Professional Documents
Culture Documents
Hugh T. Miller
Narrative Politics in Public Policy
Hugh T. Miller
Narrative Politics
in Public Policy
Legalizing Cannabis
Hugh T. Miller
School of Public Administration
Florida Atlantic University
Boca Raton, FL, USA
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer
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Acknowledgments
v
vi ACKNOWLEDGMENTS
the early help from an individual with expert background regarding the
breeding of cannabis strains before I knew for sure where this book was
heading; same for the help from another individual for providing me
with an industry perspective on regulatory compliance.
Contents
1 Dubiety 1
1 Facts, Goals, and Narratives 2
2 Cannabis Policy Discourse 3
3 All Words Lie 4
4 Weaponizing Dubiety 7
4.1 Electoral Dubiety 8
5 Political Pluralism 9
References 12
2 Narrative as Meaning-Unit 15
1 Narrative and Its Component Parts 15
1.1 Ideographs 17
1.2 Groups and Narratives 20
1.3 Meaning Contextualized 22
2 Situating the Narrative Politics Model 24
References 29
3 Narrative Subscription 33
1 Narrative Subscription as Identification 34
2 Context 40
3 Emotional Investment 42
4 Summary: Dynamics of Identification 43
References 45
vii
viii CONTENTS
5 Implementation 81
1 Enactment: Legalization by Direct Democracy 83
1.1 Implementation Delays 85
2 Continued Contestation Over Effects of Legalization 86
2.1 Psychosis 87
2.2 “Big Marijuana” 88
3 Regulatory and Managerial Narratives 89
4 Stories Regulators Tell 90
4.1 Matters of Concern to Cannabis Regulators 92
4.1.1 Compliance 92
4.1.2 Consumption Locations 93
4.1.3 Public Education and Research 94
4.1.4 Youth 94
4.1.5 Expenditures 95
4.1.6 Social Equity 95
4.1.7 Impaired Driving 96
4.2 Administrative Discretion 96
References 97
CONTENTS ix
References 141
Index 163
List of Tables
Chapter 4
Table 1 Evolving and competing narratives in cannabis policy
discourse 54
Chapter 6
Table 1 Post-implementation narratives 104
xi
CHAPTER 1
Dubiety
the modern fact severs the connection between description and inter-
pretation, and she demurs because this assumption does not withstand
scrutiny. There are no theory-free facts, value-free-facts, politics-free
facts, language-free facts, or culture-free facts. There are no narrative-free
facts. Metze and Dodge (2016) show how facts diverge among policy
discourse coalitions. There is a playing field of competing interpretations,
uncertainties, doubts, and irresolutions that one must accept once one
acknowledges that fact’s status as objective descriptor of indisputable
truth is aspirational at best. This predicament does not gesture toward
nihilism or cynicism, but instead signals a need to study policy narratives
with a focus on their meanings.
The term dubiety refers to the ambiguity we language-using humans
must negotiate in fending off one dang thing after another. The core
concern is the problem of meaning-making. The difficulty seems pro-
nounced in the age of rapid information technology, including tradi-
tional modes of communication such as television and radio, but also
the high-velocity modes of communication such as the Internet, social
media, and smart phones. Dubiety is not exclusive to high-tech commu-
nication media nor to postindustrial anxiety, though it obviously thrives
there. With respect to the Internet, Warraich (2018) complains that
“Dr. Google” has given terrible advice regarding the side effects of stat-
ins, vaccines, and alternative cancer therapies. For medical research, the
dubiety goes deeper than Internet searches. “False positives and exag-
gerated results in peer-reviewed scientific studies have reached epidemic
proportions in recent years. The problem is rampant in economics, the
social sciences and even the natural sciences, but it is particularly egre-
gious in biomedicine. Many studies that claim some drug or treatment is
beneficial have turned out not to be true” (Ioannidis 2011).
have a long history. Cannabis policy discourse, the main exhibit room
for the Narrative Politics model I am about to lay out, was chosen espe-
cially for its evolving nature, and for the diversity of perspectives engaged
in political contestation. Public opinion has moved rapidly with respect
to this policy concern, at least in recent years. Some policy narratives
remain remarkably durable while other ebb, flow, recede, and ascend.
