PALAWAN CULTURE & ARTS SUMMIT

February 15-16, 2024

VJR Hall, Palawan Provincial Capitol, Puerto Princesa City

DAY 1
(F. 15, 2024)

Time Program Description Highlights

8:00-8:30 Registration
8:30-9:30 Holy Mass
9:30-11:00 Opening Program
Doxology PC-Chorale
Nat’l Anthem PC-Chorale
Palawan March PC-Chorale
-Welcome Message Sir Sam Magbanua • Initiated by quarterly meeting
- Mechanics of (Program Manager of • Organize various sectors
Summit and Culture and Arts • Make plans
Presentation of Program, Palawan)s • Get a copy of CSM’s speech
Participants
Inspirational Gov. Dennis Socrates
Message
Intermission
Inspirational Mr. Ino Manalo • Represented by Bernan
Message (Chairman, NCCA) • Inaugural culture and arts summit
• Inclusive contribution of artists and
stakeholders
• Challenge all government sectors, academies,
etc., to participate in activities like this aimed at
promoting and protecting culture and arts.
• Sharing possible partnerships
TOPIC I - DEFINING CULTURE
11:00-11:30 What is Culture Ms. Marian Roces Differentiated culture as defined in
(Definition/elements/ (Founder, TAO Inc.) anthropology from “kalinangan”
Challenges/trends)
"Kalinangan" comes from the word “linang,”
which has something to do with agriculture.

Culture, in terms of anthropology, is the shared

way of thinking and behaving of a group of
people. This can be seen as the similarities
found within a group of people. Culture helps a
group of people to survive, and vice versa.
(Culture in Anthropology | Definition, Groups &
Behavior, Study.com)

• Update:

The anthropological definition of culture, which

everybody understands, encompasses
everything we feel, breathe, say, do, etc.

"Filipino" before the Malolos Constitution

referred to Spanish men born in the Philippines.
Living within; being Filipino back then is a
concept of identity.

Filipino identity is a work in progress.

Culture defined in the concept of "dito."
Consensus as of 2021.

"Sinasalita" is not a dialect but a language,

especially Kalinga and Tagbanua.

A dialect is a variation of a language.

Tausug and Cebuano are sister languages; they

are almost the same language.

According to the consensus of scientists 4,000

years ago, our language originated from
Austronesian.

The Austronesian peoples are a large group of

people spread across various regions.
Historically, some 5,000 to 6,000 years ago,
groups of people from Indonesia and Malaysia
arrived in the Philippines, bringing their
cultures, traditions, and languages.
 The moment we became who we are, language
became the reconciling point.

When we started speaking our language.

Water/river.

Connection.

Water connects.

3,000 years ago, there were people who took

"banggaka" (outrigger boats) and traveled from
Guam; the point is that all people in Southeast
Asia speak languages originating from the
Philippines.

The Austronesians were influential.

1 out of 3 sailors in the world is Filipino.

"The Pala’wan Highlanders and the World they

live in: A Weaving of Golden Threads" by Nicole
Revel.

Mapped the Palawan skies.

Stars serve as the clock for the Palawan people.
11:30-12:00 OPEN FORUM
Ms. Jane Urbanek
(Reactor)

Ms. May Lacao 

(Moderator)

• Cynthia is from Cuyo.

• The Provincial Government of Palawan (PGP)
declared Cuyunon as the official language.

Younger people seldom use the Cuyunon

language.
• Ms. Maricon.
During the 1987 constitution, there were two
languages: Tagalog and Filipino.
• Tagalog was not the intention of the framers
of the constitution.

