Professional Documents
Culture Documents
Ar.Mohamed Azharuddin 3
THE POST INDUSTRIAL CITY
Ar.Mohamed Azharuddin 4
THE POST INDUSTRIAL CITY
Ar.Mohamed Azharuddin 5
THE POST INDUSTRIAL CITY
• In London the inner zone was characterized by the most severe
overcrowding and extreme poverty, except in west which had
extreme affluence. The second zone was slightly less wealthy and
less crowded and less impoverished, the third zone was
inhabited by short term commuter – mainly lower middle class.
The fourth zone belonged to the wealthy. This over all pattern
was punctuated by linear features like canals, rivers, railways etc.
Industry moved outwards as the land prices increased
Ar.Mohamed Azharuddin 6
The Industrial City 1850
Konx and Pinch 2000 – Urban Social Geography
Ar.Mohamed Azharuddin 7
The Industrial City 1945 - 1975
Konx and Pinch 2000 – Urban Social Geography
Ar.Mohamed Azharuddin 8
The Post Industrial City 1975 onwards
Konx and Pinch 2000 – Urban Social Geography
Ar.Mohamed Azharuddin 9
The Industrial and Post Industrial City
Ar.Mohamed Azharuddin 10
The Industrial and Post Industrial City
• Ebenezer Howard (1850-1928) is known for his publication Garden Cities of To-
morrow (1898), the description of a utopian city in which man lives
harmoniously together with the rest of nature.
• The publication led to the founding of the Garden city movement, that realized
several Garden Cities in Great Britain at the beginning of the Twentieth Century
• Howard aimed to reduce the alienation of humans and society from nature, and
hence advocated garden cities
• This book offered a vision of towns free of slums and enjoying the benefits of
both town (such as opportunity, amusement and high wages) and country (such
as beauty, fresh air and low rents). Howard illustrated the idea with his "Three
Magnets" diagram.
11/10/2014
Ar.Mohamed Azharuddin 12
The Garden City
Ebenezer Howard
• Howard's "Three Magnets"
diagram which addressed the
question "Where will the
people go?", the choices being
"Town", "Country" or "Town-
Country.“
Ar.Mohamed Azharuddin 15
• As with most instances
of social engineering,
the garden city
movement didn’t quite
achieve what it set out
to do.
Ar.Mohamed Azharuddin 16
As far as the design goes, Howard wants to make it as
little like the overcrowded London of his day as possible,
so public parks and private lawns are everywhere. The
roads are incredibly wide, ranging from 120 to 420 feet
for the Grand Avenue, and they are radial rather than
linear. Commercial, industrial, residential, and public
uses are clearly differentiated from each other spatially
Ar.Mohamed Azharuddin 17
Ar.Mohamed Azharuddin 18
Applications: Garden City of
Letchworth (1903)
Letchworth Garden City is a town of leafy suburbs
and traditional pitched roof houses, whose quaint
appearance belies a pioneering approach.
Ar.Mohamed Azharuddin 19
Applications: Garden City of
Letchworth
• A key element of the original concept was that
the town would feed itself – the land capable of
growing enough food for the community.
Ar.Mohamed Azharuddin 20
Applications: Garden City of
Letchworth
• Many houses were also sited to ensure they
received the maximum amount of daylight.
Ar.Mohamed Azharuddin 21
Applications: Garden City of Letchworth
Ar.Mohamed Azharuddin 22
Applications: Garden City of
Letchworth
• Their charitable enterprises include a unique
private hospital which is free for residents, and
a grants programme to fund community
projects.
Ar.Mohamed Azharuddin 23
The Industrial and Post Industrial City
• Cities in Evolution
• Patrick Geddes
Cities in Evolution – Patrick Geddes
• Patrick Geddes (1852 – 1932) is known for his publication “Cities in Evolution”. He was a
biologist turned sociologist and town planner
• He was influenced by Darwin’s theory of Evolution of Mankind the maxim “survival of the
fittest”. Although later he believed that evolution is being driven by the organism itself
rather than an external agent as in case of natural selection
• According to this view, cities were the ultimate expression of social union and
evolution
• His view of evolution led Geddes to employ two different kinds of organic analogy when it
came to understanding cities and practicing town planning. First, the city itself was
conceived of as something ‘organic’, whether interpreted as a developing organism or
‘evolving’ in relation to its environment.
• Geddes also introduced a second evolutionary theme, in which the city was itself an
environment: a built environment, of course, whose design could positively influence the
social organism it contained. In this second sense, the role of the planner was to influence
social evolution beneficially through physical design
Ar.Mohamed Azharuddin 25
Cities in Evolution – Patrick
•
Geddes
Geddes’ approach to cities was largely based on his historical classification of urban
form, into two distinct periods, which he defined as paleotechnic (early
industrialization), and the neotechnic (the condition into which he supposed
industrial society to be heading)
• The influence of French social thought of the late 1870s, particularly the emerging
sciences of sociology and geography, also shaped Geddes understanding of the city.
