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CROSS-CULTURE: A NEW

CHANGE AND
BREAKTHROUGH OF
COMPARATIVE LITERATURE
ORIGINALLY WRITTEN BY CAO SHUNQING
PRESENTED BY FRANSISCA MARTA (20150600011)
THE CRISIS OF
COMPARATIVE LITERATURE
 In 1958, Rene Wellek pointed out that Comparative Literature
had almost become dead in terms of methodology.

 Right now, this field in China is in a similar situation.


Meanwhile, the discipline theory of the field outside China
seems more and more indefinite because of the outgrowth of
the field.

 If we say the crisis as Wellek pointed out in 1958 was “a dead


water”, the crisis today could be “a fog ”.

 Despite this crisis, the conference of the association held in


every other four years is still flourishing. Comparative
Literature has been far away from being dead.
SO WHY IS IT,
THEORITICALLY, FACING A
CRISIS SINCE IT IS
GROWING WITH VITALITY?
PAN-CULTURE: THE WRONG TRACK FOR
COMPARATIVE LITERATURE

Cer tain scholars hold an identical view that comparative


literature should go toward comparative culture.

Prof. Charles Bernheimer’s Cao Shunqing’s


Proposals for Comparative Disagreement and Opinion
Literature towards the Proposals
 Giving up Euro-  The way to deepen the
centralism. study could be the cross-
culture study, particularly
 The study should be East-West intercultural
turned from literature study, which would serve
into culture. as a breakthrough turning
the crisis into a new
phase.
CROSS-CULTURE: THE STRATEGICAL
TURNING FOR COMPARATIVE LITERATURE
Jonathan Culler’s Response
Cao Shunqing’s
to Prof. Charles
Bernheimer’s Proposals for Disagreement and Opinion
Comparative Literature towards the Argument
 Jonathan Culler was  The suggestion was
against the expansion somewhat rational, but
as to change the attitude is not
comparative literature appropriate enough
into cultural study but because the great trend
he suggested to make of cultural studying is
the field retreat to approaching.
literature itself.
SO, SHOULD COMPARATIVE
LITERATURE EXPAND ITSELF
INTO CULTURE STUDY OR
SHOULD IT RETREAT TO
LITERATURE ITSELF?
CROSS-CULTURE: THE STRATEGICAL
TURNING FOR COMPARATIVE LITERATURE
 We should combine comparative literature and
comparative culture studies. Such a combination be
in harmony with the purpose for literature study
while cultural study be taken as its important media.

 There are at least two advantages of this kind of


cross-culture study:
1. Comparative literature could be much more deep going
2. Comparative literature would become much more
characterized by internationalization.
REASONS WHY CROSS -CULTURE APPROACH COULD
DEEPEN THE STUDY OF COMPARATIVE LITERATURE

Scholars at that time paid their attention only to the


literature itself rather than the culture background
behind the literature. Thus, there have been
phenomenon of far-fetched comparison.

 By studying cross-culture:
1. The comparison based on the culture roots could to a certain
extent avoid such misunderstandings.
2. Cross-culture approach could serve the scholars in this field
to have a real international perspective and to follow the
different cultures with great interests.
The major difference of this method lies
in the fact that cultural difference has
been put on the forefront, which plays an
important role in the field of
comparative literature.

The fundamental task right now for


comparative literature is to cross or link
up.
 If the first stage with French School advocating the influence
study as the read has crossed the wall between countries,
connecting the influenced relationships;

 The second stage with American school as the head


advocating the parallel study has crossed the wall between
West-East disciplines connecting the non -influenced
relationships;

 The third stage with the forming Chinese school would cross
the wall between dif ferent cultures and civilizations with its
cross-cultural approach.
THANK YOU!

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