Dadasaheb Phalke released India's first feature film Raja Harishchandra in 1913, establishing him as the father of Indian cinema. In 1931, Ardeshir Irani produced India's first talkie film Alam Ara, making him the father of Indian talkies. The 1950s and 1960s were considered the Golden Age of Indian cinema, with Satyajit Ray's 1955 film Pather Panchali opening up Indian film to the world and the transition to color films bringing commercial success through escapist entertainment and star power.
Dadasaheb Phalke released India's first feature film Raja Harishchandra in 1913, establishing him as the father of Indian cinema. In 1931, Ardeshir Irani produced India's first talkie film Alam Ara, making him the father of Indian talkies. The 1950s and 1960s were considered the Golden Age of Indian cinema, with Satyajit Ray's 1955 film Pather Panchali opening up Indian film to the world and the transition to color films bringing commercial success through escapist entertainment and star power.
Dadasaheb Phalke released India's first feature film Raja Harishchandra in 1913, establishing him as the father of Indian cinema. In 1931, Ardeshir Irani produced India's first talkie film Alam Ara, making him the father of Indian talkies. The 1950s and 1960s were considered the Golden Age of Indian cinema, with Satyajit Ray's 1955 film Pather Panchali opening up Indian film to the world and the transition to color films bringing commercial success through escapist entertainment and star power.
and supported Dadasaheb Phalke in his attempts in creating a swadeshi cinema.
Dadasaheb Phalke, released his epochal
feature film Raja Harishchandra on 3rd May 1913 and thus he was called as the father of Indian Cinema THE FIRST TALKIE The silent era came to an end when Ardeshir Irani produced his first talkie, 'Alam Ara' in 1931.
If Phalke was the father of Indian cinema,
Irani was the father of the talkie. The talkies changed the face of Indian cinema. For the first time Ardeshir Irani attempted a colour picutre in 1937 with Kisan Kanya. THE GOLDEN AGE
50s and 60s were considered as the Golden
Age of Indian cinema. The big turning point came in 1955 with the arrival of Satyajit Ray and his classic Pather Panchali which opened up a new path leading the Indian film to the World Film scene. The transition to colour and the consequent preference for escapist entertainment and greater reliance on stars brought about a complete change in the film industry. The sixties was a decade of mediocre films made mostly to please the distributors and to some extent, meet the demands of the box office. The sixties began with a bang with the release of K.Asif's Mughal-E-Azam which set a record at the box-office. It was followed by notable productions, which include romantic, musicals, and melodramas of a better quality.