Geddes extended the theories of Auguste Comte, Frederic Le Play and Elisée Reclus
to the study of human settlements and he was among the first to adopt a unified
perspective to understand urban development in its context
• Considered one of the founding fathers of modern urbanism, Patrick Geddes is best
remembered for introducing the concept of region and for calling for survey before
the plan in the urbanistic debate of the early 20th century.
• He also coined the term conurbation, the growing together of urban settlements. It
implied the waves of population inflow to large cities, followed by overcrowding
and slum formation, and then the wave of backflow – the whole process resulting
in amorphous sprawl, waste, and unnecessary obsolescence.
Conurbation
Ar.Mohamed Azharuddin 27
Cities in Evolution – Patrick
Geddes
``The study of human evolution is not merely a retrospect of origins in
the past ... .Beyond the first question of Whence? Ö Whence have
things come from? and the second, of How? Ö How do they live and
work? Ö the evolutionist must ask a third.
Ar.Mohamed Azharuddin 28
Cities in Evolution – Patrick
Geddes
“The environment acts, through
function, upon the organism and
conversely the organism acts,
through function, upon the
environment.“
Ar.Mohamed Azharuddin 29
In human evolution terms this can be
understood as a place acting through
climatic and geographic processes
upon people and thus shaping them.
At the same time people act, through
economic processes, on a place and
thus shape it.
Thus both place and folk are linked
and through work are in constant
transition.
Ar.Mohamed Azharuddin 30
• He was influenced by Le Play's analysis of the key units of society as
constituting "Lieu, Travail, Famille" ("Place, Work, Family"), but changing the
last from "family" to "folk". In this theory, the family is viewed as the central
"biological unit of human society "from which all else develops.
• According to Geddes, it is from "stable, healthy homes" providing the
necessary conditions for mental and moral development that come
beautiful and healthy children who are able "to fully participate in life".
• Geddes believed that true education starts with the feelings and proceeds
towards the intellect, not vice versa. His teaching philosophy emphasized
the elemental emotion of wonder which, he believed, would elicit first
admiration, and second curiosity. His motto - vivendo discimus (by living, we
learn) - was put into practice in the education of his children, for whom a
range of practical and sensory experience and an insistence on a generalist
education took primacy.
Ar.Mohamed Azharuddin 31
‘How many people think twice about a leaf ? Yet the leaf is the chief product and
phenomenon of Life: this is a green world, with animals comparatively few and small,
and all dependent upon the leaves. By leaves we live. Some people have strange ideas
that they live by money. They think energy is generated by the circulation of coins.
But the world is mainly a vast leafcolony, growing on and forming a leafy soil, not a
mere mineral mass: and we live not by the jingling of our coins, but by the fullness of
our harvests.’
‘Town-planning is not mere place-planning, nor even work-planning. If it is to be
successful it must be folk-planning.’
‘This means that [the task of town-planning] is not to coerce people into new places
against their associations, wishes and interest - as we find bad schemes trying to do.
Instead its task is to find the right places for each sort of people; places where they
will really flourish. To give people in fact the same care that we give when
transplanting flowers, instead of harsh evictions and arbitrary instructions to “move
on”, delivered in the manner of officious amateur policemen.’
-Patrick Geddes
Ar.Mohamed Azharuddin 32
• a unified "web of life" acknowledging the symbiotic nature of the living world
based on the life-force
• a two-fold life process of action and re-action involving the organism and its
environment (but similarly also between body and mind)
• his four chambers of the "ledger of life" expressed in his famous diagram as a
synthetic process encompassing Acts, Facts, Dreams and Deeds, emphasizing
especially relations between the objective out-world and the subjective in-
world, and the active and the passive, each complementing the other.
Ar.Mohamed Azharuddin 33
Ar.Mohamed Azharuddin 34
He proposed that the development of the city was just one part of a wider
network and that city planning therefore was not just the relationship between
streets and public spaces, but also the city and the surrounding countryside, the
drama of human history being as important as geography. Urban planning
therefore needed to take the past and geography in context.
So how does all this translate in to city planning process? The sequence
of planning based on Geddes’ principles is to be:
1. Regional survey
2. Rural development
3. Town planning
4. City design
Ar.Mohamed Azharuddin 35
• Geddes first published his idea of the valley section in 1909 to illustrate
his idea of the 'region-city‘. The region is expressed in the city and the
city spreads influence of the highest level into the region.
• To put it another way, Geddes said that "it takes a whole region to make
the city"
• Edinburgh is the city and Leith the fishing village closest to the sea. This was not a
simplistic illustration of environmental or social determinism, but an attempt to set
the pattern of the contemporary city, its constructions and occupations, within the
context of mankind's roots in the landscape.
