The document provides summaries for 5 gangster films: Kidulthood (2006), Scarface (1983), Once Upon a Time in America (1984), Casino (1995), and Mean Streets (1973). It gives brief overviews of the plots for each film, focusing on the criminal activities and character dynamics involved in rising up in the gangster world in various eras and locations across the United States.
The document provides summaries for 5 gangster films: Kidulthood (2006), Scarface (1983), Once Upon a Time in America (1984), Casino (1995), and Mean Streets (1973). It gives brief overviews of the plots for each film, focusing on the criminal activities and character dynamics involved in rising up in the gangster world in various eras and locations across the United States.
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The document provides summaries for 5 gangster films: Kidulthood (2006), Scarface (1983), Once Upon a Time in America (1984), Casino (1995), and Mean Streets (1973). It gives brief overviews of the plots for each film, focusing on the criminal activities and character dynamics involved in rising up in the gangster world in various eras and locations across the United States.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPT, PDF, TXT or read online from Scribd
very popular in the 1930’s but at the time this genre of film was also related to film noir and Mob films. This genre of film originated from the US but later came to Britain. Film 1 • Kidulthood 2006 • Kidulthood (rendered as Kidulthood) is a 2006 British drama film about the life of several teenagers in Ladbroke Grove and Latimer Road area of inner west London. It was directed by Menhaj Huda and written by Noel Clarke, who also stars in the film and directed the sequel Adulthood. • In1940s, a new type of crime thriller emerged, more dark and cynical - see the section on film-noir for further examples of crime films. Criminal and gangster films are often categorized as post-war film noir or detective- mystery films - because of underlying similarities between these cinematic forms. See also AFI's 10 Top 10 - The Top 10 Gangster Films Film 2 • Scarface 1983 • An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. After killing a powerful Cuban figure, Tony Montana and company gain the ability to leave their refugee camps and roam around the U.S. After unsuccessfully trying to make it legitimately in the country, Tony Montana and Ray resort to selling cocaine to dealers around the world. Tony’s rise is quick, but as he becomes more powerful, his enemies and his own paranoia begin to plague his empire. Film 3 • Once upon a time in America 1984 Epic, episodic, tale of the lives of a small group of New York City Jewish gangsters spanning over 40 years. Told mostly in flashbacks and flash-forwards, the movie centers on small-time hood David ‘Noodles’ Aaronson and his lifelong partners in crime; Max, Cockeye and Patsy and their friends from growing up in the rough Jewish neighborhood of New York’s Lower East Side in the 1920s, to the last years of Prohibition in the early 1930s, and then to the late 1960s where an elderly Noodles returns to New York after many years in hiding to look into the past. Film 4 Casino 1995 This Martin Scorsese film depicts the Janus-like quality of Las Vegas–it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970′s and ’80′s are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw–Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence. Film 5 • Mean Streets 1973 • In a series of character-led incidents set against the background of New York City’s Little Italy, we follow the life of Charlie, a small-time member of the wiseguy community who collects protection money. His friends Tony and Michael are part of the community, but his other friend Johnny Boy is unreliable and therefore must be shunned. Charlie’s secret girlfriend Teresa has epilepsy, and so must also be shunned. When Charlie’s uncle Giovanni offers him a restaurant – the first step up the ladder – Charlie is forced to choose between his desire for power, his love for Teresa and his duty to protect his friend Johnny Boy.