The document provides tips for audio recording during documentary shooting. It recommends using a lavalier microphone placed 6-8 inches below the mouth and an external recorder set to WAV 48 kHz 16 bit format. Audio levels should bounce between -12 to -6 dB on the meter. It also recommends using headphones to monitor sound, recording room tone before and after interviews, and clapping or making a sound signal at the start and end of scenes for syncing audio during editing. Proper exposure, steady footage, and good framing are also noted as important for quality cinematography.
The document provides tips for audio recording during documentary shooting. It recommends using a lavalier microphone placed 6-8 inches below the mouth and an external recorder set to WAV 48 kHz 16 bit format. Audio levels should bounce between -12 to -6 dB on the meter. It also recommends using headphones to monitor sound, recording room tone before and after interviews, and clapping or making a sound signal at the start and end of scenes for syncing audio during editing. Proper exposure, steady footage, and good framing are also noted as important for quality cinematography.
The document provides tips for audio recording during documentary shooting. It recommends using a lavalier microphone placed 6-8 inches below the mouth and an external recorder set to WAV 48 kHz 16 bit format. Audio levels should bounce between -12 to -6 dB on the meter. It also recommends using headphones to monitor sound, recording room tone before and after interviews, and clapping or making a sound signal at the start and end of scenes for syncing audio during editing. Proper exposure, steady footage, and good framing are also noted as important for quality cinematography.
Dr. Ifra Iftikhar Audio equipment • Lavelier Mic – Watch out for cloth, jewelry, or hair that can touch the mic – Put in 6-8 inches below mouth • External Recorder – Insert memory card – Set at WAV 48 Khz 16 bit (higher quality than mp3) – Check your audio meter. It should bounce between -12 to -6 DB • Do audio test beforehand • Use headphones to monitor the sound • Safer on the lower db end (hard to fix overblown sounds) • If the sound is lower you’ll hear static Shotgun Mic • Hook your mic on the camera • Cover mic with wind buffer if shooting outside • Set the audio levels in your camera meter. • Should not touch the red marks in your in-camera audio meter AUDIO TIP 1 • 1. ROOM TONE – Is an empty room completely silent? – Close your eyes and listen the distinctive sound to that room /space – Room tone comes in handy when making cuts in editing • MAKE SURE – Record 30 sec of room tone before and after interview AUDIO TIP 2 • CLAP or Signal – in the beginning and after the scene – So that editor can easily sync audio with video
CLAP or give clear sound signal when you start
rolling for easy audio syncing WHAT MAKES A BAD Cinematography?
• OVEREXPOSURE – Means the image is too bright so parts loose color • SHAKY FOOTAGE • BAD COMPOSITION – When you are not aware of what’s in your frame EXPOSURE TRIANGLE