Ar.Mohamed Azharuddin 37
'We must', he says, 'excavate the layers of our cities downwards, into its earliest
past ‐ the dim yet heroic cities over and upon which it has been built: and
thence we must read them upwards, visualising them as we go. We must place
our cities, Geddes says, in the context of their regions ‐ environmental, social
and economic ‐ and understand them in that context. This is the basis for 'town
and regional planning' as an emergent discipline and of the recent re‐
emergence of the ‘city‐region’ as a focus of policy and planning.
Ar.Mohamed Azharuddin 38
• Geddes perpetuated the use of survey to determine the city planning
needs.
Ar.Mohamed Azharuddin 39
• THE OUTLOOK TOWER - EDINBURGH
"From the hard World of Facts to the no less real
World of Acts, you can only travel by this "In-World
way."
Geddes P., Cities In Evolution, 1915, pg 208
Ar.Mohamed Azharuddin 40
• THE OUTLOOK TOWER - EDINBURGH
"From the high garden, or from one of your tree-top castles, you look out upon everything, you
see for miles and miles; but in your dark little caves in the ivy-bank you can sit and dream. Up in
your tree-castle you often sit dreaming, of course; and from your hidden cave, through it's ivy
curtain, you love to peep; still, in the main, one is the Out-world's Watch-tower, the other the In-
world's Gate."
Geddes P., The World Without And The World Within, Sunday Talks With My Children, 1905
Ar.Mohamed Azharuddin 41
• THE OUTLOOK TOWER - EDINBURGH
• Patrick Geddes explains that what he
calls the "Out-world" is the world we
see around us, every day. He explains
to his children that the light from the
roof of the outlook tower is a way
into the "In-world", our thoughts and
memories. The "In-world" is where
we begin actively thinking and
planning; and then in carrying out our
plans we come back into the "Out-
world" once again.
Ar.Mohamed Azharuddin 42
Applications: Tel Aviv - 1926
Tel Aviv turned out to be the only example
of one of Geddes’ plans being built
largely as he envisaged.
Ar.Mohamed Azharuddin 43
Applications: Tel Aviv - 1926
The principles he employed for the city
were strikingly similar to what we now
know as New Urbanism ideas of planning -
an emphasis was placed on pedestrians
as opposed to motor car traffic, a sense of
community and civic life was encouraged
through the use of town squares and
abundant planting of greenery provided
significant focus on a minimal
environmental footprint.
Private automobile traffic was minimised
and the city was envisaged on a
pedestrian-scale. This neighbourhood
identity has been crucial in the success of
Tel Aviv as a city.
Ar.Mohamed Azharuddin 44
Applications: Tel Aviv - 1926
• His plans were simple and therein
lies their success. As a biologist he
saw the city as a circulation system.
Ar.Mohamed Azharuddin 46
Applications: Tel Aviv - 1926
His town plan was no mechanical or
geometrical grid like Manhattan for
instance, but a principle adapted to
the geography and topography of
the place and stressing the variety
inherent in humans, in locality and
in climate.
Ar.Mohamed Azharuddin 47
Applications: Tel Aviv - 1926
The central gardens were also the areas
where small public buildings or facilities,
kindergartens, schools, tennis courts,
would be constructed.
Ar.Mohamed Azharuddin 48
Applications: Tel Aviv - 1926
Immigrants from different countries filled
these blocks and social integration was more
easily achieved.
Ar.Mohamed Azharuddin 49
Applications: Tel Aviv - 1926
Not all the architects working in those years agreed with the town plan and they
thought that lots should be larger, buildings spread further apart and building
densities be higher. The leading architects who had studied in Germany (Bauhaus),
Belgium, Italy and France held many architectural discussions, and further east of Ibn
Gvirol you see a rather different picture. By then Geddes was dead (in 1932), but parts
of his plans with their parks and gardens live on.
Geddes’ plan was amended by the municipality in 1938 and formally passed. By then
an additional floor was allowed to all buildings (the population had boomed, mostly
due to immigration).
But his plan with the important central features – Dizengoff Circle, Habimah Square
and Chen Boulevard – and his blocks with fruit trees and flowering shrubs around the
gardens are still a feature and are amongst the successes of world town planning of
the 20th century.
Ar.Mohamed Azharuddin 50
Patrick Geddes in India
Geddes' connections with India are well known. He visited four times between 1914
and 1924, staying for two and a half years between 1916 and 1919.
