Lino Brocka was a Filipino film director who was named a National Artist for Film and Broadcast Arts in 1997. He directed 66 films that gave voice to marginalized groups in society and advocated for freedom of expression as protected by the Philippine Constitution. Brocka was also involved with theater and organizations that supported alternative visions in film. His films addressed important social issues and won numerous awards both domestically and internationally, leaving behind a legacy of powerful films that explored themes of love, betrayal, and redemption in Philippine society.
Lino Brocka was a Filipino film director who was named a National Artist for Film and Broadcast Arts in 1997. He directed 66 films that gave voice to marginalized groups in society and advocated for freedom of expression as protected by the Philippine Constitution. Brocka was also involved with theater and organizations that supported alternative visions in film. His films addressed important social issues and won numerous awards both domestically and internationally, leaving behind a legacy of powerful films that explored themes of love, betrayal, and redemption in Philippine society.
Lino Brocka was a Filipino film director who was named a National Artist for Film and Broadcast Arts in 1997. He directed 66 films that gave voice to marginalized groups in society and advocated for freedom of expression as protected by the Philippine Constitution. Brocka was also involved with theater and organizations that supported alternative visions in film. His films addressed important social issues and won numerous awards both domestically and internationally, leaving behind a legacy of powerful films that explored themes of love, betrayal, and redemption in Philippine society.
LINO BROCKA Catalino “Lino” Ortiz Brocka, director for film and broadcast arts, espoused the term “freedom of expression” in the Philippine Constitution. Brocka took his social activist spirit to the screen leaving behind 66 films which breathed life and hope for the marginalized sectors of society — slum-dwellers, prostitutes, construction workers, etc. He also directed for theater with equal zeal and served in organizations that offer alternative visions, like the Philippine Educational Theater Association (PETA) and the Concerned Artists of the Philippines (CAP). At the same time, he garnered awards and recognition from institutions like the CCP, FAMAS, TOYM, and Cannes Film Festival. Lino Brocka has left behind his masterpieces, bequeathing to our country a heritage of cinematic harvest; a bounty of stunning images, memorable conversations that speak volumes on love, betrayal and redemption, pestilence and plenty all pointing towards the recovery and rediscovery of our nation.