Professional Documents
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Fashion History and Theory 4 You Are What You Wear
Fashion History and Theory 4 You Are What You Wear
Week 4
Dr Jonathan Faiers
Identity: who or what a person or thing is
individuality, personality
http://www.thesartorialist.com/
Burberry
http://artofthetrench.com/
Cover and page spreads from the first edition of i-D
magazine 1980
Chinese New Year edition covers i-D magazine 2012
Subculture:
Punks
Hippies
Teddy Boys or Teds
Mods
Skinheads
Rockers or Greasers
Casuals
New Romantics
Subcultures represent ‘noise’ (as opposed to
sound): interference in the orderly sequence
which leads from real events and
phenomena to their representation in the
media. We should therefore not
underestimate the signifying power of
spectacular subculture not only as a
metaphor for potential anarchy ‘out there’
but as an actual mechanism of semantic
disorder: a kind of temporary blockage in
the system of representation.
Deformity, transformation,
refusal – the construction of
style in subculture
Dick Hebdidge Subculture: The Meaning of Style 1979
How subcultural dress operates:
Brothel Creepers
Bootlace Tie
Western/cowboy style
Fashions from
1910
Malcolm McLaren
‘Teddy Boy’ late 1950s
‘Edwardian’ style fashion 1958 Let it Rock 1971
D.I.Y. = do it
yourself,
collage,
bricolage
From the French: (coller, to glue, ) Collage is a technique of an art production,
Collage: primarily used in the visual arts, where the artwork is made from an assemblage
of different forms, thus creating a new whole.
Bricolage: In cultural studies bricolage is used to mean the processes by which people acquire
objects from across social divisions to create new cultural identities. In particular, it is
a feature of subcultures such as, for example, the punk movement. Here, objects that
possess one meaning (or no meaning) in the dominant culture are acquired and given
a new, often subversive meaning. For example, the safety pin became a form of
decoration in punk culture.
Polysemy: is the capacity for a sign (e.g., a word, phrase, etc.) or signs to have multiple related
meanings
The French the use the word bricolage to describe a way of making
something new from assorted - found, at hand - bits and pieces; it is a
very apt way of describing the Punks’ approach to dress (and, indeed,
to music, politics, philosophy). The objective was/is to mix together
the most diverse, and unexpected, absurd and downright
contradictory combinations of styles. Scavenging from ‘primitive’ tribal
peoples, clandestine fetishists, a host of other style tribes (Bikers,
Skinheads, Glam Rockers, Teddy Boys), 50s kitsch, 40s glamour, tacky
sci-fi movies, military uniforms, etc., etc., etc., the Punks assembled for
themselves individualised, unique looks and defied classification. Punk,
in other words, was - from the start - such a rich rag bag of alternatives
and contradictions that no coherent Next Big Thing could possibly have
evolved from its eclectic diversity.’
Ted Polhemus The Supermarket of Style
Importance of hairstyles to subcultures: Mods