Whilst here he surveyed countless cities and also crystallised his thoughts on synthesis
as Professor of Civics and Sociology at Bombay University
Geddes' interest in India had begun many years before. In Chicago in February 1900 he
had met the famous Indian guru Swami Vivekanda. There are records of this meeting
with "the apostle of the Vedanta" and how "the eastern discipline of body and mind
made such a lasting impression on both Anna (Geddes' wife) and Patrick that they
later handed on to their young children the simple Raja Yoga exercises for control of
the inner nature
He gave master planning advice for various Indian cities based on his observations and
deductions thereon
Ar.Mohamed Azharuddin 51
The Industrial and Post Industrial City
Some Concepts and Models
Contemporary City
-Le Corbusier
Alternatives open to Modern architecture - contemporary
disaster or spatial freedom of environment
– sketch by Le
Ar.Mohamed Azharuddin
Corbusier 53
Charles-Édouard Jeanneret, who chose to be known as Le Corbusier (1887 – 1965),
was a Swiss architect, designer, urbanist, writer, artist and painter, famous for being
one of the pioneers of what now is called Modern architecture or the International
style.
He was a pioneer in studies of modern high rise design and was dedicated to providing
better living conditions for the residents of crowded cities
It is this that may have influenced his own ideas about architecture and cities. Le
Corbusier placed systems of harmony and proportion at the center of his design
philosophy.
Ar.Mohamed Azharuddin 54
His faith in the mathematical order of the universe was closely bound to the golden
section, which he explicitly used in his Modular system for the scale of architectural
proportion. He saw this system as a continuation of the long tradition of the works of
Vitruvius
Le Corbusier exemplifies the energy and efficiency of the machine age. From the
beginning his designs for houses were strikingly original with minimalistic cubism
apparent in the plans and sections. He called them “Machines For Living”.
After World War II, Le Corbusier sought efficient ways to house large numbers of
people in response to the urban housing crisis. He believed that his new, modern
architectural forms would provide an innovative solution that would raise the quality
of life for the lower classes.
Ar.Mohamed Azharuddin 55
Five Points of A New Architecture
Ar.Mohamed Azharuddin 56
Background of Ville Contemporaine :
Philosophy of Le Corbusier
1. No matter how open and green, cities should be frankly urban: urban
surroundings are to be definitely contrasting with rural surroundings
2. Densities are in themselves not a problem: Congestion and slum conditions in the
cities are due to excessive coverage, persistence of old street patterns and
unrestricted land speculation
3. Slums exist because of the failure to provide the proper surrounding for high
density living
4. “Human creations that survive are those which produce emotions, and
not
those which are only useful”
Ar.Mohamed Azharuddin 57
1. Assumes an ideal site which is level, river flows far away
from the site
2. Dwellers will comprise of citizens, suburban and mixed
kinds:
1. Citizens are of the city: those who work and live
in it.
2. Suburban dwellers are those who work in the outer
industrial zone and who do not come into the city:
they live in garden cities.
3. The mixed sort are those who work in the business
parts of the city but bring up their families in garden
cities.
3. High density development.
4. The towns of today can only increase in density at the
expense of the open spaces which are the lungs of a city.
“We must increase the open spaces and diminish the
distances to be covered. Therefore the centre of the city
must be constructed vertically.”
Ar.Mohamed Azharuddin 58
5. “The modern street in the true sense of the word is a new
type of organism, a sort of stretched-out workshop, a home
for many complicated and delicate organs, such as gas,
water, and electric mains. It is contrary to all economy, to all
security, and to all sense to bury these important service
mains. They ought to be accessible throughout their length.
The various storeys of this stretched-out workshop will each
have their own particular functions. If this type of street,
which I have called a “workshop,” is to be realized, it
becomes as much a matter of construction as are the
houses with which it is customary to flank it, and the
bridges which carry it over valleys and across rivers. The
modern street should be a masterpiece of civil engineering
and no longer a job for navies. The “corridor-street” should
be tolerated no longer, for it poisons the houses that border
it and leads to the construction of small internal courts”
Ar.Mohamed Azharuddin 59
6. Three kinds of roads are needed, and in superimposed storeys:
1. Below-ground there would be the street for heavy traffic.
This storey of the houses would consist merely of
concrete piles, and between them large open spaces
which would form a sort of clearing-house where heavy
goods traffic could load and unload.
2. At the ground floor level of the buildings there would be
the complicated and delicate network of the ordinary
streets taking traffic in every desired directions.
3. Running north and south, and east and west, and
forming the two great axes of the city, there would be
great arterial roads for fast one-way traffic built on
immense reinforced concrete bridges 120 to 180 yards in
width and approached every half-mile or so by subsidiary
roads from ground level. These arterial roads could
therefore be joined at any given point, so that even at the
highest speeds the town can be traversed and the suburbs
reached without having to negotiate any crossroads.
Ar.Mohamed Azharuddin 60
7. Following the two great axes of the city, two “storeys”
below the arterial roads for fast traffic, would run the
tubes leading to the four furthest points of the garden
city suburbs, and at the very center we have the station
with its landing stage for aero-taxis.
