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Improvisational Materials in Art Education

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Topics covered

  • educational strategies,
  • artistic knowledge,
  • artistic expression,
  • collaboration,
  • knowledge acquisition,
  • self-confidence,
  • merits of improvisation,
  • educational challenges,
  • atlas,
  • teaching aids
0% found this document useful (0 votes)
23 views16 pages

Improvisational Materials in Art Education

Notes

Uploaded by

mulindahiram21
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Topics covered

  • educational strategies,
  • artistic knowledge,
  • artistic expression,
  • collaboration,
  • knowledge acquisition,
  • self-confidence,
  • merits of improvisation,
  • educational challenges,
  • atlas,
  • teaching aids

KYAMBOGO UNIVERSITY

SCHOOL OF ART AND INDUSTRIAL DESIGN

DEPARTMENT OF FINE ART

BACHELOR OF VOCATIONAL STUDIES ART AND DESIGN


WITH EDUCATION

YEAR 3 SEMSTER TWO

NAME: GROUP D

COURSEUNIT: ART EDUCATION

COURSE CODE: VADV 3201

LECTURER: DR. WATHUAM

Question;

Research about improvisational materials.

NO NAME REG NO CONTACT SIGN


1 LWANYAGA ANDREW NJAKASI 21/U/VAD/345/GV 0758413928

2 MULINDA HIRAM 21/U/VAD/5249/PD O752109788

3 NAKAMOGA SHAMIRAH 21/U/VAD/6079/PD 0756280295

4 NAMAGEMBE AISHA 21/U/VAD/6502/PD 0774363957

5 NAMUTEBI CINDY LETICIA 21/U/VAD/6824/PD 0703038328

6 BABIRYE AFAAYO JACKIE 21/U/VAD/15434/PD 0751389032

7 KIWANUKA MICHEAL 21/U/VAD/1550/PD 0760923829

8 SIMALI HENRY SYNDRICAL 21/U/VAD/8552/PD 0754535866

9 OLUMO ISMAEL 21/U/VAD/8059/PD 0788618633

10 AGAPE JULIET MARIO 21/U/VAD/0662/PD 0782786597

11 KWESIGA SUCCEED 21/U/VAD/15572/PD 0763108494

12 BALUKU RAZAKA 21/U/VAD/2362/PD 0781826160

13 MIREMBE HELLENA 21/U/VAD/15613/PD 0757766324


NAMULONDO

14 WAMBUI MERCY 21/U/VAD/9253/PD 0756786319

15 KAKWEZI ANNAH 21/U/VAD/3349/PD 0760478662

16 GUMISIRIZA TIMOTHY 21/U/VAD/09972/PD 0784839438

17 KATEGAYA TANAZIO BAGUMA 21/U/VAD/3602/PD 0775596218

18 CHEMUTAI HILLARY 21/U/VAD/2699/PD 0761507416

19 MUGALA SARAH PEACE 21/U/VAD/4997/PD 0709488076

20 OKELLO DANIEL KIDONGO 21/U/VAD/7856/PD 0780730958

21 NANZIRI JOVIA DDAMULIRA 21/U/VAD/7093/PD 0761646458

22 TUMWESIGYE SAM 21/U/VAD/15962/PD 0773229301

23 NAMAYANJA LYDIA 21/U/VAD/6607/PD 0764357470


WHAT IS IMPROVISATION OF TEACHING MATERIAL
Susan, O.,( 2022). In Educational, Instructional Materials, Social Studies, Teaching, Uncommon
Learning Standard Improvised teaching materials are needed when real instructional materials
are not available. Improvised teaching materials are those instructional materials which are used
in the absence of the real instructional materials. Instructional materials likely to be improvised
include animals like lion, tiger, elephant, etc.

The teacher can use films and slides, drawing, modeling, use of projector and pictures in place of
real instructional materials.

Types of instructional materials that can be improvised

Rubber.

Muhammad Fadzli Ali, et al., Rubber, elastic substance obtained from the exudations of certain
tropical plants (natural rubber) or derived from petroleum and natural gas (synthetic rubber).
Because of its elasticity, resilience, and toughness, rubber is the basic constituent of the tires
used in automotive vehicles, aircraft, and bicycles. More than half of all rubber produced goes
into automobile tires; the rest goes into mechanical parts such as mountings, gaskets, belts, and
hoses, as well as consumer products such as shoes, clothing, furniture, and toys. The rubber can
be improvised to make a squidgy for press paste through a screen on to the cloth.