12:00-1:00 LUNCH BREAK

 Topic II – GOVERNING CULTURE
1:00-1:30 1. NCCA Mandates, Mr. Bernan Corpuz  Mr. Corpuz discussed that the National
Programs and (Deputy Executive Dir. Commission for Culture and the Arts
Initiatives For operations of NCCA) (NCCA) was established through
Executive Order No. 118, alongside the
enactment of the Cultural Heritage Law.
 It serves as the policy-making,
coordinating, and grants-giving agency
for the preservation, development, and
promotion of culture and the arts.
 NCCA functions as both a policy-making
and executing agency.
 Several laws, including RA Nos. 9115,
1133, 1194, 11904, 11960, 10557, and
11915, support NCCA's efforts and are
utilized for planning and collaboration
with other cultural agencies.
 The management of cultural centers
and museums involves the
establishment of facilities nationwide,
fostering collaboration with local
government units.
 It is emphasized that places like
Palawan should have venues to
showcase performances and talents,
attracting tourists.
 NCCA provides various grants and
assistance programs, including
competitive grants and institutional
grants where Individuals, cultural
agencies, and academic institutions can
submit proposals for funding, covering
technical assistance, travel assistance,
and more.
 Additionally, NCCA offers research
grants, supporting cultural mapping,
identification, and recording of cultural
resources in localities.
 • All information and guidelines are
available through the website of NCCA.
1:30-2:00 OPEN FORUM
Ms. Ma. Teodora Prieto • Manifested that these opportunities, assets,
(Reactor) and tools are now ready for taking, use, and the
only challenge now is the maximization of
bulding the Palawan dream, the "Sining" and
"Kalinangan" of Palawan culture and arts.
Ms. Conception Ordinario
 (Moderator)
2:00-2:30 2. The Philippine Mr. Jo-Dann Darong The Philippine Creative Industries Development
Creative Industries (Asst. Director, Bureau of Act: The Spirit and Intention of the Law
Development Act Industry Planning and • DTI looks at the fundamentals of being an
Innovation, DTI) artist and its sustainability.
• Filipinos are global, but to what extent?
• By 2030, the Philippines is Asia's premier.
• No. 1 in the creative economy in ASEAN.
• Creativity vs. innovation:

There is money in the creative industry.

Creativity in the Philippines is like food, a
commodity.
The Philippines Creative Industries is a collective
effort, a strength, and potential.
The creative industry has ripple effects on other
industries.
The weaknesses and threats of the Philippines'
creative economy.
Fast pace in upskilling and reskilling.
• PCIDA is the regulatory foundation and the
enabling national policy to foster a dynamic and
collaborative environment for Filipino creators.
• Creative Industry Players:
Creative firms
Artists
Artisans
Creators
Content providers
Creative workers
• Palawan will join together for national
competitiveness through creativity.
• September Creative Industry Month.
• Encourages the use of geographical indicators,
e.g., Mangga for Guimaras.
• The Taylor Swift spillover effects.
• In the process of writing the Philippine
Creative Industry Development Plan.
• Create an original.
• Balance between conserving and preserving
traditions.
• In the valley.
2:30-3:00 OPEN FORUM
Ms. Ma. Teodora Prieto • Affirmation to the prospects of the DTI in
(Reactor) putting safeguards for original creations.
• Livelihood vs. livelihood.
Ms. Conception Ordinario
(Moderator)
• Sir Acosta from El Nido:

Discussing video games, cosplay, and funding

requests.
Positive response from DTI representative to
introduce Sir Acosta to key players in the
gaming industry for collaboration in El Nido's
gaming industry development.

• Shwerin Corpuz, representing the local

Tourism Office, along with few municipal-level
tourism and cultural officers:

Urging the establishment of permanent cultural

municipal officers.

Discussing changes in elevated officers and the

need for program continuity.

Response by the NCCA representative: Creation

of positions through Sanggunian resolutions.

Lack of a culture and arts attaché.

Suggested response: MOU between NCCA and

DILG; conduct research, present findings to
LGU, and lobby.

DTI's response: PCIDA contains provisions

regarding the matter; IRR to follow.

• Sir Pat from DepEd:

Suggesting the separation of the city tourism
and culture and arts offices.

