Write out the modes or scales below, they are all from the Melodic Minor scale

Q1 C Melodic Minor Scale




Q2 E Super Locrian Mode




Q3 F Lydian Augmented Mode




Q4 G min-maj mode




Q5 Bb Locrian Natural 2

 

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Q6 G Lydian Dominant Mode




Q7 A Super Locrian Mode

 


Q8 Bb Lydian Dominant Mode




Write out a notated chord and matching chord symbol that can emerge from the modes below.
Note that the first note of each mode should be the root of your chord. Make sure you analyse the
primary chord type eg 1,3,5,7 and also include any notable extensions or alterations.

Q9 Mode

  
Chord:


     

Q10 Mode


Chord:

   
   
3

 
Q11 Mode

   
Chord:

  

  
Q12 Mode

 
Chord:

    

   
Q13 Mode

   
Chord:

 

Q14 Mode

   
Chord:


    

 
Q15 Mode

  
Chord:

    

   
Q16 Mode

   
Chord:

 
5

Section 4: 6th Diminished Concept

Notate the Bb Major 6th Diminished Scale



 

In the key of Bb, notate and provide a chord symbol for the two chords that


are utilised in the 6th Diminished Concept.



Consider the chord F#dim7/D... how does the combination of chord and root note combine to

create a D dominant chord?

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