10. All around the city is the protected zone of woods and
green fields.
Ar.Mohamed Azharuddin 61
12. Then, right in the midst of all these, we have the
Central Station, made up of the following elements:
Ar.Mohamed Azharuddin 62
The plan of the city
14. Basic principles:
1. We must decongest the centers of our cities.
2. We must augment their density.
3. We must increase the means for getting about.
4. We must increase parks and open spaces.
15. The great central open space are the cafes, restaurants,
luxury shops, halls of various kinds, a magnificent forum
descending by stages down to the immense parks
surrounding it, the whole arrangement providing a
spectacle of order and vitality.
Density of population
Ar.Mohamed Azharuddin 63
Of the area (a), 95 percent of the ground is open (squares,
restaurants, theaters).
Of the area (b), 85 percent of the ground is open (gardens,
sports grounds).
Of the area (c), 48 percent of the ground is open (gardens,
sports grounds)
Ar.Mohamed Azharuddin 64
Suppose we are entering the city by way of the Great Park. Our fast car takes the
special elevated motor track between the majestic skyscrapers: as we approach
nearer there is seen the repetition against the sky of the twenty-four skyscrapers; to
our left and right on the outskirts of each particular area are the municipal and
administrative buildings; and enclosing the space are the museums and university
buildings.
Then suddenly we find ourselves at the feet of the first skyscrapers. But here we have, not
the meager shaft of sunlight which so faintly illumines the dismal streets of New York, but
an immensity of space. The whole city is a Park. The terraces stretch out over lawns and
into groves. Low buildings of a horizontal kind lead the eye on to the foliage of the trees.
Where are now the trivial Procuracies? Here is the city with its crowds living in peace and
pure air, where noise is smothered under the foliage of green trees. The chaos of New
York is overcome. Here, bathed in light, stands the modern city.
Our car has left the elevated track and has dropped its speed of sixty miles an hour to run
gently through the residential quarters. The “setbacks” permit of vast architectural
perspectives. There are gardens, games and sports grounds. And sky everywhere, as far
as the eye can see. The square silhouettes of the terraced roofs stand clear against the
sky, bordered with the verdure of the hanging gardens.
Ar.Mohamed Azharuddin 65
The uniformity of the units that compose the picture throw into relief the firm lines
on which the far-flung masses are constructed. Their outlines softened by distance,
the skyscrapers raise immense geometrical facades all of glass, and in them is
reflected the blue glory of the sky. An overwhelming sensation. Immense but
radiant prisms.
And in every direction we have a varying spectacle: our “gridiron” is based on a unit of
400 yards, but it is strangely modified by architectural devices! The traveler in his
airplane, arriving from Constantinople or Pekin it may be, suddenly sees appearing
through the wavering lines of rivers and patches of forests that clear imprint which marks
a city which has grown in accordance with the spirit of man: the mark of the human brain
at work.
This is no dangerous futurism, a sort of literary dynamite filing violently at the spectator.
It is a spectacle organized by an Architecture which uses plastic resources for the
modulation of forms seen in light.
2. The basic ideas of free circulation and greenery were still present, but the
juxtaposition of different land-uses had changed. For example, the central area
was now residential instead of a skyscraper office core.
Ar.Mohamed Azharuddin 67
3. Influenced by the linear city ideas of
Milyutin and the theories of the
syndicalist movement (that he had
recently joined) he formulated a new
vision of the ideal city, the Ville Radieuse.
Ar.Mohamed Azharuddin 68
LA VILLE RADIUSE: (RADIANT CITY) 1930
5. In the Radiant City, however, the pre-
fabricated apartment houses, les unites,
were at the center of "urban" life. Les
unites were available to everyone (not
just the elite) based upon the size and
needs of each particular family.
Ar.Mohamed Azharuddin 69
LA VILLE RADIUSE: (RADIANT CITY) 1930
7. Inside les unites were the vertical streets, i.e. the elevators, and the pedestrian
interior streets that connected one building to another
9. The business center, was positioned to the north of les unites and consisted of
Cartesian (glass & steel) skyscrapers every 400 meters. The skyscrapers were to
provide office space for 3,200 workers per building.
10. Each apartment block was equipped with a catering section in the basement,
which would prepare daily meals (if wanted) for every family and would complete
each families’ laundry chores. The time saved would enable the individual to
think, write, or utilize the play and sports grounds which covered much of the
city’s land.
Ar.Mohamed Azharuddin 70
LA VILLE RADIUSE: (RADIANT CITY) 1930
11. Directly on top of the apartment houses were the roof top gardens and beaches,
where residents sun themselves in “natural" surroundings - fifty meters in the air.
12. Children were to be dropped off at les unites’ day care center and raised by
scientifically trained professionals.
