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Nietzsche, Nihilism and
the Philosophy of the Future
Continuum Studies in Continental Philosophy
Series Editor: James Fieser, University of Tennessee at Martin, USA
www.continuumbooks.com
Acknowledgments vii
Contributors viii
Note on Citations to Nietzsche’s Works x
Introduction 1
1 Nietzsche’s Double Rhetoric: Which Nihilism? 9
Stanley Rosen
2 Toward a New Aristocracy: Nietzsche contra Plato
on the Role of a Warrior Elite 20
Michael Allen Gillespie
3 Nietzsche: Nihilism and Neo-Gnosticism 37
Stanley Corngold
4 Nietzsche—Rhetoric—Nihilism: “Every Name in History”—
“Every Style”—“Everything Permitted” (A Political
Philology of the Last Letter) 54
Geoff Waite
5 Does That Sound Strange to You? Education and Indirection in
Essay III of On the Genealogy of Morals 79
Daniel Conway
6 Free Spirits and Free Thinkers: Nietzsche and Guyau
on the Future of Morality 102
Keith Ansell-Pearson
7 How Deep Are the Roots of Nihilism? Nietzsche on the Creative
Power of Nature and Morality 125
Jeffrey Metzger
vi Contents
References to the German editions of Nietzsche’s work are to the volume and
page number of the following editions, indicated by the following abbreviations:
HAH = Human, All Too Human: A Book for Free Spirits. Trans. R. J. Hollingdale.
Cambridge: Cambridge University Press, 1986.
NCW = Nietzsche contra Wagner. Trans. Walter Kaufmann, in The Portable
Nietzsche.
PTAG = Philosophy in the Tragic Age of the Greeks. Trans. Marianne Cowan.
Washington, DC: Regnery, 1962.
RWB = Richard Wagner in Bayreuth, in Untimely Meditations.
TI = Twilight of the Idols. Trans. Walter Kaufmann, in The Portable Nietzsche. Also
Twilight of the Idols. Trans. R. J. Hollingdale. New York: Viking Penguin, 1968.
TL = On Truth and Lies in an Extra-Moral Sense. In Philosophy and Truth:
Selections from Nietzsche’s Notebooks of the Early 1870’s. Ed. and trans. Daniel
Breazeale. Atlantic Highlands: Humanities International Press, 1979.
UM = Untimely Meditations. Trans. R. J. Hollingdale. Cambridge: Cambridge
University Press, 1983.
WP = The Will to Power. Trans. Walter Kaufmann and R. J. Hollingdale. New
York: Vintage Books, 1967.
Z = Thus Spoke Zarathustra. Trans. Walter Kaufmann. New York: Viking Press,
1968.
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Introduction
often believed, and in particular that he did not actually mistake Plato, who
believed warriors to be necessary and even the breeding ground for philoso-
phers in his ideal city, for Christianity. Even so, however, Nietzsche does reject
Plato’s attempt to moderate warriors.
According to Gillespie, this ultimately reveals the superiority of Plato to
Nietzsche, for it shows that Plato better understood both the soul of the warrior
and the necessities of political life. Most tellingly, Plato’s account of education
is precisely what is missing in Nietzsche; although Nietzsche does not seek
merely to produce a race of ferocious warriors, he gives no account of how
the warriors he believes are necessary to move beyond bourgeois society will be
educated and civilized into something higher than mere destroyers. As Gillespie
writes, Nietzsche “was much more interested in convincing his contemporaries
to choose the path that leads to such an aristocracy rather than with detailing
how this aristocracy should be forged, trained, and ennobled.” Moreover, how-
ever inspiring Nietzsche’s rhetoric may be, without the necessary institutional
and educational structures to promote his spiritual vision over successive gen-
erations, there is little reason to expect his writings to exercise the kind of
formative influence he seemed to hope they would.
Stanley Corngold’s essay is also focused on Nietzsche’s attempts to create a
new aristocracy, though Corngold approaches this question by identifying a
Gnostic streak in Nietzsche’s writings, both published and unpublished, that
will surely surprise many readers. Corngold begins with a long, unpublished
essay-fragment titled “European Nihilism,” which provides a compressed narra-
tive history of nihilism and its stages of development before culminating in a
call for a new elect to emerge and rule Europe. This leads into the discussion of
Gnosticism, in which Corngold shows that Nietzsche shares with Gnosticism not
only a belief in “the ontological priority of an elect,” but also a desire for a more
or less irrationalist form of transcendence, which in Nietzsche’s case centers on
poetic or artistic creation and which he often illustrates with the figure of a self-
igniting and self-consuming flame. In his moments of Gnostic élan, in other
words, Nietzsche rejects not so much the transcendence as the moralized
transcendence of Christianity, the world-weary longing for an escape from
reality. But the image and imagination of a different, incandescent type of tran-
scendence clearly exercised a fascination for Nietzsche throughout his life.
Corngold isolates further significant elements of Nietzsche’s neo-Gnosticism,
including his antinomian and iconoclastic repudiation of Pauline Christianity,
and more generally of “the institutions constituting state and community,”
and his belief, especially evident at the end of “European Nihilism,” that this
repudiation will prepare the way for an almost miraculous transformation
of the social order and the institution of the rule of the elect. Even this, how-
ever, is not an exhaustive list, and one of the strengths of Corngold’s study
is his ability to discern this Gnostic strain both in Nietzsche’s poignant attem-
pts to communicate his singular aesthetic experience and in his somewhat
4 Nietzsche, Nihilism and the Philosophy of the Future
more clamorous calls for the cataclysmic renovation of the political and
cultural world.