The rubber bands can be improvised to create knots on a fabric during a tie and dye process of
fabric decoration.

Kim, R., Melissa, M., Santani, T., Hilary, H., (2023), Atlas. An atlas is a book or collection of
maps. Many atlases also contain facts and history about certain places. There are many kinds of
specialized atlases, such as road atlases and historical atlases. There are also star atlases, which
give the location and placement of stars, planets and other celestial objects. This is an example of
an Atlas as shown below.
The atlas is an improvised instructional material that can be used by student teachers to show the
students connect regarding land forms and location of places on the Earth's surface.

Paper

Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibers
derived from wood, rags, grasses, or other vegetable sources in water, draining the water through
a fine mesh leaving the fiber evenly distributed on the surface, followed by pressing and drying.
this can be in terms of paper Mache, cardboard, plain paper.

The paper can be improvised to create papier Mache for the place of clay. it's lighter and easily
finished by painting.
Glue

Kinloch, A.J. (1987). Adhesive, also known as glue, cement, mucilage, or paste, is any non-
metallic substance applied to one or both surfaces of two separate items that binds them together
and resists their separation.

They can be improvised to pin up paperwork for exhibition and display purposes.

Nitrocellulose adhesive dispensed from a tube

The use of adhesives offers certain advantages over other binding techniques such as sewing,
mechanical fastenings, and welding. These include the ability to bind different materials
together, the more efficient distribution of stress across a joint, the cost-effectiveness of an easily
mechanized process, and greater flexibility in design. Disadvantages of adhesive use include
decreased stability at high temperatures, relative weakness in bonding large objects with a small
bonding surface area, and greater difficulty in separating objects during testing

Fabric offcuts

Fabric Offcuts, also called fabric remnants, are the portions of material that are left over from
production runs after the patterns have been cut. Offcuts can range from very small - just a few
inches, to meters long. It is common practice for these fabric offcuts to be discarded, giving them
an early demise in our landfills. During patterning of our garments, and production, on a usually
creates a little waste as possible. this creates the fabric offcuts.

The fabrics off can be used to create tie and dye samples for students during a fabric decoration
class.

They can be used in a place of seeds for collage and mosaic works.

Plastics

Edgar D, Edgar R (2009). Plastics are a wide range of synthetic or semi-synthetic materials that
use polymers as a main ingredient. Their plasticity makes it possible for plastics to be molded,
extruded or pressed into solid objects of various shapes. This adaptability, plus a wide range of
other properties, such as being lightweight, durable, flexible, and inexpensive to produce, has led
to its widespread use. Plastics typically are made through human industrial systems. Most
modern plastics are derived from fossil fuel-based chemicals like natural gas or petroleum;
however, recent industrial methods use variants made from renewable materials, such as corn or
cotton derivatives.

the plastic bottles can be used in place of storage containers for pastes and dyes in the art and
design department.

Paints

Teegarden DM (2004). Paint is a material or mixture that, after applied to a solid material and
allowed to dry, adds a film-like layer. As art, this is used to create an image, known as a painting.
Paint can be made in many colors and types. Most paints are either oil-based or water-based, and
each has distinct characteristics.

The paints can be improvised to create color for block printing during session of fabric
decoration.
Leaves

Coxeter HS (1961). The leaf is one of the most important parts of a plant. Leaves produce food
for the plant through a process called photosynthesis. The leaves of different plants vary widely
in size, shape, and color.

The leaves can also be used to create patterns for block printing during. Instead of using a
properly cut block print design, to the leaves can be used to give a better design on to the surface
of a paper or fabric.
Rocks

Philpotts, Anthony R.; Ague, Jay J. (2009). In geology, rock (or stone) is any naturally occurring
solid mass or aggregate of minerals or mineraloid matter. It is categorized by the minerals
included, its chemical composition, and the way in which it is formed. Rocks form the Earth's
outer solid layer, the crust, and most of its interior, except for the liquid outer core and pockets of
magma in the asthenosphere. the rocks can be used as clams to hold down work while it's drying.
for example, wet fabrics can be clamped while exposed to sunlight during a drying process.
Disadvantages of Improvised Instructional Materials

Improvisation can cause irresponsibility, used as a pretext to justify one's idleness,


procrastination or anarchy, like a lazy student/worker/contestant postponing today's work for
tomorrow, assuming improvisation will be enough then. Or an artist/poet solely relying on
inspiration with no artistic knowledge or rules. Or an anarchist believing that lawlessness is a law
itself.

