Professional Documents
Culture Documents
Feb. 6 Fanny Hensel and Her Music BB
Feb. 6 Fanny Hensel and Her Music BB
https://towson-naxosmusiclibrary-com.proxy-tu.research
port.umd.edu/catalogue/item.asp?cid=CDA1699-2
http://goldmanmusic.blogspot.com/2010/08/portrait-of-fanny.html
The Music of Fanny Hensel
Source: https://www.mutualart.com/Artwork/PORTRAT-FANNY-
HENSEL/89EDE4F1F4BFAF73
Today’s topics
Finish “Intro to the
Romantic Period and
the Life of Fanny
Hensel”
Fanny’s life and music
Primary source material
relevant to Fanny’s life
https://blogs.loc.gov/music/files/2015/09/Fanny-and-Wilhelm.jpg
Next Class in Cook Library
Next class – Tuesday, February 11th in Cook Library
DO NOT COME HERE TO CLASSROOM
Go to top floor of library, 5th floor
Walk to back of floor – at TLC, turn left
Go to classroom 526
Topic: Finding Books, E-books, Scholarly Music
Encyclopedias & Handbooks
Purpose: discovering resources to help with
researching composers for Group Oral
Presentations
Fanny’s musical training
Taught piano by her mother
Studied piano with Ludwig Berger, then Marie Bigot in
Paris
Studied music theory and composition with C. F. Zelter,
a noted German composer
First composition – lied for her father on his birthday
(1819)
Enrolled in Berlin Sing-Akademie (1820)
Only public appearance: 1838, performing Felix’s Piano
Concerto No. 1
Fanny and Felix
Felix, younger brother, composers and confidents
Study together, share musical ideas and compositions
Felix feels Fanny should not publish and withholds his
approval
In 1826, Felix publishes two of Fanny’s lieder under his
name
During Fanny’s lifetime, very few pieces published
Some works published after her death by family
Many works still in manuscript at German state
archives
Fanny’s early musical experiences
Mother and aunts very musical and cultured
Best teachers in Berlin
Exposure to the music of Bach and Beethoven
At 13, performed all 24 of Bach’s Preludes from
the Well-Tempered Clavier from memory
Wrote lieder because it fit with her place in
society and pleased family
Mendelssohn Family Musicales
Parents begin Sunday musical concerts in
1825
Fanny is a featured performer, rather than a
composer at these events
After her marriage in 1829 to Wilhelm Hensel,
in 1831 & until her death, Fanny reinstates
Sunday musicales
Fanny’s hosted musical concerts featured her
works which she performed or conducted
Fanny’s Salon – Sonntagsmusiken = “Sunday
Music”
Guests Fanny’s duties
Niccolo Paganini Musical director
Franz Liszt Composer
Clara Schumann Pianist
Frederick Heine Singer
Johann Wolfgang Conductor
von Goethe Program director
Fanny’s Choices
To comply with family’s request: primarily
works in the private sphere
Expectation: Fanny’s musical accomplishments
are not for public acclaim
To see music published, works are first
presented as authored by brother
Publishes in her name only after father dies
“Du Bist Die Ruh”
Lied
Theme: love
Composed 1848
Op. 7, no. 4 from “Six Songs”
Published 1847
Poem by Friedrick Rückert
Form: strophic with variation – A A1
Mendelssohn-Hensel, Das Jahr –
“September: At the River”
Cycle of 15 pieces for solo piano
Character piece: short piece expressing a
mood or story as shown by title
Form: ternary – A B A (three parts)
Changing seasons reflected in key shift of
major to minor
Accompaniment in right hand imitates flow of
water
http://proxy-tu.researchport.umd.edu/login?url=http://towson.naxosmusiclibrary.com/stream.asp?s=75504%2FTowsonNM
L08%2FRW6055_009
Gender Boundaries: Program music
& character pieces
Program music: instrumental work that tells
a story or suggests a non-musical idea.
Das Jahr (The Year) is a programmatic set of
piano works that musically depicts the months
of the year
Each month is represented by a separate mood
or musical statement = character pieces
Felix was initially condemned for publishing his
set of piano character pieces, Songs without
Words - considered “feminine”
Notturno in g minor
Genre: Character piece, specifically a nocturne
“Notturno” is Italian for ‘nocturne’ = short piano piece
of romantic character – often associated with night
Composed: 1838
Instrumentation: solo piano
Form: Ternary - A – B – A (three parts)
Modulates from G minor to G major, then back to
minor
Not published during her lifetime, 1986 by great
granddaughter
Appropriate for salon setting
Form made popular by composers John Field and
Frederic Chopin
Primary Source Materials - Review
drawings/diagrams
underlining
differences
in fonts or size
changes made by creator affecting appearance of source
o secondary sources
o or a combination of both
document camera
For next time …
Meet in Cook
Library, fifth floor,
classroom 526
Catch up with
readings listenings
https://www.npr.org/sections/deceptivecadence/2013/01/28/170484731/meet-the-musical-mendelssohns-felix-and-fanny