The first three essays raise serious and probing questions about the success
of Nietzsche’s confrontation with nihilism; Geoff Waite’s characteristically
ambitious essay argues that Nietzsche has been all too successful in his attempt
to spread “a great severe form of contagious nihilism.” Waite’s work is one
of the most important challenges to the perennial attempts to normalize
Nietzsche, to read him as a simple precursor to contemporary trends in philoso-
phy, and he continues this challenge here with an analysis of Nietzsche’s claims
to be every name in history and to write in every possible style. These claims,
according to Waite, do not imply a nihilistic permissiveness, despair, or paraly-
sis; on the contrary, Nietzsche’s writings are governed by a highly selective
authorial intention. “This is why he can be ‘every name in history’ and yet prefer
being ‘Prado’ and ‘Chambige,’ can deploy ‘every style,’ yet prefer exo/esoteri-
cism. Like Eternal Recurrence, ‘everything is permitted’ demands selectivity.”
Waite is here referring to Nietzsche’s interest in the cases of Prado and
Chambige, two murderers whom Nietzsche claims to be in his final letter to
Jakob Burckhardt. Nietzsche’s interest in these murderers and the popular
accounts of their trials, and his subsequent tremendous influence on popular
as well as “high” culture, illustrate the Russian Formalists’ “law of the canoni-
zation of the junior branch,” according to which “popular culture—notably
feuilleton journalism, vaudeville, and, in the case of Dostoevsky’s novels, detec-
tive fiction—must be periodically elevated into the ‘canon’ before being
reciprocally returned to the ‘junior branch.’” This formalist law, according to
Waite, implying as it does the necessary and inevitable cross-pollination or
cross-contamination of high and low culture, “is how Nietzsche’s self-described
‘promotion’ of the ‘severe form of great contagious nihilism’ subsequently
has affected a vast array of popular literature, music, and cinema but also of
murderers.” Waite applies his political philology both to Nietzsche’s relation-
ship with the popular press and literature of his time and to his reference to
“my centrum,” concluding his essay with a detailed annotation of Nietzsche’s
last letter to Jakob Burckhardt.
Daniel Conway’s essay also centers on the rhetorical effects of Nietzsche’s
texts but offers a more positive reading of Nietzsche’s intentions and influence
(indeed, Conway’s chapter marks a shift in the volume as a whole from critique
to respectful interpretation). While Waite maintains that Nietzsche’s rhetoric
serves destructive and indeed murderous purposes, Conway suggests that it is
rather designed to educate and train “his best readers.” Conway begins with
Nietzsche’s reference in the Genealogy to his “unknown friends,” an instance of
the general type of comment one finds throughout Nietzsche’s writings address-
ing a “we” or his “friends.” These comments range in tone from impassioned
and exhortatory to intimate and confessional, and from seductive to ironic, but
in every case they raise the question of who Nietzsche means to reach with this
Introduction 5
rhetorical device, and never more so than in his reference to his “unknown
friends” in the Genealogy. Conway’s argument is that Nietzsche’s goal in the cli-
max of the Genealogy is to bring his “unknown friends” into being by teaching
them how to turn the destructive power of the ascetic ideal against itself. He
begins by highlighting several rhetorical snares and pieces of textual misdirec-
tion in these final sections, designed in the first place to separate those among
Nietzsche’s readers who are determined to oppose the ascetic ideal from those
who will be satisfied with half-measures or simple self-deception. Once the “last
idealists of knowledge” have pressed on, however, and have recognized them-
selves in Nietzsche’s portrait of the last, noblest instantiation of the ascetic ideal,
their education and training begins. Nietzsche, according to Conway, forces
his best readers to realize that their devotion to scientific truth is ultimately
grounded in the ascetic ideal, so that their attack on that ideal must be laun-
ched from within its “closed system.” This means then that the overcoming
of the ascetic ideal will require the self-overcoming, and thus possibly the self-
destruction, of these “unknown friends” Nietzsche sets out to create in the Gene-
alogy. Even Conway’s relatively benign or life-affirming Nietzsche requires his
best readers to live dangerously.
Keith Ansell-Pearson’s essay considers Nietzsche in relation to one of his con-
temporaries, Jean-Marie Guyau, whose works Nietzsche read with appreciation.
Although Ansell-Pearson modestly announces that his hope is to shed light on
“the wider intellectual context” of Nietzsche’s work, the comparison with Guyau
is of more than purely historical interest. While Ansell-Pearson is certainly suc-
cessful in showing that Nietzsche read and esteemed Guyau as an important
writer, the essay goes further and reveals Guyau to be an interesting thinker in
his own right. Furthermore, Ansell-Pearson provides a concise yet surprisingly
comprehensive account of Nietzsche’s thought on morality and nihilism
through a series of point-by-point comparisons by Guyau, who illuminates
Nietzsche as much by articulating what both have in common (but in a way that
emphasizes different aspects or a different context than does Nietzsche) as by
contrasting with him.
Ultimately, however, Nietzsche did find Guyau wanting as a thinker, and con-
signed him to the rank of “free thinkers.” As Ansell-Pearson’s title indicates,
Nietzsche draws a clear distinction in his mature works between “free spirits”
and “free thinkers,” where the former are clearly superior to the latter.