Some narratives dominate in certain time periods; they lose that domina-
tion in other time periods; new narratives emerge. Previously dismissed
narratives regain coherence and meaning, coming to pose challenges to
decohering dominant narratives.
Other features of the cannabis policy discourse that make it attractive
as an exemplar for the Narrative Politics model have to do with the curi-
ous structure of status quo policy in the United States. Medical cannabis
is illegal at the federal level but legal in most of the states. And states
vary among themselves in terms of the legal status of adult-use, recrea-
tional cannabis and the punishments prescribed for possessing it; some
have decriminalized possession of small quantities and others continue to
impose long prison sentences. Including Washington, DC, there are 51
different polities at the state level, plus a broad national polity at the fed-
eral level. The exhibit room for this book is necessarily limited to the dis-
course in the United States, though Canada, Uruguay, and other nations
with diverse polities are witnessing rapid change in cannabis policy.
Even when devoid of ideological dogma, scientific studies of the
medicinal, psychological, and behavioral consequences of this plant vary
widely in their conclusions. Psychological effects can range from relax-
ation and happy euphoria, on one end of the pole, to panic, paranoia
and psychosis on the other. Dubiety and ambiguity prevail in multiple
dimensions of the discourse.
4 Weaponizing Dubiety
In addition to raising anxiety levels, dubiety makes it easier to divert
attention from collective problem solving altogether. Any sustained
focus on poverty and inequality, suspect electoral practices such as ger-
rymandering, climate change, rationales for war, inflation-adjusted wage
decline, disproportionate incarceration rates—all these are trumped by
an infinite sequence of unconnected images that pander to pervasive
doubts. Lakoff (2004) has been pondering this sort of political phenom-
enon for years and applying it to public policy topics such as tax relief
as proposed by Republicans. “Think of the framing for relief. For there
to be relief there must be an affliction… When the work tax is added
to relief, the result is a metaphor: Taxation is an affliction” (pp. 3–4).
The term tax relief then is replicated in the news media, and soon
Democrats start using the term. “The conservatives had set a trap: The
words draw you into their worldview” (p. 4). This sort of manipulation
of political metaphors is more than a disingenuous practice; like market-
ing and advertising, it is part of an industry. Campaign advisers, political
consultants, think tanks, journalists, and advertisement content creators
are paid to tip the scale one way or another in the struggle for meaning
capture. Against this backdrop, it is difficult to be sanguine about the
prospects of rational policy discourse, leading to a collective will focused
on the public interest, leading to optimal solutions to public problems.
The most challenging burden for policy analysts is not necessarily to pro-
pose technical-rational, managerial solutions to consensually validated
problem definitions or policy proposals, but to find ways of clarifying the
political contestations that accompany democratic pluralism.
Since 2014 in the post-Citizens United era where nonprofit organ-
izations—whose donors are secret—participate in political discourse, it
becomes ever more problematic to figure out who is talking. The idea
that a corporation, nonprofit or for-profit, can have “free speech” rights
is a bit disconcerting, but the notion has a long history in the United
States. Following the 1837 Supreme Court case Charles River Bridge
v. Proprietors of Warren Bridge, a monopoly company was granted legal
status like that of an individual citizen. Charles River Bridge was a cor-
poration that was considered by the court to be a “person” and the
legal precedent was set (though the company lost the case). Writing for
the majority, Justice Roger B. Taney argued, “We think it is well set-
tled that by the law of comity among nations, a corporation created by
8 H. T. MILLER
Not surprising, bots were used during the two campaigns we study to
energize voters and, according to our simple calculations, bots could
marginally contribute to the outcomes of the Brexit and the 2016 U.S.
Presidential Election…. [C]herishing diversity does not mean that one
1 DUBIETY 9
should allow dumping lies and manipulations to the extent that the public
cannot make a well-informed decision. Where one should draw the line
(e.g., improve media literacy, introduce “code of practice” for social net-
works) is a central question for the society. (21)
References
Berger, Peter L., and Thomas Luckmann. 1967. The Social Construction of
Reality: A Treatise in the Sociology of Knowledge. New York: Doubleday.
Claisse, Frédéric, and Pierre Delvenne. 2017. As Above, so Below? Narrative
Salience and Side Effects of National Innovation Systems. Critical Policy
Studies 11 (3): 255–271.
seem. There are revisions to an act that obviate some aspects of the genesis narrative. But
implementation of a genesis narrative, even with temporal ambiguities, functions as a crit-
ical starting point for assessing institutionalization of a policy narrative, its staying power,
and the adaptations endured (or enhanced) at the hands of implementers.