13. The workday, so as to avoid the crisis of overproduction, was lowered to five hours
a day.
14. Women were enjoined to stay at home and perform household chores, if
necessary, for five hours daily.
15. Transportation systems were also formulated to save the individual time.
Corbusier bitterly reproaches advocates of the horizontal garden city (suburbs) for
the time wasted commuting to the city. Because of its compact and separated
nature, transportation in the Radiant City was to move quickly and efficiently.
Corbusier called it the vertical garden city.
Ar.Mohamed Azharuddin 71
Applications: Unite D’habitation was
started immediately after the Second
World War (1945- 46), and was finished
in 1952.
1. It comprises 337 apartments arranged over
twelve stories.
2. The apartments are suspended on
large piloties that allowed free circulation and
abundant green spaces….“Sport at the foot of the
houses”
3. The Internal Street (third floor), incorporates
shops, sporting, medical and educational
facilities, a hotel which is open to the public, and
a restaurant.
4. Its flat roof is designed as a communal terrace
with sculptural ventilation stacks, a running
track, a shallow paddling pool for children, and
an open-air theatre.
5. The building is constructed in rough-cast
concrete
6. Le Corbusier painted the apartments in
different
colors, to create an identity for each
Ar.Mohamed Azharuddin 72
resident.
Applications: City of Chandigarh, India - 1950
The city of Chandigarh is planned to human scale. It puts us in touch with the infinite
cosmos and nature. It provides us with places and buildings for all human activities
by which the citizens can live a full and harmonious Life. Here the radiance of nature
and heart are within our reach.
The idea of building Chandigarh was conceived soon after India's independence in 1947, when the tragedy
and chaos of Partition, and the loss of its historic capital Lahore, had crippled the state of Punjab. A new city
was needed to house innumerable refugees and to provide an administrative seat for the newly formed
government of re-defined Punjab
It was modelled as a city of prestige, as an aesthetic ideal, and, above all, as a social utopia
"The Chandigarh Project was, at first, assigned to the American planner Albert Mayer, with his associate
Matthew Nowicki working out architectural details.
Le Corbusier's association with the city was purely fortuitous, a result of Nowicki's sudden death in August
1950. Beginning in 1951, he continued to be associated with the city as the principal ‘architectural and
planning advisor' till his death in 1965.
As it turned out, there was none else who could have matched Prime Minister Nehru's lofty optimism and
his progressive, modernist vision for an impoverished, politically unstable, newly independent nation.
Ar.Mohamed Azharuddin 73
Applications: City of Chandigarh, India - 1950
Albert Mayer’s Master Plan
1. The master plan which Albert Mayer produced
for Chandigarh assumes a fan-shaped outline,
spreading gently to fill the site between the two
river beds.
2. At the head of the plan was the Capitol , the seat
of the state government, and the City Centre was
located in the heart of the city.
3. Two linear parklands could also be noticed
running continuously from the northeast head of
the plain to its southwestern tip. A curving
network of main roads surrounded the
neighborhood units called Super blocks.
5. The flatness of the site allowed almost
4. first phase of the city was to be developed on complete freedom in creating street
the north-eastern side to accommodate 1,50,000 layout and the overall pattern deliberately
residents and the second phase on the South- avoids a geometric grid in favour of a
western side for another 350,000 people. loosely curving system
Ar.Mohamed Azharuddin 74
Contemporary City – Le
Corbusier
Applications: City of Chandigarh, India - 1950
Ar.Mohamed Azharuddin 75
Applications: City of Chandigarh, India - 1950
Albert Mayer’s Master Plan
5. The super block was designed as a self –sufficient
neighborhood units placed along the curvilinear roads
and comprised of cluster type housing, markets and
centrally located open spaces
6. Mayer liked “the variation of Indian streets, offsetting and
breaking from narrow into wider and back” and thought
that they were appropriate to a land of strong sunlight,
7. At the narrow points, his house design involved an inner
courtyard for ventilation with small openings on the
street side to protect privacy. “We loved this little inner
courtyard,” Mayer wrote, “for it seemed to us to bring the
advantages of coolness and dignity into a quite small
house.”
8. Another element in planning was “to place a group of houses around a not very large court,
with the ends somewhat narrowing, which could serve as a social unit—i.e. a group of
relatives or friends or people from the same locality might live there, with the central area
for play, gossip, etc.” The neighbourhood units were to contain schools and local shopping
centers.
Ar.Mohamed Azharuddin 76
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
1. Le Corbusier requested the assistance
of his cousin Pierre Jeanneret.
Jeanneret, together with Fry and Drew,
as senior architects working in India for
a period of three years assisted by a
team of 20 idealistic young Indian
architects, would detail the plan and Le
Corbusier could concentrate on major
buildings.