However important experimentation is, it is still limited, in the new knowledge and change it
offers. We cannot discover the world while improvising; absorbing a good book can be more
useful and enlightening than a thrilling experiment. We cannot bring real change by mere
improvisation, whose effect is temporary, requiring other elements to sustain such change:
planning, cooperation, perseverance, etc.
Every experiment has its own cost, time limit, ingredients, results, and rules it must follow.
Otherwise, when we fully rely on improvisation, we sacrifice all the knowledge we've grown in
life before that moment, the price of which is unpredicted, as one can LOSE CONTROL, and
accordingly coherence, meaning, purpose, energy, time, resources, fairness, safety, honesty, and
respect. Nothing is more dangerous than losing one's self-control.

Improvisation can be deceptive, by the seeming spontaneity it has, which is not an indicator of
honesty or originality. It only reflects the intelligence, experience, and diligence of the speaker
who may work in advance of the moment of truth. Everything we say or do is the result of what
had been practiced by our minds, minutes, years, or millennia before, that became inherent in our
thinking; conscious of it or not, directing or directed by us, it finally leads to our "seemingly"
spontaneous acts.

It involves expenditure of money

It is time consuming in that you have to think and plan for what to do and implement.

It is energy sapping

There is lack of awareness among teachers

If the teacher does not know what to improvise and how to go about it, it will make teaching and
learning uninteresting

The teacher and learners can be exposed to injury

Some proprietors and school heads may not be willing to contribute to improvising if it involves
the use of money.

Merits of Improvising Resources Materials

Improvisation is the best way to discover new shortcuts on the road of life, when old routes are
blocked, misleading, or dangerous, and change is a must. We have to break rules then, giving
free reign to our feelings, equally expressing pleasure and pain, gratitude and anger, without
reserve, when old thoughts, habits, traditions, politics ... no longer work, and REVOLT on
morbid stereotypes is a necessity.

Improvisation offers a new knowledge usually impossible under normal circumstances, freeing
suppressed ideas locked up in our heads, and accepting new unconventional ones, that many miss
out of fear, habit or apathy. It takes less cost and effort, yet more focus, tenacity and courage, to
cease the opportunity and all its benefits.

Improvisation boosts self-confidence, by what we discover alone without others' help, and by the
mere fact we ignored our fears to improvise and follow an idea/feeling/action to the end. We
become no more afraid of others or ourselves.
Meanwhile, others trust us more, for feeling and trying what we do and say first, preferring a
more honest spontaneous speaker/leader/artist/comedian ... to an artificial one too
good/organized to be true. They feel more pleased and grateful for letting them watch/share a
"live experiment" we perform before them, that none of us knows the outcome of.

It gives us pleasure, while we freely break and reshuffle rules, traveling down the mind's endless
lanes, and expressing whatever ideas without reserve—absurd, vague, complex, or incomplete,
reflecting the intriguing nature of life itself, whose mysteries we may later understand by better
tools.

It makes understanding, and life easier, preparing the mind for the more difficult concepts and
situations we are yet to face, when the memories of our free spontaneous actions later become
our best guide. We cannot trust rules or take orders we don't experiment and familiarize with
first.

Improvisation is vital for survival in unexpected difficult circumstances, if applying old


strategies is insufficient or useless. It fits and depends on chance, which is good when we have
no choice, time or guide, as its momentary power generates new thoughts and actions on the
spot. It's a risk worth taking when we risk life to save life. (Improvisation is like driving with one
hand, having the benefit of doing some things with the "free hand" yet the risk of losing control
over the busy one, and everything else. The wheel is our life, the busy hand is our mind, and the
free hand is our survival instinct experimenting with our unused potential and hidden abilities.)

