Professional Documents
Culture Documents
WRITING AND
BROADCASTING
DON DAVE DR.
VENTURA
TELEVISION SCRIPT
WRITING
•Script – TV News Copy
that is usually written
in split-page format.
TELEVISION SCRIPT
WRITING
•Left side – video and
audio cues, lower-
thirds & violators
•Right side – text to be
read aloud
TELEVISION SCRIPT
WRITING
•Headlines – teaser of
the top stories in a
news program which
usually appears right
after the OBB
TELEVISION SCRIPT
WRITING
•Opening billboard or
OBB – standard first
video of the program,
usually a short video
intro of the show
TELEVISION SCRIPT
WRITING
• Lead in – first few lines
of a news anchor
• Bite – short sound clip
• Closing billboard or CBB
– end video of the show
TELEVISION SCRIPT
WRITING
•Vtrsil or Vtrsilent –
news stories that are
read by the news
anchors
TELEVISION SCRIPT
WRITING
•Vtrsot or Vtr sound on
tape – news stories
that are read by the
news anchors with a
short sound clip
TELEVISION SCRIPT
WRITING
• Voice over – narration
that will accompany the
visuals
• Audio Video – contains
the report/narration of
the reporter
TELEVISION SCRIPT
WRITING
• Teaser – a brief
reference to an
upcoming news story
and designed to arouse
viewer interest and
anticipation
TELEVISION SCRIPT
WRITING
•Line- up – also called
rundown which is a
list of chronological
order of each item in a
newscast
TELEVISION SCRIPT
WRITING
• Bumper – a piece of visual
material inserted at the
end of the segment to
allow for a smooth
transition to another
segment or commercial
break.
TELEVISION SCRIPT
WRITING
•Cue – an alerting
mechanism for smooth
collaboration in
production
TELEVISION SCRIPT
WRITING
• Hard copy – copy printed on
paper
• Lower thirds – graphics at
the lower portion of the
screen indicating summaries,
names and designations of
interviewees
TELEVISION SCRIPT
WRITING
•Violator – graphics at
the upper left corner
of the screen and is
usually reserved for
location and courtesy
TELEVISION SCRIPT
WRITING
• Stand up – a reporting
technique in which the
reporter on the news
scene delivers a
monologue while facing
the camera
TELEVISION SCRIPT
WRITING
• Remote – outside the
studio
• Commercial – Gap
• Audio – Sound
• Dead air - Silence
TELEVISION SCRIPT
WRITING
•Title card – composed
of text and graphics
(logo) to introduce the
title of the show
TELEVISION SCRIPT
WRITING
• Summary tab – a
box/portion placed
above the lower thirds
and is usually reserved
for general titles of
stories
TELEVISION SCRIPT
WRITING
•The style of writing
should be direct and
conversational.
•Write the way people
talk.
TELEVISION SCRIPT
WRITING
•The text should
complement the
visual.
•Sentences should be
short.
TELEVISION SCRIPT
WRITING
•Keep the text lean and
loose and give the
audience time to see
and listen.
TELEVISION SCRIPT
WRITING
•Do not state the
obvious.
•Do not overwrite the
text.
TELEVISION SCRIPT
WRITING
• Television news is more
than just pictorial
coverage. It also tells
the news with words
spoken by anchors and
reporters.
TELEVISION SCRIPT
WRITING
•The link between the
words (script) and the
video/photo on the
screen is very crucial.
TELEVISION SCRIPT
WRITING
•In a television
newscast, the viewer
cannot interrupt the
flow of the story.
TELEVISION SCRIPT
WRITING
• The story must
therefore be written and
structured in such a
manner that the
important points are
made clear.
TELEVISION SCRIPT
WRITING
• Broadcast news is linear.
Audience get the news
in a flow of information
that is constantly
moving forward like a
line.
TELEVISION SCRIPT
WRITING
•Within a story, the
structure is linear with
the lead then the
development of facts
and details.
TELEVISION
BROADCASTING
•News Anchor – major
personality in a
television newscast
who reads the spiels
on air
TELEVISION
BROADCASTING
•News Reporter – cover
and write news stories
and is assigned in
news beats
TELEVISION
BROADCASTING
• Verbal communication
includes the voice
quality, pitch, volume,
tempo, pronunciation,
phrasing, diction and
tone.
TELEVISION
BROADCASTING
• Non-verbal
communication involves
facial expression, eye
contact, posture, hand
gestures and
movements.
TELEVISION
BROADCASTING
•Delivery should carry
the signature of the
on cam talent.
TELEVISION
BROADCASTING
•The anchor ingredient
is essential since
he/she establishes link
with the audience.
TELEVISION
BROADCASTING
•Over and above the
verbal attributes, it is
crucial to project well
in front of the camera.
TELEVISION
BROADCASTING
Video camera – high
end device for creating
electronic moving
images
TELEVISION
BROADCASTING
•Teleprompters –
display device for
storage of graphics
and other images
TELEVISION
BROADCASTING
• Lapel microphone –
small electret or
dynamic microphone
used for TV in order to
allow hands-free
operation
TELEVISION
BROADCASTING
• Vision mixer – also called
the production switcher is
a control panel used to
select the multi-camera
setup and other sources to
be seen on air
TELEVISION
BROADCASTING
Override – on air audio
monitors used by
anchors and reporters
during telecast
TELEVISION
BROADCASTING
• TV Studio – an installation
room in which video
productions take place
either for the recording of
live TV programs or taped
programs
TELEVISION
BROADCASTING
•Studio set – composed
of tables, furniture,
backdrop, artwork and
monitors
TELEVISION
BROADCASTING
• Control booth – a
production room that
contains a variety of
equipment and machine
used in the production
TELEVISION
BROADCASTING
•Newsroom – central
place where
journalists work to
gather, write and edit
news
TELEVISION
BROADCASTING
• Conceive • Collect
involves includes data
planning, gathering
framing the (facts, details
lineup and and statistics)
strategizing.
TELEVISION
BROADCASTING
• Construct • Correct deals
involves the with revising
writing and the copy,
production rectifying
phase. mistakes in
both the
structure and
content
THE END!!
THANK YOU!!!