1 DUBIETY 13
Narrative as Meaning-Unit
The signifier might be, say, the word baseball, in which case the signified
would be the round, white, seamed, spherical object we are imagining.
Words such as baseball do not refer to material objects; they refer to
mental pictures of those physical objects. We can talk about a baseball
without actually having a baseball in hand. This feature of the signified
is especially important when it comes time to talk about lions, tigers,
or bears. Language only requires the concept of a lion or tiger or bear
or baseball and not its physical presence. There is, then, a gap between
the word and the object. This gap is helpful because I don’t have to be
in the presence of a bear to talk about bears, and I don’t have to carry
around a backpack full of objects I want to talk about that day. A word
points to the concept, not the object, says de Saussure (1983).
Baseball becomes the signifier when the term refers to a game played
with mitts, bats, home plate and bases. In the rules of the game, a
batter gets three strikes before s/he is declared out. Baseball’s
well-known rule, “three strikes and you’re out” became the ideographic
public policy metaphor that aimed to send repeat felons to prison for life
in the United States back in the 1980s. Language allows such jumping
of contexts; metaphors do this on a regular basis. In comparing the
pragmatics of science to narrative knowledge, Lyotard (1984) noted that
science requires one language game, namely denotation, to the exclusion
of all others. The language of policy discourse does not require
denotative precision; language is promiscuous in allowing connotative
suggestion. Barthes’ (1972) famous example involves the rose. The word
“rose” as a signifier evokes an image of a velvety flower. A rose may be
just a rose but gather a dozen red roses into a bouquet, add some baby’s
breath, and passion enters the picture. A dozen roses signifies … some-
thing other than 12 plants. Meanwhile, the signified (rose) becomes a
signifier (passion). Biologists retain denotative power in their language
by naming things using specialized words. The scientific word for rose
is rosa, with local species given names like rosa gallica or rosa arcicularis.
Phrasing the name of the plant in a Latin-sounding way may remove
some of the romance from the rose, but for plant biologists denotative
power is preserved. Policy scholars are not as lucky as biologists in that
connotation is all but omnipresent in public policy discourse. My use
of the term cannabis, another Latin-sounding name, is also an attempt
to preserve as much denotative authority as possible. As we will see in
Chapter 4, naming the plant hemp, hashish, or marijuana was not a
neutral matter; each term had different connotations back in the 1930s
2 NARRATIVE AS MEANING-UNIT 17
when cannabis was made illegal in the United States. Add to connotation
the difficulty that many useful concepts lack materiality altogether (for
example, public will, ideology, or political attitude). Denotative words
that presumably point to concrete objects can easily be repurposed for
political or poetic effect.
1.1 Ideographs
Ideographs, as connotative-rich signs capable of forming stable images,
can help frame a policy problem, solution, or goal in a strategically
crafted way. They can gather in concepts and ideas as well as imagery,
emotions and values. A policy narrative reinforced with relevant
ideographs can enhance a policy proposal. Welfare queen, for example,
was used to describe a woman on public assistance who nonetheless
lived an extravagant lifestyle. Through connotation, the term tapped
into resentment of people receiving public assistance, and also tapped
into racist imagery, as the woman accused of being a welfare queen was
black. This ideograph was made famous in the 1980s by Ronald Reagan,
and by the 1990s Bill Clinton promoted the End-welfare-as-we-know-it
narrative—and succeeded in dramatically curtailing welfare eligibility in
the United States while adding punitive features (Fording et al. 2008).
In the Netherlands, Geert Wilders’ association of Islam with the Trojan
Horse demonstrates how connotation and association function to support
a larger narrative. Hajer’s (1993, 2005) acid rain functions precisely as
an ideograph, contributing meaning to policy narratives that have found
their way into regulatory policy proposals and statutes. Ideographs such
as privatization derive linguistic backing from the neoliberal, free mar-
ket lexicon to warrant proposals to run government more like a business.
