Professional Documents
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CORREA
Presented by:
Sai Seetal (67)
Sneha Sarkar (42)
ABOUT
BORN : 1 September 1930,
Secunderabad, India.
DIED : 16 June 2015, Mumbai, India.
NATIONALITY : Indian
OCCUPATION: Architect, urban
planner and activist
EDUCATION
1946 – 1948 : St. Xavier’s College, Mumbai
1949 – 1953 : B.Arch, University of Michigan, Michigan
1953 – 1955 : M.Arch, Massachusetts Institue of Technology,
Boston
In 1958 he established his own Mumbai based professional
practice.
CAREER
• Correa’s first important project was "Mahatma Gandhi Sangrahalaya"
(Mahatma Gandhi Memorial) at Sabarmati Ashram in Ahmedabad (1958–
1963)
• From 1970–75, he was Chief Architect for New Bombay (Navi Mumbai), an
urban growth center of 2 million people across the harbour from the
existing city of Mumbai, here along with Shirish Patel and Pravina Mehta he
was involved in extensive urban planning of the new city .
• From 2005 until his 2008 resignation Correa was the Chairman of the Delhi
Urban Arts Commission.
• During the final four decades of his life, Correa has done pioneering work in
urban issues and low-cost shelter in the Third World.
DESIGN PHILOSOPHY
• Correa was a major figure in contemporary architecture around the
world.
• Rooted both in modernism and the rich traditions of people, place and
climate, Correa has played a pivotal role in the creation of an
architecture and urbanism for post-war India.
• He was celebrated for his sensitivity to the needs of the urban poor and
for his use of traditional methods and materials.
FAMOUS PROJECTS
ISMAILI CENTRE, TORONTO - 2014
Charles Correa's last work is an architectural
interpretation of Islam, taking the Polar
North route, its shortest path, to face Mecca.
KANCHENJUNGA APPARTMENTS
Today one of top luxury apartment blocks
in India, the minimalist Kanchenjunga was
used by Correa to open up to the sea
breezes. Kanchenjunga uses balconies to
model the old style verandas of sea facing
bungalows as a mode of protection from
sun and rain lashings.
JAWAHAR KALA KENDRA, JAIPUR - 1993
Merging the mystic power of the navagrahas and
the modernity of science, and built to mirror the
structure of the city itself, an example of how
Correa's buildings have always moved to context.