• Discussion on hubs in municipalities, but a

lack of retained documents; traceability through
research.

• Input from Sir Jonathan: Addressing the

market for cultural creativity; how to support
Palawenyos' cultural interests when there are
no venues for their creative work.

• Sir Louie's remarks.

• XXXX: Culture and arts are not the

 responsibility of tourism officers; defined roles
for culture and arts councils are limited to
creating inventories, lacking functionality for
actual tasks; suggesting elevation to the
national level.

Response from DTI: Reinvention of cultural

officers in LGUs.

Assurance that all processes are operational

and well-documented.

Topic III – THE ECONOMICS OF CULTURE

3:00- 3:30 1. Investing on Mr. Gabby Malvar • Economics of Culture
Culture (Int’l Award-Winning • Governance of culture and arts
Executive Producer & • Governance with economic aspects
Director, Extra Miles • Creativity is not always viable.
Production) • Who will take the risk?
• Emphasizing financial literacy among artists.
• Competition.
• There should be a fundamental shift to value
and protect intellectual property.
• Creating hubs is very important.
3:30- 4:00 OPEN FORUM
Mr. Rix Rafols • 2 points: How do we involve young people in
(Reactor) culture? Because of two things:
• How to monetize culture in tourism:
• Have the point of view of the world, not just
ours, for those who want to sell their works.
• How do we integrate culture into tourism?
• Is it merely through dressing or through
providing an experience?

Understand the culture of the province and the

municipality and invest in it.
Create a hub.
• 3Cs: Creativity, Connectivity, Clarity
(concentrated effort) / Creative, Connected,
Clear
• Invest and reinvest in our culture and arts.
• Culture and arts are different from each
other.
Ms. Maribel Buni
(Moderator)
• From Rizal: Blue bonds issued by LGUs to
support their artists.
• Self-respect: We are grateful that there are
 government agencies that can help our causes.
• In 2024, there are now many possibilities and
opportunities.
• Investing in culture is really investing in
ourselves.

4:00-4:30 2. Culture and Mr. Roberto Alabado III • This venue creates a dialogue between
Tourism (OIC Regional Dir., DOT- government agencies and stakeholders.
MIMAROPA) • Cultural tourism: Does Palawan have it?
• Tourism is an economic activity.
• Will tourists visit Palawan for a cultural
experience?
• Tourism promotes inclusive growth.
• Paths to recovery: an opportunity to reflect on
the industry; an opportunity to fill in the gaps;
an opportunity to enhance our product
offerings.
• Domestic tourism is key to the recovery of
tourism.
• Culture is an experience.
• How can we make our tourism products and
experiences more unique and inclusive?
• USP: Unique Selling Proposition.
• By embracing our Filipino identity, tourists
experience our culture and create tourism.
• Filipino-inclusive, experiential, sustainable,
community-based, authentic — A GOOD WAY
OF PRESENTING THE PHILIPPINES.
• LET THEM experience the culture of weaving
to understand the value of woven cloth.
• Incorporate the Philippine flavor into 10
Tourism Products that DOT.
• Improve the tourism value chain for an
enhanced tourist journey, from arrival to
departure.
• Examine what makes tourists visit localities.
• Ordinary to locals, extraordinary to outsiders.
• Identify the MSMEs in the tourism value chain
and assist them in upgrading their products and
services.
• Engage with our communities, especially IP
communities, to participate in tourism while
simultaneously protecting and conserving their
culture.
• Know your markets and learn to speak
conversational English and maybe another
 language.
• Ensure accessibility for children, elderly, and
PWDs.
4:30-5:00 OPEN FORUM
Mr. Rix Rafols • Figure out whether niche tourism.
(Reactor) • Storytelling or factual:

It should be factual; enticing but not legendary.

