Пять пьес

Д. Д. Шостакович
для двух скрипок
с фортепиано
 IПрелюдия . . . . . . 3
. . . . .7 III Элегия . . . . . . . .11IV Вальс . . . . . . . . .16VПольк

музыка Дмитрия Шостаковича music by Dmitry Shostakovich

аранжировка Левона Атовмяна arranged by Levon Atovmyan

редактор: Александр Евстюгов engraving byAlexander Evstyugov

обработка фото: Ольга Ширнина cover photo colorized by Olga Shirnina

2
 I
Прелюдия – Prelude
     
 
Moderato
Vn I

     


Clarinette  

      
        
    
 
 
                  
Pf

      
 

   
        
5


1 2

 dolce
     
     
   


4

 dolce
Clar.


           

 legato  
             
 
    

  2     1
    

9
2 0

    4 
   
   


1
Clar.


  
      


          
   
    

  
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 3
 
           
13
4



          


2


Clar.


        
            
         
    

       
      
2


17


      
cresc.

       
4


1
Clar.

  
            
cresc.

        
        
      
      
 


   2     
   
Poco più mosso

 
21 1

 
   
     4 
    


4

    
Clar.

         
             
 


   
  
 
4
    
           


25
1 rit.


 
        
    



Clar.

         
              
 
    
 
    

  


      
       
29 Tempo I


1 2


      
     
  


4


Clar.


             
  
 
              
      

  2     1
    

33
2 0

    4 
   
   


1
Clar.


  
      


          
   
    

  
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 5
 
           
37
4



          


2


Clar.


        
          
   
    
     
    

     
     
2


41


    
     
cresc. 4


1
Clar.


   
     
cresc.

       
        
   
cresc.

  

       
  
44


3


  

poco a poco dim.

   


  
2


Clar.

 
       
poco a poco dim.

          
 
             
      
poco a poco dim.

 
6
 II
Tranquillo, Гавот – Gavotte
   4  4  
molto leggiero

      
        
3



Vn I

  0  0  4    
          
    


4


Clarinette

 
   








       
    
         


                    

Pf

    

 0     
  0  2    4 3  
           
 
6


0  4 
              
              


0

Clar.


                
          
     
      
     

  
 



 
 4                       4 
  
11

   4 0         
      

      
   


0 4
Clar.


                 
           
       
       
     
  

 

Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 7
 
  0       
 4           
    
16
4


 
  


        
        


   
4


Clar.

 
 
        



      
    

    
              
  

               
     
     
21
4


            0
poco a poco dim.

            
             




Clar.


                  
poco a poco dim.

             

  cresc.  
     
  
   
      



   

 4  4        
           
26

   0   4  
                


4
Clar.


                
        
      
         
  
 

      
8
 3
       
  
        2     1
  

31


     4        0 
  


     
4


4

 
Clar.

      
               
    
      
 
      
  

            
   
  


1      
     1    2    0      
3


36

       4           
       


4
Clar.

      
          
            
  
    
          
   
             
 

      2     1  1 
 4          
3


41

    4
                
   


   
4
Clar.

   
     
 
         
       
       
   
   
         


 
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 9
 1 
            
3     

45 1
2

            3      2
     


  
Clar.

              
          
     
 
   
   
        
 
      
   


 4  
   3  4  4    
    
3

   
49 2


     4  
                 


4


Clar.


           
         
 


  




   
      
      
 

3
 
        arco
poco rit.

          
     
pizz.


53


            
             
pizz. arco




Clar.

 
                   
         
    



                 
  
   

10
 III
2
 
Элегия – Elegy
      0 
  
1
Andantino


Vn I

  
       
 



Clarinette

 
         
       

              
    
Pf

    2  0    
   
    
2

 
5

      4  
     


 
Clar.


    
      
        
    
         

 

  4  0

       1  
        

10
4

  4     4
           
     


4 1
3 1
Clar.


 
          
      
      
     
  
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 11
 1    2 
 2  0 2            
 
15 1


1

 cresc.
              
   
  


 cresc.
Clar.


    
     
          cresc. 
             
    


        
          4    2   
  
20



                
          



Clar.

    
       
     
   
        
      



 4

    
 
25
Poco più mosso


  4  

            




Clar.

         

       

        
       
12
 2    
 4      0 1  
   
   
29


 poco a poco cresc.
 4 1
      1       
   


  
1

 poco a poco cresc.

Clar.

           

                   
 
 poco a poco cresc. 
  
          
          


  
       1      
  
34

 
 
       1   
        



Clar.

      
            
     

         
        

2 2
       1          4
        0   
molto rit. Tempo I

   
38 1

3  cresc. 1   
   
  
              
  



4


Clar.

 
      
cresc.