Many other sorts of connotative images have been deployed to varying
effect. Death tax, and partial birth abortion are among the successful
ideographs whose resonance enhanced policy narratives in American pub-
lic policy discourse. Reflecting on role archetypes, Smith-Lovin (1990,
239–240) wrote, “Despite widely varying backgrounds, we largely agree
that Mothers are nicer than Mafiosi …”. Indeed, if one intended to reduce
drunken driving, one would expect that more people will subscribe to the
narrative Mothers Against Drunk Driving than Mafiosi Against Drunk
Driving. The ideography of the cannabis user has been somewhat reha-
bilitated in that the user is sometimes imagined to be a medical patient
using the drug for palliative purposes. The Reefer Madness ideography
18 H. T. MILLER
The burden of meaning can then be situated in the narrative rather than
the group.
The narrative as a meaning-unit requires interpretation, not only on
the part of an outside curator but also on the part of a would-be sub-
scriber. This allows group membership to shift even if the narrative lives
on, and also allows the narrative to evolve and to lose, retain or add sub-
scribers. With a coalition as the unit of analysis, it is questionable whether
the concept of core belief still make sense after, say, a ten-year time period
when all of its members have quit or died. It can make sense if the coa-
lition is centered around a narrative that coalition members subscribe to
or unsubscribe from. The coalition itself does not require the fixed mem-
bership that is often attributed to it, or simply presupposed. Reification
and hypostatization occur quite regularly, as we humans are quite adept
at making things out of concepts in order to make them come alive. But
by using narrative rather than group as the unit of analysis, we do not
need to argue that abstractions (such as systems) possess beliefs. Hence
it is ontologically preferable to conceive of coalitions as constituted by
adherents and activists who subscribe to a policy narrative, and with
varying degrees of buy-in.
narrative, the meaning of the sign is difficult to pin down; hence a stand-
alone sign functions poorly as a unit of meaning in a policy analysis. A
content analysis that merely counts words cannot assess the meaning of
those words and ignores their narrative context. Hence, narratives are
the meaning units that provide context to symbolizations such as sign or
ideograph; they integrate meaning and they function to warrant one pol-
icy prescription or another.
actors (who could be heroes, villains, victims, or tricksters) who drive the
plot; alterity to focus on outsiders and identities, and to distinguish the
like-minded from those who are not; breach and gap to signal a narra-
tive’s sense of what the problem is; and context to situate the narrative’s
substance in a societal condition (Lejano et al. 2018). The anthropo-
logical effect of using this structural approach is that groups or subcul-
tures can be heard, and their stories better understood. Lejano et al.
(2013) have used this approach to informative effect in their book on
environmental networks and narrative coherence within such networks.
Environmental narratives were able to transcend boundaries between
local groups and outside experts, raising the possibility that narratives
function as a sort of glue that binds a network of associations together.
Even in the face of government inaction with respect to public policy,
the power of narrative in these networks helped change actual agricul-
tural practices of farmers in the region. Ingram et al. (2015) described a
“narrative network” that brought non-human actants into the picture—
to the effect of integrating institutional arrangements into environmental
matters of concern. “We posit that narratives are essential in catalysing
and sustaining environmental networks, and enabling them to exert
influence” (3). A narrative network is “a mutually constitutive group of
actors (human and non-human) and ideas. By mutually constituting, we
mean that a narrative … is what organizes people and gives the group
structure; and, it is in the assemblage of actors that we find a community
of narrators that allows the emergence of the narrative” (4). As the coali-
tion’s cohering edifice, a narrative network is able to transcend potential
geographic, economic, and cultural divides.
Jones and McBeth (2010) take a scientistic approach that also
deploys literary categories such as setting/context, plot, characters
(who fix problems, cause problems, or are victims), and moral of the
story (policy solutions). Their literary devices function not so much as
heuristic devices as testable hypotheses. This approach has carved out
a considerable niche in the public policy literature by deploying main-
stream, Popperian notions of hypothesis testing within the still-emerging
study of policy narratives.
While many policy scholars have borrowed literary categories to salu-
tary effect, not all can make the literary approach work. Sometimes nar-
rative policy analysis is asked to do too little. Policy scholars who deploy
literary approaches sometimes are more interested in monitoring policy
narratives for their faithfulness to literary categories than their policy
26 H. T. MILLER
References
Barthes, Roland. 1972. Mythologies, trans. Annette Lavers. New York: Hill and
Wang.