Ar.Mohamed Azharuddin 77
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
4. The city plan was conceived as post war ‘Garden City’
wherein vertical and high rise buildings were ruled
out, keeping in view the living habits of the people.
Ar.Mohamed Azharuddin 78
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
Ar.Mohamed Azharuddin 79
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
1. Le Corbusier divided the city into
different Sectors. Each Sector or the
neighbourhood unit, is quite similar
to the traditional Indian 'mohalla',
and measures 800 meters by 1200
meters, covering 250 acres of area.
2. The sector featured a green strip
running north to south, bisected by
a commercial road running east to
west.
V1: arterial roads that connect one city to another, V5: distribution road meandering through a sector,
V2: urban, city roads, V6 residential road,
V3: vehicular road surrounding a sector, V7: pedestrian path,
V 4: shopping street of a sector,
.
Ar.Mohamed Azharuddin 80
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
4. Each Sector is surrounded by V2 or V3 roads,
with no buildings opening on to them and
meant to be self-sufficient, with shopping
and community facilities within reasonable
walking distance
5. The entrance of cars into the sectors, which
are exclusively reserved to family life, can
take place on four points only; in the middle
of the 1,200 meters; in the middle of the 800
meters. All stoppage of circulation shall be
prohibited at the four circuses, at the angles
of the sectors. The bus stops are provided
each time at 200 meters from the circus so
as to served the four pedestrian entrances
into a sector. Thus the transit traffic takes
place out of the sectors; the sectors being
surrounded by four wall-bound car roads
without openings (the V3s).
Ar.Mohamed Azharuddin 81
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
City’s Green
Ar.Mohamed Azharuddin 82
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
Architectural Controls:
1. To curb undue individualism in the built environment, Le Corbusier conceived a number of
mechanisms to regulate the development of private buildings in the city.
2. These included : architectural controls, frame controls and zoning controls.
3. The basic aim was to maintain uniformity in skyline, heights and the architectural character.
4. Further controls on private construction in the city have been imposed through building
byelaws, which govern and lay down the minimum standards of light ventilation, living area
and sanitation.
5. Each plot of land in the city is governed by the specific use and building volume that can be
developed on it through ‘zoning restriction’.
6. In small residential houses frames control was devised which is an architectural element
limiting projection lines and unifying heights. Opening of desired size and shape may be
arranged within this frame as per individual requirements.
7. Similarly in shopping street, architectural order is ensured by development of shops as
architectural controls.
Ar.Mohamed Azharuddin 83
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
Architectural Controls:
1. To curb undue individualism in the built environment, Le Corbusier conceived a number of
mechanisms to regulate the development of private buildings in the city.
2. These included : architectural controls, frame controls and zoning controls.
3. The basic aim was to maintain uniformity in skyline, heights and the architectural character.
4. Further controls on private construction in the city have been imposed through building
byelaws, which govern and lay down the minimum standards of light ventilation, living area
and sanitation.
5. Each plot of land in the city is governed by the specific use and building volume that can be
developed on it through ‘zoning restriction’.
6. In small residential houses frames control was devised which is an architectural element
limiting projection lines and unifying heights. Opening of desired size and shape may be
arranged within this frame as per individual requirements.
7. Similarly in shopping street, architectural order is ensured by development of shops as
architectural controls.
Ar.Mohamed Azharuddin 84
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
Chandigarh has four main work centers :
Le Corbusier conceived the tree plantation and landscaping for the City in harmony with the
beautiful natural settings of Shivalik Hills. He studied the various species of trees, their shapes,
foliage and colour of flowers etc. before planning landscape scheme for three great urban
elements roads, urban spaces and free spaces such as the leisure valley and the parks
The leisure valley is a green sprawling space extending North-East to South-West along a
seasonal choe and was conceived by Le Corbusier as the lungs of the city. The fitness trails and
the other gardens along the green belt, which passes through the city, offer quiet a retreat at all
hours of the day, orchestrating life's subtler impulses and heightening the spiritual experience
In all, more than 100 different tree species have been planted in Chandigarh
Ar.Mohamed Azharuddin 85
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Sketches
Ar.Mohamed Azharuddin 86
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
City Center:
Ar.Mohamed Azharuddin 87
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
Ar.Mohamed Azharuddin 88
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
Ar.Mohamed Azharuddin 89
Applications: City of Chandigarh, India - 1950
Le Corbusier’s Master Plan
The Capitol Complex
Assembly
High Court
Secretariat
Ar.Mohamed Azharuddin 90
The Industrial and Post Industrial City
4. He used steel and glass in his buildings and was fascinated by the
automobile
Ar.Mohamed Azharuddin 92
Ar.Mohamed Azharuddin 93
Ar.Mohamed Azharuddin 94
5. Frank Lloyd Wright was the most radical, most stubborn, and most
influential of a rare species of urban planners, which wanted to rid
the world of the industrial city altogether. It is ironical that the most
celebrated architect of the time should be so completely anti
urbanism.