Nietzsche’s dismissal of Guyau as a mere “free thinker” forces us to ask what
exactly separates the two. Ansell-Pearson answers this question in the course of
his overview of Nietzsche’s thought, which uses the contrast between free think-
ers (like Guyau) and free spirits (like Nietzsche) to show the importance for
Nietzsche of affirming precisely the unchristian and immoral aspects of life and
nature, which are absolutely essential for vitality and growth. Thus Nietzsche’s
censure of morality is not merely a matter of an abstract critique of concepts
like selflessness and free will, but of affirming suffering and discipline as the
6 Nietzsche, Nihilism and the Philosophy of the Future
only means to enhance humanity. As Ansell-Pearson succinctly puts it, “the free
thinker holds that the human herd can develop without the need of a shep-
herd; the free spirit upholds the need for one.” Thus while Ansell-Pearson is
less critical or dubious of Nietzsche than some of the earlier essays, he agrees
that Nietzsche is no liberal and no democrat: “Nietzsche does value autonomy,
personality, and sovereign individuality but he couples his valuation of them
not with the Enlightenment ideals of liberty, equality, and fraternity but with an
unashamedly elitist ‘radical aristocratism.’”
My own contribution continues the focus on Nietzsche’s analysis of social or
political life and its relation to nihilism. It looks specifically at Nietzsche’s
account of the origin of political society in On the Genealogy of Morals, and asks
whether Nietzsche’s argument is that all society, precisely because it enacts and
relies upon repression of instinct, poisons its members with ressentiment and
thus leads to nihilism. I begin by asking whether the question of origins should
have any bearing on the examination of nihilism at all, given Nietzsche’s
emphatic statement that origins do not determine later meaning, and more
generally his keen awareness of the historical mutability of morality and human
nature. I suggest several reasons why the question of origins is relevant to an
appraisal of morality (especially for Nietzsche), the most important of which is
that an investigation of how political society, and so the “bad conscience,” came
into existence reveals the matrix or condition of all morality, and in particular
the role of nature in shaping and driving moral creation. I then turn to the
particulars of Nietzsche’s account in the Second Essay of the Genealogy, and
suggest that Nietzsche’s view is that socialized morality, despite requiring instin-
ctual repression, expresses the same natural form-creating force manifest in
the founders of states, and is therefore an experience of actual, creative power,
and as such does not provoke ressentiment.
The final two essays stand as something of a counterpoint to the rest of the
volume. While all of the other essays more or less agree that Nietzsche regards
nihilism as a genuine and terrible crisis, and that his analysis of nihilism is
meant to have profound political and social consequences, James Porter argues
that Nietzsche is not and cannot be a nihilist, and Robert Guay that Nietzsche’s
response to nihilism is fundamentally apolitical.
Porter begins his chapter with a brisk statement of the essay’s thesis or prem-
ise: “If you love life you cannot be a nihilist about life.” Porter’s argument is that
nihilism, or the negation or rejection of reality, is impossible for both philo-
sophical and psychological reasons. Porter traces the influence on Nietzsche of
both Kant, who argued that one cannot negate reality, and Schopenhauer, who
argued that one cannot negate life, and shows how both convinced Nietzsche
“that willing is an irrefragable constituent in human life.” Yet the fact that the
kind of total or uncompromising negation that nihilism may seem to imply
is not possible does not mean that we are or can be caught up in a simple
or unambiguous affirmation, either: “Nietzsche effectively wants to love life
Introduction 7
of meaningful choice and action: “The productive process that makes us what
we are depends on maintaining a tension between human situatedness and
human aspiration.” Modern politics, on the other hand, is prudential and
therefore vacuous according to Guay, since its sole concerns are the rational
management of resources and facilitating peaceful social interactions.
Nietzsche is thus a liberal in Guay’s reading, but a very specific and unusual
kind of liberal: “Nietzsche’s position functions as a form of liberalism, since the
role of the state is restricted for the sake of free self-development. The point of
this restriction, however, is not to acknowledge inherent human worth, but to
promote conflict in a manner that is productive of the meanings that sustain
our senses of self.” Nietzsche, in other words, wants to preserve the division
between public and private in its modern liberal form, but only because it
positively produces or promotes more intense private conflict and tragicomic
struggle—not, as in the case of Richard Rorty, because relegating such spiritual
struggles to the private realm makes the public sphere of liberal procedural
justice more secure. In this reading Nietzsche subordinates the public to the
private because he subordinates the prudential to the tragicomic.
It is a cliché to say that a philosopher’s thought exhibits “breadth and depth.”
And these essays, while certainly giving evidence of the scope, rigor, and pene-
trating brilliance of Nietzsche’s mind, do more than simply answer a formal
requirement for diversity and heft. They not only demonstrate the power
of Nietzsche’s insistence that we stop worshipping the shadows of a dead God,
but, taken as a whole, force the reader to confront both aspects of nihilism
as Nietzsche experienced and anticipated it: both the “long plenitude
and sequence of breakdown, destruction, ruin and cataclysm that is now
impending . . . this monstrous logic of terror,” and the “free horizon” and “open
seas” that “[w]e philosophers and ‘free spirits’” perceive when hearing of the
death of God (GS 343). From just over the horizon Nietzsche calls to us, vehe-
mently imploring us to face the deadly truth of nihilism, joyously tempting us
to share in his “gratitude, amazement, premonitions, expectations.” Whether
this is a sinister siren song, the delicate and luminous tune of a Dionysian
pied piper, or the fading echo of an explorer who has suffered shipwreck? That
we cannot know without setting out on these waters ourselves.
