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Busm4553 A1 S3878891
Busm4553 A1 S3878891
SID S3878891
Lecturer Harlod DW
Course Code BUSM4553
Word Count 1410
AGRUMENTATIVE
ESSAY
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1. Introduction:
Innovation - a factor that is very much needed in modern economies, is described as
a progress that merges science, technology, economics and management which
aims to obtain and broaden the new ideas to its commercialization (Kogabayev and
Maziliauskas 2017). A perspective expressed by Tidd, Bessant and Pavitt (2005)
about innovation: “innovation is complex, uncertain, and almost impossible to
manage”. Nevertheless, though the realm of innovation is obscure, Desozoa et al.
2007 has defined the process of generating a successful innovation within only 5
steps. This paper is going to discuss Tidd et al. (2005) viewpoints, specifically about
the complexity and uncertainty of innovation, however, against the unmanageability
of innovation using a series of frameworks and theories.
2. Argument:
a. The relationship between creativity, innovation and entrepreneurship:
Creativity is defined as a process that generates novel and appropriate ideas in any
domain in a human life. Creativity is important due to its effectiveness and efficiency
in solving problems (Al-Ababneh 2020). Creativity will produce innovation, in which,
a successful innovation requires a good idea. There is a strong relationship between
creativity and innovation since it will seed innovative offerings, however, the link is
context-sensitive and multi-level in nature. Conversely, innovation and creativity is
different from each other by the implementation, not the generation of ideas
(Sarooghi, Libaers and Burkemper 2015).
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To conclude, the relationship between creativity, innovation and entrepreneurship
can be described as figure 1 where ideas are generated, then take into action and
creating innovative offerings for customers
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Pirola-Merlo and Mann (2004) also indicated the relationship between individual
creativity and team creativity whereas the creativity level of a team is determined by
each member’s creativity. Although, the final creativeness is more than the sum of
group members but also depends on the type of tasks and group structure, individual
creativity is a significant contributor that determines the team’s outcomes.
c. Factors related to creativity and innovation at organisational level:
The original componential theory of creativity presents a 5-stage process of how
innovation is shaped (Amabile and Pratt 2016).
Stage 1 which is the agenda setting stage which involves determining the aim or the
issue the organisation is trying to solve. This stage is heavily influenced by the
motivation to innovate, in which the leader’s behaviour concerning innovation will
reflect that aspiration.
Stage 2 regards activities including asserting specific goals, gathering resources and
instituting the work context. As a stage setting stage, it will decide the success of the
project. 2 factors that are influential to this stage are resources and skills.
Third stage is producing ideas in which any possibilities about the project are
generated. Stage 3 relies on the foundation of stage 1 and 2, however, the
implementation of the possibilities (stage 4) is also decisive to the effectiveness of
the creative and innovation process.
Stage 4 will present, assess and evaluate the possibilities generated in stage 3, the
best idea will be picked to develop in further stages. Besides the 2 factors which are
resources and skills, this stage directly depends on the motivation to innovate.
Last stage is outcome assessment which is the result of decision making in stage 4.
A feedback loop, in which the assessment may go back to a previous step of the
process, is a crucial component of the result assessment stage.
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Figure 3: the organisation innovation process (adapted from Amabile and Pratt
2016).
d. Factors related to innovation typologies:
Moore (2006) has divided innovation into 15 different types based on 4 zones,
product leadership zone, customer intimacy zone, category renewal zone and
operational excellence zone. Product leadership zone is in the growth phase where
its type of innovation requires heavy R&D in order to win market share and maximise
profits, also bring high risks. Customer intimacy zone is in the mature stage where its
innovation types are either using operational excellence to increase the offer's
profitability for the vendor or using customer intimacy to increase the offer's appeal to
the consumer. Operational excellence zone is also in the mature stage, its
innovations focus more on differentiation on the supply side more than the demand
size of the market which could lower costs and higher profit. In the end-of-life stage,
category renewal zone (Figure 4,5)
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Figure 4: Four innovation zones (adapted from Moore 2016)
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are made based on existing products or services. Radical innovation is an invention
that disrupts the existence of a business model, however, due to the high level of
newness, radical innovation is difficult to adopt. On the vertical axis, it represents the
value-added of the invention. Eventually, the newer the invention, the more value is
added. Nevertheless, if the innovation is developed in a whole different fashion it will
become disruptive innovation (Ghandour 2020).
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organisation leader is creativity. As creativity is divergent thinking and is needed at
any dimension of an organisation, there is no scope that can define the scheme of
creativity (Gurteen 1988)
3. Conclusion:
Innovation is a complex and insatiable process that requires the contribution of many
factors. One major contributor of innovation at both individual/team and
organisational level is creativity. However, creativity is not enough, the innovation
development process also needs other steps including verifying new ideas, testing
and implementing to choose the most effective idea. There is also a vivid relationship
between creativity, innovation and entrepreneurship where each component
influences the others. Additionally, because of innovation’s sophistication, innovation
is also divided into 4 clusters and each will have their own distinctive features and
goals. As an entrepreneur, they should be able to have strategic management
practices for innovation to increase the organisation effectiveness. To conclude, I
favour Tidd’s et al (2005) viewpoint about how innovation is complicated and
unpredictable, however, argue against how innovation is uncontrollable while
creativity is the boundless factor.
4. References:
Al-Ababneh M (2020) ‘THE CONCEPT OF CREATIVITY: DEFINITIONS AND
THEORIES’, International Journal of Tourism & Hotel Business Management, 2(1):
245-249
Amabile T and Pratt M (2016) ‘The dynamic componential model of creativity and
innovation in organisations: Making progress, making meaning’, Research in
Organisational Behaviour, 36: 157-183, doi: 10.1016/j.riob.2016.10.001
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Desouza K, Dombrowski C, Awazu Y, Baloh P, Papagari S, Kim J and Jha S (2007)
‘The Five Stage of Successful Innovation’, MIT Sloan Management Review, 8(3)
Ghandour A (2020 'managing Innovation Process in the Real Estate Sector: Case
study from UAE’, International Journal of Innovation, Creativity and Change, 13(12)
Moore G (2016) Dealing with Darwin : how great companies innovate at every phase
of their evolution, Capstone, Chichester
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Pratoom K and Savatsomboon G (2010) ‘Explaining factors affecting individual
innovation: The case of producer group members in Thailand’, Asia Pacific Journal
of Management’, 29: 1063-1087, doi: 10.1007/s10490-010-9246-0
Simeone L, Morelli N and Gotzen A (2021) Shaping smart for better cities:
Rethinking and Shaping Relationships Between Urban Space and Digital
Technologies, Academic Press, doi: 10.1016/B978-0-12-818636-7.00001-9
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