historical change in Mongolia Presented by Isa Suleimanov AAV KHAD ( FATHER STONE) Aav Khad is a particular example of a general type of ritual site that is very common in Mongolia; shrines to local deities commonly known as gazaryn ezed, ‘land-masters’ or ‘spirits of the land’. These spiritual masters are ancient features of a distinctive Mongolian cosmology, originally ‘shamanic’ spirits that were accommodated by Buddhism. Elizabeth Endicott: «Buddhism in Mongolia had gradually over the centuries accommodated the preexisting beliefs of the pastoral nomadic population – beliefs in a plethora of gods associated with nature. Absorbing elements of shamanist rituals, Buddhism also incorporated a spiritual reverence for the land that supported the herders’ way of life.» This narrative reflects the dominant western scholarship on Mongolian religious practice, which has continued to reproduce the 19th century paradigm established by the Buryat scholar Dorji Banzarov (1822–55). OVOO SHRINE
Mongolian ‘folk religion’ was taken
to be a composite form in which Buddhist elements, introduced from Tibet, formed a sort of veneer over the older and more authentically Mongolian beliefs of ‘shamanism’. In most parts of Mongolia, the ovoo takes the form of a stone cairn topped with branches and poles, festooned with fluttering khii mor’ (‘wind horse’) prayer flags and khadag scarves. OVOO CEREMONIAL
In the 18th, 19th and early 20th centuries,
the seasonal ceremonies carried out at ovoos were important public events, conducted on auspicious days by religious and secular authorities and sometimes by commoner households. These rites were directed towards the savdag, the spiritual lords or ‘owners’ of the local territory, and the luus, the dragon spirits or naga of Buddhist cosmology. OVOO CEREMONIAL
In the contemporary era, then, ovoo
ceremonial is again cosmopolitical, just as it was in the pre-revolutionary one. But the political and cosmological orders that are referenced in the rites have been radically transformed. However, the dominant understanding of the ovoo is honouring shamanistic spirits, the gazaryn ezed ‘lords of the land’, that have inhabited the Mongolian landscape from ancient times to the present day, worshipped as part of a cultural engagement with the landscape based upon an equally ancient nomadic life-world. The Third Mergen Diyanchi Gegeen
One of the most influential figures in the popularization of Buddhism in Mongolia
was the Third Mergen Gegeen. Born in 1717, the third incarnation of the Mergen Diyanchi lineage of ‘Living Buddha’ incarnate lamas of the Urad region of Inner Mongolia, was one of the most prolific writers of 18th century Mongolia. His writings include numerous ritual texts devoted to local deities, the spiritual masters of the land and water, including the sacred mountain Muna Khan and the Yellow River. The Third Mergen Gegen wrote and widely circulated rituals that reconceptualized the role of local deities in Buddhist Mongolia. It provides a historical example of the politics of humans mediating the recruitment of the natural environment into public discourse, in this case via ritual texts. Contemporary cosmological construction at Aav Khad “A person named Sharavsambüü worshipped this rock, and was living there and then died. So his monument was raised. I heard that he was living here around 1970, then it was raised after the market economy began” For what purpose do people worship there? Sharavsambüü asked his children to ‘please go and worship’ (shütej yavaarai) the stone after he died. [His children said] ‘Our father fed us here and died here. Since that time we were living here and we became rich. Our father was living in this homeland’, and they worshipped this rock and put some khadags there and were going on like this. Only then did it become a shrine (shüteen) Sharavsambüü worked in Norovlin district for twenty years as a teacher and, upon retirement, moved to Batnorov district and began the rock worship, the man explained. After stating that he himself was local – born and raised in Batnorov – the man assured us that, ‘a long time ago, there was nothing inherited there. People in this homeland do not worship it [this rock], just this one family. There is no history from long ago’. Conclusion Textual sources provide a crucial perspective in understanding cosmologies as dynamic. By drawing from historical sources, we can understand how dramatically ovoo ceremonies and lords of the land have changed from the 18th, 19th and early 20th centuries to the present. Drawing from textual sources also reveals how a historical figure – Mergen Diyanchi – can re-write different kinds of relations between Buddhist establishment and local deities to suit their political and religious interests. THANKS FOR YOUR ATTENTION