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Choose an object that interestes you for both it’s visual qualities, and its symbolic value. Preferably something small enough to hold in your hand. This will be the object/s you will study so choose carefully.It helps if the object is interesting to draw, and can lend itself to multiple meanings
This Photo by Unknown Author is licensed under CC BY-SA
Draw your object using as many different techniques as you can and from different points of view. Variation is key. Pages here are from student Ewa Nizalowska’s visual arts journal. Ewa takes a simple object (a common drinking glass) and using different media and contour lines, shading and refelections, she obseves it from many different points of view. Ewa practises observational drawing of a glass using cross hatching to create subtle variations in tone. She has written “This is not a glass” boldly across the top of the page, referring to René Magritte’s famous painting “The treachery of images”. With the addition of this text, she is introducing a conceptual way of thinking about the subject. The treachery of images by Renee Magritte Place your object in different contexts and draw. Alter the surroundings, the composition, color, and/or juxtaposition (place it next to something else.) How does this change the meaning of the object? Use different materials to interpret your object, such as pencil, paint, clay, words, fur, film, cardboard, wax. Here Ewa has turned her glass into a cartoon where the characters discuss the philosophical idea of “the glass half empty/full”. Investigate meanings of your object in other Art genres- here we see the cup and iconography. This is a “Vanitas “ painting by Francisco de Zurbarán. The water in the cup symbolises purity and the flower a ‘mystic’ rose. There is a religious symbolism as well as a reference to the transitory nature of life where the “bloom of the rose” is fleeting. This is also an excellent exammple of a keenly observed observational painting. Meret Oppenheim’s “Object 1936” (Also known as breakfast in fur) began as a joke. However it became an influential Surrealist piece, cementing Opeenheim’s reputation. The soft tactile surface is directly opposite to the usual normal surface of the cup and the mix of messages and associations are varied and both humorous and disturbing. Object study expectations: • You are expected to make at least 8 different detailed drawn studies of your objects in a very experimental way, and one 3D. • You need to link two of your studies to two visual ideas taken from two very different artists that you have researched – using their style or genre in your work. • Your final piece needs to combine your two objects in an unusual way with links to at least one srtist you have researched. • Plan class work and homework in your planner, and add agreed deadlines so that your work is finished in time.