Chapter 1
Anyone who studies Nietzsche with minimal care cannot fail to be struck by the
great importance he assigns to lying and concealment. “Ah! It is impossible to
have an effect with the language of truth: Rhetoric is necessary” (KSA 9: 160–1).
The frequency of remarks of this sort in the Nietzschean corpus is balanced,
however, by a constant and increasingly violent celebration of his philosophical
and political destiny, culminating in the manic assertion “I am dynamite!”
To exaggerate slightly, Nietzsche insists openly that he sanctions, and in fact
recommends, lying and concealment. We are therefore forced to ask which
Nietzsche is telling the truth. The answer to this question is not simply a matter
of literary style. It goes to the heart of his thought. I shall argue that there are
two roads leading to that heart. Both are intended to overcome nihilism, but
both make it inevitable. “The world is throughout no organism but [rather]
chaos” (KSA 13: 373). And again: “will to power as knowledge: not ‘knowing’
but schematizing, so as to impose onto chaos as much regularity and form as
suffices for our practical needs” (KSA 13: 333).
As I read him, Nietzsche is the culmination of modern epistemology, literally
a reductio ad absurdum, not at all the founder of a new postmodern philosophy
but the last consequence of the modern scientific split between primary and
secondary attributes. As such, Nietzsche exemplifies the repudiation of natural
as well as transcendental metaphysics. If there is any trace of metaphysics in
Nietzsche, it is materialism, not idealism. But the materialism is of the construc-
tive variety; we do not, according to Nietzsche, discover but rather produce the
order of the world. In that sense, Nietzsche is a Kantian, but with an important
difference. Nietzsche has no equivalent to the transcendental ego, which he
would regard as itself a production of the will to power. But these productions
emerge from chaos, and thus lead to nihilism.
To come back to the main argument, the problem is that Nietzsche seems to
reveal his doctrines fully and loudly, while at the same time claiming that he
sanctions comprehensive lying and concealment whenever they are necessary
to protect his insights from the degradation imposed by the many. Whether
these contradictions are logical or rhetorical, they are responsible for much
obscurity in Nietzsche’s writings. They have also led to a wide range of conflict-
ing Nietzsche interpretations and assertions that it is a mistake to look for a
10 Nietzsche, Nihilism and the Philosophy of the Future
In Nietzsche’s lexicon, the deepest thoughts are also the highest thoughts; both
are accessible only to the poetic thinker, who both sees and creates at once.
Nietzsche is a philosopher of extremes who from time to time speaks moder-
ately for the sake of concealment.
As a corollary, I note that language is of central importance to the modern
(and postmodern) Enlightenment, whereas the status or respectability of con-
cealment, in politics and philosophy at least, steadily deteriorates. Experience
soon teaches us that openness is not the same as honesty. There are such things
as masks of transparence. Whoever enters into politics learns almost immedi-
ately that one may, and apparently must, conceal lies with masks of honesty.
There is then an inner connection between politics and lying.
In Plato’s Republic, the noble component of the noble lie is not the lie but the
nobility it serves. And this in turn is for Plato the Ideas, whereas for Nietzsche
it is continuous creation of new and ever higher values. Unfortunately,
Nietzsche’s argument seems to be circular. The noble is the powerful and the
powerful is the noble. This will be of some interest when we come to the eternal
return. Meanwhile, we continue with lying and concealment.
There is another way in which to illustrate the superiority of concealment to
lying. Consider the following passage from Stendhal, quoted by Nietzsche in
French: “A belief that is almost instinctive in me is that every powerful man lies
when he speaks, and for even stronger reasons when he writes” (KSA 13: 19).
The superior power of writing to speaking arises from the greater possibility
of concealment when one writes rather than speaking. Speeches may be judged
by actions, which speak louder than words. Conversely, it is no doubt true, as
Nietzsche himself observes, that “to speak much of oneself is also a means to
hide oneself” (KSA 10: 95). And the same is true of everyone, philosophers
and nonphilosophers alike. “If there were a God, he would need on grounds
of politeness alone to manifest himself simply as a resident of the world”
(KSA 11: 543).
Thus far we have examined the relationship between the Socratic and
Nietzschean noble lies. For Nietzsche, there is a correlation between nobility
and power. Everyone seeks to impose onto others his or her own values. The
most successful in this contest are the most noble. With the proper modifica-
tions, one could say something of the sort about Socrates and his students, but
with this crucial difference. For these thinkers, the will of the philosopher is
itself subordinate to a perception of the truth, whereas for Nietzsche, the truth
is what exerts the highest degree of power. Stated in equivalent terms, what
counts as true has been, or is being, produced by the will of the powerful per-
son. Truth is a creation of powerful human beings. It is a work of art. Art is
worth more than the truth for human life, because it is art that determines
what we regard as truth. This being so, however, it seems that the statement
about the true nature of art must itself be an artwork, and therefore an expres-
sion of the will to power. This is the same as to say that truth is a lie.