Baumgartner, Frank, and Bryan Jones. 1993. Agendas and Instability in
American Politics. Chicago: University of Chicago Press.
Berenson, Alex. 2019. What Advocates of Legalizing Pot Don’t Want You to
Know. New York Times, Jan 4. https://www.nytimes.com/2019/01/04/
opinion/marijuana-pot-health-risks-legalization.html. Accessed 19 Feb 2019.
Crowley, Sharon. 2006. Toward a Civil Discourse: Rhetoric and Fundamentalism.
Pittsburgh: University of Pittsburgh Press.
Dodge, Jennifer. 2015. The Deliberative Potential of Civil Society
Organizations: Framing Hydraulic Fracturing in New York. Policy Studies 36
(3): 249–266.
Dodge, Jennifer. 2016. Crowded Advocacy: Framing Dynamics in the Fracking
Controversy in New York. Voluntas: International Journal of Voluntary and
Nonprofit Organizations 25 (5). http://dx.doi.org/10.1007/s11266-016-
9800-6. Accessed 23 June 2019.
Dodge, Jennifer, and Jeongyoon Lee. 2015. Framing Dynamics and Policy
Gridlock: The Curious Case of Hydraulic Fracturing in New York. Journal
of Environmental Policy and Planning. http://dx.doi.org/10.1080/15239
08X.2015.1116378 (online first). Accessed 23 June 2019.
Dodge, Jennifer, and Tamara Metze. 2017. Hydraulic Fracturing as an
Interpretive Policy Problem: Lessons on Energy Controversies in Europe
and the U.S.A. Journal of Environmental Policy & Planning 19 (1): 1–13.
https://doi.org/10.1080/1523908X.2016.1277947.
Elevald, Anja. 2012. The Role of Rhetoric and Affect in Policy Changes: The
Case of Dutch Life Course Policy. Critical Policy Studies 6 (3): 282–303.
Fording, Richard C., Joe Soss, and Sanford F. Schram. 2008. Distributing
Discipline: Race, Politics, and Punishment at the Frontlines of Welfare Reform.
University of Kentucky Center for Poverty Research Discussion Paper Series
DP2008-06. http://www.ukcpr.org/Publications/DP2008-06.pdf. Accessed
14 Aug 2019.
Foucault, Michel. 1998. Nietzsche, Genealogy, History. In Michel Foucault:
Aesthetics, Method, and Epistemology. Volume Two of Essential Works of
Foucault, 1954–1984, trans. Robert Hurley et al. and ed. James D. Faubion.
New York: The New Press.
Gladwell, Malcolm. 2000. The Tipping Point: How Little Things Can Make a Big
Difference. New York: Little, Brown and Company.
Grey, Christopher. 1997. Management as a Technical Practice: Professionalization or
Responsibilization? Systems Practice 10 (6): 703–725.
30 H. T. MILLER
Narrative Subscription
Abstract How does one come to subscribe to one policy narrative and
not another? This chapter articulates a process of “identification-with”
that evokes past experience in referent groups where common under-
standings and conventions picked up in social life are associated with a
policy narrative. These associations and identifications are malleable over
time. One may unsubscribe to a policy narrative, and one’s commitments
to a narrative can vary in intensity of emotional commitment and value
resonance. Narrative subscription also depends on context, whether
historical, cultural, or situational. Change of context can bring about a
change of aspect.
This chapter is a revised version of a previously published article: Miller, Hugh T.,
‘Narrative subscription in public policy discourse’, Critical Policy Studies, 13:3
(2019), 241–260. © 2018 Institute of Local Government Studies, University of
Birmingham, reprinted by permission of Taylor & Francis Ltd., http://www.
tandfonline.com on behalf of Institute of Local Government Studies, University
of Birmingham.
Combatido de dolores
e penosos pensamientos,
desesperado d'amores,
congoxado de tormentos,
vi que mis males mayores
turbauan mis sentimientos,
e turbado,
yo me puse de cansado
a pensar
las tristeças e pesar
que causauan mi cuydado.
E vi que la soledad
teniendome conpañia
no me tiene piedad
de las penas que sentia,
mas con mucha crueldad
lastimaua mi porfia
de dolor
diziendome: pues que amor
te tiene tal,
no te quexes de mi mal
qu'es de todos el mayor.
(Responde Vasquiran á la
soledad.)
