Damian Domingo was a Chinese Filipino painter born in 1796 in Manila who specialized in miniature portraits and religious images. One of his paintings, Chair of St. Peter in Rome, was based on a sculptural work by Gian Lorenzo Bernini and depicts the Holy Spirit above two saints. Another painting, La Sagrada Familia, shows his finely detailed miniaturist style and contains two misspelled words in its caption, providing insight into Domingo's likely rudimentary education.
Damian Domingo was a Chinese Filipino painter born in 1796 in Manila who specialized in miniature portraits and religious images. One of his paintings, Chair of St. Peter in Rome, was based on a sculptural work by Gian Lorenzo Bernini and depicts the Holy Spirit above two saints. Another painting, La Sagrada Familia, shows his finely detailed miniaturist style and contains two misspelled words in its caption, providing insight into Domingo's likely rudimentary education.
Damian Domingo was a Chinese Filipino painter born in 1796 in Manila who specialized in miniature portraits and religious images. One of his paintings, Chair of St. Peter in Rome, was based on a sculptural work by Gian Lorenzo Bernini and depicts the Holy Spirit above two saints. Another painting, La Sagrada Familia, shows his finely detailed miniaturist style and contains two misspelled words in its caption, providing insight into Domingo's likely rudimentary education.
Damian Domingo was born in Tondo, Manila and is a Chinese Filipino mestizo. He began his career as a painter specializing in miniature portraits and religious imagery. Chair of St. Peter in Rome (Catedra de San Pedro en Roma) Damian Domingo based his painting on Gian Lorenzo Bernini’s sculptural and architectural monument, the Cathedra Petri (Chair of St. Peter) at the altar of Saint Peter’s Basilica at the Vatican. This painting shows the Holy Spirit in the form of a dove at the section positioned above two saints – St. Ambrose and St. Thomas Aquinas, who was the family’s patron saint. La Sagrada Familia This particular painting marks the peak of his finely detailed miniaturist style, especially in comparison to his Catedra de San Pedro en Roma and Nuestra Señora del Rosario. Interesting details are the two misspelled words in the painting’s caption. Instead of “Sagrada” and “Anna”, the inscription reads “Sagrda” and “Aana”. This gives us an insight on the rudimentary education that the artist must have received.