The document provides information about Dada and Marcel Duchamp's readymades from the Museum of Modern Art. It includes images and descriptions of some of Duchamp's readymades like Bicycle Wheel and In Advance of the Broken Arm. It also discusses other Dada artists' works using techniques like collage, photomontage and assemblage. Additionally, it covers Dada's use of word play and artistic collaboration between figures such as Hans Arp, Kurt Schwitters, and Theo van Doesburg.
The document provides information about Dada and Marcel Duchamp's readymades from the Museum of Modern Art. It includes images and descriptions of some of Duchamp's readymades like Bicycle Wheel and In Advance of the Broken Arm. It also discusses other Dada artists' works using techniques like collage, photomontage and assemblage. Additionally, it covers Dada's use of word play and artistic collaboration between figures such as Hans Arp, Kurt Schwitters, and Theo van Doesburg.
The document provides information about Dada and Marcel Duchamp's readymades from the Museum of Modern Art. It includes images and descriptions of some of Duchamp's readymades like Bicycle Wheel and In Advance of the Broken Arm. It also discusses other Dada artists' works using techniques like collage, photomontage and assemblage. Additionally, it covers Dada's use of word play and artistic collaboration between figures such as Hans Arp, Kurt Schwitters, and Theo van Doesburg.
The first gallery of the First International Dada Fair. This photo was taken in the room of fine art dealer Dr. Otto Burchard. Berlin, Germany, June 30-August 25, 1920.
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Marcel Duchamp and the Readymade
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• Take a moment to think about what makes something a work of art.
• Does Marcel Duchamp’s
sculpture fulfill any of your criteria for something to be called a work of art?
Marcel Duchamp. Bicycle
Wheel. New York, 1951 (third version, after lost original of 1913).
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Marcel Duchamp. In Advance of the Broken Arm. August 1964 (fourth version, after lost original of November 1915).
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Marcel Duchamp. Fresh Widow. 1920.
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Marcel Duchamp. 3 Standard Stoppages. 1913–14.
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Chance Creations: Collage, Photomontage, and Assemblage
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Max Ernst. The Hat Makes the Man. 1920.
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Kurt Schwitters. Merz Picture 32 A. The Cherry Picture. 1921.
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Jean (Hans) Arp. Untitled (Collage with Squares Arranged According to the Laws of Chance. 1916–17.
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Man Ray. The Rope Dancer Accompanies Herself with Her Shadows. 1916.
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Marcel Duchamp. 3 Standard Stoppages. 1913–14.
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Artistic Collaboration
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Richard Boix. Da-da (New York Dada Group). 1921.
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El Lissitzky. Cabaret Voltaire Program for Merz-Matinéen. 1923.