TEACHING LISTENING

STUDENT SHAMSIEV OKHUNJON (JOHN)

STUDENT ID: 1973056
PROFESSOR: JEONG YEON PARK
OBJECTIVES OF THE LESSON:

• UNDERSTAND ISSUES AND CONCEPTS IN PEDAGOGICAL RESEARCH

THAT ARE RELATED TO TEACHING LISTENING COMPREHENSION
• APPRECIATE FACTORS THAT MIGHT MAKE LISTENING DIFFICULT FOR
STUDENTS
• ANALYZE TYPES OF SPOKEN LANGUAGE
• MICROSKILLS AND MACROSKILLS AND TYPES OF CLASSROOM
LISTENING PERFORMANCE
LISTENING COMPREHENSION IN PEDAGOGICAL RESEARCH

LISTENING AS A MAJOR COMPONENT IN LANGUAGE LEARNING AND TEACHING FIRST

HIT THE SPOTLIGHT IN THE LATE 1970S WITH JAMES ASHER’S (1977) WORK ON TOTAL
PHYSICAL RESPONSE. IN TOTAL PHYSICAL RESPONSE THE ROLE OF COMPREHENSION
WAS GIVEN PROMINENCE AS LEARNERS WERE GREAT QUANTITIES OF LANGUAGE TO
LISTEN TO BEFORE THEY WERE ENCOURAGED TO RESPOND ORALLY.
SIMILARLY, NATURAL APPROACH BY STEPHEN KRASHEN RECOMMENDED A
SIGNIFICANT “SILENT PERIOD” DURING WHICH LEARNERS WERE ALLOWED THE
SECURITY OF LISTENING WITHOUT BEING FORCED TO GO THROUGH THE ANXIETY OF
SPEAKING BEFORE THEY WERE “READY” TO DO.
AN INTERACTIVE MODEL OF LISTENING COMPREHENSION

LISTENING IS NOT A ONE-WAY STREET. IT IS NOT MERELY THE PROCESS OF A UNIDIRECTIONAL

RECEIVING OF AUDIBLE SYMBOLS.
THE FOLLOWING EIGHT PROCESSES (ADAPTED FROM CLARK AND CLARK, 1977; RICHARDS, 1983) ARE
ALL INVOLVED IN COMPREHENSION. WITH THE EXCEPTION OF THE INITIAL AND FINAL PROCESSES
BELOW, NO SEQUENCE IS IMPLIED HERE; THEY ALL OCCUR IF NOT SIMULTANEOUSLY, THEN IN
EXTREMELY RAPID SUCCESSION.
1. THE HEARER PROCESSES “RAW SPEECH” AND “HOLDS” AND IMAGINE OF IT IN SHORT TERM
MEMORY (PHRASES, CLAUSES, COHESIVE MARKERS, INTONATION AND INTONATION.
2. THE HEARER DETERMINES THE TYPE OF SPEECH EVENT (CONVERSATION, SPEECH, RADIO
BROADCAST).
AN INTERACTIVE MODEL OF LISTENING COMPREHENSION
3. THE HEARER INFERS THE OBJECTIVES OF THE SPEAKER THROUGH CONSIDERATION OF
THE TYPE OF THE SPEECH EVENT, THE CONTEXT, AND CONTENT.
4. THE HEARER RECALL BACKGROUND INFORMATION RELEVANT TO THE CONTEXT AND
SUBJECT MATTER.
5. THE HEARER ASSIGNS A LITERAL MEANING TO THE UTTERANCE .
6. THE HEARER ASSIGNS AN INTENDED MEANING TO THE UTTERANCE.
7. THE HEARER DETERMINES WHETHER INFORMATION SHOULD BE RETAINED IN SHORT-
TERM OR LONG-TERM MEMORY ( SIMPLE CONVERSATION AND LECTURING).
8. THE HEARER DELETES THE FORM IN WHICH THE MESSAGE WAS ORIGINALLY RECEIVED.
 TYPES OF SPOKEN LANGUAGE

MONOLOGUE DIALOGUE

Interpersonal Transactional

PLANNED UNPLANNED
Familiar Unfamiliar Unfamiliar Familiar
 HTTPS://WWW.ESOLCOURSES.COM/CONTENT/TOPICS/AUTUMN-
FESTIVALS/HALLOWEEN/HISTORY-OF-HALLOWEEN-LISTENING.HTML

1. WHO WERE THE FIRST PEOPLE TO CELEBRATE HALLOWEEN?

2. WHY DID PAGANS USED TO GATHER AND LIGHT FIRES AT HALLOWEEN?
3. WHEN DID HALLOWEEN BEGIN TO MERGE WITH CATHOLIC FESTIVALS?
4. WHAT WAS ALL SAINT DAY ORIGINALLY CALLED?
5. WHICH GROUP OF PEOPLE INTRODUCED THE HOLIDAY TO THE UNITED STATES?
6. WHAT IS THE CUSTOM OF PLAYING PRANKS AT HALLOWEEN CALLED?
 WHAT MAKES LISTENING DIFFICULT

1. CLUSTERING

DUE TO MEMORY LIMITATION AND OUR PREDISPOSITION FOR CHUNKING OR CLUSTERING, WE BREAK
DOWN SPEECH INTO SMALLER GROUPS OF WORDS.

