoto accaduto sedici anni
addietro, e temuto avesse per quegli indizj non fosse per rinnovarsi,
rispondeva assicurando la tranquilla sommità del vecchio Vesuvio,
che sorrideva tranquillo; nè appariva perfino quella bianca virgola di
fumo che d’ordinario vedevasi liberare dalle sue fauci.
Mano mano che il giorno avanzava l’aria facevasi più pesante, più
pallida e nebulosa la luce, maggiore ed affannosa la caldura; ma la
popolazione pompeiana era ben lunge ancora dal sospettare
l’imminenza d’un gravissimo male. V’hanno scrittori perfino che
affermarono non venissero per ciò que’ noncuranti cittadini rimossi
dall’accorrere in folla allo spettacolo dell’anfiteatro ch’era indetto per
quel giorno.
E fra i sanguinosi combattimenti di gladiatori e di fiere li colse
improvvisa la collera del Vesuvio. La clessidra non aveva forse
segnata per anco un’ora dopo il meriggio. Un cupo mugolio
rumoreggia sotterra e sembra esso proceda da lunge, poi
s’approssima mano mano, e ne traballa il suolo, e prima che gli
attoniti spettatori rivengano dalla sorpresa, repenti spaventosi scoppi
si odono dal lato della Porta Ercolano come di tuoni e di folgori; una
densissima e oscura nebbia invade il cielo e l’aria si fa più bassa, e
la notte più cupa sottentra al giorno. Tutti sorgono da’ loro stalli e si
precipitano in massa per gli ambulacri e pei vomitorj, la calca urla, si
preme e svia in quella oscurità, fra clamori di uomini, strida di
femmine, e nel trambusto v’ha chi cade, chi sviene e rimane
oppresso e schiacciato. Quel generale frastuono è fatto maggiore e
s’addoppia per l’eco che si ripete da una estremità all’altra
dell’arena [88]. Urlano agli inattesi fenomeni ne’ sotterranei, che
fiancheggiano le porte principali dell’anfiteatro, spaventate le fiere, e
ne frangono i ferrati cancelli dandosi invano alla fuga [89]; gemono i
cani per le vie, mugghiano i bovi, nitriscono i cavalli e tentano
strapparsi alle greppie onde fuggirsene all’aperto.
Incomincia un grandinare di pomici e di lapilli; una pioggia fittissima
di ceneri e d’acqua bollente si rovescia a furia, mentre in qualche
parte cadono grossi basalti che sfondano, stritolano, uccidono dove
cadono.
Spesse folgori guizzano con odiosa luce ad illuminare l’orrore di
quella scena e rivelano la nera colonna di fumo che si leva dal
cratere del Vesuvio, pari a pino gigante, e i torrenti di lava
incandescente che si precipitan dal monte, che si fanno strada pei
fianchi aperti d’ogni parte e rovinano e scorrono a portar desolazione
e lutto. Gli alberi, al loro passaggio, crepitano, inceneriscono e
scompajono in un baleno; ogni vegetazione è arsa e distrutta.
La Catastrofe di Pompei. Vol. I. Cap. V. Il Cataclisma.