CREATIVE

WRITING
GROUP 1

VICTORIO - VILLAREAL – SALVACION – CALIZO – AGUILA, 0 – TARIAO –

QUINATADCAN – VILLARAN – GARCIA, S -
What are short exercises in drama?
They are the tools used by drama teachers and directors.
Exercises take away that Blank page and stimulate creativity
by challenging a writer to think about an idea that is already
Somewhat defined and therefore easier to imagine.

How to write short exercises in drama?

In writing short exercises, one must consider the
Elements of drama. There are twelve dramatic elements at
the core of all drama.
What are the twelve dramatic elements
at the core of drama?

Aside from the characters,

dialogue, and plot,
one must Also consider
the other elements such as:
1.FOCUS
Focus is often used interchangeably with the terms
concentration and engagement; assisting the performer
In the portrayal of believable characters

2. TENSION
Tension can sometimes be used as an interchangeable
Term with conflict. The development of tension
Usually parallels the advancement of the plot;
Leading toa crisis or climax.
3. TIMING
Timing in performance refers to dramatic synchronization
Of movements and gestures, Rhytym and pace are
Affected by timing.

4. RHYTYM
Rhytym refers to the timing and pace of the drama. It also
Means the beat or tempo of the performance .

5. CONTRAST
Contrast makes the performance interesting
And full of tension.
6. MOOD
It refers to ambience or aura and is often created through a
Combination of several dramatic and stagecraft elements
Working in harmony with each other.

7. SPACE
This dramatic element refers to the effective use of available
Space in a performance. Movement is essential for space to be
used effectively.

8. LANGUAGE
Language is the spoken text. The use of language in performance can
Be verbal, vocal or nonverbal.
9. SOUND
Modern theatertrical practice relies on
sound to assist in a number of ways.
It can be useful in creating atmosphere or mood.
10. SYMBOL
The use of symbol in dramatic performances can
be one of the simplest and also most complicated
of all techniques. Essentially,symbolism
implies a greater meaning than the literal suggestion.
11. CONFLICT

Drama that lacks conflict is normally dull and

uninspiring. As a rule,conflict should always be
considered an essential ingredient for all dramatic
performances. Conflict can be between two or more
Characters, or simply one (inner conflict). Conflict
on stage can be verbal,physical or non verbal
(psychological). Conflict differs from tension in
That It is often a fixed part of the structure of a
play; with characters destined
To clash with one another from the outset.
12. CLIMAX
The ultimate crisis, or
highest peak,is usually
called the climax and often
(but not always) occurs
Toward the end of a
performance.
TIPS THAT CAN BE HELPFUL IN SHORT EXERCISES
AND CREATING A PLAY
: ALL SCENES THAT THEY WRITE SHOULD HAVE A TITLE.

: WRITERS NEED TO DESCRIBE THE SET,TIME, AND PLACE.

: FOCUS ON DIALOGUE.

: MAKE SURE NECESSARY PHYSICAL ACTIONS ARE CLEARLY DEFINED

: KEEP SCENES SIMPLE- ONE SETTING AND 2 TO 3 CHARACTERS

: EACH SHORT PLAY SHOULD HAVE A BEGINNING, MIDDLE, AND END.

AND THAT’S ALL
THANK YOU
FOR LISTENING!