2. REDUNDANCY

REPHRASING, REPETITIONS, ELABORATIONS AND MORE TIME AND EXTRA INFORMATION CAN BE
BORING .

3. REDUCED FORMS

PHONOLOGICAL, MORPHOLOGICAL, SYNTACTIC OR PRAGMATIC

4. PERFORMANCE VARIABLES

HESITATIONS, FALSE STARTS, PAUSES AND CORRECTIONS

 WHAT MAKES LISTENING DIFFICULTY

5. COLLOQUIAL LANGUAGE
IDIOMS, SLANG, REDUCED FORMS ARE DIFFICULT POINT TO DEAL
6. RATE OF DELIVERY
NATIVE SPEAKERS SPEAK TOO FAST AND LANGUAGE LEARNERS MAY NOT FULLY UNDERSTAND THEM
7. STRESS, RHYTHM AND INTONATION
SUBTLE MESSAGES LIKE SARCASM, INSULT, PRAISE.
8. INTERACTION
NEGOTIATION, CLARIFICATION, ATTENDING SIGNALS, TOPIC NOMINATION, TERMINATION, TURN TAKING.
MICROSKILLS OF LISTENING COMPREHENSION
1. RETAIN CHUNKS OF LANGUAGE OF DIFFERENT LENGTHS IN SHORT-TERM MEMORY.

2. DISCRIMINATE AMONG THE DISTINCTIVE SOUNDS OF ENGLISH.

3. RECOGNIZE ENGLISH STRESS PATTERNS, WORDS IN STRESSED AND UNSTRESSED POSITIONS, RHYTHMIC
STRUCTURE, INTONATIONAL CONTOURS, AND THEIR ROLE IN SIGNALING INFORMATION.

4. RECOGNIZE REDUCED FORMS OF WORDS.

5. DISTINGUISH WORD BOUNDARIES, RECOGNIZE A CORE OF WORDS, AND INTERPRET WORD ORDER PATTERNS AND
THEIR SIGNIFICANCE.

6. PROCESS SPEECH AT DIFFERENT RATES OF DELIVERY.

7. PROCESS SPEECH CONTAINING PAUSES, ERRORS, CORRECTIONS, AND OTHER PERFORMANCE VARIABLES.

8. RECOGNIZE GRAMMATICAL WORD CLASSES (NOUNS, VERBS AND ETC.) SYSTEMS (TENSE, AGREEMENT,
PLURALIZATION) PATTERNS, RULES, AND ELLIPTICAL FORMS.

9. DETECT SENTENCE CONSTITUENTS AND DISTINGUISH BETWEEN MAJOR AND MINOR CONSTITUTES.

10. RECOGNIZE THAT A PARTICULAR MEANING MAY BE EXPRESSED IN DIFFERENT GRAMMATICAL FORMS.
MACROSKILLS OF LISTENING
COMPREHENSION
1. RECOGNIZE COHESIVE DEVICES IN SPOKEN DISCOURSE.

2. RECOGNIZE THE COMMUNICATIVE FUNCTIONS OF UTTERANCES, ACCORDING TO SITUATIONS, PARTICIPANTS, GOALS.

3. INFER SITUATIONS, PARTICIPANTS, GOALS USING REAL-WORLD KNOWLEDGE.
4. FROM EVENTS, IDEAS, DESCRIBED, PREDICT OUTCOMES, INFER LINKS AND CONNECTIONS BETWEEN EVENTS,
DEDUCE CAUSES AND EFFECTS, AND DETECT SUCH RELATIONS AS MAIN IDEA, SUPPORTING IDEA, NEW
INFORMATION, GIVEN INFORMATION, GENERALIZATION AND EXEMPLIFICATION.
5. DISTINGUISH BETWEEN LITERAL AND IMPLIED MEANINGS.
6. USE FACIAL, KINESIC, BODY LANGUAGE, AND OTHER NONVERBAL CLUES TO DECIPHER MEANINGS.

7. DEVELOP AND USE A BATTERY OF LISTENING STRATEGIES, SUCH AS DETECTING KEY WORDS, GUESSING THE
MEANING OF WORDS FROM CONTEXT, APPEALING FOR HELP, AND SIGNALING COMPREHENSION OR LACK THEREOF.
Thank you for your time!