Si el menor mal de mi mal
eres tú e de mis enojos
teniendome siempre tal
que me sacas a manojos
con rabia triste mortal
las lagrimas a los ojos
de passion
sacadas del coraçon
donde estan,
dime qué tales seran
los que mas crueles son.
(Prosigue.)
Con mi soledad hablando
sin tornar a responderme,
ni dormiendo, ni velando,
ni sabiendo qué hazerme
en mis males contemplando,
comence a trasponerme
no dormido
mas traspuesto sin sentido
no de sueño
mas como quien de veleño
sus ponçoñas ha beuido.
Pues sintiendo desta suerte
mis sentidos ya dexarme
aun qu'el dolor era fuerte
comence de consolarme;
dixe: cierto esto es la muerte,
que ya viene a remediarme
segun creo;
mas dudo pues no la veo
qu'esta es ella
por hazer que mi querella
crezca mas con su desseo.
Y con tal medio turbado
mas qu'en ver mi vida muerta,
aunque del pesar cansado
comence la vista abierta
a mirar é vi en vn prado
vna muy hermosa huerta
de verdura,
yo dudando en mi ventura
dixe: duermo
y en sueño qu'esto es vn
yermo
como aqui se me figura.
Y assi estando yo entre mi
turbado desta manera
comence quexarme assi;
no quiere el morir que muera;
luego mas abaxo vi
vna hermosa ribera
que baxaua
de vna montaña qu'estaua
de boscaje
muy cubierta, e vi vn saluaje
que por ella passeaua.
Vile que volvio a mirarme
con vn gesto triste y fiero,
yo comence de alegrarme
e a decir: si aqui le espero
este viene a remediarme
con la muerte que yo quiero,
mas llegado
vile muy acompañado
que traya
gente que mi compañia
por mi mal hauian dexado.
(Admiracion.)
Comenceme de admirar
dudando si serian ellos,
por mejor determinar
acorde de muy bien vellos
tornandolos a mirar
y acabé de conocellos
claramente,
dixe entre mi: ciertamente
agora creo
qu'es complido mi desseo
pues que a mí torna esta
gente.
(El Desseo.)
Este que miras tan triste
con quien vees que venimos,
este es el que tú perdiste
por quien todos te perdimos,
que despues que no le vimos
nunca vn hora mas te vimos
ningun dia
e dexo en tu compañia
que te guarde
soledad, la que muy tarde
se va do hay alegria.
Pues aquella a quien
fablauas
diziendo que mal te trata
e aunque della te quexauas
no es ella la que te mata
mas es la que desseauas,
triste muerte cruda ingrata
robadora
que te quitó la señora
cuyo eras
e no quiere que tú mueras
por matarte cada hora.
(Responde y pregunta.)
Quien comigo razonaua
claramente lo entendia,
mas tan lexos de mi estaua
que aunque muy claro le oya
la distancia me quitaua
que ya no le conocia,
e atordido
dixe: bien os he entendido
mas no veo
quién soys vos. Soy tu desseo
que jamas verás complido.
(Pregunta á su desseo
y respondele.)
Demandale, como estas
tan apartado de aqui
que yo siento que me das
mil congoxas dentro en mi?
Dixo: nunca me veras
qu'estoy muy lexos de ti,
sé que desseas
verme, pero no lo creas,
porque amor
no consiente en tu dolor
por saluarte que me veas.
(Replica.)
Quando bien lo houe
entendido
tanto mal creció en mi mal,
que ya como aborrecido
dixe con rabia mortal:
¿quién ha tanto mal sofrido
que del mio sea ygual
en nada dél?
pues porqué si es tan cruel
bien no merezco
la muerte pues la padezco
con la misma vida dél?
(Responde Violina.)
Començo de responderme:
ya sé quanto viues triste
en perderte y en perderme
el dia que me perdiste:
e sé que en solo no verme
nunca más descanso viste,
e tambien sé
que t'atormenta mi fe,
e assi siento
más mal en tu sentimiento
qu'en la muerte que passé.
Pero deues consolarte
e dexarme reposar
pues que por apassionarte
no me puedes ya cobrar
ni menos por tú matarte
podré yo resuscitar,
e tu pena
a los dos ygual condena,
e tu dolor
lo sintieras muy mayor
si me vieras ser agena.