        
 
 
 
 
       
 
      
  
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 13
     2  0    
    
    
2

 
43

      4  
     


 
Clar.


    
      
        
            
  
 

  4  0

       1  
        

48
4

  4     4
         
     


 
4 1
3 1
Clar.


 
          
  
           
  


1    2 
 2  0 2            
 
53 1


1

 cresc.
              
   
  


 cresc.
Clar.


    
       
  
              
  
cresc.

 
14
          
 4       
    
58


4


            
         


2


Clar.

 
       

 
          



       
 
62 4
2


 
        




Clar.

      

          
 
       
           
        

 4  
 
rit.

  
66


    
     


4


Clar.


    
    
  
      
   
  

Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 15
 IV
Вальс – Waltz
     
   
Tempo di valse moderato


Vn I


      




Clarinette

   
                     
      

          
    
Pf


  

4      
              1
6

      
             


Clar.

         

            


              
  

1      2
   3          
 

11


     
              



 
       
Clar.

 
                

            
   
16
       3      3


       

16

  4
  3     
3

     


   
Clar.

        
    
       
3

   

            
  


      
                
1


21

             
 
   
3

  


Clar.
 
         
                 
3

              
  

   1
           2
   
26

  
         
   

 
1



Clar.

  
  



   




       

  

             
 
   
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 17
    
 2     
         

31

   
        
   



Clar.

          
          
  

       
       
   


   
       0  
                 
   
36


 1  
                  


0

  
Clar.

         
                


 
               

                          
         
41 4


             
               
  


4 4

 
Clar.

         
                 


            
   
18
               
              
46
4

 
4

                             4    
 


Clar.

         
       
   
      


            
   

 4 
    
a tempo

                   
   
51 poco rit.

 
    
                       
   
 


 
Clar.

         
               

           
    



       1 3  3 
  
56

   
          



   
Clar.

    



  
        

              
 
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 19
      2
     

        3   
  
61 1

    
            3    
3

  




     
  
Clar.

    
        
3

   

           
    


   3  1       4   
 
Meno mosso

        
    
66 0


4
   
       



Clar.

         
         
     
   
 

             
   


     rit. 
      

  
      
71 a tempo rit.
3

  
     
         
    


4

  
Clar.

      
                
  
   
            
        

20
 V
Полька – Polka
     
 
Vivace
Vn I

     
 


              
 
Clarinette

    
       

  
    
    
  
  
  
   
Pf

 

   3     4

4


       
            
0


4
5 3


4


0 0



   4 
                       


  
4

 
4 3

 
  
Clar.

                    
         

                    
 
sempre staccato

 

  1  
    3   
                   
 
4

   
 
10 2 3 4
0


2

 
 
 4
       
                          



4

  
3

 
 
Clar.

   
       
           
  
      
 
   
         
         

Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 21
        

                      
     
1.


15


 

      4  
   
cresc.

              

          
4

 


 
Clar.

    
cresc.

                            

1.

           
 
     
                          
      

    
    0   

       
2.

    
 
21

 
 
             

         
    



 
Clar.

   
                   

2.


            
 staccato

      
                 
  


       

4  
       3
       4  3  1  
 
27


1   
         4       
     



Clar.


                    
         
           

  

  


22
         3   
 
 
  
         
        

32


  
 
        4       
   
     


4


Clar.


              
   
          
     
 
       
                 

        
            
    

              
38

     
        
         
                  




Clar.


                        
           
       
                 

   

            
 
       
pizz.

   
44

    
 

              
pizz.


             
  
Clar.

        
     
     


      
    
    
sempre legato

      
Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 23
 arco 3  
          2          
   
      
50

 
  arco 3 4

             
           
   


4 0

    
Clar.

  
                    
    
  

      
            
  


4 
      3 4     3  
              
      
56 4


1    3  
              4 
 
          
     



2


Clar.


            
               

     
       
                 

4 1   
            

      
     
62 4
0

4  4
         3        
             
 


Clar.


                         
       
   
                         
24
     

68

    



             
 
Clar.

   
      


 
  
          
         

  3    
  4
4

    
            
0


4

 
72 3


4


0 0



  4 
                  

    


 
4

 
4 3

 
 
Clar.

                    
         

                   
 

  1  
    3   
                   
 
4

   
 
77 2 3 4
0


2

 
 
 4
       
                          



4

  
3

 
 
Clar.

   
       
           
  
      
 
   
         
         

Dmitry Shostakovich, arr. Levon Atovmyan. Five pieces for two violins and piano. 25
      
    0     
     
   
   
 
82

 
 
                
 
         
    



 
Clar.

   
       
            

             
       
                  
  


         

 a tempo 
     
 
  
rall.

 
88


    
   
    
4



Clar.



   
       
     
 
      
  




26