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Ross and
Contemporary Moral Theory David
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ROSSIAN ETHICS
✦
ROSSIAN ETHICS
W.D. Ross and Contemporary
Moral Theory
DAV I D P H I L L I P S
1
1
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9 8 7 6 5 4 3 2 1
Acknowledgments ix
1. Introduction 1
2. What Are Prima Facie Duties? 13
3. What Prima Facie Duties Are There?
Ross, Agent-Relativity, and the Rejection
of Consequentialism 57
4. What Things Are Good? 115
5. The Metaethical and Epistemological
Framework 155
Bibliography 197
Index 205
ACKNOWLEDGMENTS
He goes on to say:
The Provost of Oriel’s book, The Right and the Good, published
in 1930, was much the most important contribution to ethical
theory made in England for a generation,
and concluding,
NOTES
FACIE DUTIES?
But rather than agree with Sidgwick that the only alternative
is a mainly teleological view, it is at this point that Broad,
working (so far as I know and can tell) quite independently
of Ross, sketches an alternative “form of Intuitionism which
is not open to Sidgwick’s objections,” featuring, inter alia, a
version of the concept of prima facie duty developed in terms
of fittingness, which (as we will see) Ross goes on largely to
endorse in the Foundations. Broad suggests that actions have
two quite different kinds of ethical features,
1 . P R I M A FA C I E D U T Y:
C H A R A C T E R I Z AT I O N
I shall argue first that these verdicts are too harsh. I don’t
deny that Ross’s characterizations of prima facie duty are
often problematic or at best partly true. Nor do I deny that he
sometimes fails to appreciate the full significance of his key
conceptual innovation. But, unlike critics like McCloskey
and Searle, I think that he has a clear and plausible theoret-
ical picture nonetheless.
Ross lays out this theoretical picture towards the end of
chapter 2 of The Right and the Good:
We may try to state . . . the universal nature of all acts that are
right. It is obvious that any of the acts that we do has count-
less effects, directly or indirectly, on countless people, and the
probability is that any act, however right it may be, will have
adverse effects . . . on some innocent people. Similarly, any
wrong act will probably have beneficial effects on some de-
serving people. Every act, therefore, viewed in some aspects,
will be prima facie right, and viewed in others, prima facie
wrong, and right acts can be distinguished from wrong acts
only as being those which, of all those possible for the agent
in the circumstances, have the greatest balance of prima facie
rightness, in those respects in which they are prima facie right,
over their prima facie wrongness, in those respects in which
they are prima facie wrong. (RG 41)6
Though Ross thinks both (a) and (b) are true, he clearly
doesn’t think (a) means (b). For it is, though false, perfectly
possible that most acts of keeping promises should not be
right because in most cases the prima facie duty to keep a
promise is outweighed by other competing prima facie
duties. And even in this unlikely event, (a) would still be true.
The other and better line of thought closely connected in
Ross to the talk of tendencies is the force metaphor: the analogy
between prima facie duties and individual forces acting on a
body. Each prima facie duty is like an individual force on a
body; duty proper is analogous to the motion or acceleration
of the body produced by the combination of forces to which it
is subject. This comparison is, I think, helpful but problematic.
It is helpful in three main ways. First, forces are real features
of the physical situation regardless of the direction in which a
body ultimately moves. Second, forces, like prima facie duties,
come in degrees. Third, forces interact and the final motion of
a body depends on the interaction of all the forces to which it
is subject; similarly with prima facie duty.
There are also, though, four important respects of
disanalogy. In one way the normative case is simpler than
the force case: the normative is only one-dimensional, while
forces operate in three dimensions. But in two other ways the
normative case is more complicated than the force case: the
interaction of individual prima facie duties need not be
W hat A re P rima F acie D uties ? | 2 5
2 . R O S S , P R I M A FA C I E D U T Y, A N D
N O R M AT I V E R E A S O N S
That is, I take it, the difference between Parfit and Ross can
be captured like this:
According to
I N the course of my travels about the world, east, west, north and
south, over oceans and across continents, I have had the
experience of seeing or of encountering many persons of
distinction, including not a few sovereigns and members of royal
households.
It has seemed to me that it might be interesting to bring together
at this point some of the most typical of the incidents that occur to
me. Just as they come, drawn haphazard from memory, without
order or sequence, and with no thought of literary composition, I am
going to put them simply on paper, one by one.
Princely Simplicity.
At the Hague I was asked to give a performance before the
Grand Duke and Duchess of Mecklenburg, Princess Victoria of
Schaumburg-Lippe and their retinue.
The hall was well filled. I had the Philharmonic Society’s
orchestra.
This was a gala evening, and in every way a very successful one
for me.
Next day on coming down from my room I encountered on the
stairway of the hotel a lady with a very sweet expression, who asked
me:
“You are Miss Loie Fuller? Your dances interest me greatly. My
husband has gone out on the beach. Wouldn’t you like to come and
talk to him about your lighting effects. I am sure that would prove
very interesting to him.”
I gladly acquiesced and followed her.
I was delighted to talk to this woman and her husband, who
proved to be a most delightful man. I explained to them all my
schemes of lighting and my dances. I then took my leave and joined
my mother, who was waiting for me.
When I returned to the hotel the proprietor came to me and said:
“You met with great success yesterday, Miss Fuller, and with
even greater this morning.”
“This morning?”
“Yes. Do you know who the gentleman is with whom you have
just been talking?”
“No. Who is he?”
“The Grand Duke of Mecklenburg.”
This same day I boarded a street car.
On the car several people appeared to know me. One lady came
and sat beside me and began to talk.
When we arrived at our destination I asked her if she would not
tell me her name.
“Victoria de Schaumburg-Lippe.”
One evening when I was dancing at the Hague the princess was
in the hall with Major Winslow and others of her retinue. She sent for
me, and asked me to show her one of my robes.
I brought her the robe which I put on for the butterfly dance.
She took the stuff in her hand and said:
“The robe is really wonderful, but it is after all only what you do
that counts.”
I remember that she asked me to sign a photograph for her. And
when I returned to the hotel the manager of the Kurhaus handed to
me an exceedingly pretty watch, on the cover of which were
engraved these words:
“In memory of the performance given for Princess Victoria.”