(Responde Vasquiran.)
Todo el mal que yo sentia
y el tormento que passaua,
si penaua, si moria,
tu desseo lo causaua,
que jamas noche ni dia
nunca vn hora me dexaua,
mas agora
que te veo yo, señora,
yo no espero
más dolor ni más bien quiero
de mirarte cada hora.
(Violina.)
Tú piensas que soy aquella
que en tu desseo desseas
e que acabas tu querella;
no lo pienses ni lo creas
bien que soy memoria della,
mas no esperes que me veas
ya jamas,
que aunque comigo estás
soy vision
metida en tu coraçon
con la pena que le das.
Tus males y tus enojos
con tu mucho dessear
te pintan a mi en tus ojos
que me puedas contemplar,
pero no son sino antojos
para darte más pesar
e más despecho,
que mi cuerpo ya es dessecho
e consumido
y en lo mesmo convertido
de do primero fue hecho.
(Vasquiran.)
Casi atonito en oylla
como sin seso turbado,
quisse llegarme y asilla,
e halleme tan pesado
como quien la pesadilla
sueña que le tiene atado
de manera
que no pude aunque quisiera
más hablalle,
e assi la vi por el valle
tornarse por do viniera.
Quando tal desdicha vi
causada sin mas concierto
luego yo dixe entre mi:
ciertamente no soy muerto;
estando en esto senti
mi paje y vime despierto
acostado
sobre vn lecho, tan cansado
que quisiera
matarme sino temiera
el morir desesperado.
Vime tan aborrecido
que comence de dezir:
tanto mal mi mal ha sido
que me desecha el morir
conociendo que le pido;
dame muerte en el viuir
por alargar
mi pesar de más pesar
para que muera
viuiendo desta manera,
muriendo en el dessear.
Viue mi vida captiua
desseandose el morir
porque le haze el viuir
qu'el mismo que muere viua.
Quien la muerte se dessea
y la vida no le dexa
con mayor dolor l'aquexa
el viuir con quien pelea
qu'el morir que se le alexa,
pues la pena mas esquiua
de comportar y sofrir
es la muerte no viuir
do la vida muere viua.
No pueden desañudarse
las lazadas
estando en el alma atadas.
INTRODUCCION DE LA
EGLOGA
Entran tres pastores e dos
pastoras, el principal qu'es
Flamiano se llama Torino. El otro
Guillardo. El otro Quiral que es
marques de Carliner. La principal
pastora se llama Benita, que es
Belisena. La otra se llama Illana
qu'es Isiana. Entra primero Torino
e sobre lo que Belisena le mandó
en la caça qu'es la fantasia de la
egloga, con vn laud tañe e canta
esta cancion que al principio de la
egloga está, y acostado debaxo
de vn pino que alli hazen traer;
acabado de cantar, comiença a
quexarse del mal que siente e del
amor. En el tiempo que él canta
entra Guillardo quél no lo siente;
oyele todo lo que habla,
marauillase no sabiendo la causa
qué mal puede tener que en tanta
manera le fatiga; comiença
consigo a hablar razonando qué
mal puede ser; ve venir a Quiral,
llamale e cuentale lo que ha oydo,
e juntos los dos lleganse a Torino
demandandole de qué dolor se
quexa, él se lo cuenta. Guillardo
no le entiende, Quiral si aunque
no al principio. Altercan entre
ellos gran rato, estando en la
contienda entra Benita, pideles
sobre qué contienden. Torino le
torna a decir en metro lo que en la
caça passó en prosa, y assi los
dos contienden. Al fin Benita se
va; quedan todos tres pastores en
su question. Acaban todos tres
con vn villancico cantado.
COMIENÇA LA CANCION
No es mi mal para sofrir
ni se puede remediar
pues deciende de lugar
do no se puede subir.
El remedio de mi vida
mi ventura no le halla
viendo que mi mal deualla
de do falta en la subida,
si se quiere arrepentir
mi querer para mudar
no puede, qu'está en lugar
do no se puede subir.
COMIENÇA LA EGLOGA
Y dize Torino.
O grave dolor, o mal sin
medida,
o ansia rabiosa mortal de
sofrirse,
ni puede callarse, ni osa
dezirse
el daño que acaba del todo mi
vida;
mi pena no puede tenerse