Kalighat is an old neighborhood in South Kolkata, India that is densely populated with a history of cultural intermingling. It is famous for the Kalighat Kali Temple dedicated to the goddess Kali, which is one of the 51 Shakti Peethas where the toe of Dakshayani is said to have fallen. Kalighat paintings developed in the 19th century as a response to new prosperity in Calcutta, depicting curving figures in earthy, satirical styles and sold in the city.
Kalighat is an old neighborhood in South Kolkata, India that is densely populated with a history of cultural intermingling. It is famous for the Kalighat Kali Temple dedicated to the goddess Kali, which is one of the 51 Shakti Peethas where the toe of Dakshayani is said to have fallen. Kalighat paintings developed in the 19th century as a response to new prosperity in Calcutta, depicting curving figures in earthy, satirical styles and sold in the city.
Kalighat is an old neighborhood in South Kolkata, India that is densely populated with a history of cultural intermingling. It is famous for the Kalighat Kali Temple dedicated to the goddess Kali, which is one of the 51 Shakti Peethas where the toe of Dakshayani is said to have fallen. Kalighat paintings developed in the 19th century as a response to new prosperity in Calcutta, depicting curving figures in earthy, satirical styles and sold in the city.
•Kalighat is a locality of Kolkata, India. One of the oldest
neighbourhoods in South Kolkata, Kalighat is also densely populated—with a history of cultural intermingling with the various foreign incursions into the area over time.
•A famous temple Kalighat Kali Temple dedicated to the
goddess Kali is situated in Kalighat. This is one of the 51 Shakti Peethas. The right toe of Dakshayani is said to have fallen here. The Shakti here is known as Kalika, while the Bhairava is Nakulesh. It is a very famous place and a pilgrimage for Shakta (Shiva and Durga/Kali/Shakti worshippers) followers within the Hindu religion. A lot of devotees come everyday to worship Goddess Kali but it is found that Saturdays and Tuesdays are the days when maximum number of devotees turn up. Kalighat temple has references in 15th century texts. The original temple was a small hut. The present temple was built by the Sabarna Roy Choudhury family of Barisha in 1809. They offered 595 bighas of land to the Temple deity so that worship and service could be continued smoothly. It is believed by some scholars that the name Calcutta was derived from Kalighata. In the early days traders halted at Kalighat to pay patronage to the goddess. The temple was initially on the banks of Hooghly. The river over a period of time has moved away from the temple. The temple is now on the banks of a small canal called Adi Ganga, connecting to Hooghly The shrine is revered as a Shakti Peetha by the Shaktism sect of Hinduism. The mythology of Daksha yaga[3] and Sati's self immolation is the story behind the origin of Shakti Peethas. Shakti Peethas are divine seats of Shakti formed due to the falling of body parts of the corpse of Sati Devi, when Lord Shiva carried it and wandered throughout Aryavartha in sorrow. There are 51 Shakti Peeth linking to the 51 alphabets in Sanskrit. Each temple have shrines for Shakti and Kalabhairava. The name of Shakti here is Kalika and the Kalabhairava as Nakuleshwar. It is believed that Sati Devi's Right Toes fell in Kalighat Shrine but as per some puranas the Mukha khanda or face of devi Sati fell in Kalighat Kalighat Painting : Kalighat painting, or pata (originally pronounced 'pot' in Bengali) is a style of Indian paintingderives its name from the place. It is characterised by generously curving figures of both men and women and an earthy satirical style. It developed during the nineteenth century in response to the sudden prosperity brought to Calcutta by the East India Company trade, whereby many houses including that of 'Prince' Dwarkanath Tagore, grandfather of Rabindranath Tagore became incredibly wealthy. Kalighat paintings were often a joint effort by a group of artists – usually from the same family. So while some members ground ingredients to create homemade dyes, others drew outlines of the figures, filled in the hues, or added the final touches in the form of motifs and background designs. These were then typically brought to be sold in the city. This type of painting continues to influence and charm artists and art lovers in contemporary India. The late artist Jamini Roy is among some of the most acclaimed painters who have been influenced by the distinctive style. Today, Kalighat paintings appear in museums and galleries across the globe, from the Victoria Memorial Hall in Kolkata to the Naprstek Museum in Prague.