Romanticized storytelling.
Experiential.
• POV: We are pitiful.
• Through this summit, it is now time to change
that POV of pity.
Ms. Maribel Buni • From Father: Promote Palawan culture and
(Moderator) tourism with stories and hearts, not just the
plain.
• Find avenues to immerse oneself in the
experience of our culture.
• Ma’am Lolit: People within the community
should learn to appreciate the culture to
promote the tourism of the place.
• Sir Rafols: Do not only think of foreign
tourists; also consider local tourists.
• Tourism in Palawan is in its infancy but has a
lot to offer.
• Challenge to have a variety of food: vegan
food, different diets that the Philippines should
be prepared for.
• What about other markets? Be prepared, not
just Muslim food.

PALAWAN CULTURE & ARTS SUMMIT

February 15-16, 2024
VJR Hall, Palawan Provincial Capitol, Puerto Princesa City

DAY 2
(Feb. 16, 2024)
 Time Program Description Highlights
8:00-8:30 Registration
8:30-9:00 Highlights of day 1  5 topics discussed
(RECAP)
Topic IV – QUO VADIS PALAWAN CULTURE?
9:00-9:30 1. Ways forward for Dr. Ivan Henares  Enumerated 10 historical landmarks of
Palawan Culture and (Sec. Gen., UNESCO palawan
Arts National Commission)  Intangible cultural elements of palawan
 Languages po Palawan
 Define the element/s of Palawan
culture and learn how to promote
 Come up with beautiful narrative of
palawan
 For art and culture community: focus
on capacity building on artist
 Teach artist financial literacy
 Not always dole out
 Access government funding
 Palawan should come up with an
avenue to promote its culture and arts
outside palawan
 Do not rely with the government grants
only
 Move towards the platform of
sustainability and economic viability
 Provide training and capacity building
9:30-10:00 OPEN FORUM
Ms. Ma. Teodora Prieto  This summit is providing us avenue for
(Reactor) culture and arts thru tourism
 Challenge: to know ourselves and
understand ourselves
 Be creative in the management of our
art
 Both a challenge and an opportunity

Mr. Aries Austria
(Moderator)

 Sung lantege
 Artists in palawan has no platform
 Separate the office of culture and arts
from the office of the tourism

 Pat Marquez Lantege
 Hiwala ang culture sa tourism

Topic V – PLANNING FOR THE FUTURE

10:00-11:00 1. Prioritizing Mr. Ceasar Sammy  Planning for the Future: LGUs
Programs and Magbanua o Come
Projects (Moderator)
 Suggestions:
o Ms. Angei:
o Facilitate a B2B, match
o Artist painting class
o Gastronomy
o Heritage and history, and skill
training for tour guides
o Grants and proposal workshops
o Sherwin Corpuz:
o Community validation od
inventory in the municipal level
to the provincial level
o Legislative support in
acknoladging the result of the
validation
o Entrepreneurship

o From DILG Palawan:

o Extend and maximize help from
the Government

o Respect IPs
o Training ang capacity building
o Establishment of palawan
heritage online flatform
o Palawan heritage code thru
legislations
o Local magnacata for apalawan
heritage workers
o Establishment of palawan
archives
o Palawan cuisine
o IP registration assists
o Collaborative effort
 Best practices
o Epiko ng Tgabanua published in
Aborlan; launching feb 22, 2024
o Research and
 PCIDA
 Pilars:
o P1: Build create ecosystem
 Strengthen brand
identity
  Foster creative
peacemaking
 Formulate enabling
policies
o P2: empowering the creative
workforce
 Develop the creative
talent
 Connect creative talent
 Protect creative talent
o P3: Accelerate inclusive
innovation
 Build innovation
building
 Mapping and inventory of cultural in
palawan is important; not only
promotion of beaches
 LGU has no single focal person in-
charge of culture and arts

CLOSING
Remarks Hon. Toto Pineda
(Board Member, 1st
District of Palawan,
Chairman, Committee on
Tourism)