Nietzsche’s Double Rhetoric: Which Nihilism? 13
It should perhaps be obvious, but let me repeat for the sake of caution, that
Nietzsche’s praise of lying refers to the degree of utility of a given statement
for world-creations, and not to the truth value of empirical statements like
“Grass is green” or formal propositions like “2 + 2 = 4.” It is not intrinsically
better for 2 + 2 to equal four rather than five, but it is better for the sake of
the application of arithmetic to the task of creating new world-perspectives
or destroying old ones. It is helpful to think here of Kant’s distinction between
the domain of the transcendental and the empirical. For Kant, there is just
one set of transcendental, world-constituting laws, whereas for Nietzsche, the
number is endless.
Speaking very generally, there is a difference between purposely misidentify-
ing someone or something, and concealing something so that it cannot be
perceived. For the most part, there is no lie in concealment; lying begins, or
may begin, when something comes into view. Stated in another way, if we wish
to protect the genuine philosopher from the misunderstanding of the rabble,
then one must not speak or in some other way betray the nobility of his soul.
For example, philosophers must present themselves as prophets or lawgivers, or
perhaps as commanders and statesmen. More broadly stated, we move from the
love of ideas to the power of ideology.
I have been arguing that Nietzsche’s two rhetorics correspond to what he
himself distinguishes as active and passive nihilism (KSA 12: 350–2). The for-
mer is addressed to philosophers, and the latter to nonphilosophers. One could
also express this as the distinction between esoteric and exoteric teaching (KSA
12: 350, 355). It is essential for Nietzsche’s entire program, both political and
theoretical, that the distinction between the two main types of nihilism can be
preserved. In other words, there must be an enduring distinction between
the noble and the base that permits us to identify instances of each general
type. As we have seen, there is no such definite or stable distinction of this or
any other sort. Both the noble and the base deteriorate into chaos. In his own
way, Nietzsche attempts the strikingly Hegelian task of mastering chaos, but in
a poetical rather than a logical language, of which the high point is the myth of
the eternal return.
So far we have established that Nietzsche makes use of a double rhetoric in
ways that are a function of the nature of his audience. In the most important
cases, that of speaking to philosophers or more extensively to potential philo-
sophers, the problem is not so much that of safeguarding the many from dan-
gerous truths as it is of safeguarding dangerous truths from the many. The
question is that of nobility and baseness, which are beyond good and evil.
A failure to perceive this distinction is at the bottom of the defects of the late
modern European Enlightenment.
Nietzsche often provides contradictory definitions or characterizations of his
main technical terminology. He conceals his inner thoughts by masking them
with illusions or noble lies, but in so doing, he neither affirms nor denies the
14 Nietzsche, Nihilism and the Philosophy of the Future
truth. Let us take a concrete example: the ascetic ideal, which is developed
most fully in the third essay of the Genealogy of Morals.
It is not easy to understand what Nietzsche means by this expression. There
are almost too many senses to encompass its richness. There can be no doubt
of its importance, however. Nietzsche says “I know of hardly anything that has
had so destructive an effect on the health and racial strength of Europeans as
this ideal; one may without any exaggeration call it the true calamity in the history
of European health” (GM III: 21). We may connect it with decadence and
a sickness that debilitates life: “the ascetic ideal springs from the protective instinct
of a degenerating life which tries by all means to sustain itself and to fight for its
existence” (GM III: 13).
There is, however, another side to the ascetic ideal: “All honor to the ascetic
ideal insofar as it is honest! so long as it believes in itself and does not play tricks
on us!” (GM II: 27) In other words, Nietzsche rejects the simulacra of life-
enhancement and honors the honest efforts of decadent individuals to
preserve us from the spiritual death of nihilism (GM III: 26).
points, the artist has been more correct than all philosophers thus far,” and in
1887–88: “Art and nothing but art; it is the great enabler of life, the great
seducer to life, the great stimulus to life.” And again, Nietzsche says that he has
experienced that art is worth more than truth (KSA 11: 587; 13: 194). Art is
superior because there is no correct explanation of life, no logos, as we may
put it. Instead, there are myths of the whole, perspectives that may be rank-
ordered on the basis of their capacity to invigorate (see the various remarks
on interpretation and perspectivism in the Nachlass for 1885–86). We should
not fail to remember that Nietzsche’s own doctrine of life-enhancement by
means of art is itself a myth or work of art, not a correct philosophical analysis
of the meaning of life. This fact is obviously connected to the problem of the
place of philosophy within the rank-ordering of “explanations”—actually, inter-
pretations—of life. Throughout his writings, Nietzsche emphasizes that the
task of philosophy is to grasp the truth about the whole. But that truth is the
identification of the whole as a work of art. This is why the philosopher must
conceal the truth, as Nietzsche insists at length in Beyond Good and Evil. As
he says there, it is not so much that the rabble will be endangered by being
told the truth of things, but rather that they will vitiate that truth, bring it down
to their own level.
“Everything rare for the rare!” (BGE 43). The multitude does not deserve to
know the truth. In the Genealogy of Morals, the complementary point is made
about the few—Nietzsche both praises and criticizes those contemporaries who
regard themselves as free spirits and are not captives of the ignorance of the
rabble:
They certainly believe that they are as liberated from the ascetic ideal as
possible, those free, very free spirits; and yet, to disclose to them what they
themselves cannot see—for they are too close to themselves: this ideal is
precisely their ideal, too, they themselves embody it today, and perhaps they
alone . . . They are far from being free spirits: for they still have faith in truth.