It makes for effective teaching and learning of social studies

It makes learning easy

It is more economical

It makes slow learners and fast learners move at the same pace

It reduces the teachers’ work

It makes the students acquire skill and knowledge

It makes students to work with little or no supervision

It will increase the stock of instructional materials in the school. the advantages can include;

Confidence and self-acceptance

Ability to focus and concentrate

Ability to adapt to ever-changing circumstances

Ability to be courageous and vulnerable


Awareness of how one thinks

Awareness of the quality of one’s inner voice

Awareness of one’s emotions

Awareness of personal responsibility from choices made

Awareness of one’s strengths and areas of opportunities to develop

Sense of fun

Trust with team members

Ability to create and sustain rapport

Ability to see things from new perspectives

Ability to accept other people’s ideas and points of view

Ability to sacrifice one’s ego for the sake of the group

Awareness of space

Ability to create and share focus in space

Ability to create imaginary objects and environments in space

Ability to hold imaginary objects in the mind


REFERENCE

Muhammad Fadzli Ali, et al., "The dynamics of rubber production in Malaysia: Potential
impacts, challenges and proposed interventions." Forest Policy and Economics 127 (2021):
102449.

Fadhlan Zuhdi, "The Indonesian natural rubber export competitiveness in global market."
International Journal of Agriculture System 8.2 (2021): 130-139 online.

https://education.nationalgeographic.org/resource/atlas/

Burns, Robert I. (1996). "Paper comes to the West, 800–1400". In Lindgren, Uta (ed.).
Europäische Technik im Mittelalter. 800 bis 1400. Tradition und Innovation (4th ed.). Berlin:
Gebr. Mann Verlag. pp. 413–422. ISBN 978-3-7861-1748-3.

Tsien, Tsuen-Hsuin (1985). Needham, Joseph (ed.). Paper and Printing. Science and Civilisation
in China, Chemistry and Chemical Technology. Vol. V (part 1). Cambridge University Press.

https://www.kuleuven.be/english/education/educational-glossary/educationalglossary-e/
educational_audio

https://tophat.com/glossary/v/visual-learning/

Kinloch, A.J. (1987). Adhesion and Adhesives : Science and Technology (Reprinted. ed.).
London: Chapman and Hall. p. 1. ISBN 0-412-27440-X.

Kinloch 1987, p. 2.

Mazza, P; Martini, F; Sala, B; Magi, M; Colombini, M; Giachi, G; Landucci, F; Lemorini, C;


Modugno, F; Ribechini, E (January 2006). "A new Paleolithic discovery: tar-hafted stone tools in
a European Mid-Pleistocene bone-bearing bed". Journal of Archaeological Science. 33 (9): 1310.

"The environmental impacts of plastics and micro-plastics use, waste and pollution: EU and
national measures" (PDF). europarl.europa.eu. October 2020.

Andrady AL, Neal MA (July 2009). "Applications and societal benefits of plastics".
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(1526): 1977–84. doi:10.10

98/rstb.2008.0304. PMC 2873019. PMID 19528050.

American Chemical Society National Historic Chemical Landmarks. "Bakelite: The World's
First Synthetic Plastic". Retrieved February 23, 2015.

Edgar D, Edgar R (2009). Fantastic Recycled Plastic: 30 Clever Creations to Spark Your
Imagination. Sterling Publishing Company, Inc. ISBN 978-1-60059-342-0 – via Google Books.
Teegarden DM (2004). Polymer Chemistry: Introduction to an Indispensable Science. NSTA
Press. ISBN 978-0-87355-221-9 – via Google Books.

Taggart, Emma (2022-12-14). "Unearth the Colorful History of Paint: From Natural Pigments to
Synthetic Hues". My Modern Met. Retrieved 2023-09-23.

Marchant, Jo (January 2016). "A Journey to the Oldest Cave Paintings in the World".
Smithsonian Magazine.

"Painting 101: Oil or Latex?". HGTV.

"What's the Ideal Outdoor Temperature Range for Using Exterior Paint?". 29 April 2022.

Craughwell, Thomas J. (2012). 30,000 years of inventions. New York: Tess Press. ISBN
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Botany Illustrated: Introduction to Plants Major Groups Flowering Plant Families. Thomson
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Didier Reinhardt and Cris Kuhlemeier, "Phyllotaxis in higher plants", in Michael T. McManus,
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Philpotts, Anthony R.; Ague, Jay J. (2009). Principles of igneous and metamorphic petrology
(2nd ed.). Cambridge, UK: Cambridge University Press.

https://www.coverttheatre.com/about-improv

https://ra-ha.net/articles/improvisation.htm

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