6. “Wright felt the city and the industrial civilization that produced it
must perish. They were the consequences of diseased values, and to
achieve health, new values had to be established in a new
environment.” – Leonard Reissman (Urban Sociologist)
“ Like some tumor grown malignant, the city like a cancerous growth,
has become a menace to the society”
This integral whole composes the great city that I see embracing all of
this country—the Broadacre City of tomorrow.
Ar.Mohamed Azharuddin 97
Main Features:
• At Broadacre’s center were one-acre land units meant for
nuclear families.
• No Slum. No Scum
• No traffic problems
• No glaring cement roads or walks
Ar.Mohamed Azharuddin 98
Main Features:
• This would be accomplished by the decentralization of cities
over spans of hundreds of miles. Rather than one large city
crammed with millions of people, there would now be dozens of
sprawling cities with those millions evenly distributed.
• Wright really wanted the city to fall out altogether, and like a post-
apocalyptic pioneer, he wanted to shape its replacement. The closest
he ever came to Broadacre’s realization was in 1943, when he
compiled a “Citizens’ Petition” signed by sixty-four Broadacre
sympathizers, including Albert Einstein and Nelson Rockefeller. He
sought unlimited cash flow to dot the American landscape with
Broadacres. He never got it.
Inevitably, there will develop a new form of community life, but just
what it will be except as Broadacre City tentatively outlines it as free
to grow, who can say? Not I. Who is going to say how humanity will
eventually be modified by all these spiritual changes and physical
advantages, sound and vision coming through solid walls to men, each
aware of anything in or of the world he lives in without lifting a finger,
making it unnecessary to go anywhere unless it is a pleasure to go.
The whole psyche of humanity is changing and what that change will
ultimately bring as future community I will not prophecy. It is already
greatly changed.
According to Wright, human rights include a right “to the ground itself”
(Wright 1935, 345). But this right is not just to private property, but to a
working relationship with the land: “To have and to hold!”
There may be many minor transient stations instead of a few major ones. Railway
cars would not run by noisy "trucks" but slide down shallow skids, the cars mounted
upon them being light cylindrical tubes perhaps jet-powered. A railway train would
become capable of 150 miles an hour without any uncomfortable vibration.
New Urbanism
New Urbanism
"The long-standing preoccupation with automobiles has degraded our communities
to such a degree - physically and otherwise - that our destinations are no longer
places worth reaching." –World Watch Institute
“A town is saved, not more by the righteous men in it than by the woods and
swamps that surround it.” -- Henry David Thoreau
New Urbanism is the revival of the lost art of place-making, and is essentially a re-
ordering of the built environment into the form of complete cities, towns, villages, and
neighborhoods - the way communities have been built for cen
New Urbanism involves fixing and infilling cities, as well as the creation of compact
new towns and villages.
1. Walkability
Most needs are within a 10-minute walk of home and work. Street design is
friendly to pedestrians, because buildings are close to the street and have
porches, windows, and doors. Streets have lots of trees and on-street parking,
with parking lots and garages placed behind buildings and houses, often
connected to alleys. Streets are narrow, which slows traffic dramatically.
2. Connectivity
An interconnected street grid disperses traffic and encourages walking.
9. Sustainability
The community uses respect for natural systems and eco-friendly technologies
like energy efficiency to minimize effects on the environment. The community
connects strongly with surrounding farmland, encouraging land preservation
and local food consumption.
Each zone is fractal in that it contains a similar transition from the edge
to the center of the neighborhood. The transect is an important part of
the New Urbanism and smart growth movements.
ransect
2. Rural Reserves
(T2),
3. Sub-Urban
The T
(T3),
4. General Urban
(T4),
5. Urban Center (T5),
and
6. Urban Core (T6).
11/10/2014
The concept of the transect was borrowed from ecology. Ecological
transects are used to describe changes in habitat over some gradient
such as a change in topography or distance from a water body. Patrick
Geddes, in his Valley Section of the early 20th century was among the
first to proclaim that human settlement should be analyzed in the
context of its natural region.
The six Transect Zones instead provide the basis for real neighborhood
structure, which requires walkable streets, mixed use, transportation options,
and housing diversity. The T-zones vary by the ratio and level of intensity of
their natural, built, and social components. They may be coordinated to all
scales of planning, from the region through the community scale down to the
individual lot and building.
The transect eliminates the “urbanizing of the rural” - office towers in otherwise pristine
environments - or equally damaging, the “ruralizing of the urban” - undefined, vacant open space in
the urban core. The prescribed urban pattern is therefore based on, theoretically, finding the proper
balance between natural and human-made environments along the rural-to-urban Transect.
New Orleans
Washington
San Fransisco
Miami