(GM III: 24)
In sum, Nietzsche thinks in what I would call the light of a double paradigm
of art. The whole discussion of art seems to have two different and opposing
principles. The first principle is, to modify for our own purposes a phrase from
Fichte, that art is higher than Being (i.e. Being cannot limit our creativity;
Fichte says that freedom is higher than Being). To this, Nietzsche as it were adds
that Being at its heart is chaos, which he derives as a corollary from the first
principle. I cited Fichte, but one could argue that the principle lies at the heart
of modern philosophy at least since Kant. The failure of modern idealism in the
nineteenth century is virtually simultaneous with Nietzsche’s transformation
and appropriation of nineteenth-century materialism into an emotionally satis-
fying but incoherent doctrine of freedom wedded to amor fati. Unfortunately
the marriage proved unstable.
The second principle of art is that art is subordinate to Being, or what comes
to the same thing, that it cannot know the truth but only construct it to the
specifications of the philosopher-lawgiver. It is not by chance that our discus-
sion of art quickly invoked a consideration of philosophy. This is because
what I called the two conflicting principles of art are in fact also the principles
of philosophy for Nietzsche. In Nietzsche’s notebooks for 1872–73 (KSA 7: 423),
we find the following note: “the philosopher must know what is needed, and the
artist must create it.” This could have been written by Plato. Twelve years later,
Nietzsche writes in his notebooks that there are two kinds of philosophers, those
that preserve the law and those that give it (KSA 11: 611 f). “Giving” is ambigu-
ous; it could refer to a gift that we ourselves create, but also to something that
is made by someone else and then presented to us.
The issue is taken up again in the following note from 1883 (KSA 10: 278):
“The higher man must create, i.e. impress his higher Being on others . . . Matters
stand the same with the philosophers; they want to make their taste rule over
the world.” Perhaps the decisive statement in this vein is to be found in Beyond
Good and Evil 211: Nietzsche insists here upon a distinction between genuine
philosophers and their servants, the scholars and scientific laborers, the poets,
critics, historians, and so on. The philosopher must be able to see
with many different eyes and consciences, from a height and into every
distance, from the depths into every height, from a nook into every expanse.
But all these are merely preconditions of his task: the task itself demands
something different—it demands that he create values.
The passage is too long to quote in its entirety. Suffice it to say that Nietzsche
insists upon the rejection of the past by philosophers who reach for the future
with creative hands. The genuine philosophers are commanders and legisla-
tors; they say “Thus shall it be.” “Their ‘knowing’ is creating, their creating is
a legislation, their will to truth is will to power” (BGE 211). The same point is
made in the Twilight of the Idols, a late publication (1889), where Nietzsche
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themselves finite and therefore only imperfectly real and individual,
they could not logically take the place which belongs only to the
completely and perfectly individual realisation of the ideal. That
would still fall partly outside them in the nature, as a whole, of the
system which harmoniously includes both ourselves and them. Thus
such beings would be “gods” in the sense of polytheism rather than
God in that of monotheism.
Further, I can see no means of deciding a priori that there could be
only one such being in the universe. Even supposing the series of
finite beings to be itself finite, it is not evident that it could contain
only one “best” member. And supposing it infinite, could there be a
“best” member at all?[224] Also it appears quite beyond the power of
Metaphysics to find either proof or disproof of the existence and
agency of such finite but exalted beings. We cannot say that our
general conception of Reality is such as to negative the suggestion,
and yet again that general conception gives us no positive evidence
in favour of taking it as true. It would certainly be the grossest
presumption to maintain that the Absolute can contain no higher
types of finite individuality than those presented by human society;
on the other hand, it would be equally presumptuous to assert that
we have reasoned knowledge of their existence and their direct
social relation with ourselves. Hence we must, I think, be content to
say that the hypothesis, so far as it seems to be suggested to any
one of us by the concrete facts of his own individual experience, is a
matter for the legitimate exercise of Faith.
§ 9. These reflections may naturally lead to some remarks, which
shall be made as brief as possible, about the so-called philosophical
“arguments for the existence of God,” which played a prominent part
in Metaphysics before their discrediting at the hands of Kant and
Hume.[225] Kant’s great achievement lies in having demonstrated that
the whole force of the “proofs” depends upon the famous ontological
argument, best known in modern Philosophy in the form adopted by
Descartes in the fifth Meditation. Descartes there argues thus:—By
“God” I mean a completely perfect being. Now, existence is a
perfection, and non-existence an imperfection. Hence I cannot think
of a non-existing perfect being without self-contradiction. Hence
God, because by hypothesis perfect, must exist, and is the only
being whose existence logically follows from its definition.
