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PDF Seminar Proposal Skripsi
PDF Seminar Proposal Skripsi
and goodwi l
Elma Vira Dahliani Ritonga
messages 2318o21
PBI бA
Conveying negative and goodwill
messages
4. USING DISCLAIMERS
The purpose oF using disclaimers is to limit one's responsibility when bad news occurs. For
example, hedging can involve highlighting the dihculty oF the task (e.g. “I'm not sure this
is going to work, but . . .”) or identiFying mitigating circumstances in the situation (e.g. “I
am operating under severe constraints”).
б. COALITION BUILDING
When the bad news has serious outcome (e.g. product quality problems, loss oF major customers), one
may need to seek help From key people in the organisation to reach consensus
about the situation and what should be done to address the problem, which is part oF
coalition building (PFeEer, 1981).
7. REHEARSAL
Both mental and actual rehearsal (Cox, 1987) are important For those who need to deliver
bad news, as this is emotional distressing.
b. The delivery phrase
The delivery phase reFers to all activities involved in the actual delivery oF the bad news.
2. MEDIUM OF DELIVERY
Which medium oF delivery to be used is another key concern and this is highly related to the richness oF
the media chosen. In the context oF delivering bad news, a medium, such as Face-to-Face
communication, is
much richer than media such as email, texting, or phone calls as there are Facial expressions and body
language cues which allow better understanding and immediate Feedback.
4. ACCOUNT GIVING
Giving an account or explanation can achieve a Few purposes: (1) people expect an account to be oEered
when receiving bad news (Bies & Moag, 198б); (2) the account can also be manipulated by bad news
deliverers to change the recipient's perception oF them.
The components
oF negative
messages written
•
DiEerent explanation types
a. Casual
Causal accounts are to “lessen a manager's apparent responsibility For a negative out-
come by pointing out circumstances that direct blame away From himselF or herselF.”
b. ReFerential
ReFerential accounts “serve to reFrame a negative outcome by providing a diEerent com-
parison standard For evaluating the outcome.”
c. Ideological
Ideological accounts also involve reFraming or changing one's perception, this time
Focusing on the action or decision oF the manager: “used with the intention oF
reFraming the action oF the manager by appealing to superordinate goals such as ‘For
the good oF the
organisation' or that the action was intended to be ‘character building' For the
employees.”
d. Penitential accounts
penitential account or apology aiming to reFrame one's perception oF the decision
maker: “The decision maker acknowledges the harm, takes responsibility For causing it,
and oEers a sincere apology.”
•
Analysis
Structure
penitential account or apology aiming to reFrame one's perception oF the decision
maker: “The decision maker acknowledges the harm, takes responsibility
For causing it, and oEers a sincere apology.”
be made are For the benett oF the reader (i.e. you and your Family).
Goodwi l
Messages
In goodwill correspondence:
1 Show that you care about other things besides
prott. 2 Do not include a sales pitch, except in
invitations.
3 Be sincere, but be concise and don't make your
message too long.
4 In the case oF sympathy messages, oEer practical
help but nothing too specitc.
Initial thanks:
5Thank you very much For . . .
6I would like to commend one oF your employees who has done a superb job . .
. 3 We would love to express our gratitude For your generous donation.
4 Please accept our sincere gratitude.
5 We are very grateFul For your support.
б I would like to express our appreciation . . .
Initial congratulations:
6Congratulations on . . .
7 Let me congratulate you on . . .
Initial sympathy:
1 I was saddened/distressed to hear oF . . .
2 I would like to extend deepest sympathy/condolences to . .
.
Initial invitation:
Formal:
6You are cordially invited to . . .
7I take great pleasure in inviting
you . . . Less Formal:
1 I would like to invite you
to . . . 2 You are invited to . . .
InFormal:
1 Please come . .
THAN@
YOU