•A group of experimental painters and a coterie of associated poets. They
lived or worked in downtown Manhattan during the 1950s and 1960s and bonded over their shared interests, beliefs, and styles. •The New York School is often divided into two groups, referred to as generations. The first generation poets of the New York School found their center and gathered after World War II during a major social and political shift. The New York School of Poets' second generation are more socially aware than the previous group, these young activists helped to establish non-academic community learning centers, such as the Poetry Project at St. Mark's Church, which was running until 2012. Literary Features • Though stylistic diversity existed within the group, New York School poetry tended to be: Witty Urbane conversational. • They like to juxtaposition uncommon objects, they also like to combine: The serious with the silly The profound with the absurd The highly formal with the casual Literary Works • First Generation Why I Am Not a Painter by Frank O’Hara The Day Lady Died by Frank O’Hara Hard Times by John Ashbery Locus Solus (alternately edited by Schuyler, Ashbery, and Koch) • Second Generation Wrong Train by Ted Berrigan Black Arts Literary Movement • The poets of this movement are often associated with the members of Black Power movement who grew frustrated with the pace of changes enacted by the civil rights movement of 1950’s and 1960’s.
• The Black Arts Movement was spurned by the assassination of
Black Nationalist Leader Malcolm X in 1965. Although the Black Arts movement began its decline during the mid-1970s, at the same time as the Black Power movement began its descent, it introduced a new breed of black poets and a new brand of black poetry. Literary Features • The three major criteria of the Black Arts movement, established by Ron Karenga, were that all black art must be: Functional Collective Committed • The functional nature of black art meant that the literary work must serve a purpose larger than merely the creation of art. Literary Works • Some of the publications in this period are: Freedomways Negro Digest (later renamed Black World) The Black Scholar The Journal of Black Poetry Liberator • There are also two important publishing houses during this period: Dudley Randall's Broadside Press in Detroit and Madhubuti's Third World Press in Chicago