Kant’s even more famous criticism of this famous inference turns
upon the principle which he had learned from his study of Hume, that
logical necessity is “subjective.” If I think of a logical subject as
defined by certain properties, he argues in effect, I am necessitated
to ascribe to it all the predicates implied in that definition. That is, I
must affirm them or contradict myself. Hence, if “existence” is
originally included among the perfections by which the subject “God”
is defined, the proposition God exists is certainly necessary, but is
also tautological, and amounts, in fact, to the mere assertion that “an
existing perfect being is an existing perfect being.” But if the
“existence” spoken of in the predicate is something not included in
the definition of the subject, then you cannot infer it from that
definition. Now “real existence” is not a predicate which can be
included in the definition of a concept. The predicates by which an
imaginary hundred dollars are defined are the same as those of a
real hundred dollars. It is not by the possession of a new predicate,
but by being actually given in a concrete experience, that the real
coins differ from the imaginary. Hence all propositions asserting real
existence are synthetic, (i.e. assert of their subject something which
is not contained in the concept of it), and the real existence of God or
any other object can never be deduced from its definition.[226]
This Kantian criticism has itself been subjected to much criticism,
principally at the hands of Hegel and those subsequent philosophers
who have been specially affected by the Hegelian influence. What
appears to be the general principle of the Hegelian criticism has
been most clearly expressed in English philosophy by Mr. Bradley,
[227]
upon whose discussion the following remarks are chiefly
founded.
In estimating the worth of the ontological proof, we must
distinguish between the general principle implied in it and the
particular form in which it presents that principle. It is manifest that
Kant is perfectly right when he contends that, taking existence to
mean presence in the space and time-order, you cannot reason from
my possession of any idea to the existence of a corresponding
object. You cannot say whatever I conceive must exist as I conceive
it. But the principle of the ontological proof is perhaps not necessarily
condemned by its failure to be thus universally applicable. The
principle involved appears to be simply this. The idea and the reality
outside its own existence as a fact in the time-order which it “means”
or “stands for” are mutually complementary aspects of a whole
Reality which include them both. For there is, on the one side, no
“idea” so poor and untrue as not to have some meaning or objective
reference beyond its own present existence.[228] And, on the other,
what has no significance for any subject of experience is nothing.
Hence in its most general form the ontological argument is simply a
statement that reality and meaning for a subject mutually imply one
another. But it does not follow that all thoughts are equally true and
significant. In other words, though every thought means something
beyond its own existence, different thoughts may represent the
structure of that which they mean with very different grades of
adequacy. That which my thought means may be far from being real
in the form in which I think it.
Now, we may surely say that the more internally harmonious and
systematic my thought is, the more adequately it represents the true
nature of that which it means. If thoroughly systematic coherent
thought may be mere misrepresentation, our whole criterion of
scientific truth is worthless. How freely we use this ontological
argument in practice will be readily seen by considering the way in
which, e.g., in the interpretation and reconstruction of historical facts,
the internal coherency of a systematic and comprehensive
interpretation is taken as itself the evidence of its truth.[229] Hence it
may be argued that if there is a systematic way of thinking about
Reality which is absolutely and entirely internally coherent, and from
its own nature must remain so, however the detailed content of our
ideas should grow in complexity, we may confidently say that such a
scheme of thought faithfully represents the Reality for which it
stands, so far as any thought can represent Reality. That is, while
the thought would not be the Reality because it still remains thought,
which means something beyond its own existence, it would require
no modification of structure but only supplementation in detail to
make it the truth.
But if we have anywhere thought which is thus internally coherent,
and from its own nature must remain so, however knowledge may
extend, we have it surely in our metaphysical conception of the real
as the absolutely individual. Thus the ontological proof appears, in
any sense in which it is not fallacious, to amount merely to the
principle that significant thought gives us genuine knowledge; and
therefore, since the thoroughgoing individuality of structure of its
object is presupposed in all significant thought, Reality must be a
perfect individual. That this perfect individual must further be “God,”
i.e. must have the special character ascribed to it by beliefs based
upon specifically religious emotions, does not follow. How far the
“God” of religion is a correct conception of the metaphysical
Absolute, we can only learn from the analysis of typical expressions
of the religious experience itself. And it is obvious that if by “God” we
mean anything less than the Absolute whole, the ontological proof
ceases to have any cogency. It is impossible to show that the
possibility of significant thought implies the presence of a special
finite being, not empirically known to us, within the Absolute.
The “cosmological” proof, or “argument from the contingency of
the world,” unlike the ontological, has the appearance, at first sight,
of starting with given empirical fact. As summarised by Kant for
purposes of criticism, it runs thus:—“If anything at all exists, there
must be also an absolutely necessary being. Now, I exist myself;
ergo, the absolutely necessary being exists.” To make the proof quite
complete, it would be necessary to show that the being whose
existence is affirmed in the minor premisses, to wit, myself, is not
itself the “absolutely necessary being,” and the argument thus
completed would become in principle identical with the second of the
“proofs” given by Descartes in the third Meditation, where it is
inferred that if I, a dependent being, exist, there must be a God on
whom I and all things depend.[230] As Kant has pointed out, the whole
force of this inference rests upon the previous admission of the
ontological argument. By itself the cosmological proof only
establishes the conclusion that if any dependent existence is real,
independent existence of some kind must be real also. To convert
this into a “proof of the existence of God” you must further go on to
identify the “independent existence” thus reached with the “most
real” or “most perfect” being of the ontological proof. For otherwise it
might be suggested, as is done by one of the speakers in Hume’s
dialogue, that the series of phenomenal events itself, taken as an
aggregate, is the “necessary existence” upon which the “contingent
existence” of each several event depends. “Did I show you the
particular causes of each individual in a collection of twenty particles
of matter, I should think it very unreasonable should you afterwards
ask me what was the cause of the whole twenty. This is sufficiently
explained in explaining the cause of the parts.”
To avoid this objection, we must go on to maintain that only the
“most perfect being” can be an ultimately necessary being, and that
its “necessary existence” is a consequence of its character. This, as
we have seen, is the very assertion made in the ontological proof.
Hence our criticisms of the ontological proof will be equally
applicable to the cosmological. If we combine the two, restating them
in accord with our previous remodelling of the former, the argument
will take the following form. All propositions directly or indirectly refer
to real existence. Hence it would be self-contradictory to assert that
nothing exists. But existence itself is only conceivable as individual.
Hence the absolutely individual must be really existent. And this is
identical with the general principle of our own reasoning in Book II. of
the present work. Clearly, if valid, it is valid simply as an argument
for a metaphysical Absolute; it neither proves that Absolute itself to
be what we mean in religion by God, nor affords any ground for
asserting the existence of God as a finite individual within the
Absolute.[231]
The physico-theological argument, also known as the argument
from design, or the teleological proof, differs from the preceding two
in being in its current forms honestly empirical. In the shape of an
inference from the apparent presence of order and a regard for
human good in the structure of nature to the existence of a wise and
benevolent being or beings as the author or authors of nature, it has
been the most popular of all theistic arguments both in the ancient
world, where, according to Xenophon, it was specially insisted upon
by Socrates, and in the modern defences of theological beliefs
against rationalistic criticism. It must, however, be observed that the
criticisms of Hume and Kant are absolutely fatal to the “argument
from design,” when it is put forward as a proof of the existence of a
God of infinite goodness and wisdom. At best, as Kant says, the
observed order and harmony of Nature would enable us to infer a
finite degree of wisdom and goodness in its author. The assertion of
the absolute harmoniousness and goodness of Nature, which we
require to justify the inference to infinite wisdom and goodness in its
author, goes far beyond the limits of the empirically verifiable, and
can itself only be upheld by some form of the “ontological proof.”
Hence the “argument from design” could at best prove a God whose
wisdom and goodness are, so far as knowable, limited. As Hume
forcibly puts the same point, if the empirically known facts of the
partial adaptation of Nature to human purposes are valid, as they
stand, to prove a wise and good intelligence, are not the equally
well-ascertained facts of the partial want of adaptation equally valid
to prove defective goodness or defective wisdom?[232]
There is a deeper metaphysical reason for this difference between
the results of the physico-theological and of the other “proofs,” which
may be briefly pointed out. The whole conception of the order and
systematic unity of the world as due to preconceived “design” is only
intelligible if we suppose the author of that “design” to be finite, and
subject, like ourselves, to temporal mutability. For in the notion of
design itself are implied the severance of the mentally conceived
ideal from the actuality which waits to be brought into accord with it,
and consequently also the time-process, which we have already
found to be characteristic of all finitude. Hence the physico-
theological proof, by itself, can at best be used to establish the reality
of finite “gods,” not of “God,” because it works throughout with the
categories of finitude.
Upon the logical force of the argument, as thus limited by its initial
assumptions, only one observation need be made. What the
reasoning asserts is not merely that “Nature” is in reality a system
exhibiting individuality and purposive interest, or even “design,” but
that it reveals the particular design of assisting and fostering human
progress. Now, whether this is so or not would appear to be a
question of empirical fact only capable of determination by the
methods applicable to other problems of the same empirical kind.
Probably the lines along which it will have to be decided in the future
are of the following general kind. Evolutionary science seems clearly
to have shown that in the influences it knows, e.g., as “natural” and
again as “sexual selection,” we have processes which lead to
beneficial results without being, so far as we can see, in the least
directed by the conscious “design” of establishing those results.[233]
We should have to ask, then, whether there is actual ground for
holding that such influences are not of themselves sufficient to
account for the development of human civilisation, so far as it is due
to factors belonging to the “environment.” If they are so sufficient, the
“physico-theological” argument for benevolent super-human agency
in moulding the course of human development, becomes
superfluous; if they are not, their failure is, so far, good ground for
the recognition of finite “designing” intelligences of a non-human kind
as forming a factor in our environment. In either case the question
appears to be one of empirical fact, and to be incapable of
determination in advance on general metaphysical grounds.[234] Nor
are we justified in assuming that “design in nature,” supposing it to
exist, must always be directed to securing ends which are either
intelligible to us, or, if intelligible, “benevolent,” in the sense of
furthering our own special human interests. And here I must be
content to leave the subject.
CONCLUSION
§ 1. Can our Absolute Experience be properly called the “union of Thought and
Will”? The Absolute is certainly the final realisation of our intellectual and our
practical ideals. But (1) it includes aspects, such as, e.g. æsthetic feeling,
pleasure, and pain, which are neither Thought nor Will. (2) And it cannot
possess either Thought or Will as such. Both Thought and Will, in their own
nature, presuppose a Reality which transcends mere Thought and mere Will.
§ 2. Our conclusion may in a sense be said to involve an element of
Agnosticism, and again of Mysticism. But it is only agnostic in holding that we
do not know the precise nature of the Absolute Experience. It implies no
distrust of the validity of knowledge, so far as it goes, and bases its apparently
agnostic result on the witness of knowledge itself. Similarly, it is mystical in
transcending, not in refusing to recognise, the constructions of understanding
and will. § 3. Metaphysics adds nothing to our information, and yields no fresh
springs of action. It is finally only justified by the persistency of the impulse to
speculate on the nature of things as a whole.